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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9DA0 it is the complementary color #35625F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9DA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9DA0 shade: #CF9D9B, #E0AFAE, #F1C1C1, #FFD3D4 and #FFE5E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9DA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9DA0 shade: #CA9DA0, #B98B8D, #A8797A, #976767 and #865554

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9DA0 shade: #C99C9F and #C99C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9DA0 shade: #C99C9F, #C99CAB, #C99CB7, #C99CC4 and #C39CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9DA0 shade matches the following richer shades: #C99C9F, #D68F94, #E28389, #EF767E and #FB6A74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9DA0 shade: #C99C9F, #BDA8A9, #B1B4B4, #A4C1BF and #98CDCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9DA0 shade: #C99CB7, #C99CAB, #C99C9F, #C9A59C and #C9B19C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9DA0 shade: #AD666B, #BB8185, #C99C9F, #D8B6B9 and #E6D1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9DA0 shade: #CA9DA0, #C3C99C and #9CB1C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9DA0 shade: #CA9DA0, #9FC99C and #9C9FC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9DA0 shade: #CA9DA0, #C3C99C, #9CC9C6 and #A29CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9DA0 shade: #CA9DA0, #B6C99C, #9CC9C6 and #AF9CC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 21 / 21

HEX #CA9DA0

RGB 202 157 160

HSL 356, 0.3%, 0.7%

LAB 68.9, 17.16, 4.87

 

Complementary color

CMYK 46 / 0 / 3 / 62

HEX #35625F

RGB 53 98 95

HSL 176, 0.3%, 0.3%

LAB 38.41, -16.3, -3.14

 

CMYK 0 / 24 / 25 / 19

HEX #CF9D9B

RGB 207 157 155

HSL 2.31, 0.35%, 0.71%

LAB 69.29, 18.3, 8.27

 

CMYK 0 / 22 / 22 / 12

HEX #E0AFAE

RGB 224 175 174

HSL 1.2, 0.45%, 0.78%

LAB 75.8, 17.68, 7.36

 

CMYK 0 / 20 / 20 / 5

HEX #F1C1C1

RGB 241 193 193

HSL 0, 0.63%, 0.85%

LAB 82.21, 17.12, 6.52

 

CMYK 0 / 17 / 17 / 0

HEX #FFD3D4

RGB 255 211 212

HSL 358.64, 1%, 0.91%

LAB 88.26, 15.55, 5.29

 

CMYK 0 / 10 / 9 / 0

HEX #FFE5E7

RGB 255 229 231

HSL 355.38, 1%, 0.95%

LAB 93.04, 9.2, 2.26

 

CMYK 0 / 22 / 21 / 21

HEX #CA9DA0

RGB 202 157 160

HSL 356, 0.3%, 0.7%

LAB 68.9, 17.16, 4.87

 

CMYK 0 / 25 / 24 / 27

HEX #B98B8D

RGB 185 139 141

HSL 357.39, 0.25%, 0.64%

LAB 62.26, 17.79, 5.76

 

CMYK 0 / 28 / 27 / 34

HEX #A8797A

RGB 168 121 122

HSL 358.72, 0.21%, 0.57%

LAB 55.49, 18.5, 6.73

 

CMYK 0 / 32 / 32 / 41

HEX #976767

RGB 151 103 103

HSL 0, 0.19%, 0.5%

LAB 48.58, 19.31, 7.82

 

CMYK 0 / 37 / 37 / 47

HEX #865554

RGB 134 85 84

HSL 1.2, 0.23%, 0.43%

LAB 41.54, 20.25, 9.06

 

CMYK 0 / 22 / 21 / 21

HEX #C99C9F

RGB 201 156 159

HSL 356, 0.29%, 0.7%

LAB 68.53, 17.18, 4.88

 

CMYK 0 / 22 / 22 / 21

HEX #C99C9C

RGB 201 156 156

HSL 0, 0.29%, 0.7%

LAB 68.46, 16.73, 6.44

 

CMYK 0 / 22 / 21 / 21

HEX #C99C9F

RGB 201 156 159

HSL 356, 0.29%, 0.7%

LAB 68.53, 17.18, 4.88

 

CMYK 0 / 22 / 15 / 21

HEX #C99CAB

RGB 201 156 171

HSL 340, 0.29%, 0.7%

LAB 68.85, 19.08, -1.35

 

CMYK 0 / 22 / 9 / 21

HEX #C99CB7

RGB 201 156 183

HSL 324, 0.29%, 0.7%

LAB 69.19, 21.1, -7.52

 

CMYK 0 / 22 / 2 / 21

HEX #C99CC4

RGB 201 156 196

HSL 306.67, 0.29%, 0.7%

LAB 69.6, 23.44, -14.13

 

CMYK 3 / 22 / 0 / 21

HEX #C39CC9

RGB 195 156 201

HSL 292, 0.29%, 0.7%

LAB 69.18, 22.36, -17.59

 

CMYK 0 / 22 / 21 / 21

HEX #C99C9F

RGB 201 156 159

HSL 356, 0.29%, 0.7%

LAB 68.53, 17.18, 4.88

 

CMYK 0 / 33 / 31 / 16

HEX #D68F94

RGB 214 143 148

HSL 355.77, 0.46%, 0.7%

LAB 66.58, 27.59, 8.42

 

CMYK 0 / 42 / 39 / 11

HEX #E28389

RGB 226 131 137

HSL 356.21, 0.62%, 0.7%

LAB 65.13, 37.09, 12.77

 

CMYK 0 / 51 / 47 / 6

HEX #EF767E

RGB 239 118 126

HSL 356.03, 0.79%, 0.7%

LAB 64.01, 47.24, 17.71

 

CMYK 0 / 58 / 54 / 2

HEX #FB6A74

RGB 251 106 116

HSL 355.86, 0.95%, 0.7%

LAB 63.41, 56.15, 22.88

 

CMYK 0 / 22 / 21 / 21

HEX #C99C9F

RGB 201 156 159

HSL 356, 0.29%, 0.7%

LAB 68.53, 17.18, 4.88

 

CMYK 0 / 11 / 11 / 26

HEX #BDA8A9

RGB 189 168 169

HSL 357.14, 0.14%, 0.7%

LAB 70.66, 7.78, 2.26

 

CMYK 2 / 0 / 0 / 29

HEX #B1B4B4

RGB 177 180 180

HSL 180, 0.02%, 0.7%

LAB 73.08, -1.05, -0.38

 

CMYK 15 / 0 / 1 / 24

HEX #A4C1BF

RGB 164 193 191

HSL 175.86, 0.19%, 0.7%

LAB 75.94, -10.15, -2.28

 

CMYK 26 / 0 / 1 / 20

HEX #98CDCA

RGB 152 205 202

HSL 176.6, 0.35%, 0.7%

LAB 78.81, -17.7, -4.08

 

CMYK 0 / 22 / 9 / 21

HEX #C99CB7

RGB 201 156 183

HSL 324, 0.29%, 0.7%

LAB 69.19, 21.1, -7.52

 

CMYK 0 / 22 / 15 / 21

HEX #C99CAB

RGB 201 156 171

HSL 340, 0.29%, 0.7%

LAB 68.85, 19.08, -1.35

 

CMYK 0 / 22 / 21 / 21

HEX #C99C9F

RGB 201 156 159

HSL 356, 0.29%, 0.7%

LAB 68.53, 17.18, 4.88

 

CMYK 0 / 18 / 22 / 21

HEX #C9A59C

RGB 201 165 156

HSL 12, 0.29%, 0.7%

LAB 70.68, 11.81, 9.62

 

CMYK 0 / 12 / 22 / 21

HEX #C9B19C

RGB 201 177 156

HSL 28, 0.29%, 0.7%

LAB 73.72, 5.32, 13.91

 

CMYK 0 / 41 / 38 / 32

HEX #AD666B

RGB 173 102 107

HSL 355.77, 0.3%, 0.54%

LAB 51.21, 29.12, 9.54

 

CMYK 0 / 31 / 29 / 27

HEX #BB8185

RGB 187 129 133

HSL 355.86, 0.3%, 0.62%

LAB 59.85, 22.97, 6.91

 

CMYK 0 / 22 / 21 / 21

HEX #C99C9F

RGB 201 156 159

HSL 356, 0.29%, 0.7%

LAB 68.53, 17.18, 4.88

 

CMYK 0 / 16 / 14 / 15

HEX #D8B6B9

RGB 216 182 185

HSL 354.71, 0.3%, 0.78%

LAB 77.02, 12.68, 3.03

 

CMYK 0 / 9 / 8 / 10

HEX #E6D1D3

RGB 230 209 211

HSL 354.29, 0.3%, 0.86%

LAB 85.57, 7.62, 1.65

 

CMYK 0 / 22 / 21 / 21

HEX #CA9DA0

RGB 202 157 160

HSL 356, 0.3%, 0.7%

LAB 68.9, 17.16, 4.87

 

CMYK 3 / 0 / 22 / 21

HEX #C3C99C

RGB 195 201 156

HSL 68, 0.29%, 0.7%

LAB 79.49, -9.59, 21.85

 

CMYK 22 / 12 / 0 / 21

HEX #9CB1C9

RGB 156 177 201

HSL 212, 0.29%, 0.7%

LAB 71.37, -1.98, -14.59

 

CMYK 0 / 22 / 21 / 21

HEX #CA9DA0

RGB 202 157 160

HSL 356, 0.3%, 0.7%

LAB 68.9, 17.16, 4.87

 

CMYK 21 / 0 / 22 / 21

HEX #9FC99C

RGB 159 201 156

HSL 116, 0.29%, 0.7%

LAB 77.01, -22.54, 18.04

 

CMYK 22 / 21 / 0 / 21

HEX #9C9FC9

RGB 156 159 201

HSL 236, 0.29%, 0.7%

LAB 66.58, 7.97, -21.85

 

CMYK 0 / 22 / 21 / 21

HEX #CA9DA0

RGB 202 157 160

HSL 356, 0.3%, 0.7%

LAB 68.9, 17.16, 4.87

 

CMYK 3 / 0 / 22 / 21

HEX #C3C99C

RGB 195 201 156

HSL 68, 0.29%, 0.7%

LAB 79.49, -9.59, 21.85

 

CMYK 22 / 0 / 1 / 21

HEX #9CC9C6

RGB 156 201 198

HSL 176, 0.29%, 0.7%

LAB 77.83, -15.34, -3.36

 

CMYK 19 / 22 / 0 / 21

HEX #A29CC9

RGB 162 156 201

HSL 248, 0.29%, 0.7%

LAB 66.27, 11.55, -22.28

 

CMYK 0 / 22 / 21 / 21

HEX #CA9DA0

RGB 202 157 160

HSL 356, 0.3%, 0.7%

LAB 68.9, 17.16, 4.87

 

CMYK 9 / 0 / 22 / 21

HEX #B6C99C

RGB 182 201 156

HSL 85.33, 0.29%, 0.7%

LAB 78.53, -14.39, 20.39

 

CMYK 22 / 0 / 1 / 21

HEX #9CC9C6

RGB 156 201 198

HSL 176, 0.29%, 0.7%

LAB 77.83, -15.34, -3.36

 

CMYK 13 / 22 / 0 / 21

HEX #AF9CC9

RGB 175 156 201

HSL 265.33, 0.29%, 0.7%

LAB 67.36, 15.74, -20.53

 

Description

Color code: HEX #CA9DA0 | qconv.com Color code: HEX #CA9DA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 157 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 157 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 21 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 21% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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