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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAC119 it is the complementary color #353EE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAC119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAC119 shade: #CFC114, #E0D327, #F1E53A, #FFF74D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAC119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAC119 shade: #CAC119, #B9AF06, #A89D00, #978B00 and #867900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAC119 shade: #CCC319, #CC9319, #CC6319, #CC3219 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAC119 shade: #CCC319, #A5CC19, #75CC19, #45CC19 and #19CC1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAC119 shade matches the following richer shades: #CCC319 and #DFD407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAC119 shade: #CCC319, #BAB22C, #A7A23E, #959151 and #828064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAC119 shade: #CC6119, #CC9119, #CCC019, #A8CC19 and #79CC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAC119 shade: #837D10, #A8A015, #CCC319, #E5DB2A and #E9E14F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAC119 shade: #CAC119, #19CC31 and #7919CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAC119 shade: #CAC119, #19CCC0 and #C019CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAC119 shade: #CAC119, #19CC31, #1925CC and #CC19B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAC119 shade: #CAC119, #19CC67, #1925CC and #CC197F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 88 / 21

HEX #CAC119

RGB 202 193 25

HSL 56.95, 0.78%, 0.45%

LAB 76.54, -13.25, 74.34

 

Complementary color

CMYK 77 / 73 / 0 / 10

HEX #353EE6

RGB 53 62 230

HSL 236.95, 0.78%, 0.55%

LAB 37.69, 52.88, -84.73

 

CMYK 0 / 7 / 90 / 19

HEX #CFC114

RGB 207 193 20

HSL 55.51, 0.82%, 0.45%

LAB 76.95, -11.17, 75.72

 

CMYK 0 / 6 / 83 / 12

HEX #E0D327

RGB 224 211 39

HSL 55.78, 0.75%, 0.52%

LAB 83.22, -12.54, 77.55

 

CMYK 0 / 5 / 76 / 5

HEX #F1E53A

RGB 241 229 58

HSL 56.07, 0.87%, 0.59%

LAB 89.41, -13.72, 78.32

 

CMYK 0 / 3 / 70 / 0

HEX #FFF74D

RGB 255 247 77

HSL 57.3, 1%, 0.65%

LAB 95.29, -15.96, 78.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 4 / 88 / 21

HEX #CAC119

RGB 202 193 25

HSL 56.95, 0.78%, 0.45%

LAB 76.54, -13.25, 74.34

 

CMYK 0 / 5 / 97 / 27

HEX #B9AF06

RGB 185 175 6

HSL 56.65, 0.94%, 0.37%

LAB 70.17, -11.77, 71.54

 

CMYK 0 / 7 / 100 / 34

HEX #A89D00

RGB 168 157 0

HSL 56.07, 1%, 0.33%

LAB 63.7, -10.05, 66.89

 

CMYK 0 / 8 / 100 / 41

HEX #978B00

RGB 151 139 0

HSL 55.23, 1%, 0.3%

LAB 57.12, -8.19, 61.43

 

CMYK 0 / 10 / 100 / 47

HEX #867900

RGB 134 121 0

HSL 54.18, 1%, 0.26%

LAB 50.39, -6.27, 55.85

 

CMYK 0 / 4 / 88 / 20

HEX #CCC319

RGB 204 195 25

HSL 56.98, 0.78%, 0.45%

LAB 77.24, -13.39, 74.97

 

CMYK 0 / 28 / 88 / 20

HEX #CC9319

RGB 204 147 25

HSL 40.89, 0.78%, 0.45%

LAB 64.78, 11.91, 65.05

 

CMYK 0 / 51 / 88 / 20

HEX #CC6319

RGB 204 99 25

HSL 24.8, 0.78%, 0.45%

LAB 53.85, 37.61, 56.37

 

CMYK 0 / 75 / 88 / 20

HEX #CC3219

RGB 204 50 25

HSL 8.38, 0.78%, 0.45%

LAB 45.89, 58.7, 50.1

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 4 / 88 / 20

HEX #CCC319

RGB 204 195 25

HSL 56.98, 0.78%, 0.45%

LAB 77.24, -13.39, 74.97

 

CMYK 19 / 0 / 88 / 20

HEX #A5CC19

RGB 165 204 25

HSL 73.07, 0.78%, 0.45%

LAB 76.83, -34.13, 73.43

 

CMYK 43 / 0 / 88 / 20

HEX #75CC19

RGB 117 204 25

HSL 89.16, 0.78%, 0.45%

LAB 74.21, -51.84, 70.18

 

CMYK 66 / 0 / 88 / 20

HEX #45CC19

RGB 69 204 25

HSL 105.25, 0.78%, 0.45%

LAB 72.58, -64.79, 68.13

 

CMYK 88 / 0 / 85 / 20

HEX #19CC1E

RGB 25 204 30

HSL 121.68, 0.78%, 0.45%

LAB 71.88, -70.76, 66.21

 

CMYK 0 / 4 / 88 / 20

HEX #CCC319

RGB 204 195 25

HSL 56.98, 0.78%, 0.45%

LAB 77.24, -13.39, 74.97

 

CMYK 0 / 5 / 97 / 13

HEX #DFD407

RGB 223 212 7

HSL 56.94, 0.94%, 0.45%

LAB 83.33, -14.01, 82.64

 

CMYK 0 / 4 / 88 / 20

HEX #CCC319

RGB 204 195 25

HSL 56.98, 0.78%, 0.45%

LAB 77.24, -13.39, 74.97

 

CMYK 0 / 4 / 76 / 27

HEX #BAB22C

RGB 186 178 44

HSL 56.62, 0.62%, 0.45%

LAB 71.19, -11.97, 64.35

 

CMYK 0 / 3 / 63 / 35

HEX #A7A23E

RGB 167 162 62

HSL 57.14, 0.46%, 0.45%

LAB 65.28, -10.96, 51.03

 

CMYK 0 / 3 / 46 / 42

HEX #959151

RGB 149 145 81

HSL 56.47, 0.3%, 0.45%

LAB 59.19, -8.05, 34.35

 

CMYK 0 / 2 / 23 / 49

HEX #828064

RGB 130 128 100

HSL 56, 0.13%, 0.45%

LAB 53.06, -4.18, 15.51

 

CMYK 0 / 52 / 88 / 20

HEX #CC6119

RGB 204 97 25

HSL 24.13, 0.78%, 0.45%

LAB 53.45, 38.63, 56.06

 

CMYK 0 / 29 / 88 / 20

HEX #CC9119

RGB 204 145 25

HSL 40.22, 0.78%, 0.45%

LAB 64.29, 13, 64.66

 

CMYK 0 / 6 / 88 / 20

HEX #CCC019

RGB 204 192 25

HSL 55.98, 0.78%, 0.45%

LAB 76.44, -11.87, 74.33

 

CMYK 18 / 0 / 88 / 20

HEX #A8CC19

RGB 168 204 25

HSL 72.07, 0.78%, 0.45%

LAB 77.03, -32.92, 73.67

 

CMYK 41 / 0 / 88 / 20

HEX #79CC19

RGB 121 204 25

HSL 87.82, 0.78%, 0.45%

LAB 74.39, -50.51, 70.41

 

CMYK 0 / 5 / 88 / 49

HEX #837D10

RGB 131 125 16

HSL 56.87, 0.78%, 0.29%

LAB 51.3, -9.56, 53.21

 

CMYK 0 / 5 / 88 / 34

HEX #A8A015

RGB 168 160 21

HSL 56.73, 0.78%, 0.37%

LAB 64.58, -11.29, 64.29

 

CMYK 0 / 4 / 88 / 20

HEX #CCC319

RGB 204 195 25

HSL 56.98, 0.78%, 0.45%

LAB 77.24, -13.39, 74.97

 

CMYK 0 / 4 / 82 / 10

HEX #E5DB2A

RGB 229 219 42

HSL 56.79, 0.78%, 0.53%

LAB 85.75, -14.33, 79.13

 

CMYK 0 / 3 / 66 / 9

HEX #E9E14F

RGB 233 225 79

HSL 56.88, 0.78%, 0.61%

LAB 87.84, -14.1, 69.31

 

CMYK 0 / 4 / 88 / 21

HEX #CAC119

RGB 202 193 25

HSL 56.95, 0.78%, 0.45%

LAB 76.54, -13.25, 74.34

 

CMYK 88 / 0 / 76 / 20

HEX #19CC31

RGB 25 204 49

HSL 128.04, 0.78%, 0.45%

LAB 71.97, -69.66, 61.03

 

CMYK 41 / 88 / 0 / 20

HEX #7919CC

RGB 121 25 204

HSL 272.18, 0.78%, 0.45%

LAB 36.21, 67.97, -71.99

 

CMYK 0 / 4 / 88 / 21

HEX #CAC119

RGB 202 193 25

HSL 56.95, 0.78%, 0.45%

LAB 76.54, -13.25, 74.34

 

CMYK 88 / 0 / 6 / 20

HEX #19CCC0

RGB 25 204 192

HSL 175.98, 0.78%, 0.45%

LAB 74.32, -43.25, -5.77

 

CMYK 6 / 88 / 0 / 20

HEX #C019CC

RGB 192 25 204

HSL 295.98, 0.78%, 0.45%

LAB 47.32, 78.46, -53.45

 

CMYK 0 / 4 / 88 / 21

HEX #CAC119

RGB 202 193 25

HSL 56.95, 0.78%, 0.45%

LAB 76.54, -13.25, 74.34

 

CMYK 88 / 0 / 76 / 20

HEX #19CC31

RGB 25 204 49

HSL 128.04, 0.78%, 0.45%

LAB 71.97, -69.66, 61.03

 

CMYK 88 / 82 / 0 / 20

HEX #1925CC

RGB 25 37 204

HSL 235.98, 0.78%, 0.45%

LAB 29.13, 56.03, -83.97

 

CMYK 0 / 88 / 12 / 20

HEX #CC19B4

RGB 204 25 180

HSL 308.04, 0.78%, 0.45%

LAB 48.04, 77.1, -38.18

 

CMYK 0 / 4 / 88 / 21

HEX #CAC119

RGB 202 193 25

HSL 56.95, 0.78%, 0.45%

LAB 76.54, -13.25, 74.34

 

CMYK 88 / 0 / 50 / 20

HEX #19CC67

RGB 25 204 103

HSL 146.15, 0.78%, 0.45%

LAB 72.48, -63.41, 38.65

 

CMYK 88 / 82 / 0 / 20

HEX #1925CC

RGB 25 37 204

HSL 235.98, 0.78%, 0.45%

LAB 29.13, 56.03, -83.97

 

CMYK 0 / 88 / 38 / 20

HEX #CC197F

RGB 204 25 127

HSL 325.81, 0.78%, 0.45%

LAB 45.72, 70.87, -9.96

 

Description

Color code: HEX #CAC119 | qconv.com Color code: HEX #CAC119 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 193 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 193 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 88 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 88% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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