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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9A8C it is the complementary color #356573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9A8C shade: #CF9A87, #E0AC9A, #F1BEAD, #FFD0C0 and #FFE2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9A8C shade: #CA9A8C, #B98879, #A87666, #976453 and #865240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9A8C shade: #CA9A8C and #CA8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9A8C shade: #CA9A8C, #CAAB8C, #CABB8C, #C8CA8C and #B7CA8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9A8C shade matches the following richer shades: #CA9A8C, #D8927E, #E58B70 and #F38363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9A8C shade: #CA9A8C, #BCA199, #AFA9A7, #A1B0B5 and #94B8C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9A8C shade: #CA8C9F, #CA8C8F, #CA998C, #CAAA8C and #CABA8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9A8C shade: #B06853, #BD816F, #CA9A8C, #D7B3A8 and #E4CBC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9A8C shade: #CA9A8C, #B0CA8C and #8C97CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9A8C shade: #CA9A8C, #8CCA99 and #998CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9A8C shade: #CA9A8C, #B0CA8C, #8CBCCA and #A68CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9A8C shade: #CA9A8C, #9DCA8C, #8CBCCA and #B88CCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

Complementary color

CMYK 54 / 12 / 0 / 55

HEX #356573

RGB 53 101 115

HSL 193.55, 0.37%, 0.33%

LAB 40.08, -12.04, -12.9

 

CMYK 0 / 26 / 35 / 19

HEX #CF9A87

RGB 207 154 135

HSL 15.83, 0.43%, 0.67%

LAB 68.11, 17.25, 17.71

 

CMYK 0 / 23 / 31 / 12

HEX #E0AC9A

RGB 224 172 154

HSL 15.43, 0.53%, 0.74%

LAB 74.63, 16.53, 16.6

 

CMYK 0 / 21 / 28 / 5

HEX #F1BEAD

RGB 241 190 173

HSL 15, 0.71%, 0.81%

LAB 81.04, 15.89, 15.57

 

CMYK 0 / 18 / 25 / 0

HEX #FFD0C0

RGB 255 208 192

HSL 15.24, 1%, 0.88%

LAB 87.08, 14.21, 14.17

 

CMYK 0 / 11 / 17 / 0

HEX #FFE2D3

RGB 255 226 211

HSL 20.45, 1%, 0.91%

LAB 91.84, 7.62, 10.96

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 0 / 26 / 35 / 27

HEX #B98879

RGB 185 136 121

HSL 14.06, 0.31%, 0.6%

LAB 61.05, 16.68, 15.4

 

CMYK 0 / 30 / 39 / 34

HEX #A87666

RGB 168 118 102

HSL 14.55, 0.28%, 0.53%

LAB 54.28, 17.53, 16.65

 

CMYK 0 / 34 / 45 / 41

HEX #976453

RGB 151 100 83

HSL 15, 0.29%, 0.46%

LAB 47.39, 18.51, 18.05

 

CMYK 0 / 39 / 52 / 47

HEX #865240

RGB 134 82 64

HSL 15.43, 0.35%, 0.39%

LAB 40.37, 19.67, 19.67

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 0 / 31 / 31 / 21

HEX #CA8C8C

RGB 202 140 140

HSL 0, 0.37%, 0.67%

LAB 64.33, 23.61, 9.53

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 0 / 15 / 31 / 21

HEX #CAAB8C

RGB 202 171 140

HSL 30, 0.37%, 0.67%

LAB 71.94, 6.7, 20.17

 

CMYK 0 / 7 / 31 / 21

HEX #CABB8C

RGB 202 187 140

HSL 45.48, 0.37%, 0.67%

LAB 76.06, -1.83, 25.77

 

CMYK 1 / 0 / 31 / 21

HEX #C8CA8C

RGB 200 202 140

HSL 61.94, 0.37%, 0.67%

LAB 79.85, -10.39, 30.8

 

CMYK 9 / 0 / 31 / 21

HEX #B7CA8C

RGB 183 202 140

HSL 78.39, 0.37%, 0.67%

LAB 78.58, -16.87, 28.89

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 0 / 32 / 42 / 15

HEX #D8927E

RGB 216 146 126

HSL 13.33, 0.54%, 0.67%

LAB 67.02, 24.07, 21.36

 

CMYK 0 / 39 / 51 / 10

HEX #E58B70

RGB 229 139 112

HSL 13.85, 0.69%, 0.67%

LAB 66.74, 31.51, 28.99

 

CMYK 0 / 46 / 59 / 5

HEX #F38363

RGB 243 131 99

HSL 13.33, 0.86%, 0.67%

LAB 66.66, 40, 36.34

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 0 / 14 / 19 / 26

HEX #BCA199

RGB 188 161 153

HSL 13.71, 0.21%, 0.67%

LAB 68.37, 8.61, 7.82

 

CMYK 0 / 3 / 5 / 31

HEX #AFA9A7

RGB 175 169 167

HSL 15, 0.05%, 0.67%

LAB 69.67, 1.78, 1.79

 

CMYK 11 / 3 / 0 / 29

HEX #A1B0B5

RGB 161 176 181

HSL 195, 0.12%, 0.67%

LAB 70.85, -4.18, -4.34

 

CMYK 24 / 5 / 0 / 24

HEX #94B8C2

RGB 148 184 194

HSL 193.04, 0.27%, 0.67%

LAB 72.54, -9.82, -9.06

 

CMYK 0 / 31 / 21 / 21

HEX #CA8C9F

RGB 202 140 159

HSL 341.61, 0.37%, 0.67%

LAB 64.82, 26.33, -0.5

 

CMYK 0 / 31 / 29 / 21

HEX #CA8C8F

RGB 202 140 143

HSL 357.1, 0.37%, 0.67%

LAB 64.4, 24.02, 7.94

 

CMYK 0 / 24 / 31 / 21

HEX #CA998C

RGB 202 153 140

HSL 12.58, 0.37%, 0.67%

LAB 67.45, 16.49, 13.94

 

CMYK 0 / 16 / 31 / 21

HEX #CAAA8C

RGB 202 170 140

HSL 29.03, 0.37%, 0.67%

LAB 71.69, 7.24, 19.82

 

CMYK 0 / 8 / 31 / 21

HEX #CABA8C

RGB 202 186 140

HSL 44.52, 0.37%, 0.67%

LAB 75.8, -1.3, 25.42

 

CMYK 0 / 41 / 53 / 31

HEX #B06853

RGB 176 104 83

HSL 13.55, 0.37%, 0.51%

LAB 51.56, 26.64, 24.16

 

CMYK 0 / 32 / 41 / 26

HEX #BD816F

RGB 189 129 111

HSL 13.85, 0.37%, 0.59%

LAB 59.59, 20.96, 19.14

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 0 / 17 / 22 / 16

HEX #D7B3A8

RGB 215 179 168

HSL 14.04, 0.37%, 0.75%

LAB 75.77, 11.3, 10.47

 

CMYK 0 / 11 / 14 / 11

HEX #E4CBC4

RGB 228 203 196

HSL 13.13, 0.37%, 0.83%

LAB 83.54, 7.61, 6.68

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 13 / 0 / 31 / 21

HEX #B0CA8C

RGB 176 202 140

HSL 85.16, 0.37%, 0.67%

LAB 78.09, -19.48, 28.15

 

CMYK 31 / 25 / 0 / 21

HEX #8C97CA

RGB 140 151 202

HSL 229.35, 0.37%, 0.67%

LAB 63.32, 7.89, -27.51

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 31 / 0 / 24 / 21

HEX #8CCA99

RGB 140 202 153

HSL 132.58, 0.37%, 0.67%

LAB 76.14, -29.83, 18.27

 

CMYK 24 / 31 / 0 / 21

HEX #998CCA

RGB 153 140 202

HSL 252.58, 0.37%, 0.67%

LAB 61.47, 18.1, -30.28

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 13 / 0 / 31 / 21

HEX #B0CA8C

RGB 176 202 140

HSL 85.16, 0.37%, 0.67%

LAB 78.09, -19.48, 28.15

 

CMYK 31 / 7 / 0 / 21

HEX #8CBCCA

RGB 140 188 202

HSL 193.55, 0.37%, 0.67%

LAB 73.42, -12.43, -12.17

 

CMYK 18 / 31 / 0 / 21

HEX #A68CCA

RGB 166 140 202

HSL 265.16, 0.37%, 0.67%

LAB 62.62, 22.12, -28.43

 

CMYK 0 / 24 / 31 / 21

HEX #CA9A8C

RGB 202 154 140

HSL 13.55, 0.37%, 0.67%

LAB 67.7, 15.94, 14.28

 

CMYK 22 / 0 / 31 / 21

HEX #9DCA8C

RGB 157 202 140

HSL 103.55, 0.37%, 0.67%

LAB 76.86, -26.33, 26.28

 

CMYK 31 / 7 / 0 / 21

HEX #8CBCCA

RGB 140 188 202

HSL 193.55, 0.37%, 0.67%

LAB 73.42, -12.43, -12.17

 

CMYK 9 / 31 / 0 / 21

HEX #B88CCA

RGB 184 140 202

HSL 282.58, 0.37%, 0.67%

LAB 64.33, 27.83, -25.64

 

Description

Color code: HEX #CA9A8C | qconv.com Color code: HEX #CA9A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 154 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 154 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 31 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 31% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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