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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAC11D it is the complementary color #353EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAC11D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAC11D shade: #CFC118, #E0D32B, #F1E53E, #FFF751 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAC11D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAC11D shade: #CAC11D, #B9AF0A, #A89D00, #978B00 and #867900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAC11D shade: #C9C01D, #C9911D, #C9631D, #C9351D and #C91D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAC11D shade: #C9C01D, #A3C91D, #75C91D, #47C91D and #1DC921

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAC11D shade matches the following richer shades: #C9C01D and #DBD00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAC11D shade: #C9C01D, #B6AF2F, #A49F42, #918E54 and #7F7D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAC11D shade: #C9621D, #C98F1D, #C9BD1D, #A6C91D and #78C91D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAC11D shade: #817B12, #A59D18, #C9C01D, #E1D82E and #E6DF52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAC11D shade: #CAC11D, #1DC934 and #781DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAC11D shade: #CAC11D, #1DC9BD and #BD1DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAC11D shade: #CAC11D, #1DC934, #1D28C9 and #C91DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAC11D shade: #CAC11D, #1DC967, #1D28C9 and #C91D7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 86 / 21

HEX #CAC11D

RGB 202 193 29

HSL 56.88, 0.75%, 0.45%

LAB 76.55, -13.16, 73.54

 

Complementary color

CMYK 77 / 73 / 0 / 11

HEX #353EE2

RGB 53 62 226

HSL 236.88, 0.75%, 0.55%

LAB 37.29, 51.58, -83.12

 

CMYK 0 / 7 / 88 / 19

HEX #CFC118

RGB 207 193 24

HSL 55.41, 0.79%, 0.45%

LAB 76.96, -11.1, 75.04

 

CMYK 0 / 6 / 81 / 12

HEX #E0D32B

RGB 224 211 43

HSL 55.69, 0.74%, 0.52%

LAB 83.24, -12.43, 76.56

 

CMYK 0 / 5 / 74 / 5

HEX #F1E53E

RGB 241 229 62

HSL 55.98, 0.86%, 0.59%

LAB 89.43, -13.57, 77.09

 

CMYK 0 / 3 / 68 / 0

HEX #FFF751

RGB 255 247 81

HSL 57.24, 1%, 0.66%

LAB 95.32, -15.77, 76.67

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 4 / 86 / 21

HEX #CAC11D

RGB 202 193 29

HSL 56.88, 0.75%, 0.45%

LAB 76.55, -13.16, 73.54

 

CMYK 0 / 5 / 95 / 27

HEX #B9AF0A

RGB 185 175 10

HSL 56.57, 0.9%, 0.38%

LAB 70.17, -11.72, 71.08

 

CMYK 0 / 7 / 100 / 34

HEX #A89D00

RGB 168 157 0

HSL 56.07, 1%, 0.33%

LAB 63.7, -10.05, 66.89

 

CMYK 0 / 8 / 100 / 41

HEX #978B00

RGB 151 139 0

HSL 55.23, 1%, 0.3%

LAB 57.12, -8.19, 61.43

 

CMYK 0 / 10 / 100 / 47

HEX #867900

RGB 134 121 0

HSL 54.18, 1%, 0.26%

LAB 50.39, -6.27, 55.85

 

CMYK 0 / 4 / 86 / 21

HEX #C9C01D

RGB 201 192 29

HSL 56.86, 0.75%, 0.45%

LAB 76.2, -13.08, 73.22

 

CMYK 0 / 28 / 86 / 21

HEX #C9911D

RGB 201 145 29

HSL 40.47, 0.75%, 0.45%

LAB 63.96, 11.77, 63.18

 

CMYK 0 / 51 / 86 / 21

HEX #C9631D

RGB 201 99 29

HSL 24.42, 0.75%, 0.45%

LAB 53.42, 36.51, 54.43

 

CMYK 0 / 74 / 86 / 21

HEX #C9351D

RGB 201 53 29

HSL 8.37, 0.75%, 0.45%

LAB 45.71, 56.85, 47.93

 

CMYK 0 / 86 / 86 / 21

HEX #C91D1D

RGB 201 29 29

HSL 0, 0.75%, 0.45%

LAB 43.34, 63.52, 45.91

 

CMYK 0 / 4 / 86 / 21

HEX #C9C01D

RGB 201 192 29

HSL 56.86, 0.75%, 0.45%

LAB 76.2, -13.08, 73.22

 

CMYK 19 / 0 / 86 / 21

HEX #A3C91D

RGB 163 201 29

HSL 73.26, 0.75%, 0.45%

LAB 75.85, -33.44, 71.78

 

CMYK 42 / 0 / 86 / 21

HEX #75C91D

RGB 117 201 29

HSL 89.3, 0.75%, 0.45%

LAB 73.31, -50.53, 68.6

 

CMYK 65 / 0 / 86 / 21

HEX #47C91D

RGB 71 201 29

HSL 105.35, 0.75%, 0.45%

LAB 71.69, -63.24, 66.56

 

CMYK 86 / 0 / 84 / 21

HEX #1DC921

RGB 29 201 33

HSL 121.4, 0.75%, 0.45%

LAB 70.97, -69.43, 64.7

 

CMYK 0 / 4 / 86 / 21

HEX #C9C01D

RGB 201 192 29

HSL 56.86, 0.75%, 0.45%

LAB 76.2, -13.08, 73.22

 

CMYK 0 / 5 / 95 / 14

HEX #DBD00A

RGB 219 208 10

HSL 56.84, 0.91%, 0.45%

LAB 81.94, -13.69, 81.19

 

CMYK 0 / 4 / 86 / 21

HEX #C9C01D

RGB 201 192 29

HSL 56.86, 0.75%, 0.45%

LAB 76.2, -13.08, 73.22

 

CMYK 0 / 4 / 74 / 29

HEX #B6AF2F

RGB 182 175 47

HSL 56.89, 0.59%, 0.45%

LAB 70.04, -12.03, 62.16

 

CMYK 0 / 3 / 60 / 36

HEX #A49F42

RGB 164 159 66

HSL 56.94, 0.43%, 0.45%

LAB 64.23, -10.4, 48

 

CMYK 0 / 2 / 42 / 43

HEX #918E54

RGB 145 142 84

HSL 57.05, 0.27%, 0.45%

LAB 58.04, -7.8, 31.25

 

CMYK 0 / 2 / 19 / 50

HEX #7F7D67

RGB 127 125 103

HSL 55, 0.1%, 0.45%

LAB 52.02, -3.23, 12.29

 

CMYK 0 / 51 / 86 / 21

HEX #C9621D

RGB 201 98 29

HSL 24.07, 0.75%, 0.45%

LAB 53.21, 37.02, 54.26

 

CMYK 0 / 29 / 86 / 21

HEX #C98F1D

RGB 201 143 29

HSL 39.77, 0.75%, 0.45%

LAB 63.47, 12.86, 62.77

 

CMYK 0 / 6 / 86 / 21

HEX #C9BD1D

RGB 201 189 29

HSL 55.81, 0.75%, 0.45%

LAB 75.39, -11.56, 72.56

 

CMYK 17 / 0 / 86 / 21

HEX #A6C91D

RGB 166 201 29

HSL 72.21, 0.75%, 0.45%

LAB 76.05, -32.23, 72.02

 

CMYK 40 / 0 / 86 / 21

HEX #78C91D

RGB 120 201 29

HSL 88.26, 0.75%, 0.45%

LAB 73.45, -49.52, 68.77

 

CMYK 0 / 5 / 86 / 49

HEX #817B12

RGB 129 123 18

HSL 56.76, 0.76%, 0.29%

LAB 50.54, -9.34, 52

 

CMYK 0 / 5 / 85 / 35

HEX #A59D18

RGB 165 157 24

HSL 56.6, 0.75%, 0.37%

LAB 63.49, -10.98, 62.62

 

CMYK 0 / 4 / 86 / 21

HEX #C9C01D

RGB 201 192 29

HSL 56.86, 0.75%, 0.45%

LAB 76.2, -13.08, 73.22

 

CMYK 0 / 4 / 80 / 12

HEX #E1D82E

RGB 225 216 46

HSL 56.98, 0.75%, 0.53%

LAB 84.65, -14.4, 77.02

 

CMYK 0 / 3 / 64 / 10

HEX #E6DF52

RGB 230 223 82

HSL 57.16, 0.75%, 0.61%

LAB 87.1, -14.18, 67.3

 

CMYK 0 / 4 / 86 / 21

HEX #CAC11D

RGB 202 193 29

HSL 56.88, 0.75%, 0.45%

LAB 76.55, -13.16, 73.54

 

CMYK 86 / 0 / 74 / 21

HEX #1DC934

RGB 29 201 52

HSL 128.02, 0.75%, 0.45%

LAB 71.07, -68.22, 59.13

 

CMYK 40 / 86 / 0 / 21

HEX #781DC9

RGB 120 29 201

HSL 271.74, 0.75%, 0.45%

LAB 36.15, 66.15, -70.34

 

CMYK 0 / 4 / 86 / 21

HEX #CAC11D

RGB 202 193 29

HSL 56.88, 0.75%, 0.45%

LAB 76.55, -13.16, 73.54

 

CMYK 86 / 0 / 6 / 21

HEX #1DC9BD

RGB 29 201 189

HSL 175.81, 0.75%, 0.45%

LAB 73.36, -42.55, -5.56

 

CMYK 6 / 86 / 0 / 21

HEX #BD1DC9

RGB 189 29 201

HSL 295.81, 0.75%, 0.45%

LAB 46.86, 76.76, -52.47

 

CMYK 0 / 4 / 86 / 21

HEX #CAC11D

RGB 202 193 29

HSL 56.88, 0.75%, 0.45%

LAB 76.55, -13.16, 73.54

 

CMYK 86 / 0 / 74 / 21

HEX #1DC934

RGB 29 201 52

HSL 128.02, 0.75%, 0.45%

LAB 71.07, -68.22, 59.13

 

CMYK 86 / 80 / 0 / 21

HEX #1D28C9

RGB 29 40 201

HSL 236.16, 0.75%, 0.45%

LAB 29.4, 53.79, -81.76

 

CMYK 0 / 86 / 11 / 21

HEX #C91DB2

RGB 201 29 178

HSL 308.02, 0.75%, 0.45%

LAB 47.64, 75.56, -37.68

 

CMYK 0 / 4 / 86 / 21

HEX #CAC11D

RGB 202 193 29

HSL 56.88, 0.75%, 0.45%

LAB 76.55, -13.16, 73.54

 

CMYK 86 / 0 / 49 / 21

HEX #1DC967

RGB 29 201 103

HSL 145.81, 0.75%, 0.45%

LAB 71.56, -62.1, 37.52

 

CMYK 86 / 80 / 0 / 21

HEX #1D28C9

RGB 29 40 201

HSL 236.16, 0.75%, 0.45%

LAB 29.4, 53.79, -81.76

 

CMYK 0 / 86 / 37 / 21

HEX #C91D7E

RGB 201 29 126

HSL 326.16, 0.75%, 0.45%

LAB 45.36, 69.35, -9.95

 

Description

Color code: HEX #CAC11D | qconv.com Color code: HEX #CAC11D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 193 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 193 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 86 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 86% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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