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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA91A7 it is the complementary color #356E58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA91A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CA91A7: #CF91A2, #E0A3B5, #F1B5C8, #FFC7DB and #FFD9EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA91A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CA91A7: #CA91A7, #B97F94, #A86D81, #975B6E and #86495B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

Complementary color

CMYK 52 / 0 / 20 / 57

HEX #356E58

RGB 53 110 88

HSL 156.84, 0.35%, 0.32%

LAB 42.17, -24.51, 6.58

 

CMYK 0 / 30 / 22 / 19

HEX #CF91A2

RGB 207 145 162

HSL 343.55, 0.39%, 0.69%

LAB 66.62, 25.88, 0.5

 

CMYK 0 / 27 / 19 / 12

HEX #E0A3B5

RGB 224 163 181

HSL 342.3, 0.5%, 0.76%

LAB 73.14, 25.18, -0.33

 

CMYK 0 / 25 / 17 / 5

HEX #F1B5C8

RGB 241 181 200

HSL 341, 0.68%, 0.83%

LAB 79.57, 24.54, -1.09

 

CMYK 0 / 22 / 14 / 0

HEX #FFC7DB

RGB 255 199 219

HSL 338.57, 1%, 0.89%

LAB 85.62, 22.91, -2.27

 

CMYK 0 / 15 / 7 / 0

HEX #FFD9EE

RGB 255 217 238

HSL 326.84, 1%, 0.93%

LAB 90.35, 16.59, -5.35

 

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

CMYK 0 / 31 / 20 / 27

HEX #B97F94

RGB 185 127 148

HSL 338.28, 0.29%, 0.61%

LAB 59.55, 25.55, -2.17

 

CMYK 0 / 35 / 23 / 34

HEX #A86D81

RGB 168 109 129

HSL 339.66, 0.25%, 0.54%

LAB 52.78, 26.34, -1.28

 

CMYK 0 / 40 / 27 / 41

HEX #975B6E

RGB 151 91 110

HSL 341, 0.25%, 0.47%

LAB 45.89, 27.21, -0.28

 

CMYK 0 / 46 / 32 / 47

HEX #86495B

RGB 134 73 91

HSL 342.3, 0.29%, 0.41%

LAB 38.88, 28.15, 0.92

 

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

CMYK 0 / 28 / 21 / 21

HEX #C9909E

RGB 201 144 158

HSL 345.26, 0.35%, 0.68%

LAB 65.62, 23.62, 1.22

 

CMYK 0 / 28 / 26 / 21

HEX #C99094

RGB 201 144 148

HSL 355.79, 0.35%, 0.68%

LAB 65.36, 22.14, 6.48

 

CMYK 0 / 25 / 28 / 21

HEX #C99690

RGB 201 150 144

HSL 6.32, 0.35%, 0.68%

LAB 66.71, 18.29, 10.64

 

CMYK 0 / 20 / 28 / 21

HEX #C9A090

RGB 201 160 144

HSL 16.84, 0.35%, 0.68%

LAB 69.16, 12.82, 14.1

 

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

CMYK 0 / 28 / 17 / 1

HEX #FDB6D1

RGB 253 182 209

HSL 337.18, 0.95%, 0.85%

LAB 81.26, 29.59, -3.33

 

CMYK 0 / 29 / 16 / 81

HEX #312329

RGB 49 35 41

HSL 334.29, 0.17%, 0.16%

LAB 15.57, 7.88, -1.4

 

CMYK 0 / 28 / 17 / 61

HEX #644853

RGB 100 72 83

HSL 336.43, 0.16%, 0.34%

LAB 33.92, 13.86, -1.83

 

CMYK 0 / 28 / 17 / 41

HEX #976C7D

RGB 151 108 125

HSL 336.28, 0.17%, 0.51%

LAB 50.43, 19.83, -2.6

 

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

CMYK 0 / 5 / 28 / 21

HEX #C9BE90

RGB 201 190 144

HSL 48.42, 0.35%, 0.68%

LAB 76.84, -3.27, 24.68

 

CMYK 28 / 5 / 0 / 21

HEX #90BEC9

RGB 144 190 201

HSL 191.58, 0.35%, 0.68%

LAB 74.17, -12.56, -10.47

 

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

CMYK 17 / 0 / 28 / 21

HEX #A7C990

RGB 167 201 144

HSL 95.79, 0.35%, 0.68%

LAB 77.28, -21.67, 24.86

 

CMYK 28 / 17 / 0 / 21

HEX #90A7C9

RGB 144 167 201

HSL 215.79, 0.35%, 0.68%

LAB 67.86, -0.17, -19.98

 

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

CMYK 0 / 5 / 28 / 21

HEX #C9BE90

RGB 201 190 144

HSL 48.42, 0.35%, 0.68%

LAB 76.84, -3.27, 24.68

 

CMYK 28 / 0 / 11 / 21

HEX #90C9B3

RGB 144 201 179

HSL 156.84, 0.35%, 0.68%

LAB 76.65, -23.04, 5.09

 

CMYK 28 / 22 / 0 / 21

HEX #909CC9

RGB 144 156 201

HSL 227.37, 0.35%, 0.68%

LAB 64.9, 5.99, -24.5

 

CMYK 0 / 28 / 17 / 21

HEX #CA91A7

RGB 202 145 167

HSL 336.84, 0.35%, 0.68%

LAB 66.21, 24.83, -2.97

 

CMYK 2 / 0 / 28 / 21

HEX #C4C990

RGB 196 201 144

HSL 65.26, 0.35%, 0.68%

LAB 79.34, -10.9, 27.99

 

CMYK 28 / 0 / 11 / 21

HEX #90C9B3

RGB 144 201 179

HSL 156.84, 0.35%, 0.68%

LAB 76.65, -23.04, 5.09

 

CMYK 25 / 28 / 0 / 21

HEX #9690C9

RGB 150 144 201

HSL 246.32, 0.35%, 0.68%

LAB 62.21, 14.65, -28.6

 

Description

Color code: HEX #CA91A7 | qconv.com Color code: HEX #CA91A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 145 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 145 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 17 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 17% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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