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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CABDD3 it is the complementary color #35422C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CABDD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CABDD3 shade: #CFBDCE, #E0CFE1, #F1E1F4, #FFF3FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CABDD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CABDD3 shade: #CABDD3, #B9ABC0, #A899AD, #97879A and #867587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CABDD3 shade: #C9BCD2, #CFBCD2, #D2BCCF, #D2BCC9 and #D2BCC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CABDD3 shade: #C9BCD2, #C3BCD2, #BDBCD2 and #BCBCD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CABDD3 shade matches the following richer shades: #C9BCD2, #CBB3DB, #CCAAE4, #CEA0ED and #D097F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CABDD3 shade: #C9BCD2, #C7C5C9, #C6CEC0, #C4D7B7 and #C2E0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CABDD3 shade: #BDBCD2, #C3BCD2, #C9BCD2, #CFBCD2 and #D2BCD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CABDD3 shade: #A18AB1, #B5A3C2, #C9BCD2, #DDD4E3 and #F1EDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CABDD3 shade: #CABDD3, #D2BCC1 and #BCD2C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CABDD3 shade: #CABDD3, #D2C9BC and #BCD2C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CABDD3 shade: #CABDD3, #D2BCC1, #C5D2BC and #BCD2CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CABDD3 shade: #CABDD3, #D2BEBC, #C5D2BC and #BCD0D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 10 / 0 / 17

HEX #CABDD3

RGB 202 189 211

HSL 275.45, 0.2%, 0.78%

LAB 78.26, 8.62, -9.37

 

Complementary color

CMYK 20 / 0 / 33 / 74

HEX #35422C

RGB 53 66 44

HSL 95.45, 0.2%, 0.22%

LAB 26.26, -10.13, 11.71

 

CMYK 0 / 9 / 0 / 19

HEX #CFBDCE

RGB 207 189 206

HSL 303.33, 0.16%, 0.78%

LAB 78.53, 9.38, -6.22

 

CMYK 0 / 8 / 0 / 12

HEX #E0CFE1

RGB 224 207 225

HSL 296.67, 0.23%, 0.85%

LAB 84.95, 9.07, -6.75

 

CMYK 1 / 8 / 0 / 4

HEX #F1E1F4

RGB 241 225 244

HSL 290.53, 0.46%, 0.92%

LAB 91.27, 8.78, -7.27

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 10 / 0 / 17

HEX #CABDD3

RGB 202 189 211

HSL 275.45, 0.2%, 0.78%

LAB 78.26, 8.62, -9.37

 

CMYK 4 / 11 / 0 / 25

HEX #B9ABC0

RGB 185 171 192

HSL 280, 0.14%, 0.71%

LAB 71.72, 8.93, -8.89

 

CMYK 3 / 12 / 0 / 32

HEX #A899AD

RGB 168 153 173

HSL 285, 0.11%, 0.64%

LAB 65.06, 9.26, -8.41

 

CMYK 2 / 12 / 0 / 40

HEX #97879A

RGB 151 135 154

HSL 290.53, 0.09%, 0.57%

LAB 58.26, 9.63, -7.91

 

CMYK 1 / 13 / 0 / 47

HEX #867587

RGB 134 117 135

HSL 296.67, 0.07%, 0.49%

LAB 51.31, 10.03, -7.4

 

CMYK 4 / 10 / 0 / 18

HEX #C9BCD2

RGB 201 188 210

HSL 275.45, 0.2%, 0.78%

LAB 77.9, 8.63, -9.38

 

CMYK 1 / 10 / 0 / 18

HEX #CFBCD2

RGB 207 188 210

HSL 291.82, 0.2%, 0.78%

LAB 78.39, 10.66, -8.59

 

CMYK 0 / 10 / 1 / 18

HEX #D2BCCF

RGB 210 188 207

HSL 308.18, 0.2%, 0.78%

LAB 78.56, 11.13, -6.69

 

CMYK 0 / 10 / 4 / 18

HEX #D2BCC9

RGB 210 188 201

HSL 324.55, 0.2%, 0.78%

LAB 78.39, 10.05, -3.69

 

CMYK 0 / 10 / 7 / 18

HEX #D2BCC3

RGB 210 188 195

HSL 340.91, 0.2%, 0.78%

LAB 78.23, 8.99, -0.68

 

CMYK 4 / 10 / 0 / 18

HEX #C9BCD2

RGB 201 188 210

HSL 275.45, 0.2%, 0.78%

LAB 77.9, 8.63, -9.38

 

CMYK 7 / 10 / 0 / 18

HEX #C3BCD2

RGB 195 188 210

HSL 259.09, 0.2%, 0.78%

LAB 77.41, 6.61, -10.15

 

CMYK 10 / 10 / 0 / 18

HEX #BDBCD2

RGB 189 188 210

HSL 242.73, 0.2%, 0.78%

LAB 76.94, 4.62, -10.9

 

CMYK 10 / 10 / 0 / 18

HEX #BCBCD2

RGB 188 188 210

HSL 240, 0.2%, 0.78%

LAB 76.87, 4.29, -11.03

 

CMYK 4 / 10 / 0 / 18

HEX #C9BCD2

RGB 201 188 210

HSL 275.45, 0.2%, 0.78%

LAB 77.9, 8.63, -9.38

 

CMYK 7 / 18 / 0 / 14

HEX #CBB3DB

RGB 203 179 219

HSL 276, 0.36%, 0.78%

LAB 76.1, 15.94, -16.93

 

CMYK 11 / 25 / 0 / 11

HEX #CCAAE4

RGB 204 170 228

HSL 275.17, 0.52%, 0.78%

LAB 74.31, 23, -24.54

 

CMYK 13 / 32 / 0 / 7

HEX #CEA0ED

RGB 206 160 237

HSL 275.84, 0.68%, 0.78%

LAB 72.48, 30.96, -32.23

 

CMYK 15 / 39 / 0 / 4

HEX #D097F6

RGB 208 151 246

HSL 276, 0.84%, 0.78%

LAB 71.01, 38.35, -39.41

 

CMYK 4 / 10 / 0 / 18

HEX #C9BCD2

RGB 201 188 210

HSL 275.45, 0.2%, 0.78%

LAB 77.9, 8.63, -9.38

 

CMYK 1 / 2 / 0 / 21

HEX #C7C5C9

RGB 199 197 201

HSL 270, 0.04%, 0.78%

LAB 79.78, 1.43, -1.76

 

CMYK 4 / 0 / 7 / 19

HEX #C6CEC0

RGB 198 206 192

HSL 94.29, 0.13%, 0.78%

LAB 81.81, -5.27, 6.01

 

CMYK 9 / 0 / 15 / 16

HEX #C4D7B7

RGB 196 215 183

HSL 95.63, 0.29%, 0.78%

LAB 83.84, -12.14, 13.65

 

CMYK 13 / 0 / 22 / 12

HEX #C2E0AE

RGB 194 224 174

HSL 96, 0.45%, 0.78%

LAB 85.92, -18.81, 21.27

 

CMYK 10 / 10 / 0 / 18

HEX #BDBCD2

RGB 189 188 210

HSL 242.73, 0.2%, 0.78%

LAB 76.94, 4.62, -10.9

 

CMYK 7 / 10 / 0 / 18

HEX #C3BCD2

RGB 195 188 210

HSL 259.09, 0.2%, 0.78%

LAB 77.41, 6.61, -10.15

 

CMYK 4 / 10 / 0 / 18

HEX #C9BCD2

RGB 201 188 210

HSL 275.45, 0.2%, 0.78%

LAB 77.9, 8.63, -9.38

 

CMYK 1 / 10 / 0 / 18

HEX #CFBCD2

RGB 207 188 210

HSL 291.82, 0.2%, 0.78%

LAB 78.39, 10.66, -8.59

 

CMYK 0 / 10 / 1 / 18

HEX #D2BCD0

RGB 210 188 208

HSL 305.45, 0.2%, 0.78%

LAB 78.59, 11.31, -7.19

 

CMYK 9 / 22 / 0 / 31

HEX #A18AB1

RGB 161 138 177

HSL 275.38, 0.2%, 0.62%

LAB 60.72, 16.14, -17.26

 

CMYK 7 / 16 / 0 / 24

HEX #B5A3C2

RGB 181 163 194

HSL 274.84, 0.2%, 0.7%

LAB 69.41, 12.37, -13.49

 

CMYK 4 / 10 / 0 / 18

HEX #C9BCD2

RGB 201 188 210

HSL 275.45, 0.2%, 0.78%

LAB 77.9, 8.63, -9.38

 

CMYK 3 / 7 / 0 / 11

HEX #DDD4E3

RGB 221 212 227

HSL 276, 0.21%, 0.86%

LAB 86.01, 5.8, -6.27

 

CMYK 1 / 2 / 0 / 5

HEX #F1EDF3

RGB 241 237 243

HSL 280, 0.2%, 0.94%

LAB 94.2, 2.4, -2.43

 

CMYK 4 / 10 / 0 / 17

HEX #CABDD3

RGB 202 189 211

HSL 275.45, 0.2%, 0.78%

LAB 78.26, 8.62, -9.37

 

CMYK 0 / 10 / 8 / 18

HEX #D2BCC1

RGB 210 188 193

HSL 346.36, 0.2%, 0.78%

LAB 78.18, 8.65, 0.32

 

CMYK 10 / 0 / 9 / 18

HEX #BCD2C0

RGB 188 210 192

HSL 130.91, 0.2%, 0.78%

LAB 82.16, -10.78, 6.41

 

CMYK 4 / 10 / 0 / 17

HEX #CABDD3

RGB 202 189 211

HSL 275.45, 0.2%, 0.78%

LAB 78.26, 8.62, -9.37

 

CMYK 0 / 4 / 10 / 18

HEX #D2C9BC

RGB 210 201 188

HSL 35.45, 0.2%, 0.78%

LAB 81.35, 0.9, 7.6

 

CMYK 10 / 0 / 4 / 18

HEX #BCD2C9

RGB 188 210 201

HSL 155.45, 0.2%, 0.78%

LAB 82.38, -9.1, 1.94

 

CMYK 4 / 10 / 0 / 17

HEX #CABDD3

RGB 202 189 211

HSL 275.45, 0.2%, 0.78%

LAB 78.26, 8.62, -9.37

 

CMYK 0 / 10 / 8 / 18

HEX #D2BCC1

RGB 210 188 193

HSL 346.36, 0.2%, 0.78%

LAB 78.18, 8.65, 0.32

 

CMYK 6 / 0 / 10 / 18

HEX #C5D2BC

RGB 197 210 188

HSL 95.45, 0.2%, 0.78%

LAB 82.7, -8.39, 9.4

 

CMYK 10 / 0 / 2 / 18

HEX #BCD2CD

RGB 188 210 205

HSL 166.36, 0.2%, 0.78%

LAB 82.48, -8.33, -0.04

 

CMYK 4 / 10 / 0 / 17

HEX #CABDD3

RGB 202 189 211

HSL 275.45, 0.2%, 0.78%

LAB 78.26, 8.62, -9.37

 

CMYK 0 / 10 / 10 / 18

HEX #D2BEBC

RGB 210 190 188

HSL 5.45, 0.2%, 0.78%

LAB 78.55, 6.73, 3.57

 

CMYK 6 / 0 / 10 / 18

HEX #C5D2BC

RGB 197 210 188

HSL 95.45, 0.2%, 0.78%

LAB 82.7, -8.39, 9.4

 

CMYK 10 / 1 / 0 / 18

HEX #BCD0D2

RGB 188 208 210

HSL 185.45, 0.2%, 0.78%

LAB 82.09, -6.31, -3.29

 

Description

Color code: HEX #CABDD3 | qconv.com Color code: HEX #CABDD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 189 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 189 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 10 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 10% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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