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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD565 it is the complementary color #352A9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD565 shade: #CFD560, #E0E773, #F1F986, #FFFF99 and #FFFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD565 shade: #CAD565, #B9C352, #A8B13F, #979F2C and #868D19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD565 shade: #CAD567, #D5C267, #D5A567, #D58767 and #D56967

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD565 shade: #CAD567, #ADD567, #8FD567, #71D567 and #67D57A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD565 shade matches the following richer shades: #CAD567, #D7E557 and #E4F548

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD565 shade: #CAD567, #BEC677, #B1B686, #A5A696 and #9897A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD565 shade: #D5A467, #D5C167, #CCD567, #AFD567 and #91D567

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD565 shade: #AAB732, #BFCC46, #CAD567, #D6DE87 and #E1E7A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD565 shade: #CAD565, #67D586 and #B267D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD565 shade: #CAD565, #67CCD5 and #D567CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD565 shade: #CAD565, #67D586, #7067D5 and #D567B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD565 shade: #CAD565, #67D5A7, #7067D5 and #D56795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 53 / 16

HEX #CAD565

RGB 202 213 101

HSL 65.89, 0.57%, 0.62%

LAB 82.42, -19.27, 53.34

 

Complementary color

CMYK 66 / 73 / 0 / 40

HEX #352A9A

RGB 53 42 154

HSL 245.89, 0.57%, 0.38%

LAB 26, 39.27, -59.25

 

CMYK 3 / 0 / 55 / 16

HEX #CFD560

RGB 207 213 96

HSL 63.08, 0.58%, 0.61%

LAB 82.75, -17.67, 56.1

 

CMYK 3 / 0 / 50 / 9

HEX #E0E773

RGB 224 231 115

HSL 63.62, 0.71%, 0.68%

LAB 89.03, -18.15, 55.04

 

CMYK 3 / 0 / 46 / 2

HEX #F1F986

RGB 241 249 134

HSL 64.17, 0.91%, 0.75%

LAB 95.23, -18.54, 53.94

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 5 / 0 / 53 / 16

HEX #CAD565

RGB 202 213 101

HSL 65.89, 0.57%, 0.62%

LAB 82.42, -19.27, 53.34

 

CMYK 5 / 0 / 58 / 24

HEX #B9C352

RGB 185 195 82

HSL 65.31, 0.48%, 0.54%

LAB 76.04, -18.8, 54.35

 

CMYK 5 / 0 / 64 / 31

HEX #A8B13F

RGB 168 177 63

HSL 64.74, 0.48%, 0.47%

LAB 69.56, -18.2, 55.16

 

CMYK 5 / 0 / 72 / 38

HEX #979F2C

RGB 151 159 44

HSL 64.17, 0.57%, 0.4%

LAB 62.98, -17.45, 55.57

 

CMYK 5 / 0 / 82 / 45

HEX #868D19

RGB 134 141 25

HSL 63.62, 0.7%, 0.33%

LAB 56.28, -16.48, 55.16

 

CMYK 5 / 0 / 52 / 16

HEX #CAD567

RGB 202 213 103

HSL 66, 0.57%, 0.62%

LAB 82.45, -19.1, 52.44

 

CMYK 0 / 9 / 52 / 16

HEX #D5C267

RGB 213 194 103

HSL 49.64, 0.57%, 0.62%

LAB 78.29, -5.02, 47.74

 

CMYK 0 / 23 / 52 / 16

HEX #D5A567

RGB 213 165 103

HSL 33.82, 0.57%, 0.62%

LAB 70.9, 10.31, 38.73

 

CMYK 0 / 37 / 52 / 16

HEX #D58767

RGB 213 135 103

HSL 17.45, 0.57%, 0.62%

LAB 63.72, 26.52, 29.61

 

CMYK 0 / 51 / 52 / 16

HEX #D56967

RGB 213 105 103

HSL 1.09, 0.57%, 0.62%

LAB 57.3, 42.24, 21.14

 

CMYK 5 / 0 / 52 / 16

HEX #CAD567

RGB 202 213 103

HSL 66, 0.57%, 0.62%

LAB 82.45, -19.1, 52.44

 

CMYK 19 / 0 / 52 / 16

HEX #ADD567

RGB 173 213 103

HSL 81.82, 0.57%, 0.62%

LAB 80.43, -30.41, 49.57

 

CMYK 33 / 0 / 52 / 16

HEX #8FD567

RGB 143 213 103

HSL 98.18, 0.57%, 0.62%

LAB 78.7, -41.24, 47.08

 

CMYK 47 / 0 / 52 / 16

HEX #71D567

RGB 113 213 103

HSL 114.55, 0.57%, 0.62%

LAB 77.33, -50.67, 45.1

 

CMYK 52 / 0 / 43 / 16

HEX #67D57A

RGB 103 213 122

HSL 130.36, 0.57%, 0.62%

LAB 77.21, -50.69, 35.53

 

CMYK 5 / 0 / 52 / 16

HEX #CAD567

RGB 202 213 103

HSL 66, 0.57%, 0.62%

LAB 82.45, -19.1, 52.44

 

CMYK 6 / 0 / 62 / 10

HEX #D7E557

RGB 215 229 87

HSL 65.92, 0.73%, 0.62%

LAB 87.57, -22.9, 65.43

 

CMYK 7 / 0 / 71 / 4

HEX #E4F548

RGB 228 245 72

HSL 65.9, 0.9%, 0.62%

LAB 92.69, -26.15, 76.55

 

CMYK 5 / 0 / 52 / 16

HEX #CAD567

RGB 202 213 103

HSL 66, 0.57%, 0.62%

LAB 82.45, -19.1, 52.44

 

CMYK 4 / 0 / 40 / 22

HEX #BEC677

RGB 190 198 119

HSL 66.08, 0.41%, 0.62%

LAB 77.68, -14.78, 38.62

 

CMYK 3 / 0 / 26 / 29

HEX #B1B686

RGB 177 182 134

HSL 66.25, 0.25%, 0.62%

LAB 72.58, -9.74, 23.92

 

CMYK 1 / 0 / 10 / 35

HEX #A5A696

RGB 165 166 150

HSL 63.75, 0.08%, 0.62%

LAB 67.63, -3.27, 8.16

 

CMYK 8 / 9 / 0 / 35

HEX #9897A6

RGB 152 151 166

HSL 244, 0.08%, 0.62%

LAB 62.98, 3.37, -7.71

 

CMYK 0 / 23 / 52 / 16

HEX #D5A467

RGB 213 164 103

HSL 33.27, 0.57%, 0.62%

LAB 70.65, 10.85, 38.42

 

CMYK 0 / 9 / 52 / 16

HEX #D5C167

RGB 213 193 103

HSL 49.09, 0.57%, 0.62%

LAB 78.03, -4.5, 47.43

 

CMYK 4 / 0 / 52 / 16

HEX #CCD567

RGB 204 213 103

HSL 64.91, 0.57%, 0.62%

LAB 82.6, -18.3, 52.65

 

CMYK 18 / 0 / 52 / 16

HEX #AFD567

RGB 175 213 103

HSL 80.73, 0.57%, 0.62%

LAB 80.56, -29.65, 49.75

 

CMYK 32 / 0 / 52 / 16

HEX #91D567

RGB 145 213 103

HSL 97.09, 0.57%, 0.62%

LAB 78.8, -40.55, 47.23

 

CMYK 7 / 0 / 73 / 28

HEX #AAB732

RGB 170 183 50

HSL 65.86, 0.57%, 0.46%

LAB 71.31, -21.11, 61.98

 

CMYK 6 / 0 / 66 / 20

HEX #BFCC46

RGB 191 204 70

HSL 65.82, 0.57%, 0.54%

LAB 78.87, -21.6, 62.57

 

CMYK 5 / 0 / 52 / 16

HEX #CAD567

RGB 202 213 103

HSL 66, 0.57%, 0.62%

LAB 82.45, -19.1, 52.44

 

CMYK 4 / 0 / 39 / 13

HEX #D6DE87

RGB 214 222 135

HSL 65.52, 0.57%, 0.7%

LAB 86.15, -15.65, 41.73

 

CMYK 3 / 0 / 27 / 9

HEX #E1E7A8

RGB 225 231 168

HSL 65.71, 0.57%, 0.78%

LAB 89.85, -11.95, 30.08

 

CMYK 5 / 0 / 53 / 16

HEX #CAD565

RGB 202 213 101

HSL 65.89, 0.57%, 0.62%

LAB 82.42, -19.27, 53.34

 

CMYK 52 / 0 / 37 / 16

HEX #67D586

RGB 103 213 134

HSL 136.91, 0.57%, 0.62%

LAB 77.4, -48.71, 29.66

 

CMYK 16 / 52 / 0 / 16

HEX #B267D5

RGB 178 103 213

HSL 280.91, 0.57%, 0.62%

LAB 56.06, 48.54, -44.79

 

CMYK 5 / 0 / 53 / 16

HEX #CAD565

RGB 202 213 101

HSL 65.89, 0.57%, 0.62%

LAB 82.42, -19.27, 53.34

 

CMYK 52 / 4 / 0 / 16

HEX #67CCD5

RGB 103 204 213

HSL 184.91, 0.57%, 0.62%

LAB 76.6, -26.98, -13.53

 

CMYK 0 / 52 / 4 / 16

HEX #D567CC

RGB 213 103 204

HSL 304.91, 0.57%, 0.62%

LAB 60.07, 56.49, -33.07

 

CMYK 5 / 0 / 53 / 16

HEX #CAD565

RGB 202 213 101

HSL 65.89, 0.57%, 0.62%

LAB 82.42, -19.27, 53.34

 

CMYK 52 / 0 / 37 / 16

HEX #67D586

RGB 103 213 134

HSL 136.91, 0.57%, 0.62%

LAB 77.4, -48.71, 29.66

 

CMYK 47 / 52 / 0 / 16

HEX #7067D5

RGB 112 103 213

HSL 244.91, 0.57%, 0.62%

LAB 49.43, 31.96, -55.73

 

CMYK 0 / 52 / 15 / 16

HEX #D567B6

RGB 213 103 182

HSL 316.91, 0.57%, 0.62%

LAB 59.18, 52.92, -21.92

 

CMYK 5 / 0 / 53 / 16

HEX #CAD565

RGB 202 213 101

HSL 65.89, 0.57%, 0.62%

LAB 82.42, -19.27, 53.34

 

CMYK 52 / 0 / 22 / 16

HEX #67D5A7

RGB 103 213 167

HSL 154.91, 0.57%, 0.62%

LAB 78.03, -42.32, 13.23

 

CMYK 47 / 52 / 0 / 16

HEX #7067D5

RGB 112 103 213

HSL 244.91, 0.57%, 0.62%

LAB 49.43, 31.96, -55.73

 

CMYK 0 / 52 / 30 / 16

HEX #D56795

RGB 213 103 149

HSL 334.91, 0.57%, 0.62%

LAB 58.05, 48.23, -4.55

 

Description

Color code: HEX #CAD565 | qconv.com Color code: HEX #CAD565 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 213 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 213 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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