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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADCD2 it is the complementary color #35232D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADCD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADCD2 shade: #CFDCCD, #E0EEE0 and #F1FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADCD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADCD2 shade: #CADCD2, #B9CABF, #A8B8AC, #97A699 and #869486

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADCD2 shade: #CBDCD3, #CBDCCE, #CDDCCB, #D1DCCB and #D6DCCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADCD2 shade: #CBDCD3, #CBDCD7, #CBDCDC, #CBD8DC and #CBD3DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADCD2 shade matches the following richer shades: #CBDCD3, #C4E3D2, #BDEAD1, #B6F1D0 and #AFF8D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADCD2 shade: #CBDCD3, #D2D5D3, #D9CED4, #E0C7D5 and #E7C0D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADCD2 shade: #CDDCCB, #CBDCCE, #CBDCD2, #CBDCD7 and #CBDCDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADCD2 shade: #99BBA9, #B2CCBE, #CBDCD3, #E4EDE8 and #FCFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADCD2 shade: #CADCD2, #CBD1DC and #DCCCCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADCD2 shade: #CADCD2, #D2CBDC and #DCD2CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADCD2 shade: #CADCD2, #CBD1DC, #DCCBD5 and #DCD6CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADCD2 shade: #CADCD2, #CBCCDC, #DCCBD5 and #DCDBCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 5 / 14

HEX #CADCD2

RGB 202 220 210

HSL 146.67, 0.2%, 0.83%

LAB 86.2, -7.88, 2.84

 

Complementary color

CMYK 0 / 34 / 15 / 79

HEX #35232D

RGB 53 35 45

HSL 326.67, 0.2%, 0.17%

LAB 16.25, 10.54, -3.17

 

CMYK 6 / 0 / 7 / 14

HEX #CFDCCD

RGB 207 220 205

HSL 112, 0.18%, 0.83%

LAB 86.43, -7.09, 5.86

 

CMYK 6 / 0 / 6 / 7

HEX #E0EEE0

RGB 224 238 224

HSL 120, 0.29%, 0.91%

LAB 92.74, -7.15, 5.17

 

CMYK 5 / 0 / 5 / 0

HEX #F1FFF3

RGB 241 255 243

HSL 128.57, 1%, 0.97%

LAB 98.71, -6.71, 4.14

 

CMYK 8 / 0 / 5 / 14

HEX #CADCD2

RGB 202 220 210

HSL 146.67, 0.2%, 0.83%

LAB 86.2, -7.88, 2.84

 

CMYK 8 / 0 / 5 / 21

HEX #B9CABF

RGB 185 202 191

HSL 141.18, 0.14%, 0.76%

LAB 79.79, -7.85, 3.51

 

CMYK 9 / 0 / 7 / 28

HEX #A8B8AC

RGB 168 184 172

HSL 135, 0.1%, 0.69%

LAB 73.28, -7.83, 4.2

 

CMYK 9 / 0 / 8 / 35

HEX #97A699

RGB 151 166 153

HSL 128, 0.08%, 0.62%

LAB 66.64, -7.82, 4.92

 

CMYK 9 / 0 / 9 / 42

HEX #869486

RGB 134 148 134

HSL 120, 0.06%, 0.55%

LAB 59.86, -7.81, 5.69

 

CMYK 8 / 0 / 4 / 14

HEX #CBDCD3

RGB 203 220 211

HSL 148.24, 0.2%, 0.83%

LAB 86.3, -7.36, 2.46

 

CMYK 8 / 0 / 6 / 14

HEX #CBDCCE

RGB 203 220 206

HSL 130.59, 0.2%, 0.83%

LAB 86.18, -8.27, 4.92

 

CMYK 7 / 0 / 8 / 14

HEX #CDDCCB

RGB 205 220 203

HSL 112.94, 0.2%, 0.83%

LAB 86.24, -8.13, 6.62

 

CMYK 5 / 0 / 8 / 14

HEX #D1DCCB

RGB 209 220 203

HSL 98.82, 0.2%, 0.83%

LAB 86.53, -6.76, 7.07

 

CMYK 3 / 0 / 8 / 14

HEX #D6DCCB

RGB 214 220 203

HSL 81.18, 0.2%, 0.83%

LAB 86.9, -5.03, 7.64

 

CMYK 8 / 0 / 4 / 14

HEX #CBDCD3

RGB 203 220 211

HSL 148.24, 0.2%, 0.83%

LAB 86.3, -7.36, 2.46

 

CMYK 8 / 0 / 2 / 14

HEX #CBDCD7

RGB 203 220 215

HSL 162.35, 0.2%, 0.83%

LAB 86.4, -6.61, 0.49

 

CMYK 8 / 0 / 0 / 14

HEX #CBDCDC

RGB 203 220 220

HSL 180, 0.2%, 0.83%

LAB 86.53, -5.66, -1.96

 

CMYK 8 / 2 / 0 / 14

HEX #CBD8DC

RGB 203 216 220

HSL 194.12, 0.2%, 0.83%

LAB 85.49, -3.59, -3.48

 

CMYK 8 / 4 / 0 / 14

HEX #CBD3DC

RGB 203 211 220

HSL 211.76, 0.2%, 0.83%

LAB 84.2, -0.99, -5.38

 

CMYK 8 / 0 / 4 / 14

HEX #CBDCD3

RGB 203 220 211

HSL 148.24, 0.2%, 0.83%

LAB 86.3, -7.36, 2.46

 

CMYK 14 / 0 / 7 / 11

HEX #C4E3D2

RGB 196 227 210

HSL 147.1, 0.36%, 0.83%

LAB 87.64, -13.42, 4.87

 

CMYK 19 / 0 / 11 / 8

HEX #BDEAD1

RGB 189 234 209

HSL 146.67, 0.52%, 0.83%

LAB 89.05, -19.36, 7.37

 

CMYK 24 / 0 / 14 / 5

HEX #B6F1D0

RGB 182 241 208

HSL 146.44, 0.68%, 0.83%

LAB 90.51, -25.16, 9.93

 

CMYK 29 / 0 / 16 / 3

HEX #AFF8D0

RGB 175 248 208

HSL 147.12, 0.84%, 0.83%

LAB 92.04, -30.61, 12.06

 

CMYK 8 / 0 / 4 / 14

HEX #CBDCD3

RGB 203 220 211

HSL 148.24, 0.2%, 0.83%

LAB 86.3, -7.36, 2.46

 

CMYK 1 / 0 / 1 / 16

HEX #D2D5D3

RGB 210 213 211

HSL 140, 0.03%, 0.83%

LAB 84.99, -1.38, 0.62

 

CMYK 0 / 5 / 2 / 15

HEX #D9CED4

RGB 217 206 212

HSL 327.27, 0.13%, 0.83%

LAB 83.78, 4.86, -1.62

 

CMYK 0 / 11 / 5 / 12

HEX #E0C7D5

RGB 224 199 213

HSL 326.4, 0.29%, 0.83%

LAB 82.65, 11.15, -3.75

 

CMYK 0 / 17 / 7 / 9

HEX #E7C0D6

RGB 231 192 214

HSL 326.15, 0.45%, 0.83%

LAB 81.59, 17.47, -5.78

 

CMYK 7 / 0 / 8 / 14

HEX #CDDCCB

RGB 205 220 203

HSL 112.94, 0.2%, 0.83%

LAB 86.24, -8.13, 6.62

 

CMYK 8 / 0 / 6 / 14

HEX #CBDCCE

RGB 203 220 206

HSL 130.59, 0.2%, 0.83%

LAB 86.18, -8.27, 4.92

 

CMYK 8 / 0 / 5 / 14

HEX #CBDCD2

RGB 203 220 210

HSL 144.71, 0.2%, 0.83%

LAB 86.27, -7.54, 2.95

 

CMYK 8 / 0 / 2 / 14

HEX #CBDCD7

RGB 203 220 215

HSL 162.35, 0.2%, 0.83%

LAB 86.4, -6.61, 0.49

 

CMYK 8 / 0 / 0 / 14

HEX #CBDCDC

RGB 203 220 220

HSL 180, 0.2%, 0.83%

LAB 86.53, -5.66, -1.96

 

CMYK 18 / 0 / 10 / 27

HEX #99BBA9

RGB 153 187 169

HSL 148.24, 0.2%, 0.67%

LAB 73.01, -15.09, 5.32

 

CMYK 13 / 0 / 7 / 20

HEX #B2CCBE

RGB 178 204 190

HSL 147.69, 0.2%, 0.75%

LAB 79.82, -11.44, 4.02

 

CMYK 8 / 0 / 4 / 14

HEX #CBDCD3

RGB 203 220 211

HSL 148.24, 0.2%, 0.83%

LAB 86.3, -7.36, 2.46

 

CMYK 4 / 0 / 2 / 7

HEX #E4EDE8

RGB 228 237 232

HSL 146.67, 0.2%, 0.91%

LAB 92.97, -3.88, 1.37

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFD

RGB 252 253 253

HSL 180, 0.2%, 0.99%

LAB 99.24, -0.32, -0.13

 

CMYK 8 / 0 / 5 / 14

HEX #CADCD2

RGB 202 220 210

HSL 146.67, 0.2%, 0.83%

LAB 86.2, -7.88, 2.84

 

CMYK 8 / 5 / 0 / 14

HEX #CBD1DC

RGB 203 209 220

HSL 218.82, 0.2%, 0.83%

LAB 83.69, 0.06, -6.14

 

CMYK 0 / 7 / 8 / 14

HEX #DCCCCB

RGB 220 204 203

HSL 3.53, 0.2%, 0.83%

LAB 83.29, 5.39, 2.49

 

CMYK 8 / 0 / 5 / 14

HEX #CADCD2

RGB 202 220 210

HSL 146.67, 0.2%, 0.83%

LAB 86.2, -7.88, 2.84

 

CMYK 5 / 8 / 0 / 14

HEX #D2CBDC

RGB 210 203 220

HSL 264.71, 0.2%, 0.83%

LAB 82.69, 5.55, -7.56

 

CMYK 0 / 5 / 8 / 14

HEX #DCD2CB

RGB 220 210 203

HSL 24.71, 0.2%, 0.83%

LAB 84.8, 2.24, 4.68

 

CMYK 8 / 0 / 5 / 14

HEX #CADCD2

RGB 202 220 210

HSL 146.67, 0.2%, 0.83%

LAB 86.2, -7.88, 2.84

 

CMYK 8 / 5 / 0 / 14

HEX #CBD1DC

RGB 203 209 220

HSL 218.82, 0.2%, 0.83%

LAB 83.69, 0.06, -6.14

 

CMYK 0 / 8 / 3 / 14

HEX #DCCBD5

RGB 220 203 213

HSL 324.71, 0.2%, 0.83%

LAB 83.3, 7.66, -2.83

 

CMYK 0 / 3 / 8 / 14

HEX #DCD6CB

RGB 220 214 203

HSL 38.82, 0.2%, 0.83%

LAB 85.82, 0.16, 6.15

 

CMYK 8 / 0 / 5 / 14

HEX #CADCD2

RGB 202 220 210

HSL 146.67, 0.2%, 0.83%

LAB 86.2, -7.88, 2.84

 

CMYK 8 / 7 / 0 / 14

HEX #CBCCDC

RGB 203 204 220

HSL 236.47, 0.2%, 0.83%

LAB 82.41, 2.7, -8.04

 

CMYK 0 / 8 / 3 / 14

HEX #DCCBD5

RGB 220 203 213

HSL 324.71, 0.2%, 0.83%

LAB 83.3, 7.66, -2.83

 

CMYK 0 / 0 / 8 / 14

HEX #DCDBCB

RGB 220 219 203

HSL 56.47, 0.2%, 0.83%

LAB 87.09, -2.43, 7.98

 

Description

Color code: HEX #CADCD2 | qconv.com Color code: HEX #CADCD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 220 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 220 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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