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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAF8DC it is the complementary color #350723. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAF8DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAF8DC shade: #CFF8D7, #E0FFEA, #F1FFFD and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAF8DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAF8DC shade: #CAF8DC, #B9E6C9, #A8D4B6, #97C2A3 and #86B090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAF8DC shade: #C9F8DB, #C9F8CF, #D0F8C9, #DDF8C9 and #E9F8C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAF8DC shade: #C9F8DB, #C9F8E8, #C9F8F5, #C9EFF8 and #C9E2F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAF8DC shade matches the following richer shades: #C9F8DB and #C4FDDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAF8DC shade: #C9F8DB, #CEF3DC, #D3EEDD, #D8E9DF and #DDE4E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAF8DC shade: #D0F8C9, #C9F8CE, #C9F8DB, #C9F8E7 and #C9F8F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAF8DC shade: #80EEAB, #A4F3C3, #C9F8DB, #EDFDF3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAF8DC shade: #CAF8DC, #C9DCF8 and #F8C9CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAF8DC shade: #CAF8DC, #DBC9F8 and #F8DBC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAF8DC shade: #CAF8DC, #C9DCF8, #F8C9E6 and #F8E4C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAF8DC shade: #CAF8DC, #C9CEF8, #F8C9E6 and #F8F2C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 11 / 3

HEX #CAF8DC

RGB 202 248 220

HSL 143.48, 0.77%, 0.88%

LAB 93.82, -20.03, 8.61

 

Complementary color

CMYK 0 / 87 / 34 / 79

HEX #350723

RGB 53 7 35

HSL 323.48, 0.77%, 0.12%

LAB 9.24, 25.64, -6.39

 

CMYK 17 / 0 / 13 / 3

HEX #CFF8D7

RGB 207 248 215

HSL 131.71, 0.75%, 0.89%

LAB 94.02, -19.33, 11.51

 

CMYK 12 / 0 / 8 / 0

HEX #E0FFEA

RGB 224 255 234

HSL 139.35, 1%, 0.94%

LAB 97.35, -13.86, 6.66

 

CMYK 5 / 0 / 1 / 0

HEX #F1FFFD

RGB 241 255 253

HSL 171.43, 1%, 0.97%

LAB 98.95, -4.92, -0.64

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 0 / 11 / 3

HEX #CAF8DC

RGB 202 248 220

HSL 143.48, 0.77%, 0.88%

LAB 93.82, -20.03, 8.61

 

CMYK 20 / 0 / 13 / 10

HEX #B9E6C9

RGB 185 230 201

HSL 141.33, 0.47%, 0.81%

LAB 87.55, -20.16, 9.36

 

CMYK 21 / 0 / 14 / 17

HEX #A8D4B6

RGB 168 212 182

HSL 139.09, 0.34%, 0.75%

LAB 81.18, -20.31, 10.15

 

CMYK 22 / 0 / 16 / 24

HEX #97C2A3

RGB 151 194 163

HSL 136.74, 0.26%, 0.68%

LAB 74.7, -20.48, 10.98

 

CMYK 24 / 0 / 18 / 31

HEX #86B090

RGB 134 176 144

HSL 134.29, 0.21%, 0.61%

LAB 68.12, -20.67, 11.86

 

CMYK 19 / 0 / 12 / 3

HEX #C9F8DB

RGB 201 248 219

HSL 142.98, 0.77%, 0.88%

LAB 93.74, -20.53, 9

 

CMYK 19 / 0 / 17 / 3

HEX #C9F8CF

RGB 201 248 207

HSL 127.66, 0.77%, 0.88%

LAB 93.48, -22.68, 14.81

 

CMYK 16 / 0 / 19 / 3

HEX #D0F8C9

RGB 208 248 201

HSL 111.06, 0.77%, 0.88%

LAB 93.78, -21.39, 18.39

 

CMYK 11 / 0 / 19 / 3

HEX #DDF8C9

RGB 221 248 201

HSL 94.47, 0.77%, 0.88%

LAB 94.62, -16.99, 19.69

 

CMYK 6 / 0 / 19 / 3

HEX #E9F8C9

RGB 233 248 201

HSL 79.15, 0.77%, 0.88%

LAB 95.44, -12.82, 20.96

 

CMYK 19 / 0 / 12 / 3

HEX #C9F8DB

RGB 201 248 219

HSL 142.98, 0.77%, 0.88%

LAB 93.74, -20.53, 9

 

CMYK 19 / 0 / 6 / 3

HEX #C9F8E8

RGB 201 248 232

HSL 159.57, 0.77%, 0.88%

LAB 94.05, -18.08, 2.72

 

CMYK 19 / 0 / 1 / 3

HEX #C9F8F5

RGB 201 248 245

HSL 176.17, 0.77%, 0.88%

LAB 94.37, -15.49, -3.52

 

CMYK 19 / 4 / 0 / 3

HEX #C9EFF8

RGB 201 239 248

HSL 191.49, 0.77%, 0.88%

LAB 92.1, -10.37, -8.44

 

CMYK 19 / 9 / 0 / 3

HEX #C9E2F8

RGB 201 226 248

HSL 208.09, 0.77%, 0.88%

LAB 88.73, -3.72, -13.46

 

CMYK 19 / 0 / 12 / 3

HEX #C9F8DB

RGB 201 248 219

HSL 142.98, 0.77%, 0.88%

LAB 93.74, -20.53, 9

 

CMYK 23 / 0 / 14 / 1

HEX #C4FDDA

RGB 196 253 218

HSL 143.16, 0.93%, 0.88%

LAB 94.76, -24.71, 10.93

 

CMYK 19 / 0 / 12 / 3

HEX #C9F8DB

RGB 201 248 219

HSL 142.98, 0.77%, 0.88%

LAB 93.74, -20.53, 9

 

CMYK 15 / 0 / 9 / 5

HEX #CEF3DC

RGB 206 243 220

HSL 142.7, 0.61%, 0.88%

LAB 92.75, -16.3, 7.1

 

CMYK 11 / 0 / 7 / 7

HEX #D3EEDD

RGB 211 238 221

HSL 142.22, 0.44%, 0.88%

LAB 91.78, -12, 5.23

 

CMYK 7 / 0 / 4 / 9

HEX #D8E9DF

RGB 216 233 223

HSL 144.71, 0.28%, 0.88%

LAB 90.87, -7.46, 2.91

 

CMYK 3 / 0 / 2 / 11

HEX #DDE4E0

RGB 221 228 224

HSL 145.71, 0.11%, 0.88%

LAB 89.97, -3.06, 1.12

 

CMYK 16 / 0 / 19 / 3

HEX #D0F8C9

RGB 208 248 201

HSL 111.06, 0.77%, 0.88%

LAB 93.78, -21.39, 18.39

 

CMYK 19 / 0 / 17 / 3

HEX #C9F8CE

RGB 201 248 206

HSL 126.38, 0.77%, 0.88%

LAB 93.45, -22.86, 15.3

 

CMYK 19 / 0 / 12 / 3

HEX #C9F8DB

RGB 201 248 219

HSL 142.98, 0.77%, 0.88%

LAB 93.74, -20.53, 9

 

CMYK 19 / 0 / 7 / 3

HEX #C9F8E7

RGB 201 248 231

HSL 158.3, 0.77%, 0.88%

LAB 94.02, -18.27, 3.21

 

CMYK 19 / 0 / 2 / 3

HEX #C9F8F4

RGB 201 248 244

HSL 174.89, 0.77%, 0.88%

LAB 94.35, -15.7, -3.05

 

CMYK 46 / 0 / 28 / 7

HEX #80EEAB

RGB 128 238 171

HSL 143.45, 0.76%, 0.72%

LAB 86.34, -46.24, 22.86

 

CMYK 33 / 0 / 20 / 5

HEX #A4F3C3

RGB 164 243 195

HSL 143.54, 0.77%, 0.8%

LAB 89.83, -33.99, 15.57

 

CMYK 19 / 0 / 12 / 3

HEX #C9F8DB

RGB 201 248 219

HSL 142.98, 0.77%, 0.88%

LAB 93.74, -20.53, 9

 

CMYK 6 / 0 / 4 / 1

HEX #EDFDF3

RGB 237 253 243

HSL 142.5, 0.8%, 0.96%

LAB 97.92, -7.02, 2.97

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 0 / 11 / 3

HEX #CAF8DC

RGB 202 248 220

HSL 143.48, 0.77%, 0.88%

LAB 93.82, -20.03, 8.61

 

CMYK 19 / 11 / 0 / 3

HEX #C9DCF8

RGB 201 220 248

HSL 215.74, 0.77%, 0.88%

LAB 87.18, -0.6, -15.78

 

CMYK 0 / 19 / 19 / 3

HEX #F8C9CA

RGB 248 201 202

HSL 358.72, 0.77%, 0.88%

LAB 84.99, 16.77, 5.8

 

CMYK 19 / 0 / 11 / 3

HEX #CAF8DC

RGB 202 248 220

HSL 143.48, 0.77%, 0.88%

LAB 93.82, -20.03, 8.61

 

CMYK 12 / 19 / 0 / 3

HEX #DBC9F8

RGB 219 201 248

HSL 262.98, 0.77%, 0.88%

LAB 83.76, 15.07, -20.8

 

CMYK 0 / 12 / 19 / 3

HEX #F8DBC9

RGB 248 219 201

HSL 22.98, 0.77%, 0.88%

LAB 89.32, 7.24, 12.51

 

CMYK 19 / 0 / 11 / 3

HEX #CAF8DC

RGB 202 248 220

HSL 143.48, 0.77%, 0.88%

LAB 93.82, -20.03, 8.61

 

CMYK 19 / 11 / 0 / 3

HEX #C9DCF8

RGB 201 220 248

HSL 215.74, 0.77%, 0.88%

LAB 87.18, -0.6, -15.78

 

CMYK 0 / 19 / 7 / 3

HEX #F8C9E6

RGB 248 201 230

HSL 322.98, 0.77%, 0.88%

LAB 85.73, 21.25, -8.03

 

CMYK 0 / 8 / 19 / 3

HEX #F8E4C9

RGB 248 228 201

HSL 34.47, 0.77%, 0.88%

LAB 91.53, 2.6, 15.65

 

CMYK 19 / 0 / 11 / 3

HEX #CAF8DC

RGB 202 248 220

HSL 143.48, 0.77%, 0.88%

LAB 93.82, -20.03, 8.61

 

CMYK 19 / 17 / 0 / 3

HEX #C9CEF8

RGB 201 206 248

HSL 233.62, 0.77%, 0.88%

LAB 83.62, 6.79, -21.15

 

CMYK 0 / 19 / 7 / 3

HEX #F8C9E6

RGB 248 201 230

HSL 322.98, 0.77%, 0.88%

LAB 85.73, 21.25, -8.03

 

CMYK 0 / 2 / 19 / 3

HEX #F8F2C9

RGB 248 242 201

HSL 52.34, 0.77%, 0.88%

LAB 95.03, -4.5, 20.54

 

Description

Color code: HEX #CAF8DC | qconv.com Color code: HEX #CAF8DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 248 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 248 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 11 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 11% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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