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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA8FA5 it is the complementary color #35705A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA8FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA8FA5 shade: #CF8FA0, #E0A1B3, #F1B3C6, #FFC5D9 and #FFD7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA8FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA8FA5 shade: #CA8FA5, #B97D92, #A86B7F, #97596C and #864759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA8FA5 shade: #CB90A6, #CB9096 and #CB9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA8FA5 shade: #CB90A6, #CB90B6, #CB90C6, #C090CB and #B090CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA8FA5 shade matches the following richer shades: #CB90A6, #D883A3, #E5769F and #F2689C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA8FA5 shade: #CB90A6, #BE9DA9, #B0AAAD, #A3B8B0 and #96C5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA8FA5 shade: #CB90C6, #CB90B6, #CB90A7, #CB9097 and #CB9990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA8FA5 shade: #B05879, #BE748F, #CB90A6, #D8ACBC and #E5C8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA8FA5 shade: #CA8FA5, #CBC090 and #90BECB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA8FA5 shade: #CA8FA5, #A7CB90 and #90A7CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA8FA5 shade: #CA8FA5, #CBC090, #90CBB4 and #909BCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA8FA5 shade: #CA8FA5, #C4CB90, #90CBB4 and #9790CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 18 / 21

HEX #CA8FA5

RGB 202 143 165

HSL 337.63, 0.36%, 0.68%

LAB 65.68, 25.61, -2.62

 

Complementary color

CMYK 53 / 0 / 20 / 56

HEX #35705A

RGB 53 112 90

HSL 157.63, 0.36%, 0.32%

LAB 42.89, -25.03, 6.4

 

CMYK 0 / 31 / 23 / 19

HEX #CF8FA0

RGB 207 143 160

HSL 344.06, 0.4%, 0.69%

LAB 66.1, 26.67, 0.87

 

CMYK 0 / 28 / 20 / 12

HEX #E0A1B3

RGB 224 161 179

HSL 342.86, 0.5%, 0.75%

LAB 72.62, 25.95, 0.02

 

CMYK 0 / 26 / 18 / 5

HEX #F1B3C6

RGB 241 179 198

HSL 341.61, 0.69%, 0.82%

LAB 79.05, 25.29, -0.76

 

CMYK 0 / 23 / 15 / 0

HEX #FFC5D9

RGB 255 197 217

HSL 339.31, 1%, 0.89%

LAB 85.1, 23.64, -1.96

 

CMYK 0 / 16 / 7 / 0

HEX #FFD7EC

RGB 255 215 236

HSL 328.5, 1%, 0.92%

LAB 89.82, 17.3, -5.08

 

CMYK 0 / 29 / 18 / 21

HEX #CA8FA5

RGB 202 143 165

HSL 337.63, 0.36%, 0.68%

LAB 65.68, 25.61, -2.62

 

CMYK 0 / 32 / 21 / 27

HEX #B97D92

RGB 185 125 146

HSL 339, 0.3%, 0.61%

LAB 59.03, 26.35, -1.79

 

CMYK 0 / 36 / 24 / 34

HEX #A86B7F

RGB 168 107 127

HSL 340.33, 0.26%, 0.54%

LAB 52.26, 27.16, -0.88

 

CMYK 0 / 41 / 28 / 41

HEX #97596C

RGB 151 89 108

HSL 341.61, 0.26%, 0.47%

LAB 45.37, 28.05, 0.18

 

CMYK 0 / 47 / 34 / 47

HEX #864759

RGB 134 71 89

HSL 342.86, 0.31%, 0.4%

LAB 38.37, 29, 1.43

 

CMYK 0 / 29 / 18 / 20

HEX #CB90A6

RGB 203 144 166

HSL 337.63, 0.36%, 0.68%

LAB 66.06, 25.58, -2.62

 

CMYK 0 / 29 / 26 / 20

HEX #CB9096

RGB 203 144 150

HSL 353.9, 0.36%, 0.68%

LAB 65.63, 23.18, 5.77

 

CMYK 0 / 29 / 29 / 20

HEX #CB9090

RGB 203 144 144

HSL 0, 0.36%, 0.68%

LAB 65.48, 22.35, 8.93

 

CMYK 0 / 29 / 18 / 20

HEX #CB90A6

RGB 203 144 166

HSL 337.63, 0.36%, 0.68%

LAB 66.06, 25.58, -2.62

 

CMYK 0 / 29 / 10 / 20

HEX #CB90B6

RGB 203 144 182

HSL 321.36, 0.36%, 0.68%

LAB 66.54, 28.22, -10.9

 

CMYK 0 / 29 / 2 / 20

HEX #CB90C6

RGB 203 144 198

HSL 305.08, 0.36%, 0.68%

LAB 67.07, 31.06, -19.05

 

CMYK 5 / 29 / 0 / 20

HEX #C090CB

RGB 192 144 203

HSL 288.81, 0.36%, 0.68%

LAB 66.11, 28.4, -23.4

 

CMYK 13 / 29 / 0 / 20

HEX #B090CB

RGB 176 144 203

HSL 272.54, 0.36%, 0.68%

LAB 64.55, 23.24, -25.92

 

CMYK 0 / 29 / 18 / 20

HEX #CB90A6

RGB 203 144 166

HSL 337.63, 0.36%, 0.68%

LAB 66.06, 25.58, -2.62

 

CMYK 0 / 39 / 25 / 15

HEX #D883A3

RGB 216 131 163

HSL 337.41, 0.52%, 0.68%

LAB 64.54, 36.8, -2.98

 

CMYK 0 / 48 / 31 / 10

HEX #E5769F

RGB 229 118 159

HSL 337.84, 0.68%, 0.68%

LAB 63.44, 47.43, -2.13

 

CMYK 0 / 57 / 36 / 5

HEX #F2689C

RGB 242 104 156

HSL 337.39, 0.84%, 0.68%

LAB 62.66, 57.93, -1.34

 

CMYK 0 / 29 / 18 / 20

HEX #CB90A6

RGB 203 144 166

HSL 337.63, 0.36%, 0.68%

LAB 66.06, 25.58, -2.62

 

CMYK 0 / 17 / 11 / 25

HEX #BE9DA9

RGB 190 157 169

HSL 338.18, 0.2%, 0.68%

LAB 67.97, 14.18, -1.65

 

CMYK 0 / 3 / 2 / 31

HEX #B0AAAD

RGB 176 170 173

HSL 330, 0.04%, 0.68%

LAB 70.17, 2.7, -0.78

 

CMYK 11 / 0 / 4 / 28

HEX #A3B8B0

RGB 163 184 176

HSL 157.14, 0.13%, 0.68%

LAB 73.02, -8.78, 1.61

 

CMYK 24 / 0 / 9 / 23

HEX #96C5B3

RGB 150 197 179

HSL 157.02, 0.29%, 0.68%

LAB 75.87, -19.17, 4

 

CMYK 0 / 29 / 2 / 20

HEX #CB90C6

RGB 203 144 198

HSL 305.08, 0.36%, 0.68%

LAB 67.07, 31.06, -19.05

 

CMYK 0 / 29 / 10 / 20

HEX #CB90B6

RGB 203 144 182

HSL 321.36, 0.36%, 0.68%

LAB 66.54, 28.22, -10.9

 

CMYK 0 / 29 / 18 / 20

HEX #CB90A7

RGB 203 144 167

HSL 336.61, 0.36%, 0.68%

LAB 66.08, 25.74, -3.14

 

CMYK 0 / 29 / 26 / 20

HEX #CB9097

RGB 203 144 151

HSL 352.88, 0.36%, 0.68%

LAB 65.65, 23.33, 5.24

 

CMYK 0 / 25 / 29 / 20

HEX #CB9990

RGB 203 153 144

HSL 9.15, 0.36%, 0.68%

LAB 67.64, 17.42, 12

 

CMYK 0 / 50 / 31 / 31

HEX #B05879

RGB 176 88 121

HSL 337.5, 0.36%, 0.52%

LAB 49, 39.55, -1.96

 

CMYK 0 / 39 / 25 / 25

HEX #BE748F

RGB 190 116 143

HSL 338.11, 0.36%, 0.6%

LAB 57.48, 32.68, -2.25

 

CMYK 0 / 29 / 18 / 20

HEX #CB90A6

RGB 203 144 166

HSL 337.63, 0.36%, 0.68%

LAB 66.06, 25.58, -2.62

 

CMYK 0 / 20 / 13 / 15

HEX #D8ACBC

RGB 216 172 188

HSL 338.18, 0.36%, 0.76%

LAB 74.66, 18.56, -2.05

 

CMYK 0 / 13 / 8 / 10

HEX #E5C8D3

RGB 229 200 211

HSL 337.24, 0.36%, 0.84%

LAB 83.27, 12.01, -1.72

 

CMYK 0 / 29 / 18 / 21

HEX #CA8FA5

RGB 202 143 165

HSL 337.63, 0.36%, 0.68%

LAB 65.68, 25.61, -2.62

 

CMYK 0 / 5 / 29 / 20

HEX #CBC090

RGB 203 192 144

HSL 48.81, 0.36%, 0.68%

LAB 77.53, -3.54, 25.64

 

CMYK 29 / 6 / 0 / 20

HEX #90BECB

RGB 144 190 203

HSL 193.22, 0.36%, 0.68%

LAB 74.23, -12.09, -11.47

 

CMYK 0 / 29 / 18 / 21

HEX #CA8FA5

RGB 202 143 165

HSL 337.63, 0.36%, 0.68%

LAB 65.68, 25.61, -2.62

 

CMYK 18 / 0 / 29 / 20

HEX #A7CB90

RGB 167 203 144

HSL 96.61, 0.36%, 0.68%

LAB 77.84, -22.66, 25.61

 

CMYK 29 / 18 / 0 / 20

HEX #90A7CB

RGB 144 167 203

HSL 216.61, 0.36%, 0.68%

LAB 67.93, 0.33, -20.98

 

CMYK 0 / 29 / 18 / 21

HEX #CA8FA5

RGB 202 143 165

HSL 337.63, 0.36%, 0.68%

LAB 65.68, 25.61, -2.62

 

CMYK 0 / 5 / 29 / 20

HEX #CBC090

RGB 203 192 144

HSL 48.81, 0.36%, 0.68%

LAB 77.53, -3.54, 25.64

 

CMYK 29 / 0 / 11 / 20

HEX #90CBB4

RGB 144 203 180

HSL 156.61, 0.36%, 0.68%

LAB 77.24, -23.82, 5.4

 

CMYK 29 / 24 / 0 / 20

HEX #909BCB

RGB 144 155 203

HSL 228.81, 0.36%, 0.68%

LAB 64.71, 7.05, -25.91

 

CMYK 0 / 29 / 18 / 21

HEX #CA8FA5

RGB 202 143 165

HSL 337.63, 0.36%, 0.68%

LAB 65.68, 25.61, -2.62

 

CMYK 3 / 0 / 29 / 20

HEX #C4CB90

RGB 196 203 144

HSL 67.12, 0.36%, 0.68%

LAB 79.88, -11.92, 28.7

 

CMYK 29 / 0 / 11 / 20

HEX #90CBB4

RGB 144 203 180

HSL 156.61, 0.36%, 0.68%

LAB 77.24, -23.82, 5.4

 

CMYK 26 / 29 / 0 / 20

HEX #9790CB

RGB 151 144 203

HSL 247.12, 0.36%, 0.68%

LAB 62.37, 15.44, -29.47

 

Description

Color code: HEX #CA8FA5 | qconv.com Color code: HEX #CA8FA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 143 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 143 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 18 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 18% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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