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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB1BE6 it is the complementary color #34E419. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB1BE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB1BE6 shade: #D01BE1, #E12DF4, #F23FFF, #FF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB1BE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB1BE6 shade: #CB1BE6, #BA09D3, #A900C0, #9800AD and #87009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB1BE6 shade: #CA1AE6, #E61ACA, #E61A93, #E61A5C and #E61A25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB1BE6 shade: #CA1AE6, #931AE6, #5C1AE6, #251AE6 and #1A1AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB1BE6 shade matches the following richer shades: #CA1AE6 and #DA05FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB1BE6 shade: #CA1AE6, #BB2ED1, #AC43BC, #9D57A8 and #8E6C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB1BE6 shade: #5D1AE6, #941AE6, #CA1AE6, #E61ACA and #E61A94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB1BE6 shade: #89119B, #AA15C0, #CA1AE6, #D33FEA and #DB64EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB1BE6 shade: #CB1BE6, #E6271A and #1AE679

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB1BE6 shade: #CB1BE6, #E6CA1A and #1AE6CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB1BE6 shade: #CB1BE6, #E6271A, #35E61A and #1AD8E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB1BE6 shade: #CB1BE6, #E6641A, #35E61A and #1A9BE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 88 / 0 / 10

HEX #CB1BE6

RGB 203 27 230

HSL 292.02, 0.8%, 0.5%

LAB 50.91, 84.09, -62.43

 

Complementary color

CMYK 77 / 0 / 89 / 11

HEX #34E419

RGB 52 228 25

HSL 112.02, 0.8%, 0.5%

LAB 79.78, -74.93, 74.19

 

CMYK 8 / 88 / 0 / 12

HEX #D01BE1

RGB 208 27 225

HSL 294.85, 0.79%, 0.49%

LAB 51.42, 84.09, -58.74

 

CMYK 8 / 82 / 0 / 4

HEX #E12DF4

RGB 225 45 244

HSL 294.27, 0.9%, 0.57%

LAB 56.5, 86.54, -61.12

 

CMYK 5 / 75 / 0 / 0

HEX #F23FFF

RGB 242 63 255

HSL 295.94, 1%, 0.62%

LAB 61.35, 86.86, -59.31

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 12 / 88 / 0 / 10

HEX #CB1BE6

RGB 203 27 230

HSL 292.02, 0.8%, 0.5%

LAB 50.91, 84.09, -62.43

 

CMYK 12 / 96 / 0 / 17

HEX #BA09D3

RGB 186 9 211

HSL 292.57, 0.92%, 0.43%

LAB 46.09, 80.57, -59.51

 

CMYK 12 / 100 / 0 / 25

HEX #A900C0

RGB 169 0 192

HSL 292.81, 1%, 0.38%

LAB 41.6, 75.8, -55.88

 

CMYK 12 / 100 / 0 / 32

HEX #9800AD

RGB 152 0 173

HSL 292.72, 1%, 0.34%

LAB 37.28, 70.14, -51.76

 

CMYK 12 / 100 / 0 / 40

HEX #87009A

RGB 135 0 154

HSL 292.6, 1%, 0.3%

LAB 32.88, 64.36, -47.55

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 0 / 89 / 12 / 10

HEX #E61ACA

RGB 230 26 202

HSL 308.24, 0.8%, 0.5%

LAB 53.84, 84.76, -41.51

 

CMYK 0 / 89 / 36 / 10

HEX #E61A93

RGB 230 26 147

HSL 324.41, 0.8%, 0.5%

LAB 51.46, 78.43, -12.93

 

CMYK 0 / 89 / 60 / 10

HEX #E61A5C

RGB 230 26 92

HSL 340.59, 0.8%, 0.5%

LAB 49.9, 74.11, 18.2

 

CMYK 0 / 89 / 84 / 10

HEX #E61A25

RGB 230 26 37

HSL 356.76, 0.8%, 0.5%

LAB 49.12, 71.9, 49.25

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 36 / 89 / 0 / 10

HEX #931AE6

RGB 147 26 230

HSL 275.59, 0.8%, 0.5%

LAB 42.24, 76.37, -76.92

 

CMYK 60 / 89 / 0 / 10

HEX #5C1AE6

RGB 92 26 230

HSL 259.41, 0.8%, 0.5%

LAB 35.45, 70.91, -88.34

 

CMYK 84 / 89 / 0 / 10

HEX #251AE6

RGB 37 26 230

HSL 243.24, 0.8%, 0.5%

LAB 31.45, 68.14, -95.11

 

CMYK 89 / 89 / 0 / 10

HEX #1A1AE6

RGB 26 26 230

HSL 240, 0.8%, 0.5%

LAB 31.05, 67.88, -95.79

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 13 / 98 / 0 / 2

HEX #DA05FA

RGB 218 5 250

HSL 292.16, 0.96%, 0.5%

LAB 53.94, 91.74, -68.66

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 11 / 78 / 0 / 18

HEX #BB2ED1

RGB 187 46 209

HSL 291.9, 0.64%, 0.5%

LAB 48.41, 73.7, -54.61

 

CMYK 9 / 64 / 0 / 26

HEX #AC43BC

RGB 172 67 188

HSL 292.07, 0.47%, 0.5%

LAB 47.52, 59.31, -44.03

 

CMYK 7 / 48 / 0 / 34

HEX #9D57A8

RGB 157 87 168

HSL 291.85, 0.32%, 0.5%

LAB 48.02, 41.74, -31.66

 

CMYK 3 / 27 / 0 / 42

HEX #8E6C93

RGB 142 108 147

HSL 292.31, 0.15%, 0.5%

LAB 50.2, 20.66, -16.07

 

CMYK 60 / 89 / 0 / 10

HEX #5D1AE6

RGB 93 26 230

HSL 259.71, 0.8%, 0.5%

LAB 35.56, 70.98, -88.17

 

CMYK 36 / 89 / 0 / 10

HEX #941AE6

RGB 148 26 230

HSL 275.88, 0.8%, 0.5%

LAB 42.38, 76.49, -76.68

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 0 / 89 / 12 / 10

HEX #E61ACA

RGB 230 26 202

HSL 308.24, 0.8%, 0.5%

LAB 53.84, 84.76, -41.51

 

CMYK 0 / 89 / 36 / 10

HEX #E61A94

RGB 230 26 148

HSL 324.12, 0.8%, 0.5%

LAB 51.5, 78.53, -13.48

 

CMYK 12 / 89 / 0 / 39

HEX #89119B

RGB 137 17 155

HSL 292.17, 0.8%, 0.34%

LAB 34.16, 62.34, -46.08

 

CMYK 11 / 89 / 0 / 25

HEX #AA15C0

RGB 170 21 192

HSL 292.28, 0.8%, 0.42%

LAB 42.59, 73.51, -54.26

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 10 / 73 / 0 / 8

HEX #D33FEA

RGB 211 63 234

HSL 291.93, 0.8%, 0.58%

LAB 55.43, 77.43, -57.37

 

CMYK 8 / 58 / 0 / 7

HEX #DB64EE

RGB 219 100 238

HSL 291.74, 0.8%, 0.66%

LAB 61.95, 65.47, -49.14

 

CMYK 12 / 88 / 0 / 10

HEX #CB1BE6

RGB 203 27 230

HSL 292.02, 0.8%, 0.5%

LAB 50.91, 84.09, -62.43

 

CMYK 0 / 83 / 89 / 10

HEX #E6271A

RGB 230 39 26

HSL 3.82, 0.8%, 0.5%

LAB 49.92, 69.22, 54.96

 

CMYK 89 / 0 / 47 / 10

HEX #1AE679

RGB 26 230 121

HSL 147.94, 0.8%, 0.5%

LAB 80.85, -68.98, 40.36

 

CMYK 12 / 88 / 0 / 10

HEX #CB1BE6

RGB 203 27 230

HSL 292.02, 0.8%, 0.5%

LAB 50.91, 84.09, -62.43

 

CMYK 0 / 12 / 89 / 10

HEX #E6CA1A

RGB 230 202 26

HSL 51.76, 0.8%, 0.5%

LAB 81.37, -5.73, 79.02

 

CMYK 89 / 0 / 12 / 10

HEX #1AE6CA

RGB 26 230 202

HSL 171.76, 0.8%, 0.5%

LAB 82.42, -51.47, 0.78

 

CMYK 12 / 88 / 0 / 10

HEX #CB1BE6

RGB 203 27 230

HSL 292.02, 0.8%, 0.5%

LAB 50.91, 84.09, -62.43

 

CMYK 0 / 83 / 89 / 10

HEX #E6271A

RGB 230 39 26

HSL 3.82, 0.8%, 0.5%

LAB 49.92, 69.22, 54.96

 

CMYK 77 / 0 / 89 / 10

HEX #35E61A

RGB 53 230 26

HSL 112.06, 0.8%, 0.5%

LAB 80.42, -75.35, 74.57

 

CMYK 89 / 6 / 0 / 10

HEX #1AD8E6

RGB 26 216 230

HSL 184.12, 0.8%, 0.5%

LAB 79.07, -37.39, -19.1

 

CMYK 12 / 88 / 0 / 10

HEX #CB1BE6

RGB 203 27 230

HSL 292.02, 0.8%, 0.5%

LAB 50.91, 84.09, -62.43

 

CMYK 0 / 57 / 89 / 10

HEX #E6641A

RGB 230 100 26

HSL 21.76, 0.8%, 0.5%

LAB 58.05, 47.14, 61.03

 

CMYK 77 / 0 / 89 / 10

HEX #35E61A

RGB 53 230 26

HSL 112.06, 0.8%, 0.5%

LAB 80.42, -75.35, 74.57

 

CMYK 89 / 33 / 0 / 10

HEX #1A9BE6

RGB 26 155 230

HSL 202.06, 0.8%, 0.5%

LAB 61.11, -6.02, -46.87

 

Description

Color code: HEX #CB1BE6 | qconv.com Color code: HEX #CB1BE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 27 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 27 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 88 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 88% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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