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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD949 it is the complementary color #3526B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD949. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD949 shade: #CFD944, #E0EB57, #F1FD6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD949. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD949 shade: #CAD949, #B9C736, #A8B523, #97A310 and #869100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD949 shade: #CAD94A, #D9C14A, #D99B4A, #D9744A and #D94E4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD949 shade: #CAD94A, #A3D94A, #7DD94A, #56D94A and #4AD964

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD949 shade matches the following richer shades: #CAD94A, #D8EA38 and #E6FC27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD949 shade: #CAD94A, #BCC75C, #AEB56E, #A0A37F and #929291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD949 shade: #D99B4A, #D9C14A, #CAD94A, #A4D94A and #7ED94A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD949 shade: #9EAC24, #BDCE2C, #CAD94A, #D4E06C and #DEE78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD949 shade: #CAD949, #4AD975 and #AE4AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD949 shade: #CAD949, #4ACAD9 and #D94ACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD949 shade: #CAD949, #4AD975, #584AD9 and #D94AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD949 shade: #CAD949, #4AD9A0, #584AD9 and #D94A83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 66 / 15

HEX #CAD949

RGB 202 217 73

HSL 66.25, 0.65%, 0.57%

LAB 83.26, -23.24, 66.17

 

Complementary color

CMYK 71 / 79 / 0 / 29

HEX #3526B6

RGB 53 38 182

HSL 246.25, 0.65%, 0.43%

LAB 28.17, 50.32, -72.56

 

CMYK 5 / 0 / 69 / 15

HEX #CFD944

RGB 207 217 68

HSL 64.03, 0.66%, 0.56%

LAB 83.6, -21.47, 68.51

 

CMYK 5 / 0 / 63 / 8

HEX #E0EB57

RGB 224 235 87

HSL 64.46, 0.79%, 0.63%

LAB 89.84, -22.17, 68.03

 

CMYK 5 / 0 / 58 / 1

HEX #F1FD6A

RGB 241 253 106

HSL 64.9, 0.97%, 0.7%

LAB 95.99, -22.75, 67.28

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 7 / 0 / 66 / 15

HEX #CAD949

RGB 202 217 73

HSL 66.25, 0.65%, 0.57%

LAB 83.26, -23.24, 66.17

 

CMYK 7 / 0 / 73 / 22

HEX #B9C736

RGB 185 199 54

HSL 65.79, 0.57%, 0.5%

LAB 76.94, -22.5, 66.39

 

CMYK 7 / 0 / 81 / 29

HEX #A8B523

RGB 168 181 35

HSL 65.34, 0.68%, 0.42%

LAB 70.52, -21.6, 65.89

 

CMYK 7 / 0 / 90 / 36

HEX #97A310

RGB 151 163 16

HSL 64.9, 0.82%, 0.35%

LAB 64.01, -20.48, 64.21

 

CMYK 8 / 0 / 100 / 43

HEX #869100

RGB 134 145 0

HSL 64.55, 1%, 0.28%

LAB 57.39, -19.13, 60.97

 

CMYK 7 / 0 / 66 / 15

HEX #CAD94A

RGB 202 217 74

HSL 66.29, 0.65%, 0.57%

LAB 83.27, -23.18, 65.8

 

CMYK 0 / 11 / 66 / 15

HEX #D9C14A

RGB 217 193 74

HSL 49.93, 0.65%, 0.57%

LAB 78.1, -4.91, 60.81

 

CMYK 0 / 29 / 66 / 15

HEX #D99B4A

RGB 217 155 74

HSL 33.99, 0.65%, 0.57%

LAB 68.53, 15.21, 50.5

 

CMYK 0 / 47 / 66 / 15

HEX #D9744A

RGB 217 116 74

HSL 17.62, 0.65%, 0.57%

LAB 59.65, 36.01, 40.41

 

CMYK 0 / 64 / 66 / 15

HEX #D94E4A

RGB 217 78 74

HSL 1.68, 0.65%, 0.57%

LAB 52.61, 54.16, 31.97

 

CMYK 7 / 0 / 66 / 15

HEX #CAD94A

RGB 202 217 74

HSL 66.29, 0.65%, 0.57%

LAB 83.27, -23.18, 65.8

 

CMYK 25 / 0 / 66 / 15

HEX #A3D94A

RGB 163 217 74

HSL 82.66, 0.65%, 0.57%

LAB 80.69, -38.49, 62.3

 

CMYK 42 / 0 / 66 / 15

HEX #7DD94A

RGB 125 217 74

HSL 98.6, 0.65%, 0.57%

LAB 78.74, -51.68, 59.65

 

CMYK 60 / 0 / 66 / 15

HEX #56D94A

RGB 86 217 74

HSL 114.97, 0.65%, 0.57%

LAB 77.34, -62.32, 57.73

 

CMYK 66 / 0 / 54 / 15

HEX #4AD964

RGB 74 217 100

HSL 130.91, 0.65%, 0.57%

LAB 77.28, -61.88, 46.17

 

CMYK 7 / 0 / 66 / 15

HEX #CAD94A

RGB 202 217 74

HSL 66.29, 0.65%, 0.57%

LAB 83.27, -23.18, 65.8

 

CMYK 8 / 0 / 76 / 8

HEX #D8EA38

RGB 216 234 56

HSL 66.07, 0.81%, 0.57%

LAB 88.79, -26.5, 77.64

 

CMYK 9 / 0 / 85 / 1

HEX #E6FC27

RGB 230 252 39

HSL 66.2, 0.97%, 0.57%

LAB 94.56, -29.8, 87.2

 

CMYK 7 / 0 / 66 / 15

HEX #CAD94A

RGB 202 217 74

HSL 66.29, 0.65%, 0.57%

LAB 83.27, -23.18, 65.8

 

CMYK 6 / 0 / 54 / 22

HEX #BCC75C

RGB 188 199 92

HSL 66.17, 0.49%, 0.57%

LAB 77.47, -18.76, 51.48

 

CMYK 4 / 0 / 39 / 29

HEX #AEB56E

RGB 174 181 110

HSL 65.92, 0.32%, 0.57%

LAB 71.67, -13.49, 35.34

 

CMYK 2 / 0 / 22 / 36

HEX #A0A37F

RGB 160 163 127

HSL 65, 0.16%, 0.57%

LAB 65.9, -7.3, 18.39

 

CMYK 0 / 0 / 1 / 43

HEX #929291

RGB 146 146 145

HSL 60, 0%, 0.57%

LAB 60.53, -0.19, 0.52

 

CMYK 0 / 29 / 66 / 15

HEX #D99B4A

RGB 217 155 74

HSL 33.99, 0.65%, 0.57%

LAB 68.53, 15.21, 50.5

 

CMYK 0 / 11 / 66 / 15

HEX #D9C14A

RGB 217 193 74

HSL 49.93, 0.65%, 0.57%

LAB 78.1, -4.91, 60.81

 

CMYK 7 / 0 / 66 / 15

HEX #CAD94A

RGB 202 217 74

HSL 66.29, 0.65%, 0.57%

LAB 83.27, -23.18, 65.8

 

CMYK 24 / 0 / 66 / 15

HEX #A4D94A

RGB 164 217 74

HSL 82.24, 0.65%, 0.57%

LAB 80.75, -38.12, 62.38

 

CMYK 42 / 0 / 66 / 15

HEX #7ED94A

RGB 126 217 74

HSL 98.18, 0.65%, 0.57%

LAB 78.78, -51.36, 59.71

 

CMYK 8 / 0 / 79 / 33

HEX #9EAC24

RGB 158 172 36

HSL 66.18, 0.65%, 0.41%

LAB 67.2, -21.36, 62.37

 

CMYK 8 / 0 / 79 / 19

HEX #BDCE2C

RGB 189 206 44

HSL 66.3, 0.65%, 0.49%

LAB 79.12, -24.66, 71.62

 

CMYK 7 / 0 / 66 / 15

HEX #CAD94A

RGB 202 217 74

HSL 66.29, 0.65%, 0.57%

LAB 83.27, -23.18, 65.8

 

CMYK 5 / 0 / 52 / 12

HEX #D4E06C

RGB 212 224 108

HSL 66.21, 0.65%, 0.65%

LAB 86.2, -20.08, 54.71

 

CMYK 4 / 0 / 39 / 9

HEX #DEE78E

RGB 222 231 142

HSL 66.07, 0.65%, 0.73%

LAB 89.22, -16.25, 42.3

 

CMYK 7 / 0 / 66 / 15

HEX #CAD949

RGB 202 217 73

HSL 66.25, 0.65%, 0.57%

LAB 83.26, -23.24, 66.17

 

CMYK 66 / 0 / 46 / 15

HEX #4AD975

RGB 74 217 117

HSL 138.04, 0.65%, 0.57%

LAB 77.5, -59.4, 38.23

 

CMYK 20 / 66 / 0 / 15

HEX #AE4AD9

RGB 174 74 217

HSL 281.96, 0.65%, 0.57%

LAB 50.58, 62.41, -55.82

 

CMYK 7 / 0 / 66 / 15

HEX #CAD949

RGB 202 217 73

HSL 66.25, 0.65%, 0.57%

LAB 83.26, -23.24, 66.17

 

CMYK 66 / 7 / 0 / 15

HEX #4ACAD9

RGB 74 202 217

HSL 186.29, 0.65%, 0.57%

LAB 75.27, -30.07, -17.79

 

CMYK 0 / 66 / 7 / 15

HEX #D94ACA

RGB 217 74 202

HSL 306.29, 0.65%, 0.57%

LAB 56, 69.65, -38.26

 

CMYK 7 / 0 / 66 / 15

HEX #CAD949

RGB 202 217 73

HSL 66.25, 0.65%, 0.57%

LAB 83.26, -23.24, 66.17

 

CMYK 66 / 0 / 46 / 15

HEX #4AD975

RGB 74 217 117

HSL 138.04, 0.65%, 0.57%

LAB 77.5, -59.4, 38.23

 

CMYK 59 / 66 / 0 / 15

HEX #584AD9

RGB 88 74 217

HSL 245.87, 0.65%, 0.57%

LAB 41.19, 45.84, -71.48

 

CMYK 0 / 66 / 20 / 15

HEX #D94AAE

RGB 217 74 174

HSL 318.04, 0.65%, 0.57%

LAB 54.77, 65.57, -24.02

 

CMYK 7 / 0 / 66 / 15

HEX #CAD949

RGB 202 217 73

HSL 66.25, 0.65%, 0.57%

LAB 83.26, -23.24, 66.17

 

CMYK 66 / 0 / 26 / 15

HEX #4AD9A0

RGB 74 217 160

HSL 156.08, 0.65%, 0.57%

LAB 78.24, -51.33, 17.11

 

CMYK 59 / 66 / 0 / 15

HEX #584AD9

RGB 88 74 217

HSL 245.87, 0.65%, 0.57%

LAB 41.19, 45.84, -71.48

 

CMYK 0 / 66 / 40 / 15

HEX #D94A83

RGB 217 74 131

HSL 336.08, 0.65%, 0.57%

LAB 53.26, 60.38, -0.94

 

Description

Color code: HEX #CAD949 | qconv.com Color code: HEX #CAD949 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 217 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 217 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 66 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 66% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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