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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA709C it is the complementary color #358F63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA709C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA709C shade: #CF7097, #E082AA, #F194BD, #FFA6D0 and #FFB8E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA709C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA709C shade: #CA709C, #B95E89, #A84C76, #973A63 and #862850

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA709C shade: #CB729D, #CB7285 and #CB7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA709C shade: #CB729D, #CB72B5, #C872CB, #B072CB and #9872CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA709C shade matches the following richer shades: #CB729D, #DA629D, #EA529C and #FA429C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA709C shade: #CB729D, #BB819D, #AB919E, #9CA19E and #8CB09F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA709C shade: #C872CB, #CB72B6, #CB729E, #CB7286 and #CB7472

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA709C shade: #AB3F74, #C05388, #CB729D, #D690B2 and #E1AEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA709C shade: #CA709C, #CBB072 and #72C2CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA709C shade: #CA709C, #9ECB72 and #729ECB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA709C shade: #CA709C, #CBB072, #72CB9E and #728CCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA709C shade: #CA709C, #CBCB72, #72CB9E and #7272CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 23 / 21

HEX #CA709C

RGB 202 112 156

HSL 330.67, 0.46%, 0.62%

LAB 58.55, 40.93, -8.04

 

Complementary color

CMYK 63 / 0 / 31 / 44

HEX #358F63

RGB 53 143 99

HSL 150.67, 0.46%, 0.38%

LAB 53.28, -37.47, 15.69

 

CMYK 0 / 46 / 27 / 19

HEX #CF7097

RGB 207 112 151

HSL 335.37, 0.5%, 0.63%

LAB 59.06, 41.93, -4.32

 

CMYK 0 / 42 / 24 / 12

HEX #E082AA

RGB 224 130 170

HSL 334.47, 0.6%, 0.69%

LAB 65.53, 41.1, -5.38

 

CMYK 0 / 39 / 22 / 5

HEX #F194BD

RGB 241 148 189

HSL 333.55, 0.77%, 0.76%

LAB 71.93, 40.29, -6.31

 

CMYK 0 / 35 / 18 / 0

HEX #FFA6D0

RGB 255 166 208

HSL 331.69, 1%, 0.83%

LAB 77.93, 38.49, -7.69

 

CMYK 0 / 28 / 11 / 0

HEX #FFB8E3

RGB 255 184 227

HSL 323.66, 1%, 0.86%

LAB 82.43, 32.06, -11.26

 

CMYK 0 / 45 / 23 / 21

HEX #CA709C

RGB 202 112 156

HSL 330.67, 0.46%, 0.62%

LAB 58.55, 40.93, -8.04

 

CMYK 0 / 49 / 26 / 27

HEX #B95E89

RGB 185 94 137

HSL 331.65, 0.39%, 0.55%

LAB 51.98, 41.75, -6.95

 

CMYK 0 / 55 / 30 / 34

HEX #A84C76

RGB 168 76 118

HSL 332.61, 0.38%, 0.48%

LAB 45.36, 42.52, -5.65

 

CMYK 0 / 62 / 34 / 41

HEX #973A63

RGB 151 58 99

HSL 333.55, 0.44%, 0.41%

LAB 38.74, 43.15, -4.01

 

CMYK 0 / 70 / 40 / 47

HEX #862850

RGB 134 40 80

HSL 334.47, 0.54%, 0.34%

LAB 32.18, 43.43, -1.86

 

CMYK 0 / 44 / 23 / 20

HEX #CB729D

RGB 203 114 157

HSL 331.01, 0.46%, 0.62%

LAB 59.13, 40.37, -7.74

 

CMYK 0 / 44 / 34 / 20

HEX #CB7285

RGB 203 114 133

HSL 347.19, 0.46%, 0.62%

LAB 58.44, 37.12, 5.14

 

CMYK 0 / 44 / 44 / 20

HEX #CB7272

RGB 203 114 114

HSL 0, 0.46%, 0.62%

LAB 57.99, 34.93, 15.5

 

CMYK 0 / 44 / 23 / 20

HEX #CB729D

RGB 203 114 157

HSL 331.01, 0.46%, 0.62%

LAB 59.13, 40.37, -7.74

 

CMYK 0 / 44 / 11 / 20

HEX #CB72B5

RGB 203 114 181

HSL 314.83, 0.46%, 0.62%

LAB 59.95, 44.13, -20.29

 

CMYK 1 / 44 / 0 / 20

HEX #C872CB

RGB 200 114 203

HSL 297.98, 0.46%, 0.62%

LAB 60.45, 47.08, -32.05

 

CMYK 13 / 44 / 0 / 20

HEX #B072CB

RGB 176 114 203

HSL 281.8, 0.46%, 0.62%

LAB 57.63, 39.98, -36.66

 

CMYK 25 / 44 / 0 / 20

HEX #9872CB

RGB 152 114 203

HSL 265.62, 0.46%, 0.62%

LAB 55.09, 33.02, -40.82

 

CMYK 0 / 44 / 23 / 20

HEX #CB729D

RGB 203 114 157

HSL 331.01, 0.46%, 0.62%

LAB 59.13, 40.37, -7.74

 

CMYK 0 / 55 / 28 / 15

HEX #DA629D

RGB 218 98 157

HSL 330.5, 0.62%, 0.62%

LAB 58.11, 53.27, -9.04

 

CMYK 0 / 65 / 33 / 8

HEX #EA529C

RGB 234 82 156

HSL 330.79, 0.78%, 0.62%

LAB 57.97, 64.86, -8.41

 

CMYK 0 / 74 / 38 / 2

HEX #FA429C

RGB 250 66 156

HSL 330.65, 0.95%, 0.62%

LAB 58.62, 74.79, -7.15

 

CMYK 0 / 44 / 23 / 20

HEX #CB729D

RGB 203 114 157

HSL 331.01, 0.46%, 0.62%

LAB 59.13, 40.37, -7.74

 

CMYK 0 / 31 / 16 / 27

HEX #BB819D

RGB 187 129 157

HSL 331.03, 0.3%, 0.62%

LAB 60.52, 26.62, -5.89

 

CMYK 0 / 15 / 8 / 33

HEX #AB919E

RGB 171 145 158

HSL 330, 0.13%, 0.62%

LAB 62.82, 11.98, -3.23

 

CMYK 3 / 0 / 2 / 37

HEX #9CA19E

RGB 156 161 158

HSL 144, 0.03%, 0.62%

LAB 65.77, -2.36, 0.93

 

CMYK 20 / 0 / 10 / 31

HEX #8CB09F

RGB 140 176 159

HSL 151.67, 0.19%, 0.62%

LAB 68.84, -15.72, 4.69

 

CMYK 1 / 44 / 0 / 20

HEX #C872CB

RGB 200 114 203

HSL 297.98, 0.46%, 0.62%

LAB 60.45, 47.08, -32.05

 

CMYK 0 / 44 / 10 / 20

HEX #CB72B6

RGB 203 114 182

HSL 314.16, 0.46%, 0.62%

LAB 59.99, 44.3, -20.8

 

CMYK 0 / 44 / 22 / 20

HEX #CB729E

RGB 203 114 158

HSL 330.34, 0.46%, 0.62%

LAB 59.16, 40.52, -8.27

 

CMYK 0 / 44 / 34 / 20

HEX #CB7286

RGB 203 114 134

HSL 346.52, 0.46%, 0.62%

LAB 58.46, 37.24, 4.6

 

CMYK 0 / 43 / 44 / 20

HEX #CB7472

RGB 203 116 114

HSL 1.35, 0.46%, 0.62%

LAB 58.42, 33.86, 16.1

 

CMYK 0 / 63 / 32 / 33

HEX #AB3F74

RGB 171 63 116

HSL 330.56, 0.46%, 0.46%

LAB 43.47, 49.38, -7.19

 

CMYK 0 / 57 / 29 / 25

HEX #C05388

RGB 192 83 136

HSL 330.83, 0.46%, 0.54%

LAB 50.89, 49.37, -7.88

 

CMYK 0 / 44 / 23 / 20

HEX #CB729D

RGB 203 114 157

HSL 331.01, 0.46%, 0.62%

LAB 59.13, 40.37, -7.74

 

CMYK 0 / 33 / 17 / 16

HEX #D690B2

RGB 214 144 178

HSL 330.86, 0.46%, 0.7%

LAB 67.62, 31.4, -6.91

 

CMYK 0 / 23 / 12 / 12

HEX #E1AEC7

RGB 225 174 199

HSL 330.59, 0.46%, 0.78%

LAB 76.32, 22.49, -5.51

 

CMYK 0 / 45 / 23 / 21

HEX #CA709C

RGB 202 112 156

HSL 330.67, 0.46%, 0.62%

LAB 58.55, 40.93, -8.04

 

CMYK 0 / 13 / 44 / 20

HEX #CBB072

RGB 203 176 114

HSL 41.8, 0.46%, 0.62%

LAB 72.87, 1.36, 35.29

 

CMYK 44 / 4 / 0 / 20

HEX #72C2CB

RGB 114 194 203

HSL 186.07, 0.46%, 0.62%

LAB 73.85, -22.17, -12.2

 

CMYK 0 / 45 / 23 / 21

HEX #CA709C

RGB 202 112 156

HSL 330.67, 0.46%, 0.62%

LAB 58.55, 40.93, -8.04

 

CMYK 22 / 0 / 44 / 20

HEX #9ECB72

RGB 158 203 114

HSL 90.34, 0.46%, 0.62%

LAB 76.8, -30.06, 39.57

 

CMYK 44 / 22 / 0 / 20

HEX #729ECB

RGB 114 158 203

HSL 210.34, 0.46%, 0.62%

LAB 63.63, -2.99, -27.74

 

CMYK 0 / 45 / 23 / 21

HEX #CA709C

RGB 202 112 156

HSL 330.67, 0.46%, 0.62%

LAB 58.55, 40.93, -8.04

 

CMYK 0 / 13 / 44 / 20

HEX #CBB072

RGB 203 176 114

HSL 41.8, 0.46%, 0.62%

LAB 72.87, 1.36, 35.29

 

CMYK 44 / 0 / 22 / 20

HEX #72CB9E

RGB 114 203 158

HSL 149.66, 0.46%, 0.62%

LAB 75.3, -36.98, 14.24

 

CMYK 44 / 31 / 0 / 20

HEX #728CCB

RGB 114 140 203

HSL 222.47, 0.46%, 0.62%

LAB 58.64, 7.33, -35.47

 

CMYK 0 / 45 / 23 / 21

HEX #CA709C

RGB 202 112 156

HSL 330.67, 0.46%, 0.62%

LAB 58.55, 40.93, -8.04

 

CMYK 0 / 0 / 44 / 20

HEX #CBCB72

RGB 203 203 114

HSL 60, 0.46%, 0.62%

LAB 79.97, -12.67, 44.2

 

CMYK 44 / 0 / 22 / 20

HEX #72CB9E

RGB 114 203 158

HSL 149.66, 0.46%, 0.62%

LAB 75.3, -36.98, 14.24

 

CMYK 44 / 44 / 0 / 20

HEX #7272CB

RGB 114 114 203

HSL 240, 0.46%, 0.62%

LAB 51.75, 22.84, -46.33

 

Description

Color code: HEX #CA709C | qconv.com Color code: HEX #CA709C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 112 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 112 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 23 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 23% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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