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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB429E it is the complementary color #34BD61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB429E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB429E shade: #D04299, #E154AC, #F266BF, #FF78D2 and #FF8AE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB429E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB429E shade: #CB429E, #BA308B, #A91E78, #980C65 and #870052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB429E shade: #CB439F, #CB437A, #CB4355 and #CB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB429E shade: #CB439F, #CB43C3, #AF43CB, #8A43CB and #6543CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB429E shade matches the following richer shades: #CB439F, #DF2FA5 and #F21CAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB429E shade: #CB439F, #B85698, #A56A91, #917D8B and #7E9084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB429E shade: #AE43CB, #CB43C5, #CB43A0, #CB437C and #CB4357

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB429E shade: #932870, #B43189, #CB439F, #D463AF and #DD84C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB429E shade: #CB429E, #CB8943 and #43CBC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB429E shade: #CB429E, #A0CB43 and #43A0CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB429E shade: #CB429E, #CB8943, #43CB6E and #4385CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB429E shade: #CB429E, #CBB243, #43CB6E and #435CCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 22 / 20

HEX #CB429E

RGB 203 66 158

HSL 319.71, 0.57%, 0.53%

LAB 50.76, 62.77, -20.98

 

Complementary color

CMYK 72 / 0 / 49 / 26

HEX #34BD61

RGB 52 189 97

HSL 139.71, 0.57%, 0.47%

LAB 68.01, -56.19, 36.12

 

CMYK 0 / 68 / 26 / 18

HEX #D04299

RGB 208 66 153

HSL 323.24, 0.6%, 0.54%

LAB 51.39, 63.46, -16.98

 

CMYK 0 / 63 / 24 / 12

HEX #E154AC

RGB 225 84 172

HSL 322.55, 0.7%, 0.61%

LAB 57.39, 63.49, -18.73

 

CMYK 0 / 58 / 21 / 5

HEX #F266BF

RGB 242 102 191

HSL 321.86, 0.84%, 0.67%

LAB 63.46, 63.2, -20.15

 

CMYK 0 / 53 / 18 / 0

HEX #FF78D2

RGB 255 120 210

HSL 320, 1%, 0.74%

LAB 69, 61.55, -22.22

 

CMYK 0 / 46 / 10 / 0

HEX #FF8AE5

RGB 255 138 229

HSL 313.33, 1%, 0.77%

LAB 72.95, 55.9, -26.68

 

CMYK 0 / 67 / 22 / 20

HEX #CB429E

RGB 203 66 158

HSL 319.71, 0.57%, 0.53%

LAB 50.76, 62.77, -20.98

 

CMYK 0 / 74 / 25 / 27

HEX #BA308B

RGB 186 48 139

HSL 320.43, 0.59%, 0.46%

LAB 44.83, 62.26, -18.95

 

CMYK 0 / 82 / 29 / 34

HEX #A91E78

RGB 169 30 120

HSL 321.15, 0.7%, 0.39%

LAB 39.1, 60.95, -16.31

 

CMYK 0 / 92 / 34 / 40

HEX #980C65

RGB 152 12 101

HSL 321.86, 0.85%, 0.32%

LAB 33.73, 58.41, -12.79

 

CMYK 0 / 100 / 39 / 47

HEX #870052

RGB 135 0 82

HSL 323.56, 1%, 0.26%

LAB 28.8, 54.31, -8.2

 

CMYK 0 / 67 / 22 / 20

HEX #CB439F

RGB 203 67 159

HSL 319.41, 0.57%, 0.53%

LAB 50.94, 62.52, -21.3

 

CMYK 0 / 67 / 40 / 20

HEX #CB437A

RGB 203 67 122

HSL 335.74, 0.57%, 0.53%

LAB 49.64, 58.08, -1.13

 

CMYK 0 / 67 / 58 / 20

HEX #CB4355

RGB 203 67 85

HSL 352.06, 0.57%, 0.53%

LAB 48.72, 54.82, 20

 

CMYK 0 / 67 / 67 / 20

HEX #CB4343

RGB 203 67 67

HSL 0, 0.57%, 0.53%

LAB 48.41, 53.68, 30.33

 

CMYK 0 / 67 / 22 / 20

HEX #CB439F

RGB 203 67 159

HSL 319.41, 0.57%, 0.53%

LAB 50.94, 62.52, -21.3

 

CMYK 0 / 67 / 4 / 20

HEX #CB43C3

RGB 203 67 195

HSL 303.53, 0.57%, 0.53%

LAB 52.57, 67.84, -39.79

 

CMYK 14 / 67 / 0 / 20

HEX #AF43CB

RGB 175 67 203

HSL 287.65, 0.57%, 0.53%

LAB 48.81, 62.83, -50.63

 

CMYK 32 / 67 / 0 / 20

HEX #8A43CB

RGB 138 67 203

HSL 271.32, 0.57%, 0.53%

LAB 43.84, 54.84, -58.88

 

CMYK 50 / 67 / 0 / 20

HEX #6543CB

RGB 101 67 203

HSL 255, 0.57%, 0.53%

LAB 39.74, 47.7, -65.73

 

CMYK 0 / 67 / 22 / 20

HEX #CB439F

RGB 203 67 159

HSL 319.41, 0.57%, 0.53%

LAB 50.94, 62.52, -21.3

 

CMYK 0 / 79 / 26 / 13

HEX #DF2FA5

RGB 223 47 165

HSL 319.77, 0.73%, 0.53%

LAB 52.33, 74.6, -22.42

 

CMYK 0 / 88 / 29 / 5

HEX #F21CAC

RGB 242 28 172

HSL 319.63, 0.89%, 0.53%

LAB 54.75, 83.24, -22.52

 

CMYK 0 / 67 / 22 / 20

HEX #CB439F

RGB 203 67 159

HSL 319.41, 0.57%, 0.53%

LAB 50.94, 62.52, -21.3

 

CMYK 0 / 53 / 17 / 28

HEX #B85698

RGB 184 86 152

HSL 319.59, 0.41%, 0.53%

LAB 50.82, 47.67, -17.6

 

CMYK 0 / 36 / 12 / 35

HEX #A56A91

RGB 165 106 145

HSL 320.34, 0.25%, 0.53%

LAB 52.23, 29.56, -11.56

 

CMYK 0 / 14 / 4 / 43

HEX #917D8B

RGB 145 125 139

HSL 318, 0.08%, 0.53%

LAB 54.61, 10.24, -4.73

 

CMYK 13 / 0 / 8 / 44

HEX #7E9084

RGB 126 144 132

HSL 140, 0.08%, 0.53%

LAB 58.08, -8.91, 4.19

 

CMYK 14 / 67 / 0 / 20

HEX #AE43CB

RGB 174 67 203

HSL 287.21, 0.57%, 0.53%

LAB 48.67, 62.61, -50.86

 

CMYK 0 / 67 / 3 / 20

HEX #CB43C5

RGB 203 67 197

HSL 302.65, 0.57%, 0.53%

LAB 52.67, 68.16, -40.79

 

CMYK 0 / 67 / 21 / 20

HEX #CB43A0

RGB 203 67 160

HSL 318.97, 0.57%, 0.53%

LAB 50.98, 62.66, -21.83

 

CMYK 0 / 67 / 39 / 20

HEX #CB437C

RGB 203 67 124

HSL 334.85, 0.57%, 0.53%

LAB 49.7, 58.29, -2.25

 

CMYK 0 / 67 / 57 / 20

HEX #CB4357

RGB 203 67 87

HSL 351.18, 0.57%, 0.53%

LAB 48.76, 54.96, 18.84

 

CMYK 0 / 73 / 24 / 42

HEX #932870

RGB 147 40 112

HSL 319.63, 0.57%, 0.37%

LAB 35.77, 51.28, -16.75

 

CMYK 0 / 73 / 24 / 29

HEX #B43189

RGB 180 49 137

HSL 319.69, 0.57%, 0.45%

LAB 43.81, 60.14, -19.39

 

CMYK 0 / 67 / 22 / 20

HEX #CB439F

RGB 203 67 159

HSL 319.41, 0.57%, 0.53%

LAB 50.94, 62.52, -21.3

 

CMYK 0 / 53 / 17 / 17

HEX #D463AF

RGB 212 99 175

HSL 319.65, 0.57%, 0.61%

LAB 58.05, 53.47, -19.63

 

CMYK 0 / 40 / 13 / 13

HEX #DD84C0

RGB 221 132 192

HSL 319.55, 0.57%, 0.69%

LAB 66.28, 42.39, -16.7

 

CMYK 0 / 67 / 22 / 20

HEX #CB429E

RGB 203 66 158

HSL 319.71, 0.57%, 0.53%

LAB 50.76, 62.77, -20.98

 

CMYK 0 / 33 / 67 / 20

HEX #CB8943

RGB 203 137 67

HSL 30.88, 0.57%, 0.53%

LAB 62.5, 18.6, 46.74

 

CMYK 67 / 0 / 5 / 20

HEX #43CBC0

RGB 67 203 192

HSL 175.15, 0.57%, 0.53%

LAB 74.64, -38.62, -5.22

 

CMYK 0 / 67 / 22 / 20

HEX #CB429E

RGB 203 66 158

HSL 319.71, 0.57%, 0.53%

LAB 50.76, 62.77, -20.98

 

CMYK 21 / 0 / 67 / 20

HEX #A0CB43

RGB 160 203 67

HSL 78.97, 0.57%, 0.53%

LAB 76.43, -33.76, 60.55

 

CMYK 67 / 21 / 0 / 20

HEX #43A0CB

RGB 67 160 203

HSL 198.97, 0.57%, 0.53%

LAB 62.21, -13.93, -30.09

 

CMYK 0 / 67 / 22 / 20

HEX #CB429E

RGB 203 66 158

HSL 319.71, 0.57%, 0.53%

LAB 50.76, 62.77, -20.98

 

CMYK 0 / 33 / 67 / 20

HEX #CB8943

RGB 203 137 67

HSL 30.88, 0.57%, 0.53%

LAB 62.5, 18.6, 46.74

 

CMYK 67 / 0 / 46 / 20

HEX #43CB6E

RGB 67 203 110

HSL 138.97, 0.57%, 0.53%

LAB 72.91, -56.66, 35.85

 

CMYK 67 / 34 / 0 / 20

HEX #4385CB

RGB 67 133 203

HSL 210.88, 0.57%, 0.53%

LAB 54.32, 1.45, -42.42

 

CMYK 0 / 67 / 22 / 20

HEX #CB429E

RGB 203 66 158

HSL 319.71, 0.57%, 0.53%

LAB 50.76, 62.77, -20.98

 

CMYK 0 / 12 / 67 / 20

HEX #CBB243

RGB 203 178 67

HSL 48.97, 0.57%, 0.53%

LAB 72.85, -3.48, 57.86

 

CMYK 67 / 0 / 46 / 20

HEX #43CB6E

RGB 67 203 110

HSL 138.97, 0.57%, 0.53%

LAB 72.91, -56.66, 35.85

 

CMYK 67 / 55 / 0 / 20

HEX #435CCB

RGB 67 92 203

HSL 228.97, 0.57%, 0.53%

LAB 43, 26.96, -60.54

 

Description

Color code: HEX #CB429E | qconv.com Color code: HEX #CB429E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 66 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 66 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 22 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 22% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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