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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB145F it is the complementary color #34EBA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB145F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB145F shade: #D0145A, #E1266D, #F23880, #FF4A93 and #FF5CA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB145F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB145F shade: #CB145F, #BA024C, #A90039, #980026 and #870013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB145F shade: #CC1460, #CC142E and #CC1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB145F shade: #CC1460, #CC1491, #CC14C3, #A414CC and #7214CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB145F shade matches the following richer shades: #CC1460 and #DE025C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB145F shade: #CC1460, #BA2663, #A83966, #964B69 and #845D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB145F shade: #CC14C3, #CC1492, #CC1461, #CC1430 and #CC2A14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB145F shade: #810D3C, #A7104E, #CC1460, #E92173 and #ED468A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB145F shade: #CB145F, #CCA414 and #14AACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB145F shade: #CB145F, #61CC14 and #1461CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB145F shade: #CB145F, #CCA414, #14CC80 and #143CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB145F shade: #CB145F, #BDCC14, #14CC80 and #2414CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 53 / 20

HEX #CB145F

RGB 203 20 95

HSL 335.41, 0.82%, 0.44%

LAB 44.27, 68.69, 7.72

 

Complementary color

CMYK 78 / 0 / 32 / 8

HEX #34EBA0

RGB 52 235 160

HSL 155.41, 0.82%, 0.56%

LAB 83.28, -61.29, 24

 

CMYK 0 / 90 / 57 / 18

HEX #D0145A

RGB 208 20 90

HSL 337.66, 0.82%, 0.45%

LAB 45.15, 69.55, 12.23

 

CMYK 0 / 83 / 52 / 12

HEX #E1266D

RGB 225 38 109

HSL 337.22, 0.76%, 0.52%

LAB 50.09, 71.79, 7.94

 

CMYK 0 / 77 / 47 / 5

HEX #F23880

RGB 242 56 128

HSL 336.77, 0.88%, 0.58%

LAB 55.34, 73.11, 4.41

 

CMYK 0 / 71 / 42 / 0

HEX #FF4A93

RGB 255 74 147

HSL 335.8, 1%, 0.65%

LAB 60.13, 72.66, 0.42

 

CMYK 0 / 64 / 35 / 0

HEX #FF5CA6

RGB 255 92 166

HSL 332.76, 1%, 0.68%

LAB 63.07, 68, -6.26

 

CMYK 0 / 90 / 53 / 20

HEX #CB145F

RGB 203 20 95

HSL 335.41, 0.82%, 0.44%

LAB 44.27, 68.69, 7.72

 

CMYK 0 / 99 / 59 / 27

HEX #BA024C

RGB 186 2 76

HSL 335.87, 0.98%, 0.37%

LAB 39.59, 65.41, 12.69

 

CMYK 0 / 100 / 66 / 34

HEX #A90039

RGB 169 0 57

HSL 339.76, 1%, 0.33%

LAB 35.46, 60.46, 18.79

 

CMYK 0 / 100 / 75 / 40

HEX #980026

RGB 152 0 38

HSL 345, 1%, 0.3%

LAB 31.38, 55.34, 25.24

 

CMYK 0 / 100 / 86 / 47

HEX #870013

RGB 135 0 19

HSL 351.56, 1%, 0.26%

LAB 27.29, 50.3, 31.58

 

CMYK 0 / 90 / 53 / 20

HEX #CC1460

RGB 204 20 96

HSL 335.22, 0.82%, 0.44%

LAB 44.49, 69, 7.44

 

CMYK 0 / 90 / 77 / 20

HEX #CC142E

RGB 204 20 46

HSL 351.52, 0.82%, 0.44%

LAB 43.56, 66.37, 37.07

 

CMYK 0 / 90 / 90 / 20

HEX #CC1414

RGB 204 20 20

HSL 0, 0.82%, 0.44%

LAB 43.34, 65.76, 50.31

 

CMYK 0 / 90 / 53 / 20

HEX #CC1460

RGB 204 20 96

HSL 335.22, 0.82%, 0.44%

LAB 44.49, 69, 7.44

 

CMYK 0 / 90 / 29 / 20

HEX #CC1491

RGB 204 20 145

HSL 319.24, 0.82%, 0.44%

LAB 46.15, 73.52, -20.27

 

CMYK 0 / 90 / 4 / 20

HEX #CC14C3

RGB 204 20 195

HSL 302.93, 0.82%, 0.44%

LAB 48.61, 79.91, -46.05

 

CMYK 20 / 90 / 0 / 20

HEX #A414CC

RGB 164 20 204

HSL 286.96, 0.82%, 0.44%

LAB 42.39, 74.8, -61.64

 

CMYK 44 / 90 / 0 / 20

HEX #7214CC

RGB 114 20 204

HSL 270.65, 0.82%, 0.44%

LAB 34.88, 68.3, -74.22

 

CMYK 0 / 90 / 53 / 20

HEX #CC1460

RGB 204 20 96

HSL 335.22, 0.82%, 0.44%

LAB 44.49, 69, 7.44

 

CMYK 0 / 99 / 59 / 13

HEX #DE025C

RGB 222 2 92

HSL 335.45, 0.98%, 0.44%

LAB 47.42, 74.73, 14.57

 

CMYK 0 / 90 / 53 / 20

HEX #CC1460

RGB 204 20 96

HSL 335.22, 0.82%, 0.44%

LAB 44.49, 69, 7.44

 

CMYK 0 / 80 / 47 / 27

HEX #BA2663

RGB 186 38 99

HSL 335.27, 0.66%, 0.44%

LAB 42.35, 60.96, 2.02

 

CMYK 0 / 66 / 39 / 34

HEX #A83966

RGB 168 57 102

HSL 335.68, 0.49%, 0.44%

LAB 41.55, 49.39, -1.42

 

CMYK 0 / 50 / 30 / 41

HEX #964B69

RGB 150 75 105

HSL 336, 0.33%, 0.44%

LAB 42.06, 34.98, -2.86

 

CMYK 0 / 30 / 17 / 48

HEX #845D6D

RGB 132 93 109

HSL 335.38, 0.17%, 0.44%

LAB 44, 18.55, -2.72

 

CMYK 0 / 90 / 4 / 20

HEX #CC14C3

RGB 204 20 195

HSL 302.93, 0.82%, 0.44%

LAB 48.61, 79.91, -46.05

 

CMYK 0 / 90 / 28 / 20

HEX #CC1492

RGB 204 20 146

HSL 318.91, 0.82%, 0.44%

LAB 46.19, 73.63, -20.81

 

CMYK 0 / 90 / 52 / 20

HEX #CC1461

RGB 204 20 97

HSL 334.89, 0.82%, 0.44%

LAB 44.52, 69.08, 6.85

 

CMYK 0 / 90 / 76 / 20

HEX #CC1430

RGB 204 20 48

HSL 350.87, 0.82%, 0.44%

LAB 43.58, 66.44, 35.92

 

CMYK 0 / 79 / 90 / 20

HEX #CC2A14

RGB 204 42 20

HSL 7.17, 0.82%, 0.44%

LAB 45, 61.03, 51.49

 

CMYK 0 / 90 / 53 / 49

HEX #810D3C

RGB 129 13 60

HSL 335.69, 0.82%, 0.28%

LAB 27.52, 48.55, 4.55

 

CMYK 0 / 90 / 53 / 35

HEX #A7104E

RGB 167 16 78

HSL 335.36, 0.83%, 0.36%

LAB 36.25, 59.24, 6.14

 

CMYK 0 / 90 / 53 / 20

HEX #CC1460

RGB 204 20 96

HSL 335.22, 0.82%, 0.44%

LAB 44.49, 69, 7.44

 

CMYK 0 / 86 / 51 / 9

HEX #E92173

RGB 233 33 115

HSL 335.4, 0.82%, 0.52%

LAB 51.44, 75.2, 6.41

 

CMYK 0 / 70 / 42 / 7

HEX #ED468A

RGB 237 70 138

HSL 335.57, 0.82%, 0.6%

LAB 56.31, 68.27, -0.24

 

CMYK 0 / 90 / 53 / 20

HEX #CB145F

RGB 203 20 95

HSL 335.41, 0.82%, 0.44%

LAB 44.27, 68.69, 7.72

 

CMYK 0 / 20 / 90 / 20

HEX #CCA414

RGB 204 164 20

HSL 46.96, 0.82%, 0.44%

LAB 69.07, 2.65, 69.5

 

CMYK 90 / 17 / 0 / 20

HEX #14AACC

RGB 20 170 204

HSL 191.09, 0.82%, 0.44%

LAB 64.37, -23.68, -27.38

 

CMYK 0 / 90 / 53 / 20

HEX #CB145F

RGB 203 20 95

HSL 335.41, 0.82%, 0.44%

LAB 44.27, 68.69, 7.72

 

CMYK 52 / 0 / 90 / 20

HEX #61CC14

RGB 97 204 20

HSL 94.89, 0.82%, 0.44%

LAB 73.4, -58.1, 70.05

 

CMYK 90 / 52 / 0 / 20

HEX #1461CC

RGB 20 97 204

HSL 214.89, 0.82%, 0.44%

LAB 42.85, 19.28, -61.43

 

CMYK 0 / 90 / 53 / 20

HEX #CB145F

RGB 203 20 95

HSL 335.41, 0.82%, 0.44%

LAB 44.27, 68.69, 7.72

 

CMYK 0 / 20 / 90 / 20

HEX #CCA414

RGB 204 164 20

HSL 46.96, 0.82%, 0.44%

LAB 69.07, 2.65, 69.5

 

CMYK 90 / 0 / 37 / 20

HEX #14CC80

RGB 20 204 128

HSL 155.22, 0.82%, 0.44%

LAB 72.82, -59.2, 26.37

 

CMYK 90 / 71 / 0 / 20

HEX #143CCC

RGB 20 60 204

HSL 226.96, 0.82%, 0.44%

LAB 33.44, 43.23, -76.84

 

CMYK 0 / 90 / 53 / 20

HEX #CB145F

RGB 203 20 95

HSL 335.41, 0.82%, 0.44%

LAB 44.27, 68.69, 7.72

 

CMYK 7 / 0 / 90 / 20

HEX #BDCC14

RGB 189 204 20

HSL 64.89, 0.82%, 0.44%

LAB 78.49, -24.34, 76.3

 

CMYK 90 / 0 / 37 / 20

HEX #14CC80

RGB 20 204 128

HSL 155.22, 0.82%, 0.44%

LAB 72.82, -59.2, 26.37

 

CMYK 82 / 90 / 0 / 20

HEX #2414CC

RGB 36 20 204

HSL 245.22, 0.82%, 0.44%

LAB 27.39, 62.93, -86.85

 

Description

Color code: HEX #CB145F | qconv.com Color code: HEX #CB145F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 20 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 20 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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