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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAEC52 it is the complementary color #3513AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAEC52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAEC52 shade: #CFEC4D, #E0FE60, #F1FF73, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAEC52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAEC52 shade: #CAEC52, #B9DA3F, #A8C82C, #97B619 and #86A406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAEC52 shade: #C9EC51, #ECE451, #ECBA51, #EC9051 and #EC6751

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAEC52 shade: #C9EC51, #A0EC51, #76EC51, #51EC55 and #51EC7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAEC52 shade matches the following richer shades: #C9EC51 and #D2FB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAEC52 shade: #C9EC51, #C1DC60, #B8CC70, #AFBD80 and #A6AD8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAEC52 shade: #ECBB51, #ECE451, #CAEC51, #A1EC51 and #77EC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAEC52 shade: #A9D217, #BEE72B, #C9EC51, #D5F076 and #E0F49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAEC52 shade: #CAEC52, #51EC91 and #CF51EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAEC52 shade: #CAEC52, #51CAEC and #EC51CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAEC52 shade: #CAEC52, #51EC91, #7251EC and #EC51AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAEC52 shade: #CAEC52, #51ECC0, #7251EC and #EC517D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 65 / 7

HEX #CAEC52

RGB 202 236 82

HSL 73.25, 0.8%, 0.62%

LAB 88.52, -31.67, 68.14

 

Complementary color

CMYK 69 / 89 / 0 / 32

HEX #3513AD

RGB 53 19 173

HSL 253.25, 0.8%, 0.38%

LAB 24.45, 55.59, -73.34

 

CMYK 12 / 0 / 67 / 7

HEX #CFEC4D

RGB 207 236 77

HSL 70.94, 0.81%, 0.61%

LAB 88.82, -30.02, 70.45

 

CMYK 12 / 0 / 62 / 0

HEX #E0FE60

RGB 224 254 96

HSL 71.39, 0.99%, 0.69%

LAB 94.98, -30.54, 69.92

 

CMYK 5 / 0 / 55 / 0

HEX #F1FF73

RGB 241 255 115

HSL 66, 1%, 0.73%

LAB 96.6, -23.03, 64.12

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 14 / 0 / 65 / 7

HEX #CAEC52

RGB 202 236 82

HSL 73.25, 0.8%, 0.62%

LAB 88.52, -31.67, 68.14

 

CMYK 15 / 0 / 71 / 15

HEX #B9DA3F

RGB 185 218 63

HSL 72.77, 0.68%, 0.55%

LAB 82.28, -31.12, 68.46

 

CMYK 16 / 0 / 78 / 22

HEX #A8C82C

RGB 168 200 44

HSL 72.31, 0.64%, 0.48%

LAB 75.96, -30.43, 68.21

 

CMYK 17 / 0 / 86 / 29

HEX #97B619

RGB 151 182 25

HSL 71.85, 0.76%, 0.41%

LAB 69.54, -29.56, 67

 

CMYK 18 / 0 / 96 / 36

HEX #86A406

RGB 134 164 6

HSL 71.39, 0.93%, 0.33%

LAB 63.04, -28.47, 64.37

 

CMYK 15 / 0 / 66 / 7

HEX #C9EC51

RGB 201 236 81

HSL 73.55, 0.8%, 0.62%

LAB 88.45, -32.12, 68.43

 

CMYK 0 / 3 / 66 / 7

HEX #ECE451

RGB 236 228 81

HSL 56.9, 0.8%, 0.62%

LAB 88.88, -14.24, 69.68

 

CMYK 0 / 21 / 66 / 7

HEX #ECBA51

RGB 236 186 81

HSL 40.65, 0.8%, 0.62%

LAB 78.2, 7.17, 58.44

 

CMYK 0 / 39 / 66 / 7

HEX #EC9051

RGB 236 144 81

HSL 24.39, 0.8%, 0.62%

LAB 68.29, 29.37, 47.45

 

CMYK 0 / 56 / 66 / 7

HEX #EC6751

RGB 236 103 81

HSL 8.52, 0.8%, 0.62%

LAB 60, 49.97, 37.73

 

CMYK 15 / 0 / 66 / 7

HEX #C9EC51

RGB 201 236 81

HSL 73.55, 0.8%, 0.62%

LAB 88.45, -32.12, 68.43

 

CMYK 32 / 0 / 66 / 7

HEX #A0EC51

RGB 160 236 81

HSL 89.42, 0.8%, 0.62%

LAB 86.04, -47.31, 65.15

 

CMYK 50 / 0 / 66 / 7

HEX #76EC51

RGB 118 236 81

HSL 105.68, 0.8%, 0.62%

LAB 84.19, -60.47, 62.64

 

CMYK 66 / 0 / 64 / 7

HEX #51EC55

RGB 81 236 85

HSL 121.55, 0.8%, 0.62%

LAB 83.12, -68.78, 59.55

 

CMYK 66 / 0 / 46 / 7

HEX #51EC7F

RGB 81 236 127

HSL 137.81, 0.8%, 0.62%

LAB 83.59, -63.44, 41.08

 

CMYK 15 / 0 / 66 / 7

HEX #C9EC51

RGB 201 236 81

HSL 73.55, 0.8%, 0.62%

LAB 88.45, -32.12, 68.43

 

CMYK 16 / 0 / 74 / 2

HEX #D2FB41

RGB 210 251 65

HSL 73.23, 0.96%, 0.62%

LAB 93.05, -36.34, 78.72

 

CMYK 15 / 0 / 66 / 7

HEX #C9EC51

RGB 201 236 81

HSL 73.55, 0.8%, 0.62%

LAB 88.45, -32.12, 68.43

 

CMYK 12 / 0 / 56 / 14

HEX #C1DC60

RGB 193 220 96

HSL 73.06, 0.64%, 0.62%

LAB 83.64, -26.65, 56.83

 

CMYK 10 / 0 / 45 / 20

HEX #B8CC70

RGB 184 204 112

HSL 73.04, 0.47%, 0.62%

LAB 78.78, -20.91, 43.4

 

CMYK 7 / 0 / 32 / 26

HEX #AFBD80

RGB 175 189 128

HSL 73.77, 0.32%, 0.62%

LAB 74.23, -14.95, 29.29

 

CMYK 4 / 0 / 17 / 32

HEX #A6AD8F

RGB 166 173 143

HSL 74, 0.15%, 0.62%

LAB 69.45, -7.82, 14.6

 

CMYK 0 / 21 / 66 / 7

HEX #ECBB51

RGB 236 187 81

HSL 41.03, 0.8%, 0.62%

LAB 78.44, 6.64, 58.71

 

CMYK 0 / 3 / 66 / 7

HEX #ECE451

RGB 236 228 81

HSL 56.9, 0.8%, 0.62%

LAB 88.88, -14.24, 69.68

 

CMYK 14 / 0 / 66 / 7

HEX #CAEC51

RGB 202 236 81

HSL 73.16, 0.8%, 0.62%

LAB 88.52, -31.74, 68.52

 

CMYK 32 / 0 / 66 / 7

HEX #A1EC51

RGB 161 236 81

HSL 89.03, 0.8%, 0.62%

LAB 86.09, -46.96, 65.23

 

CMYK 50 / 0 / 66 / 7

HEX #77EC51

RGB 119 236 81

HSL 105.29, 0.8%, 0.62%

LAB 84.23, -60.2, 62.69

 

CMYK 20 / 0 / 89 / 18

HEX #A9D217

RGB 169 210 23

HSL 73.16, 0.8%, 0.46%

LAB 78.8, -35.31, 75.5

 

CMYK 18 / 0 / 81 / 9

HEX #BEE72B

RGB 190 231 43

HSL 73.09, 0.8%, 0.54%

LAB 86.14, -35.98, 78.1

 

CMYK 15 / 0 / 66 / 7

HEX #C9EC51

RGB 201 236 81

HSL 73.55, 0.8%, 0.62%

LAB 88.45, -32.12, 68.43

 

CMYK 11 / 0 / 51 / 6

HEX #D5F076

RGB 213 240 118

HSL 73.28, 0.8%, 0.7%

LAB 90.68, -26.48, 55.41

 

CMYK 8 / 0 / 36 / 4

HEX #E0F49B

RGB 224 244 155

HSL 73.48, 0.8%, 0.78%

LAB 92.98, -20.34, 40.73

 

CMYK 14 / 0 / 65 / 7

HEX #CAEC52

RGB 202 236 82

HSL 73.25, 0.8%, 0.62%

LAB 88.52, -31.67, 68.14

 

CMYK 66 / 0 / 39 / 7

HEX #51EC91

RGB 81 236 145

HSL 144.77, 0.8%, 0.62%

LAB 83.85, -60.45, 32.51

 

CMYK 12 / 66 / 0 / 7

HEX #CF51EC

RGB 207 81 236

HSL 288.77, 0.8%, 0.62%

LAB 57.28, 70.4, -55.56

 

CMYK 14 / 0 / 65 / 7

HEX #CAEC52

RGB 202 236 82

HSL 73.25, 0.8%, 0.62%

LAB 88.52, -31.67, 68.14

 

CMYK 66 / 14 / 0 / 7

HEX #51CAEC

RGB 81 202 236

HSL 193.16, 0.8%, 0.62%

LAB 76.1, -23.36, -26.75

 

CMYK 0 / 66 / 14 / 7

HEX #EC51CA

RGB 236 81 202

HSL 313.16, 0.8%, 0.62%

LAB 59.87, 71.67, -32

 

CMYK 14 / 0 / 65 / 7

HEX #CAEC52

RGB 202 236 82

HSL 73.25, 0.8%, 0.62%

LAB 88.52, -31.67, 68.14

 

CMYK 66 / 0 / 39 / 7

HEX #51EC91

RGB 81 236 145

HSL 144.77, 0.8%, 0.62%

LAB 83.85, -60.45, 32.51

 

CMYK 52 / 66 / 0 / 7

HEX #7251EC

RGB 114 81 236

HSL 252.77, 0.8%, 0.62%

LAB 46.34, 51.76, -73.77

 

CMYK 0 / 66 / 28 / 7

HEX #EC51AB

RGB 236 81 171

HSL 325.16, 0.8%, 0.62%

LAB 58.66, 67.57, -16.07

 

CMYK 14 / 0 / 65 / 7

HEX #CAEC52

RGB 202 236 82

HSL 73.25, 0.8%, 0.62%

LAB 88.52, -31.67, 68.14

 

CMYK 66 / 0 / 19 / 7

HEX #51ECC0

RGB 81 236 192

HSL 162.97, 0.8%, 0.62%

LAB 84.76, -50.78, 9.53

 

CMYK 52 / 66 / 0 / 7

HEX #7251EC

RGB 114 81 236

HSL 252.77, 0.8%, 0.62%

LAB 46.34, 51.76, -73.77

 

CMYK 0 / 66 / 47 / 7

HEX #EC517D

RGB 236 81 125

HSL 342.97, 0.8%, 0.62%

LAB 57.27, 62.7, 8.8

 

Description

Color code: HEX #CAEC52 | qconv.com Color code: HEX #CAEC52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 236 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 236 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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