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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA97A4 it is the complementary color #35685B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA97A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA97A4 shade: #CF979F, #E0A9B2, #F1BBC5, #FFCDD8 and #FFDFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA97A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA97A4 shade: #CA97A4, #B98591, #A8737E, #97616B and #864F58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA97A4 shade: #C997A4 and #C99797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA97A4 shade: #C997A4, #C997B1, #C997BF, #C697C9 and #B897C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA97A4 shade matches the following richer shades: #C997A4, #D68A9D, #E37D97, #F07091 and #FC638A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA97A4 shade: #C997A4, #BCA3AA, #B0B0B0, #A3BDB6 and #96CABD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA97A4 shade: #C997BF, #C997B2, #C997A4, #C99797 and #C9A497

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA97A4 shade: #AD6074, #BB7B8C, #C997A4, #D7B2BB and #E5CDD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA97A4 shade: #CA97A4, #C9C697 and #97B8C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA97A4 shade: #CA97A4, #A4C997 and #97A4C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA97A4 shade: #CA97A4, #C9C697, #97C9BC and #979AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA97A4 shade: #CA97A4, #BDC997, #97C9BC and #A297C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 19 / 21

HEX #CA97A4

RGB 202 151 164

HSL 344.71, 0.32%, 0.69%

LAB 67.55, 21.07, 0.68

 

Complementary color

CMYK 49 / 0 / 13 / 59

HEX #35685B

RGB 53 104 91

HSL 164.71, 0.32%, 0.31%

LAB 40.27, -20.64, 2.03

 

CMYK 0 / 27 / 23 / 19

HEX #CF979F

RGB 207 151 159

HSL 351.43, 0.37%, 0.7%

LAB 67.95, 22.16, 4.12

 

CMYK 0 / 25 / 21 / 12

HEX #E0A9B2

RGB 224 169 178

HSL 350.18, 0.47%, 0.77%

LAB 74.47, 21.5, 3.26

 

CMYK 0 / 22 / 18 / 5

HEX #F1BBC5

RGB 241 187 197

HSL 348.89, 0.66%, 0.84%

LAB 80.89, 20.9, 2.46

 

CMYK 0 / 20 / 15 / 0

HEX #FFCDD8

RGB 255 205 216

HSL 346.8, 1%, 0.9%

LAB 86.94, 19.29, 1.26

 

CMYK 0 / 13 / 8 / 0

HEX #FFDFEB

RGB 255 223 235

HSL 337.5, 1%, 0.94%

LAB 91.7, 12.97, -1.79

 

CMYK 0 / 25 / 19 / 21

HEX #CA97A4

RGB 202 151 164

HSL 344.71, 0.32%, 0.69%

LAB 67.55, 21.07, 0.68

 

CMYK 0 / 28 / 22 / 27

HEX #B98591

RGB 185 133 145

HSL 346.15, 0.27%, 0.62%

LAB 60.9, 21.75, 1.52

 

CMYK 0 / 32 / 25 / 34

HEX #A8737E

RGB 168 115 126

HSL 347.55, 0.23%, 0.55%

LAB 54.13, 22.5, 2.44

 

CMYK 0 / 36 / 29 / 41

HEX #97616B

RGB 151 97 107

HSL 348.89, 0.22%, 0.49%

LAB 47.22, 23.34, 3.47

 

CMYK 0 / 41 / 34 / 47

HEX #864F58

RGB 134 79 88

HSL 350.18, 0.26%, 0.42%

LAB 40.19, 24.29, 4.68

 

CMYK 0 / 25 / 18 / 21

HEX #C997A4

RGB 201 151 164

HSL 344.4, 0.32%, 0.69%

LAB 67.45, 20.7, 0.52

 

CMYK 0 / 25 / 25 / 21

HEX #C99797

RGB 201 151 151

HSL 0, 0.32%, 0.69%

LAB 67.12, 18.73, 7.31

 

CMYK 0 / 25 / 18 / 21

HEX #C997A4

RGB 201 151 164

HSL 344.4, 0.32%, 0.69%

LAB 67.45, 20.7, 0.52

 

CMYK 0 / 25 / 12 / 21

HEX #C997B1

RGB 201 151 177

HSL 328.8, 0.32%, 0.69%

LAB 67.82, 22.82, -6.21

 

CMYK 0 / 25 / 5 / 21

HEX #C997BF

RGB 201 151 191

HSL 312, 0.32%, 0.69%

LAB 68.25, 25.27, -13.38

 

CMYK 1 / 25 / 0 / 21

HEX #C697C9

RGB 198 151 201

HSL 296.4, 0.32%, 0.69%

LAB 68.28, 26.12, -18.92

 

CMYK 8 / 25 / 0 / 21

HEX #B897C9

RGB 184 151 201

HSL 279.6, 0.32%, 0.69%

LAB 66.93, 21.48, -21.1

 

CMYK 0 / 25 / 18 / 21

HEX #C997A4

RGB 201 151 164

HSL 344.4, 0.32%, 0.69%

LAB 67.45, 20.7, 0.52

 

CMYK 0 / 36 / 27 / 16

HEX #D68A9D

RGB 214 138 157

HSL 345, 0.48%, 0.69%

LAB 65.68, 31.5, 2.05

 

CMYK 0 / 45 / 33 / 11

HEX #E37D97

RGB 227 125 151

HSL 344.71, 0.65%, 0.69%

LAB 64.35, 42.2, 3.73

 

CMYK 0 / 53 / 40 / 6

HEX #F07091

RGB 240 112 145

HSL 344.53, 0.81%, 0.69%

LAB 63.47, 52.38, 6.12

 

CMYK 0 / 61 / 45 / 1

HEX #FC638A

RGB 252 99 138

HSL 344.71, 0.96%, 0.69%

LAB 62.89, 61.41, 9.56

 

CMYK 0 / 25 / 18 / 21

HEX #C997A4

RGB 201 151 164

HSL 344.4, 0.32%, 0.69%

LAB 67.45, 20.7, 0.52

 

CMYK 0 / 13 / 10 / 26

HEX #BCA3AA

RGB 188 163 170

HSL 343.2, 0.16%, 0.69%

LAB 69.32, 10.32, -0.25

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 14 / 0 / 4 / 26

HEX #A3BDB6

RGB 163 189 182

HSL 163.85, 0.16%, 0.69%

LAB 74.55, -10.22, 0.55

 

CMYK 26 / 0 / 6 / 21

HEX #96CABD

RGB 150 202 189

HSL 165, 0.33%, 0.69%

LAB 77.52, -19.61, 1

 

CMYK 0 / 25 / 5 / 21

HEX #C997BF

RGB 201 151 191

HSL 312, 0.32%, 0.69%

LAB 68.25, 25.27, -13.38

 

CMYK 0 / 25 / 11 / 21

HEX #C997B2

RGB 201 151 178

HSL 327.6, 0.32%, 0.69%

LAB 67.85, 22.99, -6.73

 

CMYK 0 / 25 / 18 / 21

HEX #C997A4

RGB 201 151 164

HSL 344.4, 0.32%, 0.69%

LAB 67.45, 20.7, 0.52

 

CMYK 0 / 25 / 25 / 21

HEX #C99797

RGB 201 151 151

HSL 0, 0.32%, 0.69%

LAB 67.12, 18.73, 7.31

 

CMYK 0 / 18 / 25 / 21

HEX #C9A497

RGB 201 164 151

HSL 15.6, 0.32%, 0.69%

LAB 70.32, 11.63, 11.86

 

CMYK 0 / 45 / 33 / 32

HEX #AD6074

RGB 173 96 116

HSL 344.42, 0.32%, 0.53%

LAB 50.11, 33.55, 2.61

 

CMYK 0 / 34 / 25 / 27

HEX #BB7B8C

RGB 187 123 140

HSL 344.06, 0.32%, 0.61%

LAB 58.62, 27.3, 1.11

 

CMYK 0 / 25 / 18 / 21

HEX #C997A4

RGB 201 151 164

HSL 344.4, 0.32%, 0.69%

LAB 67.45, 20.7, 0.52

 

CMYK 0 / 17 / 13 / 16

HEX #D7B2BB

RGB 215 178 187

HSL 345.41, 0.32%, 0.77%

LAB 75.99, 14.8, 0.44

 

CMYK 0 / 10 / 8 / 10

HEX #E5CDD3

RGB 229 205 211

HSL 345, 0.32%, 0.85%

LAB 84.5, 9.37, 0.08

 

CMYK 0 / 25 / 19 / 21

HEX #CA97A4

RGB 202 151 164

HSL 344.71, 0.32%, 0.69%

LAB 67.55, 21.07, 0.68

 

CMYK 0 / 1 / 25 / 21

HEX #C9C697

RGB 201 198 151

HSL 56.4, 0.32%, 0.69%

LAB 79.06, -6.49, 24

 

CMYK 25 / 8 / 0 / 21

HEX #97B8C9

RGB 151 184 201

HSL 200.4, 0.32%, 0.69%

LAB 72.94, -7.29, -12.27

 

CMYK 0 / 25 / 19 / 21

HEX #CA97A4

RGB 202 151 164

HSL 344.71, 0.32%, 0.69%

LAB 67.55, 21.07, 0.68

 

CMYK 18 / 0 / 25 / 21

HEX #A4C997

RGB 164 201 151

HSL 104.4, 0.32%, 0.69%

LAB 77.22, -21.64, 21.04

 

CMYK 25 / 18 / 0 / 21

HEX #97A4C9

RGB 151 164 201

HSL 224.4, 0.32%, 0.69%

LAB 67.54, 3.63, -20.43

 

CMYK 0 / 25 / 19 / 21

HEX #CA97A4

RGB 202 151 164

HSL 344.71, 0.32%, 0.69%

LAB 67.55, 21.07, 0.68

 

CMYK 0 / 1 / 25 / 21

HEX #C9C697

RGB 201 198 151

HSL 56.4, 0.32%, 0.69%

LAB 79.06, -6.49, 24

 

CMYK 25 / 0 / 6 / 21

HEX #97C9BC

RGB 151 201 188

HSL 164.4, 0.32%, 0.69%

LAB 77.27, -19.01, 1.19

 

CMYK 25 / 23 / 0 / 21

HEX #979AC9

RGB 151 154 201

HSL 236.4, 0.32%, 0.69%

LAB 64.89, 9.25, -24.47

 

CMYK 0 / 25 / 19 / 21

HEX #CA97A4

RGB 202 151 164

HSL 344.71, 0.32%, 0.69%

LAB 67.55, 21.07, 0.68

 

CMYK 6 / 0 / 25 / 21

HEX #BDC997

RGB 189 201 151

HSL 74.4, 0.32%, 0.69%

LAB 78.94, -12.56, 23.68

 

CMYK 25 / 0 / 6 / 21

HEX #97C9BC

RGB 151 201 188

HSL 164.4, 0.32%, 0.69%

LAB 77.27, -19.01, 1.19

 

CMYK 19 / 25 / 0 / 21

HEX #A297C9

RGB 162 151 201

HSL 253.2, 0.32%, 0.69%

LAB 64.99, 14.38, -24.25

 

Description

Color code: HEX #CA97A4 | qconv.com Color code: HEX #CA97A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 151 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 151 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 19 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 19% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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