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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADCB5 it is the complementary color #35234A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADCB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADCB5 shade: #CFDCB0, #E0EEC3, #F1FFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADCB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADCB5 shade: #CADCB5, #B9CAA2, #A8B88F, #97A67C and #869469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADCB5 shade: #CBDDB6, #D5DDB6, #DDDAB6, #DDCFB6 and #DDC5B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADCB5 shade: #CBDDB6, #C1DDB6, #B6DDB6, #B6DDC1 and #B6DDCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADCB5 shade matches the following richer shades: #CBDDB6, #CCE5AE, #CCEEA5 and #CDF79C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADCB5 shade: #CBDDB6, #CAD4BF, #CACBC8, #C9C3D0 and #C8BAD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADCB5 shade: #DDDAB6, #D6DDB6, #CBDDB6, #C1DDB6 and #B7DDB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADCB5 shade: #A3C27E, #B7D09A, #CBDDB6, #DFEAD2 and #F3F7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADCB5 shade: #CADCB5, #B6DDCF and #DDB6DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADCB5 shade: #CADCB5, #B6CBDD and #DDB6CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADCB5 shade: #CADCB5, #B6DDCF, #C8B6DD and #DDB6C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADCB5 shade: #CADCB5, #B6DDDB, #C8B6DD and #DDB6B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 18 / 14

HEX #CADCB5

RGB 202 220 181

HSL 87.69, 0.36%, 0.79%

LAB 85.54, -12.88, 17.17

 

Complementary color

CMYK 28 / 53 / 0 / 71

HEX #35234A

RGB 53 35 74

HSL 267.69, 0.36%, 0.21%

LAB 17.71, 17.92, -21.15

 

CMYK 6 / 0 / 20 / 14

HEX #CFDCB0

RGB 207 220 176

HSL 77.73, 0.39%, 0.78%

LAB 85.8, -11.88, 20.19

 

CMYK 6 / 0 / 18 / 7

HEX #E0EEC3

RGB 224 238 195

HSL 79.53, 0.56%, 0.85%

LAB 92.1, -11.94, 19.29

 

CMYK 5 / 0 / 16 / 0

HEX #F1FFD6

RGB 241 255 214

HSL 80.49, 1%, 0.92%

LAB 98.06, -11.5, 18.07

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 8 / 0 / 18 / 14

HEX #CADCB5

RGB 202 220 181

HSL 87.69, 0.36%, 0.79%

LAB 85.54, -12.88, 17.17

 

CMYK 8 / 0 / 20 / 21

HEX #B9CAA2

RGB 185 202 162

HSL 85.5, 0.27%, 0.71%

LAB 79.14, -12.87, 18.07

 

CMYK 9 / 0 / 22 / 28

HEX #A8B88F

RGB 168 184 143

HSL 83.41, 0.22%, 0.64%

LAB 72.62, -12.85, 19.03

 

CMYK 9 / 0 / 25 / 35

HEX #97A67C

RGB 151 166 124

HSL 81.43, 0.19%, 0.57%

LAB 65.99, -12.82, 20.04

 

CMYK 9 / 0 / 29 / 42

HEX #869469

RGB 134 148 105

HSL 79.53, 0.17%, 0.5%

LAB 59.22, -12.78, 21.12

 

CMYK 8 / 0 / 18 / 13

HEX #CBDDB6

RGB 203 221 182

HSL 87.69, 0.36%, 0.79%

LAB 85.9, -12.87, 17.15

 

CMYK 4 / 0 / 18 / 13

HEX #D5DDB6

RGB 213 221 182

HSL 72.31, 0.36%, 0.79%

LAB 86.62, -9.31, 18.27

 

CMYK 0 / 1 / 18 / 13

HEX #DDDAB6

RGB 221 218 182

HSL 55.38, 0.36%, 0.79%

LAB 86.45, -4.88, 18.12

 

CMYK 0 / 6 / 18 / 13

HEX #DDCFB6

RGB 221 207 182

HSL 38.46, 0.36%, 0.79%

LAB 83.64, 0.8, 14.17

 

CMYK 0 / 11 / 18 / 13

HEX #DDC5B6

RGB 221 197 182

HSL 23.08, 0.36%, 0.79%

LAB 81.12, 6.05, 10.6

 

CMYK 8 / 0 / 18 / 13

HEX #CBDDB6

RGB 203 221 182

HSL 87.69, 0.36%, 0.79%

LAB 85.9, -12.87, 17.15

 

CMYK 13 / 0 / 18 / 13

HEX #C1DDB6

RGB 193 221 182

HSL 103.08, 0.36%, 0.79%

LAB 85.21, -16.37, 16.09

 

CMYK 18 / 0 / 18 / 13

HEX #B6DDB6

RGB 182 221 182

HSL 120, 0.36%, 0.79%

LAB 84.5, -20.13, 14.98

 

CMYK 18 / 0 / 13 / 13

HEX #B6DDC1

RGB 182 221 193

HSL 136.92, 0.36%, 0.79%

LAB 84.74, -18.16, 9.54

 

CMYK 18 / 0 / 8 / 13

HEX #B6DDCB

RGB 182 221 203

HSL 152.31, 0.36%, 0.79%

LAB 84.98, -16.28, 4.6

 

CMYK 8 / 0 / 18 / 13

HEX #CBDDB6

RGB 203 221 182

HSL 87.69, 0.36%, 0.79%

LAB 85.9, -12.87, 17.15

 

CMYK 11 / 0 / 24 / 10

HEX #CCE5AE

RGB 204 229 174

HSL 87.27, 0.51%, 0.79%

LAB 87.94, -17.75, 24.15

 

CMYK 14 / 0 / 31 / 7

HEX #CCEEA5

RGB 204 238 165

HSL 87.95, 0.68%, 0.79%

LAB 90.18, -23.44, 31.8

 

CMYK 17 / 0 / 37 / 3

HEX #CDF79C

RGB 205 247 156

HSL 87.69, 0.85%, 0.79%

LAB 92.53, -28.56, 39.41

 

CMYK 8 / 0 / 18 / 13

HEX #CBDDB6

RGB 203 221 182

HSL 87.69, 0.36%, 0.79%

LAB 85.9, -12.87, 17.15

 

CMYK 5 / 0 / 10 / 17

HEX #CAD4BF

RGB 202 212 191

HSL 88.57, 0.2%, 0.79%

LAB 83.66, -7.15, 9.22

 

CMYK 0 / 0 / 1 / 20

HEX #CACBC8

RGB 202 203 200

HSL 80, 0.03%, 0.79%

LAB 81.53, -0.89, 1.36

 

CMYK 3 / 6 / 0 / 18

HEX #C9C3D0

RGB 201 195 208

HSL 267.69, 0.12%, 0.79%

LAB 79.61, 4.49, -5.75

 

CMYK 8 / 14 / 0 / 15

HEX #C8BAD9

RGB 200 186 217

HSL 267.1, 0.29%, 0.79%

LAB 77.52, 10.75, -13.73

 

CMYK 0 / 1 / 18 / 13

HEX #DDDAB6

RGB 221 218 182

HSL 55.38, 0.36%, 0.79%

LAB 86.45, -4.88, 18.12

 

CMYK 3 / 0 / 18 / 13

HEX #D6DDB6

RGB 214 221 182

HSL 70.77, 0.36%, 0.79%

LAB 86.7, -8.95, 18.38

 

CMYK 8 / 0 / 18 / 13

HEX #CBDDB6

RGB 203 221 182

HSL 87.69, 0.36%, 0.79%

LAB 85.9, -12.87, 17.15

 

CMYK 13 / 0 / 18 / 13

HEX #C1DDB6

RGB 193 221 182

HSL 103.08, 0.36%, 0.79%

LAB 85.21, -16.37, 16.09

 

CMYK 17 / 0 / 18 / 13

HEX #B7DDB6

RGB 183 221 182

HSL 118.46, 0.36%, 0.79%

LAB 84.56, -19.79, 15.08

 

CMYK 16 / 0 / 35 / 24

HEX #A3C27E

RGB 163 194 126

HSL 87.35, 0.36%, 0.63%

LAB 74.75, -22.29, 30.86

 

CMYK 12 / 0 / 26 / 18

HEX #B7D09A

RGB 183 208 154

HSL 87.78, 0.36%, 0.71%

LAB 80.47, -17.86, 24.11

 

CMYK 8 / 0 / 18 / 13

HEX #CBDDB6

RGB 203 221 182

HSL 87.69, 0.36%, 0.79%

LAB 85.9, -12.87, 17.15

 

CMYK 5 / 0 / 10 / 8

HEX #DFEAD2

RGB 223 234 210

HSL 87.5, 0.36%, 0.87%

LAB 91.32, -7.87, 10.4

 

CMYK 2 / 0 / 4 / 3

HEX #F3F7EE

RGB 243 247 238

HSL 86.67, 0.36%, 0.95%

LAB 96.72, -2.89, 3.85

 

CMYK 8 / 0 / 18 / 14

HEX #CADCB5

RGB 202 220 181

HSL 87.69, 0.36%, 0.79%

LAB 85.54, -12.88, 17.17

 

CMYK 18 / 0 / 6 / 13

HEX #B6DDCF

RGB 182 221 207

HSL 158.46, 0.36%, 0.79%

LAB 85.08, -15.5, 2.63

 

CMYK 0 / 18 / 1 / 13

HEX #DDB6DB

RGB 221 182 219

HSL 303.08, 0.36%, 0.79%

LAB 78.43, 20.3, -13.27

 

CMYK 8 / 0 / 18 / 14

HEX #CADCB5

RGB 202 220 181

HSL 87.69, 0.36%, 0.79%

LAB 85.54, -12.88, 17.17

 

CMYK 18 / 8 / 0 / 13

HEX #B6CBDD

RGB 182 203 221

HSL 207.69, 0.36%, 0.79%

LAB 80.67, -3.34, -11.32

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CB

RGB 221 182 203

HSL 327.69, 0.36%, 0.79%

LAB 77.96, 17.46, -5.31

 

CMYK 8 / 0 / 18 / 14

HEX #CADCB5

RGB 202 220 181

HSL 87.69, 0.36%, 0.79%

LAB 85.54, -12.88, 17.17

 

CMYK 18 / 0 / 6 / 13

HEX #B6DDCF

RGB 182 221 207

HSL 158.46, 0.36%, 0.79%

LAB 85.08, -15.5, 2.63

 

CMYK 10 / 18 / 0 / 13

HEX #C8B6DD

RGB 200 182 221

HSL 267.69, 0.36%, 0.79%

LAB 76.65, 13.72, -17.21

 

CMYK 0 / 18 / 11 / 13

HEX #DDB6C4

RGB 221 182 196

HSL 338.46, 0.36%, 0.79%

LAB 77.76, 16.28, -1.79

 

CMYK 8 / 0 / 18 / 14

HEX #CADCB5

RGB 202 220 181

HSL 87.69, 0.36%, 0.79%

LAB 85.54, -12.88, 17.17

 

CMYK 18 / 0 / 1 / 13

HEX #B6DDDB

RGB 182 221 219

HSL 176.92, 0.36%, 0.79%

LAB 85.39, -13.08, -3.26

 

CMYK 10 / 18 / 0 / 13

HEX #C8B6DD

RGB 200 182 221

HSL 267.69, 0.36%, 0.79%

LAB 76.65, 13.72, -17.21

 

CMYK 0 / 18 / 17 / 13

HEX #DDB6B8

RGB 221 182 184

HSL 356.92, 0.36%, 0.79%

LAB 77.45, 14.34, 4.27

 

Description

Color code: HEX #CADCB5 | qconv.com Color code: HEX #CADCB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 220 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 220 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 18 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 18% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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