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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADE9A it is the complementary color #352165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADE9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADE9A shade: #CFDE95, #E0F0A8, #F1FFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADE9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADE9A shade: #CADE9A, #B9CC87, #A8BA74, #97A861 and #86964E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADE9A shade: #CBDF9B, #DDDF9B, #DFCE9B, #DFBC9B and #DFA99B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADE9A shade: #CBDF9B, #B8DF9B, #A6DF9B, #9BDFA2 and #9BDFB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADE9A shade matches the following richer shades: #CBDF9B, #CFE990, #D3F485 and #D8FF7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADE9A shade: #CBDF9B, #C6D4A6, #C2C9B0, #BDBEBB and #B9B4C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADE9A shade: #DFCE9B, #DDDF9B, #CBDF9B, #B9DF9B and #A7DF9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADE9A shade: #AACA5D, #BAD47C, #CBDF9B, #DBE9BA and #EBF3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADE9A shade: #CADE9A, #9BDFBC and #D79BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADE9A shade: #CADE9A, #9BCBDF and #DF9BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADE9A shade: #CADE9A, #9BDFBC, #AE9BDF and #DF9BBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADE9A shade: #CADE9A, #9BDFD0, #AE9BDF and #DF9BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 31 / 13

HEX #CADE9A

RGB 202 222 154

HSL 77.65, 0.51%, 0.74%

LAB 85.57, -17.86, 31.21

 

Complementary color

CMYK 48 / 67 / 0 / 60

HEX #352165

RGB 53 33 101

HSL 257.65, 0.51%, 0.26%

LAB 19.16, 27.46, -36.89

 

CMYK 7 / 0 / 33 / 13

HEX #CFDE95

RGB 207 222 149

HSL 72.33, 0.53%, 0.73%

LAB 85.85, -16.66, 34.2

 

CMYK 7 / 0 / 30 / 6

HEX #E0F0A8

RGB 224 240 168

HSL 73.33, 0.71%, 0.8%

LAB 92.13, -16.77, 33.12

 

CMYK 5 / 0 / 27 / 0

HEX #F1FFBB

RGB 241 255 187

HSL 72.35, 1%, 0.87%

LAB 97.55, -15.41, 31.04

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 9 / 0 / 31 / 13

HEX #CADE9A

RGB 202 222 154

HSL 77.65, 0.51%, 0.74%

LAB 85.57, -17.86, 31.21

 

CMYK 9 / 0 / 34 / 20

HEX #B9CC87

RGB 185 204 135

HSL 76.52, 0.4%, 0.66%

LAB 79.18, -17.79, 32.31

 

CMYK 10 / 0 / 38 / 27

HEX #A8BA74

RGB 168 186 116

HSL 75.43, 0.34%, 0.59%

LAB 72.7, -17.69, 33.45

 

CMYK 10 / 0 / 42 / 34

HEX #97A861

RGB 151 168 97

HSL 74.37, 0.29%, 0.52%

LAB 66.1, -17.55, 34.64

 

CMYK 11 / 0 / 48 / 41

HEX #86964E

RGB 134 150 78

HSL 73.33, 0.32%, 0.45%

LAB 59.37, -17.36, 35.86

 

CMYK 9 / 0 / 30 / 13

HEX #CBDF9B

RGB 203 223 155

HSL 77.65, 0.52%, 0.74%

LAB 85.93, -17.85, 31.19

 

CMYK 1 / 0 / 30 / 13

HEX #DDDF9B

RGB 221 223 155

HSL 61.76, 0.52%, 0.74%

LAB 87.25, -11.12, 33.18

 

CMYK 0 / 8 / 30 / 13

HEX #DFCE9B

RGB 223 206 155

HSL 45, 0.52%, 0.74%

LAB 83.02, -1.68, 27.56

 

CMYK 0 / 16 / 30 / 13

HEX #DFBC9B

RGB 223 188 155

HSL 29.12, 0.52%, 0.74%

LAB 78.47, 7.74, 21.37

 

CMYK 0 / 24 / 30 / 13

HEX #DFA99B

RGB 223 169 155

HSL 12.35, 0.52%, 0.74%

LAB 73.82, 17.89, 14.92

 

CMYK 9 / 0 / 30 / 13

HEX #CBDF9B

RGB 203 223 155

HSL 77.65, 0.52%, 0.74%

LAB 85.93, -17.85, 31.19

 

CMYK 17 / 0 / 30 / 13

HEX #B8DF9B

RGB 184 223 155

HSL 94.41, 0.52%, 0.74%

LAB 84.65, -24.73, 29.26

 

CMYK 26 / 0 / 30 / 13

HEX #A6DF9B

RGB 166 223 155

HSL 110.29, 0.52%, 0.74%

LAB 83.57, -30.94, 27.62

 

CMYK 30 / 0 / 27 / 13

HEX #9BDFA2

RGB 155 223 162

HSL 126.18, 0.52%, 0.74%

LAB 83.1, -33.38, 23.26

 

CMYK 30 / 0 / 19 / 13

HEX #9BDFB4

RGB 155 223 180

HSL 142.06, 0.52%, 0.74%

LAB 83.46, -30.15, 14.35

 

CMYK 9 / 0 / 30 / 13

HEX #CBDF9B

RGB 203 223 155

HSL 77.65, 0.52%, 0.74%

LAB 85.93, -17.85, 31.19

 

CMYK 11 / 0 / 38 / 9

HEX #CFE990

RGB 207 233 144

HSL 77.53, 0.67%, 0.74%

LAB 88.71, -22.66, 40.44

 

CMYK 14 / 0 / 45 / 4

HEX #D3F485

RGB 211 244 133

HSL 77.84, 0.83%, 0.74%

LAB 91.79, -27.65, 49.72

 

CMYK 15 / 0 / 52 / 0

HEX #D8FF7B

RGB 216 255 123

HSL 77.73, 1%, 0.74%

LAB 94.97, -31.89, 58.26

 

CMYK 9 / 0 / 30 / 13

HEX #CBDF9B

RGB 203 223 155

HSL 77.65, 0.52%, 0.74%

LAB 85.93, -17.85, 31.19

 

CMYK 7 / 0 / 22 / 17

HEX #C6D4A6

RGB 198 212 166

HSL 78.26, 0.35%, 0.74%

LAB 82.83, -12.61, 21.22

 

CMYK 3 / 0 / 12 / 21

HEX #C2C9B0

RGB 194 201 176

HSL 76.8, 0.19%, 0.74%

LAB 79.83, -6.83, 11.68

 

CMYK 1 / 0 / 2 / 25

HEX #BDBEBB

RGB 189 190 187

HSL 80, 0.02%, 0.74%

LAB 76.82, -0.9, 1.38

 

CMYK 7 / 9 / 0 / 22

HEX #B9B4C6

RGB 185 180 198

HSL 256.67, 0.14%, 0.74%

LAB 74.21, 5.2, -8.48

 

CMYK 0 / 8 / 30 / 13

HEX #DFCE9B

RGB 223 206 155

HSL 45, 0.52%, 0.74%

LAB 83.02, -1.68, 27.56

 

CMYK 1 / 0 / 30 / 13

HEX #DDDF9B

RGB 221 223 155

HSL 61.76, 0.52%, 0.74%

LAB 87.25, -11.12, 33.18

 

CMYK 9 / 0 / 30 / 13

HEX #CBDF9B

RGB 203 223 155

HSL 77.65, 0.52%, 0.74%

LAB 85.93, -17.85, 31.19

 

CMYK 17 / 0 / 30 / 13

HEX #B9DF9B

RGB 185 223 155

HSL 93.53, 0.52%, 0.74%

LAB 84.72, -24.38, 29.36

 

CMYK 25 / 0 / 30 / 13

HEX #A7DF9B

RGB 167 223 155

HSL 109.41, 0.52%, 0.74%

LAB 83.63, -30.6, 27.71

 

CMYK 16 / 0 / 54 / 21

HEX #AACA5D

RGB 170 202 93

HSL 77.61, 0.51%, 0.58%

LAB 77.03, -27.31, 50.18

 

CMYK 12 / 0 / 42 / 17

HEX #BAD47C

RGB 186 212 124

HSL 77.73, 0.51%, 0.66%

LAB 81.28, -22.72, 40.61

 

CMYK 9 / 0 / 30 / 13

HEX #CBDF9B

RGB 203 223 155

HSL 77.65, 0.52%, 0.74%

LAB 85.93, -17.85, 31.19

 

CMYK 6 / 0 / 20 / 9

HEX #DBE9BA

RGB 219 233 186

HSL 77.87, 0.52%, 0.82%

LAB 90.27, -12.59, 21.33

 

CMYK 3 / 0 / 11 / 5

HEX #EBF3D9

RGB 235 243 217

HSL 78.46, 0.52%, 0.9%

LAB 94.64, -7.12, 11.62

 

CMYK 9 / 0 / 31 / 13

HEX #CADE9A

RGB 202 222 154

HSL 77.65, 0.51%, 0.74%

LAB 85.57, -17.86, 31.21

 

CMYK 30 / 0 / 16 / 13

HEX #9BDFBC

RGB 155 223 188

HSL 149.12, 0.52%, 0.74%

LAB 83.64, -28.61, 10.39

 

CMYK 4 / 30 / 0 / 13

HEX #D79BDF

RGB 215 155 223

HSL 292.94, 0.52%, 0.74%

LAB 71.7, 33.68, -25.7

 

CMYK 9 / 0 / 31 / 13

HEX #CADE9A

RGB 202 222 154

HSL 77.65, 0.51%, 0.74%

LAB 85.57, -17.86, 31.21

 

CMYK 30 / 9 / 0 / 13

HEX #9BCBDF

RGB 155 203 223

HSL 197.65, 0.52%, 0.74%

LAB 79.05, -10.98, -15

 

CMYK 0 / 30 / 9 / 13

HEX #DF9BCB

RGB 223 155 203

HSL 317.65, 0.52%, 0.74%

LAB 71.85, 32.69, -14.38

 

CMYK 9 / 0 / 31 / 13

HEX #CADE9A

RGB 202 222 154

HSL 77.65, 0.51%, 0.74%

LAB 85.57, -17.86, 31.21

 

CMYK 30 / 0 / 16 / 13

HEX #9BDFBC

RGB 155 223 188

HSL 149.12, 0.52%, 0.74%

LAB 83.64, -28.61, 10.39

 

CMYK 22 / 30 / 0 / 13

HEX #AE9BDF

RGB 174 155 223

HSL 256.76, 0.52%, 0.74%

LAB 67.85, 20.91, -31.95

 

CMYK 0 / 30 / 15 / 13

HEX #DF9BBE

RGB 223 155 190

HSL 329.12, 0.52%, 0.74%

LAB 71.45, 30.54, -7.8

 

CMYK 9 / 0 / 31 / 13

HEX #CADE9A

RGB 202 222 154

HSL 77.65, 0.51%, 0.74%

LAB 85.57, -17.86, 31.21

 

CMYK 30 / 0 / 7 / 13

HEX #9BDFD0

RGB 155 223 208

HSL 166.76, 0.52%, 0.74%

LAB 84.12, -24.48, 0.52

 

CMYK 22 / 30 / 0 / 13

HEX #AE9BDF

RGB 174 155 223

HSL 256.76, 0.52%, 0.74%

LAB 67.85, 20.91, -31.95

 

CMYK 0 / 30 / 24 / 13

HEX #DF9BAA

RGB 223 155 170

HSL 346.76, 0.52%, 0.74%

LAB 70.89, 27.49, 2.47

 

Description

Color code: HEX #CADE9A | qconv.com Color code: HEX #CADE9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 222 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 222 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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