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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9150 it is the complementary color #356EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9150 shade: #CF914B, #E0A35E, #F1B571, #FFC784 and #FFD997

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9150 shade: #CA9150, #B97F3D, #A86D2A, #975B17 and #864904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9150 shade: #CA904E, #CA6F4E and #CA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9150 shade: #CA904E, #CAB24E, #C1CA4E, #A0CA4E and #7ECA4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9150 shade matches the following richer shades: #CA904E, #DD923C and #EF9329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9150 shade: #CA904E, #B88F61, #A58E73, #938D86 and #808B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9150 shade: #CA4E50, #CA6D4E, #CA8E4E, #CAAF4E and #C4CA4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9150 shade: #98672E, #B87C37, #CA904E, #D4A46E and #DDB88E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9150 shade: #CA9150, #71CA4E and #5D4ECA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9150 shade: #CA9150, #4ECA8E and #8E4ECA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9150 shade: #CA9150, #71CA4E, #4E8ACA and #A74ECA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9150 shade: #CA9150, #4ECA50, #4E8ACA and #CA4EC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 60 / 21

HEX #CA9150

RGB 202 145 80

HSL 31.97, 0.54%, 0.55%

LAB 64.47, 14.67, 42.49

 

Complementary color

CMYK 70 / 37 / 0 / 31

HEX #356EAF

RGB 53 110 175

HSL 211.97, 0.54%, 0.45%

LAB 45.64, 3.2, -40.09

 

CMYK 0 / 30 / 64 / 19

HEX #CF914B

RGB 207 145 75

HSL 31.82, 0.58%, 0.55%

LAB 64.98, 16.44, 45.73

 

CMYK 0 / 27 / 58 / 12

HEX #E0A35E

RGB 224 163 94

HSL 31.85, 0.68%, 0.62%

LAB 71.45, 15.21, 44.27

 

CMYK 0 / 25 / 53 / 5

HEX #F1B571

RGB 241 181 113

HSL 31.88, 0.82%, 0.69%

LAB 77.84, 14.13, 42.85

 

CMYK 0 / 22 / 48 / 0

HEX #FFC784

RGB 255 199 132

HSL 32.68, 1%, 0.76%

LAB 83.85, 12, 41.05

 

CMYK 0 / 15 / 41 / 0

HEX #FFD997

RGB 255 217 151

HSL 38.08, 1%, 0.8%

LAB 88.5, 4.58, 37.4

 

CMYK 0 / 28 / 60 / 21

HEX #CA9150

RGB 202 145 80

HSL 31.97, 0.54%, 0.55%

LAB 64.47, 14.67, 42.49

 

CMYK 0 / 31 / 67 / 27

HEX #B97F3D

RGB 185 127 61

HSL 31.94, 0.5%, 0.48%

LAB 57.88, 16, 43.95

 

CMYK 0 / 35 / 75 / 34

HEX #A86D2A

RGB 168 109 42

HSL 31.9, 0.6%, 0.41%

LAB 51.19, 17.56, 45.29

 

CMYK 0 / 40 / 85 / 41

HEX #975B17

RGB 151 91 23

HSL 31.88, 0.74%, 0.34%

LAB 44.41, 19.43, 46.13

 

CMYK 0 / 46 / 97 / 47

HEX #864904

RGB 134 73 4

HSL 31.85, 0.94%, 0.27%

LAB 37.56, 21.61, 45.83

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 0 / 45 / 61 / 21

HEX #CA6F4E

RGB 202 111 78

HSL 15.97, 0.54%, 0.55%

LAB 56.56, 32.95, 34.05

 

CMYK 0 / 61 / 61 / 21

HEX #CA4E4E

RGB 202 78 78

HSL 0, 0.54%, 0.55%

LAB 50.16, 49.31, 26.03

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 0 / 12 / 61 / 21

HEX #CAB24E

RGB 202 178 78

HSL 48.39, 0.54%, 0.55%

LAB 72.86, -3.22, 53.01

 

CMYK 4 / 0 / 61 / 21

HEX #C1CA4E

RGB 193 202 78

HSL 64.35, 0.54%, 0.55%

LAB 78.54, -19.27, 58.99

 

CMYK 21 / 0 / 61 / 21

HEX #A0CA4E

RGB 160 202 78

HSL 80.32, 0.54%, 0.55%

LAB 76.23, -32.49, 55.82

 

CMYK 38 / 0 / 61 / 21

HEX #7ECA4E

RGB 126 202 78

HSL 96.77, 0.54%, 0.55%

LAB 74.33, -44.83, 53.19

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 0 / 34 / 73 / 13

HEX #DD923C

RGB 221 146 60

HSL 32.05, 0.7%, 0.55%

LAB 66.72, 20.99, 55.12

 

CMYK 0 / 38 / 83 / 6

HEX #EF9329

RGB 239 147 41

HSL 32.12, 0.86%, 0.55%

LAB 69.02, 27.3, 65.53

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 0 / 22 / 47 / 28

HEX #B88F61

RGB 184 143 97

HSL 31.72, 0.38%, 0.55%

LAB 62.25, 9.62, 30.35

 

CMYK 0 / 14 / 30 / 35

HEX #A58E73

RGB 165 142 115

HSL 32.4, 0.22%, 0.55%

LAB 60.41, 4.45, 17.59

 

CMYK 0 / 4 / 9 / 42

HEX #938D86

RGB 147 141 134

HSL 32.31, 0.06%, 0.55%

LAB 58.95, 0.93, 4.52

 

CMYK 16 / 9 / 0 / 40

HEX #808B99

RGB 128 139 153

HSL 213.6, 0.11%, 0.55%

LAB 57.42, -0.94, -8.8

 

CMYK 0 / 61 / 60 / 21

HEX #CA4E50

RGB 202 78 80

HSL 359.03, 0.54%, 0.55%

LAB 50.2, 49.44, 24.89

 

CMYK 0 / 46 / 61 / 21

HEX #CA6D4E

RGB 202 109 78

HSL 15, 0.54%, 0.55%

LAB 56.13, 34, 33.52

 

CMYK 0 / 30 / 61 / 21

HEX #CA8E4E

RGB 202 142 78

HSL 30.97, 0.54%, 0.55%

LAB 63.72, 16.16, 42.61

 

CMYK 0 / 13 / 61 / 21

HEX #CAAF4E

RGB 202 175 78

HSL 46.94, 0.54%, 0.55%

LAB 72.07, -1.64, 52.14

 

CMYK 3 / 0 / 61 / 21

HEX #C4CA4E

RGB 196 202 78

HSL 62.9, 0.54%, 0.55%

LAB 78.77, -18.03, 59.31

 

CMYK 0 / 32 / 70 / 40

HEX #98672E

RGB 152 103 46

HSL 32.26, 0.54%, 0.39%

LAB 47.72, 14.03, 39.11

 

CMYK 0 / 33 / 70 / 28

HEX #B87C37

RGB 184 124 55

HSL 32.09, 0.54%, 0.47%

LAB 56.96, 16.88, 45.83

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 0 / 23 / 48 / 17

HEX #D4A46E

RGB 212 164 110

HSL 31.76, 0.54%, 0.63%

LAB 70.65, 11.08, 34.73

 

CMYK 0 / 17 / 36 / 13

HEX #DDB88E

RGB 221 184 142

HSL 31.9, 0.54%, 0.71%

LAB 77.04, 7.47, 26.32

 

CMYK 0 / 28 / 60 / 21

HEX #CA9150

RGB 202 145 80

HSL 31.97, 0.54%, 0.55%

LAB 64.47, 14.67, 42.49

 

CMYK 44 / 0 / 61 / 21

HEX #71CA4E

RGB 113 202 78

HSL 103.06, 0.54%, 0.55%

LAB 73.74, -49.03, 52.36

 

CMYK 54 / 61 / 0 / 21

HEX #5D4ECA

RGB 93 78 202

HSL 247.26, 0.54%, 0.55%

LAB 41.28, 39.7, -62.67

 

CMYK 0 / 28 / 60 / 21

HEX #CA9150

RGB 202 145 80

HSL 31.97, 0.54%, 0.55%

LAB 64.47, 14.67, 42.49

 

CMYK 61 / 0 / 30 / 21

HEX #4ECA8E

RGB 78 202 142

HSL 150.97, 0.54%, 0.55%

LAB 73.42, -48.28, 19.98

 

CMYK 30 / 61 / 0 / 21

HEX #8E4ECA

RGB 142 78 202

HSL 270.97, 0.54%, 0.55%

LAB 46.26, 50.01, -54.37

 

CMYK 0 / 28 / 60 / 21

HEX #CA9150

RGB 202 145 80

HSL 31.97, 0.54%, 0.55%

LAB 64.47, 14.67, 42.49

 

CMYK 44 / 0 / 61 / 21

HEX #71CA4E

RGB 113 202 78

HSL 103.06, 0.54%, 0.55%

LAB 73.74, -49.03, 52.36

 

CMYK 61 / 32 / 0 / 21

HEX #4E8ACA

RGB 78 138 202

HSL 210.97, 0.54%, 0.55%

LAB 56.15, 0.1, -38.95

 

CMYK 17 / 61 / 0 / 21

HEX #A74ECA

RGB 167 78 202

HSL 283.06, 0.54%, 0.55%

LAB 49.41, 55.91, -49.16

 

CMYK 0 / 28 / 60 / 21

HEX #CA9150

RGB 202 145 80

HSL 31.97, 0.54%, 0.55%

LAB 64.47, 14.67, 42.49

 

CMYK 61 / 0 / 60 / 21

HEX #4ECA50

RGB 78 202 80

HSL 120.97, 0.54%, 0.55%

LAB 72.52, -58.19, 49.76

 

CMYK 61 / 32 / 0 / 21

HEX #4E8ACA

RGB 78 138 202

HSL 210.97, 0.54%, 0.55%

LAB 56.15, 0.1, -38.95

 

CMYK 0 / 61 / 1 / 21

HEX #CA4EC8

RGB 202 78 200

HSL 300.97, 0.54%, 0.55%

LAB 54.21, 64.1, -40.08

 

Description

Color code: HEX #CA9150 | qconv.com Color code: HEX #CA9150 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 145 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 145 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 60 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 60% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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