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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD34E it is the complementary color #352CB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD34E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD34E shade: #CFD349, #E0E55C, #F1F76F, #FFFF82 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD34E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD34E shade: #CAD34E, #B9C13B, #A8AF28, #979D15 and #868B02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD34E shade: #CAD350, #D3B950, #D39550, #D37250 and #D35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD34E shade: #CAD350, #A7D350, #83D350, #60D350 and #50D363

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD34E shade matches the following richer shades: #CAD350, #DAE53E and #E9F72C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD34E shade: #CAD350, #BBC161, #ACB073, #9C9E85 and #8D8C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD34E shade: #D39650, #D3B950, #CAD350, #A7D350 and #84D350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD34E shade: #9EA72A, #BDC832, #CAD350, #D4DB71 and #DEE492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD34E shade: #CAD34E, #50D373 and #A750D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD34E shade: #CAD34E, #50CAD3 and #D350CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD34E shade: #CAD34E, #50D373, #5850D3 and #D350B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD34E shade: #CAD34E, #50D39A, #5850D3 and #D35089

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 63 / 17

HEX #CAD34E

RGB 202 211 78

HSL 64.06, 0.6%, 0.57%

LAB 81.67, -20.01, 62.54

 

Complementary color

CMYK 70 / 75 / 0 / 31

HEX #352CB1

RGB 53 44 177

HSL 244.06, 0.6%, 0.43%

LAB 28.73, 45.63, -68.65

 

CMYK 2 / 0 / 65 / 17

HEX #CFD349

RGB 207 211 73

HSL 61.74, 0.61%, 0.56%

LAB 82.02, -18.26, 65.02

 

CMYK 2 / 0 / 60 / 10

HEX #E0E55C

RGB 224 229 92

HSL 62.19, 0.72%, 0.63%

LAB 88.28, -18.94, 64.34

 

CMYK 2 / 0 / 55 / 3

HEX #F1F76F

RGB 241 247 111

HSL 62.65, 0.89%, 0.7%

LAB 94.47, -19.52, 63.44

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 4 / 0 / 63 / 17

HEX #CAD34E

RGB 202 211 78

HSL 64.06, 0.6%, 0.57%

LAB 81.67, -20.01, 62.54

 

CMYK 4 / 0 / 69 / 24

HEX #B9C13B

RGB 185 193 59

HSL 63.58, 0.53%, 0.49%

LAB 75.31, -19.29, 63.03

 

CMYK 4 / 0 / 77 / 31

HEX #A8AF28

RGB 168 175 40

HSL 63.11, 0.63%, 0.42%

LAB 68.85, -18.4, 62.94

 

CMYK 4 / 0 / 87 / 38

HEX #979D15

RGB 151 157 21

HSL 62.65, 0.76%, 0.35%

LAB 62.29, -17.31, 61.83

 

CMYK 4 / 0 / 99 / 45

HEX #868B02

RGB 134 139 2

HSL 62.19, 0.97%, 0.28%

LAB 55.62, -15.98, 59.32

 

CMYK 4 / 0 / 62 / 17

HEX #CAD350

RGB 202 211 80

HSL 64.12, 0.6%, 0.57%

LAB 81.69, -19.88, 61.74

 

CMYK 0 / 12 / 62 / 17

HEX #D3B950

RGB 211 185 80

HSL 48.09, 0.6%, 0.57%

LAB 75.53, -2.93, 55.29

 

CMYK 0 / 29 / 62 / 17

HEX #D39550

RGB 211 149 80

HSL 31.6, 0.6%, 0.57%

LAB 66.46, 16.3, 45.06

 

CMYK 0 / 46 / 62 / 17

HEX #D37250

RGB 211 114 80

HSL 15.57, 0.6%, 0.57%

LAB 58.47, 35.07, 35.57

 

CMYK 0 / 62 / 62 / 17

HEX #D35050

RGB 211 80 80

HSL 0, 0.6%, 0.57%

LAB 52.02, 51.64, 27.54

 

CMYK 4 / 0 / 62 / 17

HEX #CAD350

RGB 202 211 80

HSL 64.12, 0.6%, 0.57%

LAB 81.69, -19.88, 61.74

 

CMYK 21 / 0 / 62 / 17

HEX #A7D350

RGB 167 211 80

HSL 80.15, 0.6%, 0.57%

LAB 79.26, -33.81, 58.41

 

CMYK 38 / 0 / 62 / 17

HEX #83D350

RGB 131 211 80

HSL 96.64, 0.6%, 0.57%

LAB 77.28, -46.76, 55.66

 

CMYK 55 / 0 / 62 / 17

HEX #60D350

RGB 96 211 80

HSL 112.67, 0.6%, 0.57%

LAB 75.86, -57.15, 53.69

 

CMYK 62 / 0 / 53 / 17

HEX #50D363

RGB 80 211 99

HSL 128.7, 0.6%, 0.57%

LAB 75.57, -58.66, 44.61

 

CMYK 4 / 0 / 62 / 17

HEX #CAD350

RGB 202 211 80

HSL 64.12, 0.6%, 0.57%

LAB 81.69, -19.88, 61.74

 

CMYK 5 / 0 / 73 / 10

HEX #DAE53E

RGB 218 229 62

HSL 63.95, 0.76%, 0.57%

LAB 87.63, -23.05, 74.75

 

CMYK 6 / 0 / 82 / 3

HEX #E9F72C

RGB 233 247 44

HSL 64.14, 0.93%, 0.57%

LAB 93.46, -26.12, 85.31

 

CMYK 4 / 0 / 62 / 17

HEX #CAD350

RGB 202 211 80

HSL 64.12, 0.6%, 0.57%

LAB 81.69, -19.88, 61.74

 

CMYK 3 / 0 / 50 / 24

HEX #BBC161

RGB 187 193 97

HSL 63.75, 0.44%, 0.57%

LAB 75.8, -15.71, 47.15

 

CMYK 2 / 0 / 35 / 31

HEX #ACB073

RGB 172 176 115

HSL 63.93, 0.28%, 0.57%

LAB 70.22, -11.1, 30.82

 

CMYK 1 / 0 / 16 / 38

HEX #9C9E85

RGB 156 158 133

HSL 64.8, 0.11%, 0.57%

LAB 64.33, -5.19, 12.84

 

CMYK 7 / 7 / 0 / 41

HEX #8D8C97

RGB 141 140 151

HSL 245.45, 0.05%, 0.57%

LAB 58.65, 2.58, -5.71

 

CMYK 0 / 29 / 62 / 17

HEX #D39650

RGB 211 150 80

HSL 32.06, 0.6%, 0.57%

LAB 66.7, 15.76, 45.34

 

CMYK 0 / 12 / 62 / 17

HEX #D3B950

RGB 211 185 80

HSL 48.09, 0.6%, 0.57%

LAB 75.53, -2.93, 55.29

 

CMYK 4 / 0 / 62 / 17

HEX #CAD350

RGB 202 211 80

HSL 64.12, 0.6%, 0.57%

LAB 81.69, -19.88, 61.74

 

CMYK 21 / 0 / 62 / 17

HEX #A7D350

RGB 167 211 80

HSL 80.15, 0.6%, 0.57%

LAB 79.26, -33.81, 58.41

 

CMYK 37 / 0 / 62 / 17

HEX #84D350

RGB 132 211 80

HSL 96.18, 0.6%, 0.57%

LAB 77.32, -46.43, 55.73

 

CMYK 5 / 0 / 75 / 35

HEX #9EA72A

RGB 158 167 42

HSL 64.32, 0.6%, 0.41%

LAB 65.81, -18.59, 59.18

 

CMYK 5 / 0 / 75 / 22

HEX #BDC832

RGB 189 200 50

HSL 64.4, 0.6%, 0.49%

LAB 77.49, -21.5, 68.34

 

CMYK 4 / 0 / 62 / 17

HEX #CAD350

RGB 202 211 80

HSL 64.12, 0.6%, 0.57%

LAB 81.69, -19.88, 61.74

 

CMYK 3 / 0 / 48 / 14

HEX #D4DB71

RGB 212 219 113

HSL 63.96, 0.6%, 0.65%

LAB 84.92, -17.18, 50.87

 

CMYK 3 / 0 / 36 / 11

HEX #DEE492

RGB 222 228 146

HSL 64.39, 0.6%, 0.73%

LAB 88.49, -14.31, 39.37

 

CMYK 4 / 0 / 63 / 17

HEX #CAD34E

RGB 202 211 78

HSL 64.06, 0.6%, 0.57%

LAB 81.67, -20.01, 62.54

 

CMYK 62 / 0 / 45 / 17

HEX #50D373

RGB 80 211 115

HSL 136.03, 0.6%, 0.57%

LAB 75.78, -56.33, 37.07

 

CMYK 21 / 62 / 0 / 17

HEX #A750D3

RGB 167 80 211

HSL 279.85, 0.6%, 0.57%

LAB 50.28, 56.85, -52.92

 

CMYK 4 / 0 / 63 / 17

HEX #CAD34E

RGB 202 211 78

HSL 64.06, 0.6%, 0.57%

LAB 81.67, -20.01, 62.54

 

CMYK 62 / 4 / 0 / 17

HEX #50CAD3

RGB 80 202 211

HSL 184.12, 0.6%, 0.57%

LAB 75.23, -30.86, -14.58

 

CMYK 0 / 62 / 4 / 17

HEX #D350CA

RGB 211 80 202

HSL 304.12, 0.6%, 0.57%

LAB 55.94, 65.84, -38.42

 

CMYK 4 / 0 / 63 / 17

HEX #CAD34E

RGB 202 211 78

HSL 64.06, 0.6%, 0.57%

LAB 81.67, -20.01, 62.54

 

CMYK 62 / 0 / 45 / 17

HEX #50D373

RGB 80 211 115

HSL 136.03, 0.6%, 0.57%

LAB 75.78, -56.33, 37.07

 

CMYK 58 / 62 / 0 / 17

HEX #5850D3

RGB 88 80 211

HSL 243.66, 0.6%, 0.57%

LAB 42.02, 40.45, -66.67

 

CMYK 0 / 62 / 17 / 17

HEX #D350B0

RGB 211 80 176

HSL 316.03, 0.6%, 0.57%

LAB 54.78, 61.84, -25.24

 

CMYK 4 / 0 / 63 / 17

HEX #CAD34E

RGB 202 211 78

HSL 64.06, 0.6%, 0.57%

LAB 81.67, -20.01, 62.54

 

CMYK 62 / 0 / 27 / 17

HEX #50D39A

RGB 80 211 154

HSL 153.89, 0.6%, 0.57%

LAB 76.45, -49.1, 17.81

 

CMYK 58 / 62 / 0 / 17

HEX #5850D3

RGB 88 80 211

HSL 243.66, 0.6%, 0.57%

LAB 42.02, 40.45, -66.67

 

CMYK 0 / 62 / 35 / 17

HEX #D35089

RGB 211 80 137

HSL 333.89, 0.6%, 0.57%

LAB 53.38, 56.76, -4.45

 

Description

Color code: HEX #CAD34E | qconv.com Color code: HEX #CAD34E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 211 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 211 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 63 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 63% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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