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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA6D40 it is the complementary color #3592BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA6D40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA6D40 shade: #CF6D3B, #E07F4E, #F19161, #FFA374 and #FFB587

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA6D40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA6D40 shade: #CA6D40, #B95B2D, #A8491A, #973707 and #862500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA6D40 shade: #CA6C3F, #CA473F and #CA3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA6D40 shade: #CA6C3F, #CA923F, #CAB83F, #B8CA3F and #92CA3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA6D40 shade matches the following richer shades: #CA6C3F, #DE652B and #F25F17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA6D40 shade: #CA6C3F, #B77353, #A37A66, #8F817A and #7B888E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA6D40 shade: #CA3F5D, #CA463F, #CA6B3F, #CA903F and #CAB53F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA6D40 shade: #8F4927, #B05A30, #CA6C3F, #D3855F and #DC9E80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA6D40 shade: #CA6D40, #82CA3F and #3F4ACA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA6D40 shade: #CA6D40, #3FCA6B and #6B3FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA6D40 shade: #CA6D40, #82CA3F, #3F9ECA and #873FCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA6D40 shade: #CA6D40, #58CA3F, #3F9ECA and #B13FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 68 / 21

HEX #CA6D40

RGB 202 109 64

HSL 19.57, 0.57%, 0.52%

LAB 55.95, 33.12, 40.86

 

Complementary color

CMYK 72 / 24 / 0 / 25

HEX #3592BF

RGB 53 146 191

HSL 199.57, 0.57%, 0.48%

LAB 57.15, -12.31, -31.22

 

CMYK 0 / 47 / 71 / 19

HEX #CF6D3B

RGB 207 109 59

HSL 20.27, 0.61%, 0.52%

LAB 56.6, 34.86, 44.36

 

CMYK 0 / 43 / 65 / 12

HEX #E07F4E

RGB 224 127 78

HSL 20.14, 0.7%, 0.59%

LAB 62.99, 33.29, 42.45

 

CMYK 0 / 40 / 60 / 5

HEX #F19161

RGB 241 145 97

HSL 20, 0.84%, 0.66%

LAB 69.34, 31.88, 40.65

 

CMYK 0 / 36 / 55 / 0

HEX #FFA374

RGB 255 163 116

HSL 20.29, 1%, 0.73%

LAB 75.27, 29.43, 38.44

 

CMYK 0 / 29 / 47 / 0

HEX #FFB587

RGB 255 181 135

HSL 23, 1%, 0.76%

LAB 79.65, 21.68, 34.09

 

CMYK 0 / 46 / 68 / 21

HEX #CA6D40

RGB 202 109 64

HSL 19.57, 0.57%, 0.52%

LAB 55.95, 33.12, 40.86

 

CMYK 0 / 51 / 76 / 27

HEX #B95B2D

RGB 185 91 45

HSL 19.71, 0.61%, 0.45%

LAB 49.48, 34.77, 42.85

 

CMYK 0 / 57 / 85 / 34

HEX #A8491A

RGB 168 73 26

HSL 19.86, 0.73%, 0.38%

LAB 43.01, 36.54, 44.66

 

CMYK 0 / 64 / 95 / 41

HEX #973707

RGB 151 55 7

HSL 20, 0.91%, 0.31%

LAB 36.61, 38.35, 45.53

 

CMYK 0 / 72 / 100 / 47

HEX #862500

RGB 134 37 0

HSL 16.57, 1%, 0.26%

LAB 30.38, 39.95, 42.64

 

CMYK 0 / 47 / 69 / 21

HEX #CA6C3F

RGB 202 108 63

HSL 19.42, 0.57%, 0.52%

LAB 55.73, 33.59, 41.13

 

CMYK 0 / 65 / 69 / 21

HEX #CA473F

RGB 202 71 63

HSL 3.45, 0.57%, 0.52%

LAB 48.79, 51.48, 33.08

 

CMYK 0 / 69 / 69 / 21

HEX #CA3F3F

RGB 202 63 63

HSL 0, 0.57%, 0.52%

LAB 47.59, 54.74, 31.64

 

CMYK 0 / 47 / 69 / 21

HEX #CA6C3F

RGB 202 108 63

HSL 19.42, 0.57%, 0.52%

LAB 55.73, 33.59, 41.13

 

CMYK 0 / 28 / 69 / 21

HEX #CA923F

RGB 202 146 63

HSL 35.83, 0.57%, 0.52%

LAB 64.54, 13.03, 50.82

 

CMYK 0 / 9 / 69 / 21

HEX #CAB83F

RGB 202 184 63

HSL 52.23, 0.57%, 0.52%

LAB 74.32, -7.26, 60.96

 

CMYK 9 / 0 / 69 / 21

HEX #B8CA3F

RGB 184 202 63

HSL 67.77, 0.57%, 0.52%

LAB 77.75, -23.91, 63.95

 

CMYK 28 / 0 / 69 / 21

HEX #92CA3F

RGB 146 202 63

HSL 84.17, 0.57%, 0.52%

LAB 75.27, -38.92, 60.63

 

CMYK 0 / 47 / 69 / 21

HEX #CA6C3F

RGB 202 108 63

HSL 19.42, 0.57%, 0.52%

LAB 55.73, 33.59, 41.13

 

CMYK 0 / 55 / 81 / 13

HEX #DE652B

RGB 222 101 43

HSL 19.44, 0.73%, 0.52%

LAB 57.09, 44.08, 53.18

 

CMYK 0 / 61 / 90 / 5

HEX #F25F17

RGB 242 95 23

HSL 19.73, 0.89%, 0.52%

LAB 59.09, 53.72, 63.58

 

CMYK 0 / 47 / 69 / 21

HEX #CA6C3F

RGB 202 108 63

HSL 19.42, 0.57%, 0.52%

LAB 55.73, 33.59, 41.13

 

CMYK 0 / 37 / 55 / 28

HEX #B77353

RGB 183 115 83

HSL 19.2, 0.41%, 0.52%

LAB 55.02, 23.44, 28.8

 

CMYK 0 / 25 / 37 / 36

HEX #A37A66

RGB 163 122 102

HSL 19.67, 0.25%, 0.52%

LAB 54.73, 13.19, 17.16

 

CMYK 0 / 10 / 15 / 44

HEX #8F817A

RGB 143 129 122

HSL 20, 0.09%, 0.52%

LAB 55.02, 4.07, 5.72

 

CMYK 13 / 4 / 0 / 44

HEX #7B888E

RGB 123 136 142

HSL 198.95, 0.08%, 0.52%

LAB 55.86, -3.42, -4.83

 

CMYK 0 / 69 / 54 / 21

HEX #CA3F5D

RGB 202 63 93

HSL 347.05, 0.57%, 0.52%

LAB 48.14, 56.68, 14.33

 

CMYK 0 / 65 / 69 / 21

HEX #CA463F

RGB 202 70 63

HSL 3.02, 0.57%, 0.52%

LAB 48.63, 51.9, 32.89

 

CMYK 0 / 47 / 69 / 21

HEX #CA6B3F

RGB 202 107 63

HSL 18.99, 0.57%, 0.52%

LAB 55.51, 34.11, 40.89

 

CMYK 0 / 29 / 69 / 21

HEX #CA903F

RGB 202 144 63

HSL 34.96, 0.57%, 0.52%

LAB 64.05, 14.12, 50.29

 

CMYK 0 / 10 / 69 / 21

HEX #CAB53F

RGB 202 181 63

HSL 50.94, 0.57%, 0.52%

LAB 73.52, -5.7, 60.16

 

CMYK 0 / 49 / 73 / 44

HEX #8F4927

RGB 143 73 39

HSL 19.62, 0.57%, 0.36%

LAB 39.16, 26.79, 33.04

 

CMYK 0 / 49 / 73 / 31

HEX #B05A30

RGB 176 90 48

HSL 19.69, 0.57%, 0.44%

LAB 47.95, 31.78, 39.29

 

CMYK 0 / 47 / 69 / 21

HEX #CA6C3F

RGB 202 108 63

HSL 19.42, 0.57%, 0.52%

LAB 55.73, 33.59, 41.13

 

CMYK 0 / 37 / 55 / 17

HEX #D3855F

RGB 211 133 95

HSL 19.66, 0.57%, 0.6%

LAB 62.89, 26.1, 32.88

 

CMYK 0 / 28 / 42 / 14

HEX #DC9E80

RGB 220 158 128

HSL 19.57, 0.57%, 0.68%

LAB 70.34, 19.4, 24.81

 

CMYK 0 / 46 / 68 / 21

HEX #CA6D40

RGB 202 109 64

HSL 19.57, 0.57%, 0.52%

LAB 55.95, 33.12, 40.86

 

CMYK 36 / 0 / 69 / 21

HEX #82CA3F

RGB 130 202 63

HSL 91.08, 0.57%, 0.52%

LAB 74.41, -44.7, 59.47

 

CMYK 69 / 63 / 0 / 21

HEX #3F4ACA

RGB 63 74 202

HSL 235.25, 0.57%, 0.52%

LAB 38.23, 37.4, -67.73

 

CMYK 0 / 46 / 68 / 21

HEX #CA6D40

RGB 202 109 64

HSL 19.57, 0.57%, 0.52%

LAB 55.95, 33.12, 40.86

 

CMYK 69 / 0 / 47 / 21

HEX #3FCA6B

RGB 63 202 107

HSL 138.99, 0.57%, 0.52%

LAB 72.47, -57.49, 36.77

 

CMYK 47 / 69 / 0 / 21

HEX #6B3FCA

RGB 107 63 202

HSL 258.99, 0.57%, 0.52%

LAB 39.49, 50.6, -65.53

 

CMYK 0 / 46 / 68 / 21

HEX #CA6D40

RGB 202 109 64

HSL 19.57, 0.57%, 0.52%

LAB 55.95, 33.12, 40.86

 

CMYK 36 / 0 / 69 / 21

HEX #82CA3F

RGB 130 202 63

HSL 91.08, 0.57%, 0.52%

LAB 74.41, -44.7, 59.47

 

CMYK 69 / 22 / 0 / 21

HEX #3F9ECA

RGB 63 158 202

HSL 198.99, 0.57%, 0.52%

LAB 61.46, -13.78, -30.7

 

CMYK 33 / 69 / 0 / 21

HEX #873FCA

RGB 135 63 202

HSL 271.08, 0.57%, 0.52%

LAB 42.72, 55.89, -60.14

 

CMYK 0 / 46 / 68 / 21

HEX #CA6D40

RGB 202 109 64

HSL 19.57, 0.57%, 0.52%

LAB 55.95, 33.12, 40.86

 

CMYK 56 / 0 / 69 / 21

HEX #58CA3F

RGB 88 202 63

HSL 109.21, 0.57%, 0.52%

LAB 72.68, -57.48, 57.13

 

CMYK 69 / 22 / 0 / 21

HEX #3F9ECA

RGB 63 158 202

HSL 198.99, 0.57%, 0.52%

LAB 61.46, -13.78, -30.7

 

CMYK 12 / 69 / 0 / 21

HEX #B13FCA

RGB 177 63 202

HSL 289.21, 0.57%, 0.52%

LAB 48.47, 64.69, -50.58

 

Description

Color code: HEX #CA6D40 | qconv.com Color code: HEX #CA6D40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 109 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 109 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 68 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 68% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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