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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAED3E it is the complementary color #3512C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAED3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAED3E shade: #CFED39, #E0FF4C, #F1FF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAED3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAED3E shade: #CAED3E, #B9DB2B, #A8C918, #97B705 and #86A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAED3E shade: #CAED3F, #EDE13F, #EDB23F, #ED833F and #ED543F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAED3E shade: #CAED3F, #9BED3F, #6CED3F, #3FED41 and #3FED70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAED3E shade matches the following richer shades: #CAED3F and #D4FE2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAED3E shade: #CAED3F, #C0DC50, #B6CB61, #ACBA72 and #A1A983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAED3E shade: #EDB33F, #EDE13F, #CAED3F, #9CED3F and #6DED3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAED3E shade: #A3C712, #C0E919, #CAED3F, #D4F065 and #DFF48B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAED3E shade: #CAED3E, #3FED85 and #CA3FED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAED3E shade: #CAED3E, #3FCAED and #ED3FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAED3E shade: #CAED3E, #3FED85, #623FED and #ED3FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAED3E shade: #CAED3E, #3FEDB9, #623FED and #ED3F73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 74 / 7

HEX #CAED3E

RGB 202 237 62

HSL 72, 0.83%, 0.59%

LAB 88.67, -33.23, 75.34

 

Complementary color

CMYK 73 / 91 / 0 / 24

HEX #3512C1

RGB 53 18 193

HSL 252, 0.83%, 0.41%

LAB 26.85, 61.24, -81.27

 

CMYK 13 / 0 / 76 / 7

HEX #CFED39

RGB 207 237 57

HSL 70, 0.83%, 0.58%

LAB 88.98, -31.47, 77.28

 

CMYK 12 / 0 / 70 / 0

HEX #E0FF4C

RGB 224 255 76

HSL 70.39, 1%, 0.65%

LAB 95.11, -32.18, 77.46

 

CMYK 5 / 0 / 63 / 0

HEX #F1FF5F

RGB 241 255 95

HSL 65.25, 1%, 0.69%

LAB 96.43, -24.42, 72.21

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 15 / 0 / 74 / 7

HEX #CAED3E

RGB 202 237 62

HSL 72, 0.83%, 0.59%

LAB 88.67, -33.23, 75.34

 

CMYK 16 / 0 / 80 / 14

HEX #B9DB2B

RGB 185 219 43

HSL 71.59, 0.71%, 0.51%

LAB 82.46, -32.47, 74.74

 

CMYK 16 / 0 / 88 / 21

HEX #A8C918

RGB 168 201 24

HSL 71.19, 0.79%, 0.44%

LAB 76.17, -31.54, 73.15

 

CMYK 17 / 0 / 97 / 28

HEX #97B705

RGB 151 183 5

HSL 70.79, 0.95%, 0.37%

LAB 69.79, -30.42, 70.21

 

CMYK 19 / 0 / 100 / 35

HEX #86A500

RGB 134 165 0

HSL 71.27, 1%, 0.32%

LAB 63.33, -29.05, 65.41

 

CMYK 15 / 0 / 73 / 7

HEX #CAED3F

RGB 202 237 63

HSL 72.07, 0.83%, 0.59%

LAB 88.68, -33.19, 75.03

 

CMYK 0 / 5 / 73 / 7

HEX #EDE13F

RGB 237 225 63

HSL 55.86, 0.83%, 0.59%

LAB 88.07, -13.22, 75.38

 

CMYK 0 / 25 / 73 / 7

HEX #EDB23F

RGB 237 178 63

HSL 39.66, 0.83%, 0.59%

LAB 76.19, 10.87, 63.96

 

CMYK 0 / 45 / 73 / 7

HEX #ED833F

RGB 237 131 63

HSL 23.45, 0.83%, 0.59%

LAB 65.43, 35.61, 53.07

 

CMYK 0 / 65 / 73 / 7

HEX #ED543F

RGB 237 84 63

HSL 7.24, 0.83%, 0.59%

LAB 56.79, 57.79, 43.82

 

CMYK 15 / 0 / 73 / 7

HEX #CAED3F

RGB 202 237 63

HSL 72.07, 0.83%, 0.59%

LAB 88.68, -33.19, 75.03

 

CMYK 35 / 0 / 73 / 7

HEX #9BED3F

RGB 155 237 63

HSL 88.28, 0.83%, 0.59%

LAB 85.95, -50.63, 71.46

 

CMYK 54 / 0 / 73 / 7

HEX #6CED3F

RGB 108 237 63

HSL 104.48, 0.83%, 0.59%

LAB 84.03, -64.86, 68.92

 

CMYK 73 / 0 / 73 / 7

HEX #3FED41

RGB 63 237 65

HSL 120.69, 0.83%, 0.59%

LAB 82.92, -73.92, 66.76

 

CMYK 73 / 0 / 53 / 7

HEX #3FED70

RGB 63 237 112

HSL 136.9, 0.83%, 0.59%

LAB 83.33, -68.9, 47.84

 

CMYK 15 / 0 / 73 / 7

HEX #CAED3F

RGB 202 237 63

HSL 72.07, 0.83%, 0.59%

LAB 88.68, -33.19, 75.03

 

CMYK 17 / 0 / 82 / 0

HEX #D4FE2E

RGB 212 254 46

HSL 72.12, 0.99%, 0.59%

LAB 93.92, -37.63, 84.68

 

CMYK 15 / 0 / 73 / 7

HEX #CAED3F

RGB 202 237 63

HSL 72.07, 0.83%, 0.59%

LAB 88.68, -33.19, 75.03

 

CMYK 13 / 0 / 64 / 14

HEX #C0DC50

RGB 192 220 80

HSL 72, 0.67%, 0.59%

LAB 83.43, -28.25, 63.37

 

CMYK 10 / 0 / 52 / 20

HEX #B6CB61

RGB 182 203 97

HSL 71.89, 0.5%, 0.59%

LAB 78.18, -22.7, 49.87

 

CMYK 8 / 0 / 39 / 27

HEX #ACBA72

RGB 172 186 114

HSL 71.67, 0.34%, 0.59%

LAB 72.96, -16.37, 34.89

 

CMYK 5 / 0 / 22 / 34

HEX #A1A983

RGB 161 169 131

HSL 72.63, 0.18%, 0.59%

LAB 67.72, -9.5, 18.71

 

CMYK 0 / 24 / 73 / 7

HEX #EDB33F

RGB 237 179 63

HSL 40, 0.83%, 0.59%

LAB 76.44, 10.35, 64.21

 

CMYK 0 / 5 / 73 / 7

HEX #EDE13F

RGB 237 225 63

HSL 55.86, 0.83%, 0.59%

LAB 88.07, -13.22, 75.38

 

CMYK 15 / 0 / 73 / 7

HEX #CAED3F

RGB 202 237 63

HSL 72.07, 0.83%, 0.59%

LAB 88.68, -33.19, 75.03

 

CMYK 34 / 0 / 73 / 7

HEX #9CED3F

RGB 156 237 63

HSL 87.93, 0.83%, 0.59%

LAB 86, -50.29, 71.53

 

CMYK 54 / 0 / 73 / 7

HEX #6DED3F

RGB 109 237 63

HSL 104.14, 0.83%, 0.59%

LAB 84.06, -64.61, 68.96

 

CMYK 18 / 0 / 91 / 22

HEX #A3C712

RGB 163 199 18

HSL 71.93, 0.83%, 0.43%

LAB 75.25, -32.78, 73.25

 

CMYK 18 / 0 / 89 / 9

HEX #C0E919

RGB 192 233 25

HSL 71.83, 0.83%, 0.51%

LAB 86.78, -36.57, 82.24

 

CMYK 15 / 0 / 73 / 7

HEX #CAED3F

RGB 202 237 63

HSL 72.07, 0.83%, 0.59%

LAB 88.68, -33.19, 75.03

 

CMYK 12 / 0 / 58 / 6

HEX #D4F065

RGB 212 240 101

HSL 72.09, 0.82%, 0.67%

LAB 90.44, -28.31, 62.66

 

CMYK 9 / 0 / 43 / 4

HEX #DFF48B

RGB 223 244 139

HSL 72, 0.83%, 0.75%

LAB 92.69, -22.51, 48.14

 

CMYK 15 / 0 / 74 / 7

HEX #CAED3E

RGB 202 237 62

HSL 72, 0.83%, 0.59%

LAB 88.67, -33.23, 75.34

 

CMYK 73 / 0 / 44 / 7

HEX #3FED85

RGB 63 237 133

HSL 144.14, 0.83%, 0.59%

LAB 83.61, -65.7, 38.1

 

CMYK 15 / 73 / 0 / 7

HEX #CA3FED

RGB 202 63 237

HSL 287.93, 0.83%, 0.59%

LAB 54.27, 76.21, -60.98

 

CMYK 15 / 0 / 74 / 7

HEX #CAED3E

RGB 202 237 62

HSL 72, 0.83%, 0.59%

LAB 88.67, -33.23, 75.34

 

CMYK 73 / 15 / 0 / 7

HEX #3FCAED

RGB 63 202 237

HSL 192.07, 0.83%, 0.59%

LAB 75.71, -25.48, -27.92

 

CMYK 0 / 73 / 15 / 7

HEX #ED3FCA

RGB 237 63 202

HSL 312.07, 0.83%, 0.59%

LAB 57.87, 78, -35.1

 

CMYK 15 / 0 / 74 / 7

HEX #CAED3E

RGB 202 237 62

HSL 72, 0.83%, 0.59%

LAB 88.67, -33.23, 75.34

 

CMYK 73 / 0 / 44 / 7

HEX #3FED85

RGB 63 237 133

HSL 144.14, 0.83%, 0.59%

LAB 83.61, -65.7, 38.1

 

CMYK 59 / 73 / 0 / 7

HEX #623FED

RGB 98 63 237

HSL 252.07, 0.83%, 0.59%

LAB 41.64, 59.03, -82.09

 

CMYK 0 / 73 / 30 / 7

HEX #ED3FA7

RGB 237 63 167

HSL 324.14, 0.83%, 0.59%

LAB 56.44, 73.62, -17.09

 

CMYK 15 / 0 / 74 / 7

HEX #CAED3E

RGB 202 237 62

HSL 72, 0.83%, 0.59%

LAB 88.67, -33.23, 75.34

 

CMYK 73 / 0 / 22 / 7

HEX #3FEDB9

RGB 63 237 185

HSL 162.07, 0.83%, 0.59%

LAB 84.55, -55.33, 12.83

 

CMYK 59 / 73 / 0 / 7

HEX #623FED

RGB 98 63 237

HSL 252.07, 0.83%, 0.59%

LAB 41.64, 59.03, -82.09

 

CMYK 0 / 73 / 51 / 7

HEX #ED3F73

RGB 237 63 115

HSL 342.07, 0.83%, 0.59%

LAB 54.86, 68.62, 11.36

 

Description

Color code: HEX #CAED3E | qconv.com Color code: HEX #CAED3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 237 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 237 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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