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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA6C88 it is the complementary color #359377. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA6C88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA6C88 shade: #CF6C83, #E07E96, #F190A9, #FFA2BC and #FFB4CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA6C88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA6C88 shade: #CA6C88, #B95A75, #A84862, #97364F and #86243C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA6C88 shade: #CA6D89, #CA6D6F and #CA6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA6C88 shade: #CA6D89, #CA6DA2, #CA6DBB, #C06DCA and #A76DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA6C88 shade matches the following richer shades: #CA6D89, #DA5D82, #EA4D7C and #FB3D75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA6C88 shade: #CA6D89, #BA7D8F, #AA8D96, #9A9D9C and #8AADA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA6C88 shade: #CA6DBB, #CA6DA2, #CA6D89, #CA6D70 and #CA836D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA6C88 shade: #A83D5D, #BF4E70, #CA6D89, #D58BA1 and #E0A9BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA6C88 shade: #CA6C88, #CAC16D and #6DAECA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA6C88 shade: #CA6C88, #89CA6D and #6D89CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA6C88 shade: #CA6C88, #CAC16D, #6DCAAE and #6D76CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA6C88 shade: #CA6C88, #B8CA6D, #6DCAAE and #806DCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 33 / 21

HEX #CA6C88

RGB 202 108 136

HSL 342.13, 0.47%, 0.61%

LAB 57.13, 40.28, 1.49

 

Complementary color

CMYK 64 / 0 / 19 / 42

HEX #359377

RGB 53 147 119

HSL 162.13, 0.47%, 0.39%

LAB 55.03, -34.57, 6.76

 

CMYK 0 / 48 / 37 / 19

HEX #CF6C83

RGB 207 108 131

HSL 346.06, 0.51%, 0.62%

LAB 57.68, 41.43, 5.29

 

CMYK 0 / 44 / 33 / 12

HEX #E07E96

RGB 224 126 150

HSL 345.31, 0.61%, 0.69%

LAB 64.14, 40.51, 3.94

 

CMYK 0 / 40 / 30 / 5

HEX #F190A9

RGB 241 144 169

HSL 344.54, 0.78%, 0.75%

LAB 70.53, 39.62, 2.76

 

CMYK 0 / 36 / 26 / 0

HEX #FFA2BC

RGB 255 162 188

HSL 343.23, 1%, 0.82%

LAB 76.52, 37.72, 1.17

 

CMYK 0 / 29 / 19 / 0

HEX #FFB4CF

RGB 255 180 207

HSL 338.4, 1%, 0.85%

LAB 80.96, 31.04, -2.66

 

CMYK 0 / 47 / 33 / 21

HEX #CA6C88

RGB 202 108 136

HSL 342.13, 0.47%, 0.61%

LAB 57.13, 40.28, 1.49

 

CMYK 0 / 51 / 37 / 27

HEX #B95A75

RGB 185 90 117

HSL 342.95, 0.4%, 0.54%

LAB 50.58, 41.18, 2.91

 

CMYK 0 / 57 / 42 / 34

HEX #A84862

RGB 168 72 98

HSL 343.75, 0.4%, 0.47%

LAB 44, 42.04, 4.63

 

CMYK 0 / 64 / 48 / 41

HEX #97364F

RGB 151 54 79

HSL 344.54, 0.47%, 0.4%

LAB 37.45, 42.75, 6.78

 

CMYK 0 / 73 / 55 / 47

HEX #86243C

RGB 134 36 60

HSL 345.31, 0.58%, 0.33%

LAB 31.01, 43.06, 9.6

 

CMYK 0 / 46 / 32 / 21

HEX #CA6D89

RGB 202 109 137

HSL 341.94, 0.47%, 0.61%

LAB 57.37, 39.88, 1.25

 

CMYK 0 / 46 / 45 / 21

HEX #CA6D6F

RGB 202 109 111

HSL 358.71, 0.47%, 0.61%

LAB 56.72, 36.87, 15.47

 

CMYK 0 / 46 / 46 / 21

HEX #CA6D6D

RGB 202 109 109

HSL 0, 0.47%, 0.61%

LAB 56.68, 36.66, 16.58

 

CMYK 0 / 46 / 32 / 21

HEX #CA6D89

RGB 202 109 137

HSL 341.94, 0.47%, 0.61%

LAB 57.37, 39.88, 1.25

 

CMYK 0 / 46 / 20 / 21

HEX #CA6DA2

RGB 202 109 162

HSL 325.81, 0.47%, 0.61%

LAB 58.13, 43.38, -12.13

 

CMYK 0 / 46 / 7 / 21

HEX #CA6DBB

RGB 202 109 187

HSL 309.68, 0.47%, 0.61%

LAB 59.05, 47.4, -25.11

 

CMYK 5 / 46 / 0 / 21

HEX #C06DCA

RGB 192 109 202

HSL 293.55, 0.47%, 0.61%

LAB 58.42, 47.13, -34.72

 

CMYK 17 / 46 / 0 / 21

HEX #A76DCA

RGB 167 109 202

HSL 277.42, 0.47%, 0.61%

LAB 55.5, 39.89, -39.51

 

CMYK 0 / 46 / 32 / 21

HEX #CA6D89

RGB 202 109 137

HSL 341.94, 0.47%, 0.61%

LAB 57.37, 39.88, 1.25

 

CMYK 0 / 57 / 40 / 15

HEX #DA5D82

RGB 218 93 130

HSL 342.24, 0.63%, 0.61%

LAB 56.43, 52.4, 4.28

 

CMYK 0 / 67 / 47 / 8

HEX #EA4D7C

RGB 234 77 124

HSL 342.04, 0.79%, 0.61%

LAB 56.34, 63.57, 8.03

 

CMYK 0 / 76 / 53 / 2

HEX #FB3D75

RGB 251 61 117

HSL 342.32, 0.96%, 0.61%

LAB 57.2, 73.19, 13.81

 

CMYK 0 / 46 / 32 / 21

HEX #CA6D89

RGB 202 109 137

HSL 341.94, 0.47%, 0.61%

LAB 57.37, 39.88, 1.25

 

CMYK 0 / 33 / 23 / 27

HEX #BA7D8F

RGB 186 125 143

HSL 342.3, 0.31%, 0.61%

LAB 59.06, 26.26, -0.01

 

CMYK 0 / 17 / 12 / 33

HEX #AA8D96

RGB 170 141 150

HSL 341.38, 0.15%, 0.61%

LAB 61.48, 12.44, -0.68

 

CMYK 2 / 0 / 1 / 38

HEX #9A9D9C

RGB 154 157 156

HSL 160, 0.02%, 0.61%

LAB 64.47, -1.27, 0.14

 

CMYK 20 / 0 / 6 / 32

HEX #8AADA3

RGB 138 173 163

HSL 162.86, 0.18%, 0.61%

LAB 67.97, -13.99, 1.2

 

CMYK 0 / 46 / 7 / 21

HEX #CA6DBB

RGB 202 109 187

HSL 309.68, 0.47%, 0.61%

LAB 59.05, 47.4, -25.11

 

CMYK 0 / 46 / 20 / 21

HEX #CA6DA2

RGB 202 109 162

HSL 325.81, 0.47%, 0.61%

LAB 58.13, 43.38, -12.13

 

CMYK 0 / 46 / 32 / 21

HEX #CA6D89

RGB 202 109 137

HSL 341.94, 0.47%, 0.61%

LAB 57.37, 39.88, 1.25

 

CMYK 0 / 46 / 45 / 21

HEX #CA6D70

RGB 202 109 112

HSL 358.06, 0.47%, 0.61%

LAB 56.75, 36.97, 14.92

 

CMYK 0 / 35 / 46 / 21

HEX #CA836D

RGB 202 131 109

HSL 14.19, 0.47%, 0.61%

LAB 61.56, 24.86, 23.19

 

CMYK 0 / 64 / 45 / 34

HEX #A83D5D

RGB 168 61 93

HSL 342.06, 0.47%, 0.45%

LAB 41.93, 46.68, 4.75

 

CMYK 0 / 59 / 41 / 25

HEX #BF4E70

RGB 191 78 112

HSL 341.95, 0.47%, 0.53%

LAB 49.12, 48.52, 3.93

 

CMYK 0 / 46 / 32 / 21

HEX #CA6D89

RGB 202 109 137

HSL 341.94, 0.47%, 0.61%

LAB 57.37, 39.88, 1.25

 

CMYK 0 / 35 / 24 / 16

HEX #D58BA1

RGB 213 139 161

HSL 342.16, 0.47%, 0.69%

LAB 65.89, 31.17, 0.09

 

CMYK 0 / 25 / 17 / 12

HEX #E0A9BA

RGB 224 169 186

HSL 341.45, 0.47%, 0.77%

LAB 74.68, 22.73, -0.83

 

CMYK 0 / 47 / 33 / 21

HEX #CA6C88

RGB 202 108 136

HSL 342.13, 0.47%, 0.61%

LAB 57.13, 40.28, 1.49

 

CMYK 0 / 4 / 46 / 21

HEX #CAC16D

RGB 202 193 109

HSL 54.19, 0.47%, 0.61%

LAB 77.16, -8.46, 43.21

 

CMYK 46 / 14 / 0 / 21

HEX #6DAECA

RGB 109 174 202

HSL 198.06, 0.47%, 0.61%

LAB 67.86, -13.27, -20.71

 

CMYK 0 / 47 / 33 / 21

HEX #CA6C88

RGB 202 108 136

HSL 342.13, 0.47%, 0.61%

LAB 57.13, 40.28, 1.49

 

CMYK 32 / 0 / 46 / 21

HEX #89CA6D

RGB 137 202 109

HSL 101.94, 0.47%, 0.61%

LAB 75.24, -37.66, 39.85

 

CMYK 46 / 32 / 0 / 21

HEX #6D89CA

RGB 109 137 202

HSL 221.94, 0.47%, 0.61%

LAB 57.47, 7.53, -36.76

 

CMYK 0 / 47 / 33 / 21

HEX #CA6C88

RGB 202 108 136

HSL 342.13, 0.47%, 0.61%

LAB 57.13, 40.28, 1.49

 

CMYK 0 / 4 / 46 / 21

HEX #CAC16D

RGB 202 193 109

HSL 54.19, 0.47%, 0.61%

LAB 77.16, -8.46, 43.21

 

CMYK 46 / 0 / 14 / 21

HEX #6DCAAE

RGB 109 202 174

HSL 161.94, 0.47%, 0.61%

LAB 75.17, -34.36, 5.43

 

CMYK 46 / 42 / 0 / 21

HEX #6D76CA

RGB 109 118 202

HSL 234.19, 0.47%, 0.61%

LAB 52.37, 18.89, -44.8

 

CMYK 0 / 47 / 33 / 21

HEX #CA6C88

RGB 202 108 136

HSL 342.13, 0.47%, 0.61%

LAB 57.13, 40.28, 1.49

 

CMYK 9 / 0 / 46 / 21

HEX #B8CA6D

RGB 184 202 109

HSL 71.61, 0.47%, 0.61%

LAB 78.19, -20.24, 44.15

 

CMYK 46 / 0 / 14 / 21

HEX #6DCAAE

RGB 109 202 174

HSL 161.94, 0.47%, 0.61%

LAB 75.17, -34.36, 5.43

 

CMYK 37 / 46 / 0 / 21

HEX #806DCA

RGB 128 109 202

HSL 252.26, 0.47%, 0.61%

LAB 51.6, 29.11, -45.93

 

Description

Color code: HEX #CA6C88 | qconv.com Color code: HEX #CA6C88 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 108 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 108 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 33 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 33% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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