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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD238 it is the complementary color #352DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD238 shade: #CFD233, #E0E446, #F1F659, #FFFF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD238 shade: #CAD238, #B9C025, #A8AE12, #979C00 and #868A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD238 shade: #CAD237, #D2B037, #D28737, #D25D37 and #D23737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD238 shade: #CAD237, #A0D237, #77D237, #4DD237 and #37D24C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD238 shade matches the following richer shades: #CAD237, #DBE624 and #EDF910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD238 shade: #CAD237, #B8BE4B, #A6AA5F, #949673 and #838287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD238 shade: #D28737, #D2B037, #CAD237, #A1D237 and #78D237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD238 shade: #8F9522, #AFB729, #CAD237, #D3D959 and #DCE17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD238 shade: #CAD238, #37D25E and #9C37D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD238 shade: #CAD238, #37CAD2 and #D237CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD238 shade: #CAD238, #37D25E, #3F37D2 and #D237AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD238 shade: #CAD238, #37D28C, #3F37D2 and #D2377D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 73 / 18

HEX #CAD238

RGB 202 210 56

HSL 63.12, 0.63%, 0.52%

LAB 81.26, -20.71, 70.27

 

Complementary color

CMYK 73 / 77 / 0 / 22

HEX #352DC7

RGB 53 45 199

HSL 243.12, 0.63%, 0.48%

LAB 31.25, 52.07, -77.5

 

CMYK 1 / 0 / 76 / 18

HEX #CFD233

RGB 207 210 51

HSL 61.13, 0.64%, 0.51%

LAB 81.62, -18.83, 72.33

 

CMYK 2 / 0 / 69 / 11

HEX #E0E446

RGB 224 228 70

HSL 61.52, 0.75%, 0.58%

LAB 87.86, -19.74, 72.43

 

CMYK 2 / 0 / 64 / 4

HEX #F1F659

RGB 241 246 89

HSL 61.91, 0.9%, 0.66%

LAB 94.03, -20.51, 72.03

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 4 / 0 / 73 / 18

HEX #CAD238

RGB 202 210 56

HSL 63.12, 0.63%, 0.52%

LAB 81.26, -20.71, 70.27

 

CMYK 4 / 0 / 81 / 25

HEX #B9C025

RGB 185 192 37

HSL 62.71, 0.68%, 0.45%

LAB 74.92, -19.73, 69.7

 

CMYK 3 / 0 / 90 / 32

HEX #A8AE12

RGB 168 174 18

HSL 62.31, 0.81%, 0.38%

LAB 68.49, -18.56, 68.01

 

CMYK 3 / 0 / 100 / 39

HEX #979C00

RGB 151 156 0

HSL 61.92, 1%, 0.31%

LAB 61.96, -17.17, 64.96

 

CMYK 3 / 0 / 100 / 46

HEX #868A00

RGB 134 138 0

HSL 61.74, 1%, 0.27%

LAB 55.32, -15.49, 59.44

 

CMYK 4 / 0 / 74 / 18

HEX #CAD237

RGB 202 210 55

HSL 63.1, 0.63%, 0.52%

LAB 81.25, -20.75, 70.59

 

CMYK 0 / 16 / 74 / 18

HEX #D2B037

RGB 210 176 55

HSL 46.84, 0.63%, 0.52%

LAB 72.91, -0.01, 62.91

 

CMYK 0 / 36 / 74 / 18

HEX #D28737

RGB 210 135 55

HSL 30.97, 0.63%, 0.52%

LAB 62.76, 22.03, 52.87

 

CMYK 0 / 56 / 74 / 18

HEX #D25D37

RGB 210 93 55

HSL 14.71, 0.63%, 0.52%

LAB 53.82, 43.9, 43.52

 

CMYK 0 / 74 / 74 / 18

HEX #D23737

RGB 210 55 55

HSL 0, 0.63%, 0.52%

LAB 47.89, 59.79, 36.99

 

CMYK 4 / 0 / 74 / 18

HEX #CAD237

RGB 202 210 55

HSL 63.1, 0.63%, 0.52%

LAB 81.25, -20.75, 70.59

 

CMYK 24 / 0 / 74 / 18

HEX #A0D237

RGB 160 210 55

HSL 79.35, 0.63%, 0.52%

LAB 78.37, -37.67, 66.84

 

CMYK 43 / 0 / 74 / 18

HEX #77D237

RGB 119 210 55

HSL 95.23, 0.63%, 0.52%

LAB 76.25, -52.18, 64.05

 

CMYK 63 / 0 / 74 / 18

HEX #4DD237

RGB 77 210 55

HSL 111.48, 0.63%, 0.52%

LAB 74.79, -63.49, 62.12

 

CMYK 74 / 0 / 64 / 18

HEX #37D24C

RGB 55 210 76

HSL 128.13, 0.63%, 0.52%

LAB 74.46, -65.65, 53.54

 

CMYK 4 / 0 / 74 / 18

HEX #CAD237

RGB 202 210 55

HSL 63.1, 0.63%, 0.52%

LAB 81.25, -20.75, 70.59

 

CMYK 5 / 0 / 84 / 10

HEX #DBE624

RGB 219 230 36

HSL 63.4, 0.8%, 0.52%

LAB 87.86, -24.01, 81.93

 

CMYK 5 / 0 / 94 / 2

HEX #EDF910

RGB 237 249 16

HSL 63.09, 0.95%, 0.52%

LAB 94.22, -25.96, 90.51

 

CMYK 4 / 0 / 74 / 18

HEX #CAD237

RGB 202 210 55

HSL 63.1, 0.63%, 0.52%

LAB 81.25, -20.75, 70.59

 

CMYK 3 / 0 / 61 / 25

HEX #B8BE4B

RGB 184 190 75

HSL 63.13, 0.47%, 0.52%

LAB 74.52, -17.22, 55.73

 

CMYK 2 / 0 / 44 / 33

HEX #A6AA5F

RGB 166 170 95

HSL 63.2, 0.31%, 0.52%

LAB 67.79, -12.71, 38.04

 

CMYK 1 / 0 / 23 / 41

HEX #949673

RGB 148 150 115

HSL 63.43, 0.14%, 0.52%

LAB 61.09, -6.81, 18.27

 

CMYK 3 / 4 / 0 / 47

HEX #838287

RGB 131 130 135

HSL 252, 0.02%, 0.52%

LAB 54.6, 1.38, -2.57

 

CMYK 0 / 36 / 74 / 18

HEX #D28737

RGB 210 135 55

HSL 30.97, 0.63%, 0.52%

LAB 62.76, 22.03, 52.87

 

CMYK 0 / 16 / 74 / 18

HEX #D2B037

RGB 210 176 55

HSL 46.84, 0.63%, 0.52%

LAB 72.91, -0.01, 62.91

 

CMYK 4 / 0 / 74 / 18

HEX #CAD237

RGB 202 210 55

HSL 63.1, 0.63%, 0.52%

LAB 81.25, -20.75, 70.59

 

CMYK 23 / 0 / 74 / 18

HEX #A1D237

RGB 161 210 55

HSL 78.97, 0.63%, 0.52%

LAB 78.43, -37.29, 66.92

 

CMYK 43 / 0 / 74 / 18

HEX #78D237

RGB 120 210 55

HSL 94.84, 0.63%, 0.52%

LAB 76.29, -51.86, 64.1

 

CMYK 4 / 0 / 77 / 42

HEX #8F9522

RGB 143 149 34

HSL 63.13, 0.63%, 0.36%

LAB 59.39, -16.27, 55.46

 

CMYK 4 / 0 / 78 / 28

HEX #AFB729

RGB 175 183 41

HSL 63.38, 0.63%, 0.44%

LAB 71.65, -19.38, 65.38

 

CMYK 4 / 0 / 74 / 18

HEX #CAD237

RGB 202 210 55

HSL 63.1, 0.63%, 0.52%

LAB 81.25, -20.75, 70.59

 

CMYK 3 / 0 / 59 / 15

HEX #D3D959

RGB 211 217 89

HSL 62.81, 0.63%, 0.6%

LAB 84.07, -18.54, 60.72

 

CMYK 2 / 0 / 45 / 12

HEX #DCE17B

RGB 220 225 123

HSL 62.94, 0.63%, 0.68%

LAB 87.24, -16.04, 49.05

 

CMYK 4 / 0 / 73 / 18

HEX #CAD238

RGB 202 210 56

HSL 63.12, 0.63%, 0.52%

LAB 81.26, -20.71, 70.27

 

CMYK 74 / 0 / 55 / 18

HEX #37D25E

RGB 55 210 94

HSL 135.1, 0.63%, 0.52%

LAB 74.64, -63.48, 45.72

 

CMYK 26 / 74 / 0 / 18

HEX #9C37D2

RGB 156 55 210

HSL 279.1, 0.63%, 0.52%

LAB 44.88, 65.1, -61.13

 

CMYK 4 / 0 / 73 / 18

HEX #CAD238

RGB 202 210 56

HSL 63.12, 0.63%, 0.52%

LAB 81.26, -20.71, 70.27

 

CMYK 74 / 4 / 0 / 18

HEX #37CAD2

RGB 55 202 210

HSL 183.1, 0.63%, 0.52%

LAB 74.64, -34.61, -14.99

 

CMYK 0 / 74 / 4 / 18

HEX #D237CA

RGB 210 55 202

HSL 303.1, 0.63%, 0.52%

LAB 52.62, 74.52, -43.67

 

CMYK 4 / 0 / 73 / 18

HEX #CAD238

RGB 202 210 56

HSL 63.12, 0.63%, 0.52%

LAB 81.26, -20.71, 70.27

 

CMYK 74 / 0 / 55 / 18

HEX #37D25E

RGB 55 210 94

HSL 135.1, 0.63%, 0.52%

LAB 74.64, -63.48, 45.72

 

CMYK 70 / 74 / 0 / 18

HEX #3F37D2

RGB 63 55 210

HSL 243.1, 0.63%, 0.52%

LAB 34.89, 51.15, -77.86

 

CMYK 0 / 74 / 19 / 18

HEX #D237AB

RGB 210 55 171

HSL 315.1, 0.63%, 0.52%

LAB 51.12, 70.07, -28

 

CMYK 4 / 0 / 73 / 18

HEX #CAD238

RGB 202 210 56

HSL 63.12, 0.63%, 0.52%

LAB 81.26, -20.71, 70.27

 

CMYK 74 / 0 / 33 / 18

HEX #37D28C

RGB 55 210 140

HSL 152.9, 0.63%, 0.52%

LAB 75.33, -55.67, 23.55

 

CMYK 70 / 74 / 0 / 18

HEX #3F37D2

RGB 63 55 210

HSL 243.1, 0.63%, 0.52%

LAB 34.89, 51.15, -77.86

 

CMYK 0 / 74 / 40 / 18

HEX #D2377D

RGB 210 55 125

HSL 332.9, 0.63%, 0.52%

LAB 49.39, 64.68, -3.16

 

Description

Color code: HEX #CAD238 | qconv.com Color code: HEX #CAD238 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 210 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 210 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 73 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 73% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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