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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA6D3E it is the complementary color #3592C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA6D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA6D3E shade: #CF6D39, #E07F4C, #F1915F, #FFA372 and #FFB585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA6D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA6D3E shade: #CA6D3E, #B95B2B, #A84918, #973705 and #862500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA6D3E shade: #CA6D3E, #CA483E and #CA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA6D3E shade: #CA6D3E, #CA933E, #CAB83E, #B6CA3E and #90CA3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA6D3E shade matches the following richer shades: #CA6D3E, #DE672B and #F16017

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA6D3E shade: #CA6D3E, #B67452, #A27A66, #8E817A and #7B878E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA6D3E shade: #CA3E5A, #CA483E, #CA6D3E, #CA923E and #CAB73E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA6D3E shade: #8F4A27, #AF5A30, #CA6D3E, #D3865F and #DC9E7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA6D3E shade: #CA6D3E, #7FCA3E and #3E48CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA6D3E shade: #CA6D3E, #3ECA6D and #6D3ECA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA6D3E shade: #CA6D3E, #7FCA3E, #3E9BCA and #893ECA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA6D3E shade: #CA6D3E, #56CA3E, #3E9BCA and #B33ECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

Complementary color

CMYK 73 / 24 / 0 / 24

HEX #3592C1

RGB 53 146 193

HSL 200.14, 0.57%, 0.48%

LAB 57.24, -11.62, -32.22

 

CMYK 0 / 47 / 72 / 19

HEX #CF6D39

RGB 207 109 57

HSL 20.8, 0.61%, 0.52%

LAB 56.58, 34.76, 45.34

 

CMYK 0 / 43 / 66 / 12

HEX #E07F4C

RGB 224 127 76

HSL 20.68, 0.7%, 0.59%

LAB 62.97, 33.17, 43.46

 

CMYK 0 / 40 / 61 / 5

HEX #F1915F

RGB 241 145 95

HSL 20.55, 0.84%, 0.66%

LAB 69.31, 31.74, 41.66

 

CMYK 0 / 36 / 55 / 0

HEX #FFA372

RGB 255 163 114

HSL 20.85, 1%, 0.72%

LAB 75.25, 29.27, 39.45

 

CMYK 0 / 29 / 48 / 0

HEX #FFB585

RGB 255 181 133

HSL 23.61, 1%, 0.76%

LAB 79.61, 21.49, 35.1

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 0 / 51 / 77 / 27

HEX #B95B2B

RGB 185 91 43

HSL 20.28, 0.62%, 0.45%

LAB 49.46, 34.68, 43.82

 

CMYK 0 / 57 / 86 / 34

HEX #A84918

RGB 168 73 24

HSL 20.42, 0.75%, 0.38%

LAB 43, 36.49, 45.5

 

CMYK 0 / 64 / 97 / 41

HEX #973705

RGB 151 55 5

HSL 20.55, 0.94%, 0.31%

LAB 36.6, 38.32, 46.22

 

CMYK 0 / 72 / 100 / 47

HEX #862500

RGB 134 37 0

HSL 16.57, 1%, 0.26%

LAB 30.38, 39.95, 42.64

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 0 / 64 / 69 / 21

HEX #CA483E

RGB 202 72 62

HSL 4.29, 0.57%, 0.52%

LAB 48.93, 51, 33.82

 

CMYK 0 / 69 / 69 / 21

HEX #CA3E3E

RGB 202 62 62

HSL 0, 0.57%, 0.52%

LAB 47.43, 55.07, 32.04

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 0 / 27 / 69 / 21

HEX #CA933E

RGB 202 147 62

HSL 36.43, 0.57%, 0.52%

LAB 64.78, 12.43, 51.53

 

CMYK 0 / 9 / 69 / 21

HEX #CAB83E

RGB 202 184 62

HSL 52.29, 0.57%, 0.52%

LAB 74.31, -7.31, 61.35

 

CMYK 10 / 0 / 69 / 21

HEX #B6CA3E

RGB 182 202 62

HSL 68.57, 0.57%, 0.52%

LAB 77.6, -24.79, 64.12

 

CMYK 29 / 0 / 69 / 21

HEX #90CA3E

RGB 144 202 62

HSL 84.86, 0.57%, 0.52%

LAB 75.15, -39.73, 60.85

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 0 / 54 / 81 / 13

HEX #DE672B

RGB 222 103 43

HSL 20.11, 0.73%, 0.52%

LAB 57.47, 43.11, 53.54

 

CMYK 0 / 60 / 90 / 5

HEX #F16017

RGB 241 96 23

HSL 20.09, 0.89%, 0.52%

LAB 59.09, 52.92, 63.51

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 0 / 36 / 55 / 29

HEX #B67452

RGB 182 116 82

HSL 20.4, 0.41%, 0.52%

LAB 55.12, 22.38, 29.46

 

CMYK 0 / 25 / 37 / 36

HEX #A27A66

RGB 162 122 102

HSL 20, 0.24%, 0.52%

LAB 54.62, 12.78, 17

 

CMYK 0 / 9 / 14 / 44

HEX #8E817A

RGB 142 129 122

HSL 21, 0.08%, 0.52%

LAB 54.92, 3.68, 5.57

 

CMYK 13 / 5 / 0 / 44

HEX #7B878E

RGB 123 135 142

HSL 202.11, 0.08%, 0.52%

LAB 55.58, -2.85, -5.25

 

CMYK 0 / 69 / 55 / 21

HEX #CA3E5A

RGB 202 62 90

HSL 348, 0.57%, 0.52%

LAB 47.93, 56.83, 15.87

 

CMYK 0 / 64 / 69 / 21

HEX #CA483E

RGB 202 72 62

HSL 4.29, 0.57%, 0.52%

LAB 48.93, 51, 33.82

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 0 / 28 / 69 / 21

HEX #CA923E

RGB 202 146 62

HSL 36, 0.57%, 0.52%

LAB 64.53, 12.97, 51.26

 

CMYK 0 / 9 / 69 / 21

HEX #CAB73E

RGB 202 183 62

HSL 51.86, 0.57%, 0.52%

LAB 74.04, -6.8, 61.08

 

CMYK 0 / 48 / 73 / 44

HEX #8F4A27

RGB 143 74 39

HSL 20.19, 0.57%, 0.36%

LAB 39.38, 26.23, 33.29

 

CMYK 0 / 49 / 73 / 31

HEX #AF5A30

RGB 175 90 48

HSL 19.84, 0.57%, 0.44%

LAB 47.8, 31.37, 39.08

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 0 / 36 / 55 / 17

HEX #D3865F

RGB 211 134 95

HSL 20.17, 0.57%, 0.6%

LAB 63.12, 25.56, 33.17

 

CMYK 0 / 28 / 42 / 14

HEX #DC9E7F

RGB 220 158 127

HSL 20, 0.57%, 0.68%

LAB 70.32, 19.29, 25.33

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 37 / 0 / 69 / 21

HEX #7FCA3E

RGB 127 202 62

HSL 92.14, 0.57%, 0.52%

LAB 74.25, -45.81, 59.65

 

CMYK 69 / 64 / 0 / 21

HEX #3E48CA

RGB 62 72 202

HSL 235.71, 0.57%, 0.52%

LAB 37.7, 38.51, -68.6

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 69 / 0 / 46 / 21

HEX #3ECA6D

RGB 62 202 109

HSL 140.14, 0.57%, 0.52%

LAB 72.47, -57.33, 35.78

 

CMYK 46 / 69 / 0 / 21

HEX #6D3ECA

RGB 109 62 202

HSL 260.14, 0.57%, 0.52%

LAB 39.51, 51.47, -65.48

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 37 / 0 / 69 / 21

HEX #7FCA3E

RGB 127 202 62

HSL 92.14, 0.57%, 0.52%

LAB 74.25, -45.81, 59.65

 

CMYK 69 / 23 / 0 / 21

HEX #3E9BCA

RGB 62 155 202

HSL 200.14, 0.57%, 0.52%

LAB 60.54, -12.29, -32.12

 

CMYK 32 / 69 / 0 / 21

HEX #893ECA

RGB 137 62 202

HSL 272.14, 0.57%, 0.52%

LAB 42.81, 56.75, -59.98

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3E

RGB 202 109 62

HSL 20.14, 0.57%, 0.52%

LAB 55.93, 33, 41.88

 

CMYK 57 / 0 / 69 / 21

HEX #56CA3E

RGB 86 202 62

HSL 109.71, 0.57%, 0.52%

LAB 72.61, -58.07, 57.42

 

CMYK 69 / 23 / 0 / 21

HEX #3E9BCA

RGB 62 155 202

HSL 200.14, 0.57%, 0.52%

LAB 60.54, -12.29, -32.12

 

CMYK 11 / 69 / 0 / 21

HEX #B33ECA

RGB 179 62 202

HSL 290.14, 0.57%, 0.52%

LAB 48.63, 65.51, -50.31

 

Description

Color code: HEX #CA6D3E | qconv.com Color code: HEX #CA6D3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 109 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 109 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 69 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 69% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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