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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA77AC it is the complementary color #358853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA77AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA77AC shade: #CF77A7, #E089BA, #F19BCD, #FFADE0 and #FFBFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA77AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA77AC shade: #CA77AC, #B96599, #A85386, #974173 and #862F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA77AC shade: #CA77AC, #CA7796, #CA777F and #CA7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA77AC shade: #CA77AC, #CA77C3, #BB77CA, #A577CA and #8F77CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA77AC shade matches the following richer shades: #CA77AC, #D968B0, #E959B5 and #F849B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA77AC shade: #CA77AC, #BB86A8, #AC96A4, #9CA59F and #8DB49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA77AC shade: #BB77CA, #CA77C3, #CA77AD, #CA7797 and #CA7781

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA77AC shade: #AC4386, #BF599A, #CA77AC, #D695BE and #E1B3D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA77AC shade: #CA77AC, #CAA577 and #77CAC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA77AC shade: #CA77AC, #ADCA77 and #77ADCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA77AC shade: #CA77AC, #CAA577, #77CA94 and #779CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA77AC shade: #CA77AC, #CABE77, #77CA94 and #7784CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

Complementary color

CMYK 61 / 0 / 39 / 47

HEX #358853

RGB 53 136 83

HSL 141.69, 0.44%, 0.37%

LAB 50.68, -37.72, 21.18

 

CMYK 0 / 43 / 19 / 19

HEX #CF77A7

RGB 207 119 167

HSL 327.27, 0.48%, 0.64%

LAB 61, 40.61, -10.64

 

CMYK 0 / 39 / 17 / 12

HEX #E089BA

RGB 224 137 186

HSL 326.21, 0.58%, 0.71%

LAB 67.49, 39.82, -11.47

 

CMYK 0 / 36 / 15 / 5

HEX #F19BCD

RGB 241 155 205

HSL 325.12, 0.75%, 0.78%

LAB 73.9, 39.05, -12.21

 

CMYK 0 / 32 / 12 / 0

HEX #FFADE0

RGB 255 173 224

HSL 322.68, 1%, 0.84%

LAB 79.91, 37.33, -13.4

 

CMYK 0 / 25 / 5 / 0

HEX #FFBFF3

RGB 255 191 243

HSL 311.25, 1%, 0.87%

LAB 84.48, 31.08, -16.74

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 45 / 17 / 27

HEX #B96599

RGB 185 101 153

HSL 322.86, 0.38%, 0.56%

LAB 53.94, 40.5, -13.43

 

CMYK 0 / 51 / 20 / 34

HEX #A85386

RGB 168 83 134

HSL 324, 0.34%, 0.49%

LAB 47.28, 41.27, -12.46

 

CMYK 0 / 57 / 24 / 41

HEX #974173

RGB 151 65 115

HSL 325.12, 0.4%, 0.42%

LAB 40.57, 41.95, -11.25

 

CMYK 0 / 65 / 28 / 47

HEX #862F60

RGB 134 47 96

HSL 326.21, 0.48%, 0.35%

LAB 33.87, 42.39, -9.69

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 41 / 26 / 21

HEX #CA7796

RGB 202 119 150

HSL 337.59, 0.44%, 0.63%

LAB 59.85, 36.37, -2.66

 

CMYK 0 / 41 / 37 / 21

HEX #CA777F

RGB 202 119 127

HSL 354.22, 0.44%, 0.63%

LAB 59.23, 33.36, 9.73

 

CMYK 0 / 41 / 41 / 21

HEX #CA7777

RGB 202 119 119

HSL 0, 0.44%, 0.63%

LAB 59.05, 32.43, 14.08

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 41 / 3 / 21

HEX #CA77C3

RGB 202 119 195

HSL 305.06, 0.44%, 0.63%

LAB 61.39, 43.63, -26.06

 

CMYK 7 / 41 / 0 / 21

HEX #BB77CA

RGB 187 119 202

HSL 289.16, 0.44%, 0.63%

LAB 59.91, 40.34, -32.45

 

CMYK 18 / 41 / 0 / 21

HEX #A577CA

RGB 165 119 202

HSL 273.25, 0.44%, 0.63%

LAB 57.52, 33.73, -36.36

 

CMYK 29 / 41 / 0 / 21

HEX #8F77CA

RGB 143 119 202

HSL 257.35, 0.44%, 0.63%

LAB 55.38, 27.33, -39.87

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 52 / 19 / 15

HEX #D968B0

RGB 217 104 176

HSL 321.77, 0.6%, 0.63%

LAB 59.7, 52.75, -17.64

 

CMYK 0 / 62 / 22 / 9

HEX #E959B5

RGB 233 89 181

HSL 321.67, 0.77%, 0.63%

LAB 59.71, 64.84, -20.27

 

CMYK 0 / 71 / 25 / 3

HEX #F849B9

RGB 248 73 185

HSL 321.6, 0.93%, 0.63%

LAB 60.09, 75.25, -21.78

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 28 / 10 / 27

HEX #BB86A8

RGB 187 134 168

HSL 321.51, 0.28%, 0.63%

LAB 62.03, 25.7, -9.91

 

CMYK 0 / 13 / 5 / 33

HEX #AC96A4

RGB 172 150 164

HSL 321.82, 0.12%, 0.63%

LAB 64.37, 10.64, -4.33

 

CMYK 5 / 0 / 4 / 35

HEX #9CA59F

RGB 156 165 159

HSL 140, 0.05%, 0.63%

LAB 66.89, -4.35, 2

 

CMYK 22 / 0 / 14 / 29

HEX #8DB49B

RGB 141 180 155

HSL 141.54, 0.21%, 0.63%

LAB 69.95, -18.25, 8.48

 

CMYK 7 / 41 / 0 / 21

HEX #BB77CA

RGB 187 119 202

HSL 289.16, 0.44%, 0.63%

LAB 59.91, 40.34, -32.45

 

CMYK 0 / 41 / 3 / 21

HEX #CA77C3

RGB 202 119 195

HSL 305.06, 0.44%, 0.63%

LAB 61.39, 43.63, -26.06

 

CMYK 0 / 41 / 14 / 21

HEX #CA77AD

RGB 202 119 173

HSL 320.96, 0.44%, 0.63%

LAB 60.58, 39.87, -14.77

 

CMYK 0 / 41 / 25 / 21

HEX #CA7797

RGB 202 119 151

HSL 336.87, 0.44%, 0.63%

LAB 59.87, 36.52, -3.19

 

CMYK 0 / 41 / 36 / 21

HEX #CA7781

RGB 202 119 129

HSL 352.77, 0.44%, 0.63%

LAB 59.28, 33.6, 8.64

 

CMYK 0 / 61 / 22 / 33

HEX #AC4386

RGB 172 67 134

HSL 321.71, 0.44%, 0.47%

LAB 44.95, 50.31, -15.94

 

CMYK 0 / 53 / 19 / 25

HEX #BF599A

RGB 191 89 154

HSL 321.76, 0.44%, 0.55%

LAB 52.46, 48.69, -16.19

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 30 / 11 / 16

HEX #D695BE

RGB 214 149 190

HSL 322.15, 0.44%, 0.71%

LAB 69.12, 30.66, -11.38

 

CMYK 0 / 20 / 8 / 12

HEX #E1B3D0

RGB 225 179 208

HSL 322.17, 0.43%, 0.79%

LAB 77.76, 21.32, -8.27

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 18 / 41 / 21

HEX #CAA577

RGB 202 165 119

HSL 33.25, 0.44%, 0.63%

LAB 70.03, 7.39, 28.95

 

CMYK 41 / 0 / 2 / 21

HEX #77CAC6

RGB 119 202 198

HSL 177.11, 0.44%, 0.63%

LAB 76.22, -26.19, -5.95

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 14 / 0 / 41 / 21

HEX #ADCA77

RGB 173 202 119

HSL 80.96, 0.44%, 0.63%

LAB 77.55, -23.37, 38.21

 

CMYK 41 / 14 / 0 / 21

HEX #77ADCA

RGB 119 173 202

HSL 200.96, 0.44%, 0.63%

LAB 68.07, -10.22, -20.35

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 18 / 41 / 21

HEX #CAA577

RGB 202 165 119

HSL 33.25, 0.44%, 0.63%

LAB 70.03, 7.39, 28.95

 

CMYK 41 / 0 / 27 / 21

HEX #77CA94

RGB 119 202 148

HSL 140.96, 0.44%, 0.63%

LAB 75.01, -37.11, 19.21

 

CMYK 41 / 23 / 0 / 21

HEX #779CCA

RGB 119 156 202

HSL 213.25, 0.44%, 0.63%

LAB 63.31, -0.84, -27.64

 

CMYK 0 / 41 / 15 / 21

HEX #CA77AC

RGB 202 119 172

HSL 321.69, 0.44%, 0.63%

LAB 60.54, 39.71, -14.25

 

CMYK 0 / 6 / 41 / 21

HEX #CABE77

RGB 202 190 119

HSL 51.33, 0.44%, 0.63%

LAB 76.51, -5.89, 37.33

 

CMYK 41 / 0 / 27 / 21

HEX #77CA94

RGB 119 202 148

HSL 140.96, 0.44%, 0.63%

LAB 75.01, -37.11, 19.21

 

CMYK 41 / 35 / 0 / 21

HEX #7784CA

RGB 119 132 202

HSL 230.6, 0.44%, 0.63%

LAB 56.77, 13.06, -37.81

 

Description

Color code: HEX #CA77AC | qconv.com Color code: HEX #CA77AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 119 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 119 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 15 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 15% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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