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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA7B5D it is the complementary color #3584A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA7B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA7B5D shade: #CF7B58, #E08D6B, #F19F7E, #FFB191 and #FFC3A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA7B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA7B5D shade: #CA7B5D, #B9694A, #A85737, #974524 and #863311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA7B5D shade: #CA7B5D, #CA5D5D and #CA5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA7B5D shade: #CA7B5D, #CA985D, #CAB65D, #C1CA5D and #A3CA5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA7B5D shade matches the following richer shades: #CA7B5D, #DB734B, #ED6B3A and #FE6329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA7B5D shade: #CA7B5D, #B9836E, #A78A7F, #969291 and #859AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA7B5D shade: #CA5D7A, #CA5D5D, #CA7A5D, #CA975D and #CAB45D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA7B5D shade: #A15234, #C0623E, #CA7B5D, #D4947C and #DEAE9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA7B5D shade: #CA7B5D, #97CA5D and #5D6BCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA7B5D shade: #CA7B5D, #5DCA7A and #7A5DCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA7B5D shade: #CA7B5D, #97CA5D, #5DADCA and #905DCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA7B5D shade: #CA7B5D, #76CA5D, #5DADCA and #B15DCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

Complementary color

CMYK 67 / 19 / 0 / 36

HEX #3584A2

RGB 53 132 162

HSL 196.51, 0.51%, 0.42%

LAB 51.69, -14.3, -23.06

 

CMYK 0 / 41 / 57 / 19

HEX #CF7B58

RGB 207 123 88

HSL 17.65, 0.55%, 0.58%

LAB 60.01, 29.3, 32.98

 

CMYK 0 / 37 / 52 / 12

HEX #E08D6B

RGB 224 141 107

HSL 17.44, 0.65%, 0.65%

LAB 66.49, 28.04, 31.27

 

CMYK 0 / 34 / 48 / 5

HEX #F19F7E

RGB 241 159 126

HSL 17.22, 0.8%, 0.72%

LAB 72.89, 26.92, 29.73

 

CMYK 0 / 31 / 43 / 0

HEX #FFB191

RGB 255 177 145

HSL 17.45, 1%, 0.78%

LAB 78.9, 24.77, 27.82

 

CMYK 0 / 24 / 36 / 0

HEX #FFC3A4

RGB 255 195 164

HSL 20.44, 1%, 0.82%

LAB 83.43, 17.43, 23.88

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 0 / 43 / 60 / 27

HEX #B9694A

RGB 185 105 74

HSL 16.76, 0.44%, 0.51%

LAB 52.85, 29.02, 31.18

 

CMYK 0 / 48 / 67 / 34

HEX #A85737

RGB 168 87 55

HSL 16.99, 0.51%, 0.44%

LAB 46.2, 30.51, 33.21

 

CMYK 0 / 54 / 76 / 41

HEX #974524

RGB 151 69 36

HSL 17.22, 0.61%, 0.37%

LAB 39.52, 32.15, 35.42

 

CMYK 0 / 62 / 87 / 47

HEX #863311

RGB 134 51 17

HSL 17.44, 0.77%, 0.3%

LAB 32.87, 33.88, 37.54

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 0 / 54 / 54 / 21

HEX #CA5D5D

RGB 202 93 93

HSL 0, 0.51%, 0.58%

LAB 53.14, 43.34, 21.11

 

CMYK 0 / 54 / 54 / 21

HEX #CA5D5D

RGB 202 93 93

HSL 0, 0.51%, 0.58%

LAB 53.14, 43.34, 21.11

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 0 / 25 / 54 / 21

HEX #CA985D

RGB 202 152 93

HSL 32.48, 0.51%, 0.58%

LAB 66.37, 11.88, 38.07

 

CMYK 0 / 10 / 54 / 21

HEX #CAB65D

RGB 202 182 93

HSL 48.99, 0.51%, 0.58%

LAB 74.06, -4.19, 47.33

 

CMYK 4 / 0 / 54 / 21

HEX #C1CA5D

RGB 193 202 93

HSL 64.95, 0.51%, 0.58%

LAB 78.68, -18.13, 52.51

 

CMYK 19 / 0 / 54 / 21

HEX #A3CA5D

RGB 163 202 93

HSL 81.47, 0.51%, 0.58%

LAB 76.57, -30.01, 49.53

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 0 / 47 / 66 / 14

HEX #DB734B

RGB 219 115 75

HSL 16.67, 0.67%, 0.58%

LAB 59.73, 37.37, 40.05

 

CMYK 0 / 55 / 76 / 7

HEX #ED6B3A

RGB 237 107 58

HSL 16.42, 0.83%, 0.58%

LAB 60.63, 47.34, 50.47

 

CMYK 0 / 61 / 84 / 0

HEX #FE6329

RGB 254 99 41

HSL 16.34, 0.99%, 0.58%

LAB 61.79, 56.52, 60.15

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 0 / 29 / 41 / 27

HEX #B9836E

RGB 185 131 110

HSL 16.8, 0.35%, 0.58%

LAB 59.59, 18.12, 19.63

 

CMYK 0 / 17 / 24 / 35

HEX #A78A7F

RGB 167 138 127

HSL 16.5, 0.19%, 0.58%

LAB 59.82, 9.23, 10

 

CMYK 0 / 3 / 3 / 41

HEX #969291

RGB 150 146 145

HSL 12, 0.02%, 0.58%

LAB 60.86, 1.28, 1.04

 

CMYK 18 / 5 / 0 / 36

HEX #859AA2

RGB 133 154 162

HSL 196.55, 0.13%, 0.58%

LAB 62.26, -5.62, -6.68

 

CMYK 0 / 54 / 40 / 21

HEX #CA5D7A

RGB 202 93 122

HSL 344.04, 0.51%, 0.58%

LAB 53.8, 46.17, 4.9

 

CMYK 0 / 54 / 54 / 21

HEX #CA5D5D

RGB 202 93 93

HSL 0, 0.51%, 0.58%

LAB 53.14, 43.34, 21.11

 

CMYK 0 / 40 / 54 / 21

HEX #CA7A5D

RGB 202 122 93

HSL 15.96, 0.51%, 0.58%

LAB 59.22, 28.23, 29.07

 

CMYK 0 / 25 / 54 / 21

HEX #CA975D

RGB 202 151 93

HSL 31.93, 0.51%, 0.58%

LAB 66.12, 12.42, 37.76

 

CMYK 0 / 11 / 54 / 21

HEX #CAB45D

RGB 202 180 93

HSL 47.89, 0.51%, 0.58%

LAB 73.54, -3.14, 46.72

 

CMYK 0 / 49 / 68 / 37

HEX #A15234

RGB 161 82 52

HSL 16.51, 0.51%, 0.42%

LAB 44.03, 30.15, 32.08

 

CMYK 0 / 49 / 68 / 25

HEX #C0623E

RGB 192 98 62

HSL 16.62, 0.51%, 0.5%

LAB 52.16, 34.78, 37.2

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 0 / 30 / 42 / 17

HEX #D4947C

RGB 212 148 124

HSL 16.36, 0.51%, 0.66%

LAB 67, 21.19, 22.36

 

CMYK 0 / 22 / 30 / 13

HEX #DEAE9B

RGB 222 174 155

HSL 17.01, 0.5%, 0.74%

LAB 74.93, 14.83, 16.45

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 25 / 0 / 54 / 21

HEX #97CA5D

RGB 151 202 93

HSL 88.07, 0.51%, 0.58%

LAB 75.83, -34.53, 48.48

 

CMYK 54 / 47 / 0 / 21

HEX #5D6BCA

RGB 93 107 202

HSL 232.29, 0.51%, 0.58%

LAB 48.39, 21.96, -51.2

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 54 / 0 / 40 / 21

HEX #5DCA7A

RGB 93 202 122

HSL 135.96, 0.51%, 0.58%

LAB 73.53, -48.72, 30.68

 

CMYK 40 / 54 / 0 / 21

HEX #7A5DCA

RGB 122 93 202

HSL 255.96, 0.51%, 0.58%

LAB 47.28, 37.03, -52.86

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 25 / 0 / 54 / 21

HEX #97CA5D

RGB 151 202 93

HSL 88.07, 0.51%, 0.58%

LAB 75.83, -34.53, 48.48

 

CMYK 54 / 14 / 0 / 21

HEX #5DADCA

RGB 93 173 202

HSL 195.96, 0.51%, 0.58%

LAB 66.88, -16.38, -22.27

 

CMYK 29 / 54 / 0 / 21

HEX #905DCA

RGB 144 93 202

HSL 268.07, 0.51%, 0.58%

LAB 49.52, 42.47, -49.14

 

CMYK 0 / 39 / 54 / 21

HEX #CA7B5D

RGB 202 123 93

HSL 16.51, 0.51%, 0.58%

LAB 59.45, 27.69, 29.36

 

CMYK 42 / 0 / 54 / 21

HEX #76CA5D

RGB 118 202 93

HSL 106.24, 0.51%, 0.58%

LAB 74.11, -45.86, 46.02

 

CMYK 54 / 14 / 0 / 21

HEX #5DADCA

RGB 93 173 202

HSL 195.96, 0.51%, 0.58%

LAB 66.88, -16.38, -22.27

 

CMYK 12 / 54 / 0 / 21

HEX #B15DCA

RGB 177 93 202

HSL 286.24, 0.51%, 0.58%

LAB 53.43, 51.12, -42.69

 

Description

Color code: HEX #CA7B5D | qconv.com Color code: HEX #CA7B5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 123 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 123 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 54 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 54% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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