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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD111 it is the complementary color #352EEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD111 shade: #CFD10C, #E0E31F, #F1F532, #FFFF45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD111 shade: #CAD111, #B9BF00, #A8AD00, #979B00 and #868900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD111 shade: #C9D011, #D0A311, #D07011, #D03C11 and #D01111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD111 shade: #C9D011, #95D011, #62D011, #2ED011 and #11D027

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD111 shade matches the following richer shades: #C9D011

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD111 shade: #C9D011, #B8BD23, #A7AB35, #969947 and #858759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD111 shade: #D07011, #D0A311, #C9D011, #96D011 and #63D011

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD111 shade: #7F830B, #A4A90E, #C9D011, #E5ED1D and #E9F043

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD111 shade: #CAD111, #11D03D and #8A11D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD111 shade: #CAD111, #11C9D0 and #D011C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD111 shade: #CAD111, #11D03D, #1711D0 and #D011A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD111 shade: #CAD111, #11D077, #1711D0 and #D0116A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 92 / 18

HEX #CAD111

RGB 202 209 17

HSL 62.19, 0.85%, 0.44%

LAB 80.85, -21.34, 78.99

 

Complementary color

CMYK 78 / 81 / 0 / 7

HEX #352EEE

RGB 53 46 238

HSL 242.19, 0.85%, 0.56%

LAB 35.76, 63.38, -92.47

 

CMYK 1 / 0 / 94 / 18

HEX #CFD10C

RGB 207 209 12

HSL 60.61, 0.89%, 0.43%

LAB 81.23, -19.28, 80.03

 

CMYK 1 / 0 / 86 / 11

HEX #E0E31F

RGB 224 227 31

HSL 60.92, 0.78%, 0.51%

LAB 87.43, -20.6, 82.71

 

CMYK 2 / 0 / 80 / 4

HEX #F1F532

RGB 241 245 50

HSL 61.23, 0.91%, 0.58%

LAB 93.55, -21.75, 84.2

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF45

RGB 255 255 69

HSL 60, 1%, 0.64%

LAB 97.31, -20.15, 82.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 3 / 0 / 92 / 18

HEX #CAD111

RGB 202 209 17

HSL 62.19, 0.85%, 0.44%

LAB 80.85, -21.34, 78.99

 

CMYK 3 / 0 / 100 / 25

HEX #B9BF00

RGB 185 191 0

HSL 61.88, 1%, 0.37%

LAB 74.56, -19.94, 75.46

 

CMYK 3 / 0 / 100 / 32

HEX #A8AD00

RGB 168 173 0

HSL 61.73, 1%, 0.34%

LAB 68.18, -18.32, 70.15

HEX #A8AD00

CMYK 3 / 0 / 100 / 39

HEX #979B00

RGB 151 155 0

HSL 61.55, 1%, 0.3%

LAB 61.67, -16.66, 64.75

HEX #979B00

CMYK 2 / 0 / 100 / 46

HEX #868900

RGB 134 137 0

HSL 61.31, 1%, 0.27%

LAB 55.03, -14.96, 59.23

HEX #868900

CMYK 3 / 0 / 92 / 18

HEX #C9D011

RGB 201 208 17

HSL 62.2, 0.85%, 0.44%

LAB 80.5, -21.27, 78.68

 

CMYK 0 / 22 / 92 / 18

HEX #D0A311

RGB 208 163 17

HSL 45.86, 0.85%, 0.44%

LAB 69.22, 4.9, 70.33

 

CMYK 0 / 46 / 92 / 18

HEX #D07011

RGB 208 112 17

HSL 29.84, 0.85%, 0.44%

LAB 57.11, 32.36, 61.38

 

CMYK 0 / 71 / 92 / 18

HEX #D03C11

RGB 208 60 17

HSL 13.51, 0.85%, 0.44%

LAB 47.86, 56.37, 54.9

 

CMYK 0 / 92 / 92 / 18

HEX #D01111

RGB 208 17 17

HSL 0, 0.85%, 0.44%

LAB 44.02, 67.17, 52.37

 

CMYK 3 / 0 / 92 / 18

HEX #C9D011

RGB 201 208 17

HSL 62.2, 0.85%, 0.44%

LAB 80.5, -21.27, 78.68

 

CMYK 28 / 0 / 92 / 18

HEX #95D011

RGB 149 208 17

HSL 78.53, 0.85%, 0.44%

LAB 77.01, -42.33, 74.44

 

CMYK 53 / 0 / 92 / 18

HEX #62D011

RGB 98 208 17

HSL 94.55, 0.85%, 0.44%

LAB 74.67, -59.33, 71.56

 

CMYK 78 / 0 / 92 / 18

HEX #2ED011

RGB 46 208 17

HSL 110.89, 0.85%, 0.44%

LAB 73.37, -70.15, 69.96

 

CMYK 92 / 0 / 81 / 18

HEX #11D027

RGB 17 208 39

HSL 126.91, 0.85%, 0.44%

LAB 73.14, -71.95, 65.11

 

CMYK 3 / 0 / 92 / 18

HEX #C9D011

RGB 201 208 17

HSL 62.2, 0.85%, 0.44%

LAB 80.5, -21.27, 78.68

 

CMYK 3 / 0 / 92 / 18

HEX #C9D011

RGB 201 208 17

HSL 62.2, 0.85%, 0.44%

LAB 80.5, -21.27, 78.68

 

CMYK 3 / 0 / 81 / 26

HEX #B8BD23

RGB 184 189 35

HSL 61.95, 0.69%, 0.44%

LAB 74, -18.73, 69.4

 

CMYK 2 / 0 / 69 / 33

HEX #A7AB35

RGB 167 171 53

HSL 62.03, 0.53%, 0.44%

LAB 67.72, -16.18, 57.28

 

CMYK 2 / 0 / 54 / 40

HEX #969947

RGB 150 153 71

HSL 62.2, 0.37%, 0.44%

LAB 61.41, -12.86, 42.12

 

CMYK 1 / 0 / 34 / 47

HEX #858759

RGB 133 135 89

HSL 62.61, 0.21%, 0.44%

LAB 55.11, -8.42, 24.54

 

CMYK 0 / 46 / 92 / 18

HEX #D07011

RGB 208 112 17

HSL 29.84, 0.85%, 0.44%

LAB 57.11, 32.36, 61.38

 

CMYK 0 / 22 / 92 / 18

HEX #D0A311

RGB 208 163 17

HSL 45.86, 0.85%, 0.44%

LAB 69.22, 4.9, 70.33

 

CMYK 3 / 0 / 92 / 18

HEX #C9D011

RGB 201 208 17

HSL 62.2, 0.85%, 0.44%

LAB 80.5, -21.27, 78.68

 

CMYK 28 / 0 / 92 / 18

HEX #96D011

RGB 150 208 17

HSL 78.22, 0.85%, 0.44%

LAB 77.06, -41.95, 74.51

 

CMYK 52 / 0 / 92 / 18

HEX #63D011

RGB 99 208 17

HSL 94.24, 0.85%, 0.44%

LAB 74.7, -59.05, 71.61

 

CMYK 3 / 0 / 92 / 49

HEX #7F830B

RGB 127 131 11

HSL 62, 0.85%, 0.28%

LAB 52.7, -14.78, 55.26

 

CMYK 3 / 0 / 92 / 34

HEX #A4A90E

RGB 164 169 14

HSL 61.94, 0.85%, 0.36%

LAB 66.75, -17.85, 67.15

 

CMYK 3 / 0 / 92 / 18

HEX #C9D011

RGB 201 208 17

HSL 62.2, 0.85%, 0.44%

LAB 80.5, -21.27, 78.68

 

CMYK 3 / 0 / 88 / 7

HEX #E5ED1D

RGB 229 237 29

HSL 62.31, 0.85%, 0.52%

LAB 90.47, -23.37, 85.65

 

CMYK 3 / 0 / 72 / 6

HEX #E9F043

RGB 233 240 67

HSL 62.43, 0.85%, 0.6%

LAB 91.71, -21.99, 77.39

 

CMYK 3 / 0 / 92 / 18

HEX #CAD111

RGB 202 209 17

HSL 62.19, 0.85%, 0.44%

LAB 80.85, -21.34, 78.99

 

CMYK 92 / 0 / 71 / 18

HEX #11D03D

RGB 17 208 61

HSL 133.82, 0.85%, 0.44%

LAB 73.26, -70.37, 58.11

 

CMYK 34 / 92 / 0 / 18

HEX #8A11D0

RGB 138 17 208

HSL 278.01, 0.85%, 0.44%

LAB 38.48, 72.49, -70.51

 

CMYK 3 / 0 / 92 / 18

HEX #CAD111

RGB 202 209 17

HSL 62.19, 0.85%, 0.44%

LAB 80.85, -21.34, 78.99

 

CMYK 92 / 3 / 0 / 18

HEX #11C9D0

RGB 17 201 208

HSL 182.2, 0.85%, 0.44%

LAB 73.83, -37.57, -15.16

 

CMYK 0 / 92 / 3 / 18

HEX #D011C9

RGB 208 17 201

HSL 302.2, 0.85%, 0.44%

LAB 49.53, 81.82, -48.02

 

CMYK 3 / 0 / 92 / 18

HEX #CAD111

RGB 202 209 17

HSL 62.19, 0.85%, 0.44%

LAB 80.85, -21.34, 78.99

 

CMYK 92 / 0 / 71 / 18

HEX #11D03D

RGB 17 208 61

HSL 133.82, 0.85%, 0.44%

LAB 73.26, -70.37, 58.11

 

CMYK 89 / 92 / 0 / 18

HEX #1711D0

RGB 23 17 208

HSL 241.88, 0.85%, 0.44%

LAB 27.12, 64.54, -89.65

 

CMYK 0 / 92 / 22 / 18

HEX #D011A3

RGB 208 17 163

HSL 314.14, 0.85%, 0.44%

LAB 47.57, 76.8, -28.82

 

CMYK 3 / 0 / 92 / 18

HEX #CAD111

RGB 202 209 17

HSL 62.19, 0.85%, 0.44%

LAB 80.85, -21.34, 78.99

 

CMYK 92 / 0 / 43 / 18

HEX #11D077

RGB 17 208 119

HSL 152.04, 0.85%, 0.44%

LAB 73.91, -62.48, 32.44

 

CMYK 89 / 92 / 0 / 18

HEX #1711D0

RGB 23 17 208

HSL 241.88, 0.85%, 0.44%

LAB 27.12, 64.54, -89.65

 

CMYK 0 / 92 / 49 / 18

HEX #D0116A

RGB 208 17 106

HSL 332.04, 0.85%, 0.44%

LAB 45.43, 71.1, 2.66

 

Description

Color code: HEX #CAD111 | qconv.com Color code: HEX #CAD111 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 209 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 209 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 92 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 92% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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