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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAA2F0 it is the complementary color #355D0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAA2F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAA2F0 shade: #CFA2EB, #E0B4FE, #F1C6FF, #FFD8FF and #FFEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAA2F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAA2F0 shade: #CAA2F0, #B990DD, #A87ECA, #976CB7 and #865AA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAA2F0 shade: #CAA2F0, #DFA2F0, #F0A2EB, #F0A2D7 and #F0A2C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAA2F0 shade: #CAA2F0, #B5A2F0 and #A2A2F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAA2F0 shade matches the following richer shades: #CAA2F0 and #CA9AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAA2F0 shade: #CAA2F0, #CAABE7, #C9B4DE, #C9BCD6 and #C9C5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAA2F0 shade: #A2A5F0, #B4A2F0, #C9A2F0, #DEA2F0 and #F0A2ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAA2F0 shade: #A15BE4, #B67FEA, #CAA2F0, #DEC6F5 and #F2E9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAA2F0 shade: #CAA2F0, #F0A2BA and #A2F0AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAA2F0 shade: #CAA2F0, #F0C9A2 and #A2F0C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAA2F0 shade: #CAA2F0, #F0A2BA, #C9F0A2 and #A2F0D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAA2F0 shade: #CAA2F0, #F0A2A2, #C9F0A2 and #A2F0F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

Complementary color

CMYK 43 / 0 / 84 / 64

HEX #355D0F

RGB 53 93 15

HSL 90.77, 0.72%, 0.21%

LAB 35.24, -27.84, 37.14

 

CMYK 12 / 31 / 0 / 8

HEX #CFA2EB

RGB 207 162 235

HSL 276.99, 0.65%, 0.78%

LAB 72.96, 29.76, -30.4

 

CMYK 12 / 29 / 0 / 0

HEX #E0B4FE

RGB 224 180 254

HSL 275.68, 0.97%, 0.85%

LAB 79.41, 29.15, -30.6

 

CMYK 5 / 22 / 0 / 0

HEX #F1C6FF

RGB 241 198 255

HSL 285.26, 1%, 0.89%

LAB 85.15, 25.04, -22.23

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 16 / 35 / 0 / 13

HEX #B990DD

RGB 185 144 221

HSL 271.95, 0.53%, 0.72%

LAB 66.12, 29.96, -33.45

 

CMYK 17 / 38 / 0 / 21

HEX #A87ECA

RGB 168 126 202

HSL 273.16, 0.42%, 0.64%

LAB 59.44, 30.68, -33.33

 

CMYK 17 / 41 / 0 / 28

HEX #976CB7

RGB 151 108 183

HSL 274.4, 0.34%, 0.57%

LAB 52.65, 31.46, -33.22

 

CMYK 18 / 45 / 0 / 36

HEX #865AA4

RGB 134 90 164

HSL 275.68, 0.29%, 0.5%

LAB 45.72, 32.3, -33.11

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 7 / 33 / 0 / 6

HEX #DFA2F0

RGB 223 162 240

HSL 286.92, 0.72%, 0.79%

LAB 74.71, 35.72, -30.29

 

CMYK 0 / 33 / 2 / 6

HEX #F0A2EB

RGB 240 162 235

HSL 303.85, 0.72%, 0.79%

LAB 76.29, 40.09, -25

 

CMYK 0 / 33 / 10 / 6

HEX #F0A2D7

RGB 240 162 215

HSL 319.23, 0.72%, 0.79%

LAB 75.62, 36.66, -15.12

 

CMYK 0 / 33 / 19 / 6

HEX #F0A2C2

RGB 240 162 194

HSL 335.38, 0.72%, 0.79%

LAB 74.99, 33.34, -4.56

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 25 / 33 / 0 / 6

HEX #B5A2F0

RGB 181 162 240

HSL 254.62, 0.72%, 0.79%

LAB 70.84, 23.04, -36.59

 

CMYK 33 / 33 / 0 / 6

HEX #A2A2F0

RGB 162 162 240

HSL 240, 0.72%, 0.79%

LAB 69.34, 17.63, -39.04

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 19 / 38 / 0 / 3

HEX #CA9AF8

RGB 202 154 248

HSL 270.64, 0.87%, 0.79%

LAB 71.18, 35.41, -40.28

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 13 / 26 / 0 / 9

HEX #CAABE7

RGB 202 171 231

HSL 271, 0.56%, 0.79%

LAB 74.48, 22.44, -25.93

 

CMYK 9 / 19 / 0 / 13

HEX #C9B4DE

RGB 201 180 222

HSL 270, 0.39%, 0.79%

LAB 76.27, 15.34, -18.32

 

CMYK 6 / 12 / 0 / 16

HEX #C9BCD6

RGB 201 188 214

HSL 270, 0.24%, 0.79%

LAB 78.02, 9.41, -11.37

 

CMYK 2 / 4 / 0 / 20

HEX #C9C5CD

RGB 201 197 205

HSL 270, 0.07%, 0.79%

LAB 80.04, 2.86, -3.51

 

CMYK 33 / 31 / 0 / 6

HEX #A2A5F0

RGB 162 165 240

HSL 237.69, 0.72%, 0.79%

LAB 70.09, 15.94, -37.86

 

CMYK 25 / 33 / 0 / 6

HEX #B4A2F0

RGB 180 162 240

HSL 253.85, 0.72%, 0.79%

LAB 70.76, 22.75, -36.72

 

CMYK 16 / 33 / 0 / 6

HEX #C9A2F0

RGB 201 162 240

HSL 270, 0.72%, 0.79%

LAB 72.59, 28.99, -33.73

 

CMYK 8 / 33 / 0 / 6

HEX #DEA2F0

RGB 222 162 240

HSL 286.15, 0.72%, 0.79%

LAB 74.61, 35.41, -30.45

 

CMYK 0 / 33 / 1 / 6

HEX #F0A2ED

RGB 240 162 237

HSL 302.31, 0.72%, 0.79%

LAB 76.36, 40.45, -25.97

 

CMYK 29 / 60 / 0 / 11

HEX #A15BE4

RGB 161 91 228

HSL 270.66, 0.72%, 0.63%

LAB 52.58, 53.85, -58.92

 

CMYK 22 / 46 / 0 / 8

HEX #B67FEA

RGB 182 127 234

HSL 270.84, 0.72%, 0.71%

LAB 62.56, 41.4, -46.24

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 9 / 19 / 0 / 4

HEX #DEC6F5

RGB 222 198 245

HSL 270.64, 0.7%, 0.87%

LAB 83.18, 17.03, -20.06

 

CMYK 4 / 7 / 0 / 2

HEX #F2E9FB

RGB 242 233 251

HSL 270, 0.69%, 0.95%

LAB 93.5, 6.25, -7.61

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 0 / 33 / 23 / 6

HEX #F0A2BA

RGB 240 162 186

HSL 341.54, 0.72%, 0.79%

LAB 74.77, 32.17, -0.49

 

CMYK 33 / 0 / 29 / 6

HEX #A2F0AA

RGB 162 240 170

HSL 126.15, 0.72%, 0.79%

LAB 88.4, -37.65, 26.43

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 0 / 16 / 33 / 6

HEX #F0C9A2

RGB 240 201 162

HSL 30, 0.72%, 0.79%

LAB 83.39, 8.32, 24.65

 

CMYK 33 / 0 / 16 / 6

HEX #A2F0C9

RGB 162 240 201

HSL 150, 0.72%, 0.79%

LAB 89.03, -32.03, 11.31

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 0 / 33 / 23 / 6

HEX #F0A2BA

RGB 240 162 186

HSL 341.54, 0.72%, 0.79%

LAB 74.77, 32.17, -0.49

 

CMYK 16 / 0 / 33 / 6

HEX #C9F0A2

RGB 201 240 162

HSL 90, 0.72%, 0.79%

LAB 90.48, -25.88, 33.67

 

CMYK 33 / 0 / 10 / 6

HEX #A2F0D8

RGB 162 240 216

HSL 161.54, 0.72%, 0.79%

LAB 89.37, -28.99, 3.99

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 0 / 33 / 33 / 6

HEX #F0A2A2

RGB 240 162 162

HSL 0, 0.72%, 0.79%

LAB 74.17, 28.93, 11.84

 

CMYK 16 / 0 / 33 / 6

HEX #C9F0A2

RGB 201 240 162

HSL 90, 0.72%, 0.79%

LAB 90.48, -25.88, 33.67

 

CMYK 33 / 0 / 0 / 6

HEX #A2F0F0

RGB 162 240 240

HSL 180, 0.72%, 0.79%

LAB 90, -23.74, -7.62

 

Description

Color code: HEX #CAA2F0 | qconv.com Color code: HEX #CAA2F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 162 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 162 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 33 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 33% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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