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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA84A4 it is the complementary color #357B5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA84A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA84A4 shade: #CF849F, #E096B2, #F1A8C5, #FFBAD8 and #FFCCEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA84A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA84A4 shade: #CA84A4, #B97291, #A8607E, #974E6B and #863C58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA84A4 shade: #C982A3, #C9828F and #C98282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA84A4 shade: #C982A3, #C982B6, #C982C9, #B682C9 and #A382C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA84A4 shade matches the following richer shades: #C982A3, #D874A1, #E665A0 and #F5579F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA84A4 shade: #C982A3, #BB90A4, #AD9FA5, #9EADA6 and #90BCA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA84A4 shade: #C982C9, #C982B6, #C982A3, #C98290 and #C98782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA84A4 shade: #AE4B78, #BD658D, #C982A3, #D69FB8 and #E2BCCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA84A4 shade: #CA84A4, #C9B682 and #82C0C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA84A4 shade: #CA84A4, #A3C982 and #82A3C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA84A4 shade: #CA84A4, #C9B682, #82C9A8 and #8295C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA84A4 shade: #CA84A4, #C7C982, #82C9A8 and #8482C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 19 / 21

HEX #CA84A4

RGB 202 132 164

HSL 332.57, 0.4%, 0.65%

LAB 63.13, 31.46, -5.82

 

Complementary color

CMYK 57 / 0 / 26 / 52

HEX #357B5B

RGB 53 123 91

HSL 152.57, 0.4%, 0.35%

LAB 46.55, -30.16, 10.97

 

CMYK 0 / 36 / 23 / 19

HEX #CF849F

RGB 207 132 159

HSL 338.4, 0.44%, 0.66%

LAB 63.57, 32.49, -2.27

 

CMYK 0 / 33 / 21 / 12

HEX #E096B2

RGB 224 150 178

HSL 337.3, 0.54%, 0.73%

LAB 70.09, 31.7, -3.14

 

CMYK 0 / 30 / 18 / 5

HEX #F1A8C5

RGB 241 168 197

HSL 336.16, 0.72%, 0.8%

LAB 76.52, 30.97, -3.94

 

CMYK 0 / 27 / 15 / 0

HEX #FFBAD8

RGB 255 186 216

HSL 333.91, 1%, 0.86%

LAB 82.56, 29.26, -5.16

 

CMYK 0 / 20 / 8 / 0

HEX #FFCCEB

RGB 255 204 235

HSL 323.53, 1%, 0.9%

LAB 87.21, 22.89, -8.41

 

CMYK 0 / 35 / 19 / 21

HEX #CA84A4

RGB 202 132 164

HSL 332.57, 0.4%, 0.65%

LAB 63.13, 31.46, -5.82

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 43 / 25 / 34

HEX #A8607E

RGB 168 96 126

HSL 335, 0.29%, 0.52%

LAB 49.73, 33.12, -3.99

 

CMYK 0 / 48 / 29 / 41

HEX #974E6B

RGB 151 78 107

HSL 336.16, 0.32%, 0.45%

LAB 42.9, 34.01, -2.84

 

CMYK 0 / 55 / 34 / 47

HEX #863C58

RGB 134 60 88

HSL 337.3, 0.38%, 0.38%

LAB 35.99, 34.88, -1.41

 

CMYK 0 / 35 / 19 / 21

HEX #C982A3

RGB 201 130 163

HSL 332.11, 0.4%, 0.65%

LAB 62.53, 32.04, -6.15

 

CMYK 0 / 35 / 29 / 21

HEX #C9828F

RGB 201 130 143

HSL 349.01, 0.4%, 0.65%

LAB 61.97, 29.1, 4.44

 

CMYK 0 / 35 / 35 / 21

HEX #C98282

RGB 201 130 130

HSL 0, 0.4%, 0.65%

LAB 61.65, 27.4, 11.4

 

CMYK 0 / 35 / 19 / 21

HEX #C982A3

RGB 201 130 163

HSL 332.11, 0.4%, 0.65%

LAB 62.53, 32.04, -6.15

 

CMYK 0 / 35 / 9 / 21

HEX #C982B6

RGB 201 130 182

HSL 316.06, 0.4%, 0.65%

LAB 63.14, 35.15, -16.02

 

CMYK 0 / 35 / 0 / 21

HEX #C982C9

RGB 201 130 201

HSL 300, 0.4%, 0.65%

LAB 63.84, 38.56, -25.69

 

CMYK 9 / 35 / 0 / 21

HEX #B682C9

RGB 182 130 201

HSL 283.94, 0.4%, 0.65%

LAB 61.76, 32.56, -29.05

 

CMYK 19 / 35 / 0 / 21

HEX #A382C9

RGB 163 130 201

HSL 267.89, 0.4%, 0.65%

LAB 59.86, 26.66, -32.15

 

CMYK 0 / 35 / 19 / 21

HEX #C982A3

RGB 201 130 163

HSL 332.11, 0.4%, 0.65%

LAB 62.53, 32.04, -6.15

 

CMYK 0 / 46 / 25 / 15

HEX #D874A1

RGB 216 116 161

HSL 333, 0.56%, 0.65%

LAB 61.36, 44.32, -6.54

 

CMYK 0 / 56 / 30 / 10

HEX #E665A0

RGB 230 101 160

HSL 332.56, 0.72%, 0.65%

LAB 60.49, 56.02, -7.05

 

CMYK 0 / 64 / 35 / 4

HEX #F5579F

RGB 245 87 159

HSL 332.66, 0.89%, 0.65%

LAB 60.54, 66.36, -6.13

 

CMYK 0 / 35 / 19 / 21

HEX #C982A3

RGB 201 130 163

HSL 332.11, 0.4%, 0.65%

LAB 62.53, 32.04, -6.15

 

CMYK 0 / 23 / 12 / 27

HEX #BB90A4

RGB 187 144 164

HSL 332.09, 0.24%, 0.65%

LAB 64.32, 19.44, -4.25

 

CMYK 0 / 8 / 5 / 32

HEX #AD9FA5

RGB 173 159 165

HSL 334.29, 0.08%, 0.65%

LAB 66.82, 6.18, -1.28

 

CMYK 9 / 0 / 4 / 32

HEX #9EADA6

RGB 158 173 166

HSL 152, 0.08%, 0.65%

LAB 69.4, -6.61, 1.79

 

CMYK 23 / 0 / 11 / 26

HEX #90BCA8

RGB 144 188 168

HSL 152.73, 0.25%, 0.65%

LAB 72.71, -18.76, 5.36

 

CMYK 0 / 35 / 0 / 21

HEX #C982C9

RGB 201 130 201

HSL 300, 0.4%, 0.65%

LAB 63.84, 38.56, -25.69

 

CMYK 0 / 35 / 9 / 21

HEX #C982B6

RGB 201 130 182

HSL 316.06, 0.4%, 0.65%

LAB 63.14, 35.15, -16.02

 

CMYK 0 / 35 / 19 / 21

HEX #C982A3

RGB 201 130 163

HSL 332.11, 0.4%, 0.65%

LAB 62.53, 32.04, -6.15

 

CMYK 0 / 35 / 28 / 21

HEX #C98290

RGB 201 130 144

HSL 348.17, 0.4%, 0.65%

LAB 61.99, 29.24, 3.9

 

CMYK 0 / 33 / 35 / 21

HEX #C98782

RGB 201 135 130

HSL 4.23, 0.4%, 0.65%

LAB 62.81, 24.67, 13.03

 

CMYK 0 / 57 / 31 / 32

HEX #AE4B78

RGB 174 75 120

HSL 332.73, 0.4%, 0.49%

LAB 46.16, 45.27, -5.58

 

CMYK 0 / 47 / 25 / 26

HEX #BD658D

RGB 189 101 141

HSL 332.73, 0.4%, 0.57%

LAB 54.08, 40.05, -6.13

 

CMYK 0 / 35 / 19 / 21

HEX #C982A3

RGB 201 130 163

HSL 332.11, 0.4%, 0.65%

LAB 62.53, 32.04, -6.15

 

CMYK 0 / 26 / 14 / 16

HEX #D69FB8

RGB 214 159 184

HSL 332.73, 0.4%, 0.73%

LAB 71.25, 24.24, -4.88

 

CMYK 0 / 17 / 9 / 11

HEX #E2BCCD

RGB 226 188 205

HSL 333.16, 0.4%, 0.81%

LAB 79.92, 16.33, -3.44

 

CMYK 0 / 35 / 19 / 21

HEX #CA84A4

RGB 202 132 164

HSL 332.57, 0.4%, 0.65%

LAB 63.13, 31.46, -5.82

 

CMYK 0 / 9 / 35 / 21

HEX #C9B682

RGB 201 182 130

HSL 43.94, 0.4%, 0.65%

LAB 74.5, -0.83, 28.97

 

CMYK 35 / 4 / 0 / 21

HEX #82C0C9

RGB 130 192 201

HSL 187.61, 0.4%, 0.65%

LAB 73.97, -17.55, -10.85

 

CMYK 0 / 35 / 19 / 21

HEX #CA84A4

RGB 202 132 164

HSL 332.57, 0.4%, 0.65%

LAB 63.13, 31.46, -5.82

 

CMYK 19 / 0 / 35 / 21

HEX #A3C982

RGB 163 201 130

HSL 92.11, 0.4%, 0.65%

LAB 76.78, -25.17, 31.46

 

CMYK 35 / 19 / 0 / 21

HEX #82A3C9

RGB 130 163 201

HSL 212.11, 0.4%, 0.65%

LAB 65.87, -2.02, -23.1

 

CMYK 0 / 35 / 19 / 21

HEX #CA84A4

RGB 202 132 164

HSL 332.57, 0.4%, 0.65%

LAB 63.13, 31.46, -5.82

 

CMYK 0 / 9 / 35 / 21

HEX #C9B682

RGB 201 182 130

HSL 43.94, 0.4%, 0.65%

LAB 74.5, -0.83, 28.97

 

CMYK 35 / 0 / 16 / 21

HEX #82C9A8

RGB 130 201 168

HSL 152.11, 0.4%, 0.65%

LAB 75.67, -29.5, 9.5

 

CMYK 35 / 26 / 0 / 21

HEX #8295C9

RGB 130 149 201

HSL 223.94, 0.4%, 0.65%

LAB 62.05, 5.89, -28.98

 

CMYK 0 / 35 / 19 / 21

HEX #CA84A4

RGB 202 132 164

HSL 332.57, 0.4%, 0.65%

LAB 63.13, 31.46, -5.82

 

CMYK 1 / 0 / 35 / 21

HEX #C7C982

RGB 199 201 130

HSL 61.69, 0.4%, 0.65%

LAB 79.34, -11.5, 35.29

 

CMYK 35 / 0 / 16 / 21

HEX #82C9A8

RGB 130 201 168

HSL 152.11, 0.4%, 0.65%

LAB 75.67, -29.5, 9.5

 

CMYK 34 / 35 / 0 / 21

HEX #8482C9

RGB 132 130 201

HSL 241.69, 0.4%, 0.65%

LAB 57.16, 17.51, -36.56

 

Description

Color code: HEX #CA84A4 | qconv.com Color code: HEX #CA84A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 132 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 132 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 19 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 19% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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