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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CABCEC it is the complementary color #354313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CABCEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CABCEC shade: #CFBCE7, #E0CEFA, #F1E0FF, #FFF2FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CABCEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CABCEC shade: #CABCEC, #B9AAD9, #A898C6, #9786B3 and #8674A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CABCEC shade: #CABBEC, #D7BBEC, #E4BBEC, #ECBBE7 and #ECBBDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CABCEC shade: #CABBEC, #BCBBEC and #BBBBEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CABCEC shade matches the following richer shades: #CABBEC, #C7B4F3 and #C4ADFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CABCEC shade: #CABBEC, #CCC2E5, #CFC9DE, #D2D0D7 and #D5D7D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CABCEC shade: #BBC8EC, #BCBBEC, #C9BBEC, #D6BBEC and #E3BBEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CABCEC shade: #977BDA, #B09BE3, #CABBEC, #E3DCF5 and #FCFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CABCEC shade: #CABCEC, #ECBBD4 and #C1ECBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CABCEC shade: #CABCEC, #ECC9BB and #BBECC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CABCEC shade: #CABCEC, #ECBBD4, #DEECBB and #BBECD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CABCEC shade: #CABCEC, #ECBBC6, #DEECBB and #BBECE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 20 / 0 / 7

HEX #CABCEC

RGB 202 188 236

HSL 257.5, 0.56%, 0.83%

LAB 78.8, 14.22, -22.04

 

Complementary color

CMYK 21 / 0 / 72 / 74

HEX #354313

RGB 53 67 19

HSL 77.5, 0.56%, 0.17%

LAB 26.21, -14.14, 26.41

 

CMYK 10 / 19 / 0 / 9

HEX #CFBCE7

RGB 207 188 231

HSL 266.51, 0.47%, 0.82%

LAB 79.04, 14.77, -18.95

 

CMYK 10 / 18 / 0 / 2

HEX #E0CEFA

RGB 224 206 250

HSL 264.55, 0.81%, 0.89%

LAB 85.45, 14.4, -19.27

 

CMYK 5 / 12 / 0 / 0

HEX #F1E0FF

RGB 241 224 255

HSL 272.9, 1%, 0.94%

LAB 91.34, 11.34, -12.92

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 14 / 20 / 0 / 7

HEX #CABCEC

RGB 202 188 236

HSL 257.5, 0.56%, 0.83%

LAB 78.8, 14.22, -22.04

 

CMYK 15 / 22 / 0 / 15

HEX #B9AAD9

RGB 185 170 217

HSL 259.15, 0.38%, 0.76%

LAB 72.28, 14.62, -21.78

 

CMYK 15 / 23 / 0 / 22

HEX #A898C6

RGB 168 152 198

HSL 260.87, 0.29%, 0.69%

LAB 65.64, 15.06, -21.53

 

CMYK 16 / 25 / 0 / 30

HEX #9786B3

RGB 151 134 179

HSL 262.67, 0.23%, 0.61%

LAB 58.87, 15.54, -21.3

 

CMYK 16 / 28 / 0 / 37

HEX #8674A0

RGB 134 116 160

HSL 264.55, 0.19%, 0.54%

LAB 51.95, 16.07, -21.09

 

CMYK 14 / 21 / 0 / 7

HEX #CABBEC

RGB 202 187 236

HSL 258.37, 0.56%, 0.83%

LAB 78.55, 14.76, -22.42

 

CMYK 9 / 21 / 0 / 7

HEX #D7BBEC

RGB 215 187 236

HSL 274.29, 0.56%, 0.83%

LAB 79.64, 18.9, -20.67

 

CMYK 3 / 21 / 0 / 7

HEX #E4BBEC

RGB 228 187 236

HSL 290.2, 0.56%, 0.83%

LAB 80.79, 23.11, -18.82

 

CMYK 0 / 21 / 2 / 7

HEX #ECBBE7

RGB 236 187 231

HSL 306.12, 0.56%, 0.83%

LAB 81.37, 24.82, -15.18

 

CMYK 0 / 21 / 8 / 7

HEX #ECBBDA

RGB 236 187 218

HSL 322.04, 0.56%, 0.83%

LAB 80.98, 22.54, -8.78

 

CMYK 14 / 21 / 0 / 7

HEX #CABBEC

RGB 202 187 236

HSL 258.37, 0.56%, 0.83%

LAB 78.55, 14.76, -22.42

 

CMYK 20 / 21 / 0 / 7

HEX #BCBBEC

RGB 188 187 236

HSL 241.22, 0.56%, 0.83%

LAB 77.45, 10.4, -24.19

 

CMYK 21 / 21 / 0 / 7

HEX #BBBBEC

RGB 187 187 236

HSL 240, 0.56%, 0.83%

LAB 77.38, 10.1, -24.32

 

CMYK 14 / 21 / 0 / 7

HEX #CABBEC

RGB 202 187 236

HSL 258.37, 0.56%, 0.83%

LAB 78.55, 14.76, -22.42

 

CMYK 18 / 26 / 0 / 5

HEX #C7B4F3

RGB 199 180 243

HSL 258.1, 0.72%, 0.83%

LAB 76.83, 19.15, -28.84

 

CMYK 22 / 31 / 0 / 2

HEX #C4ADFA

RGB 196 173 250

HSL 257.92, 0.89%, 0.83%

LAB 75.15, 23.66, -35.22

 

CMYK 14 / 21 / 0 / 7

HEX #CABBEC

RGB 202 187 236

HSL 258.37, 0.56%, 0.83%

LAB 78.55, 14.76, -22.42

 

CMYK 11 / 15 / 0 / 10

HEX #CCC2E5

RGB 204 194 229

HSL 257.14, 0.4%, 0.83%

LAB 80.22, 10.16, -16.11

 

CMYK 7 / 9 / 0 / 13

HEX #CFC9DE

RGB 207 201 222

HSL 257.14, 0.24%, 0.83%

LAB 82.01, 6, -9.67

 

CMYK 2 / 3 / 0 / 16

HEX #D2D0D7

RGB 210 208 215

HSL 257.14, 0.08%, 0.83%

LAB 83.82, 1.97, -3.22

 

CMYK 1 / 0 / 3 / 16

HEX #D5D7D0

RGB 213 215 208

HSL 77.14, 0.08%, 0.83%

LAB 85.66, -1.93, 3.2

 

CMYK 21 / 15 / 0 / 7

HEX #BBC8EC

RGB 187 200 236

HSL 224.08, 0.56%, 0.83%

LAB 80.7, 3.08, -19.27

 

CMYK 20 / 21 / 0 / 7

HEX #BCBBEC

RGB 188 187 236

HSL 241.22, 0.56%, 0.83%

LAB 77.45, 10.4, -24.19

 

CMYK 15 / 21 / 0 / 7

HEX #C9BBEC

RGB 201 187 236

HSL 257.14, 0.56%, 0.83%

LAB 78.47, 14.44, -22.55

 

CMYK 9 / 21 / 0 / 7

HEX #D6BBEC

RGB 214 187 236

HSL 273.06, 0.56%, 0.83%

LAB 79.55, 18.58, -20.81

 

CMYK 4 / 21 / 0 / 7

HEX #E3BBEC

RGB 227 187 236

HSL 288.98, 0.56%, 0.83%

LAB 80.7, 22.78, -18.96

 

CMYK 31 / 44 / 0 / 15

HEX #977BDA

RGB 151 123 218

HSL 257.68, 0.56%, 0.67%

LAB 57.85, 31.3, -44.95

 

CMYK 22 / 32 / 0 / 11

HEX #B09BE3

RGB 176 155 227

HSL 257.5, 0.56%, 0.75%

LAB 68.18, 22.44, -33.63

 

CMYK 14 / 21 / 0 / 7

HEX #CABBEC

RGB 202 187 236

HSL 258.37, 0.56%, 0.83%

LAB 78.55, 14.76, -22.42

 

CMYK 7 / 10 / 0 / 4

HEX #E3DCF5

RGB 227 220 245

HSL 256.8, 0.56%, 0.91%

LAB 88.97, 6.99, -11.32

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 14 / 20 / 0 / 7

HEX #CABCEC

RGB 202 188 236

HSL 257.5, 0.56%, 0.83%

LAB 78.8, 14.22, -22.04

 

CMYK 0 / 21 / 10 / 7

HEX #ECBBD4

RGB 236 187 212

HSL 329.39, 0.56%, 0.83%

LAB 80.81, 21.52, -5.8

 

CMYK 18 / 0 / 21 / 7

HEX #C1ECBB

RGB 193 236 187

HSL 112.65, 0.56%, 0.83%

LAB 89.35, -22.92, 19.28

 

CMYK 14 / 20 / 0 / 7

HEX #CABCEC

RGB 202 188 236

HSL 257.5, 0.56%, 0.83%

LAB 78.8, 14.22, -22.04

 

CMYK 0 / 15 / 21 / 7

HEX #ECC9BB

RGB 236 201 187

HSL 17.14, 0.56%, 0.83%

LAB 83.54, 10.2, 11.56

 

CMYK 21 / 0 / 15 / 7

HEX #BBECC9

RGB 187 236 201

HSL 137.14, 0.56%, 0.83%

LAB 89.29, -22.46, 11.86

 

CMYK 14 / 20 / 0 / 7

HEX #CABCEC

RGB 202 188 236

HSL 257.5, 0.56%, 0.83%

LAB 78.8, 14.22, -22.04

 

CMYK 0 / 21 / 10 / 7

HEX #ECBBD4

RGB 236 187 212

HSL 329.39, 0.56%, 0.83%

LAB 80.81, 21.52, -5.8

 

CMYK 6 / 0 / 21 / 7

HEX #DEECBB

RGB 222 236 187

HSL 77.14, 0.56%, 0.83%

LAB 91.28, -12.86, 22.25

 

CMYK 21 / 0 / 11 / 7

HEX #BBECD3

RGB 187 236 211

HSL 149.39, 0.56%, 0.83%

LAB 89.51, -20.6, 6.98

 

CMYK 14 / 20 / 0 / 7

HEX #CABCEC

RGB 202 188 236

HSL 257.5, 0.56%, 0.83%

LAB 78.8, 14.22, -22.04

 

CMYK 0 / 21 / 16 / 7

HEX #ECBBC6

RGB 236 187 198

HSL 346.53, 0.56%, 0.83%

LAB 80.43, 19.27, 1.19

 

CMYK 6 / 0 / 21 / 7

HEX #DEECBB

RGB 222 236 187

HSL 77.14, 0.56%, 0.83%

LAB 91.28, -12.86, 22.25

 

CMYK 21 / 0 / 5 / 7

HEX #BBECE1

RGB 187 236 225

HSL 166.53, 0.56%, 0.83%

LAB 89.86, -17.85, 0.16

 

Description

Color code: HEX #CABCEC | qconv.com Color code: HEX #CABCEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 188 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 188 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 20 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 20% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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