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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA64A8 it is the complementary color #359B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA64A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA64A8 shade: #CF64A3, #E076B6, #F188C9, #FF9ADC and #FFACEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA64A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA64A8 shade: #CA64A8, #B95295, #A84082, #972E6F and #861C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA64A8 shade: #CA63A8, #CA638C, #CA6370 and #CA6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA64A8 shade: #CA63A8, #CA63C3, #B563CA, #9963CA and #7D63CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA64A8 shade matches the following richer shades: #CA63A8, #DB52AD, #EC41B3 and #FC30B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA64A8 shade: #CA63A8, #B974A2, #A8859C, #979697 and #86A791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA64A8 shade: #B563CA, #CA63C3, #CA63A8, #CA638C and #CA6371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA64A8 shade: #A3387F, #BF4496, #CA63A8, #D482B9 and #DFA1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA64A8 shade: #CA64A8, #CA9A63 and #63CAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA64A8 shade: #CA64A8, #A8CA63 and #63A8CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA64A8 shade: #CA64A8, #CA9A63, #63CA85 and #6393CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA64A8 shade: #CA64A8, #CAB963, #63CA85 and #6374CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 17 / 21

HEX #CA64A8

RGB 202 100 168

HSL 320, 0.49%, 0.59%

LAB 56.58, 48.85, -17.95

 

Complementary color

CMYK 66 / 0 / 44 / 39

HEX #359B57

RGB 53 155 87

HSL 140, 0.49%, 0.41%

LAB 56.97, -44.85, 27.23

 

CMYK 0 / 52 / 21 / 19

HEX #CF64A3

RGB 207 100 163

HSL 324.67, 0.53%, 0.6%

LAB 57.1, 49.67, -14.2

 

CMYK 0 / 47 / 19 / 12

HEX #E076B6

RGB 224 118 182

HSL 323.77, 0.63%, 0.67%

LAB 63.49, 48.96, -15.22

 

CMYK 0 / 44 / 17 / 5

HEX #F188C9

RGB 241 136 201

HSL 322.86, 0.79%, 0.74%

LAB 69.84, 48.21, -16.1

 

CMYK 0 / 40 / 14 / 0

HEX #FF9ADC

RGB 255 154 220

HSL 320.79, 1%, 0.8%

LAB 75.79, 46.5, -17.44

 

CMYK 0 / 33 / 6 / 0

HEX #FFACEF

RGB 255 172 239

HSL 311.57, 1%, 0.84%

LAB 80.18, 40.33, -21.1

 

CMYK 0 / 50 / 17 / 21

HEX #CA64A8

RGB 202 100 168

HSL 320, 0.49%, 0.59%

LAB 56.58, 48.85, -17.95

 

CMYK 0 / 56 / 19 / 27

HEX #B95295

RGB 185 82 149

HSL 320.97, 0.42%, 0.52%

LAB 50.12, 49.47, -16.87

 

CMYK 0 / 62 / 23 / 34

HEX #A84082

RGB 168 64 130

HSL 321.92, 0.45%, 0.45%

LAB 43.66, 49.9, -15.53

 

CMYK 0 / 70 / 26 / 41

HEX #972E6F

RGB 151 46 111

HSL 322.86, 0.53%, 0.39%

LAB 37.26, 49.95, -13.78

 

CMYK 0 / 79 / 31 / 47

HEX #861C5C

RGB 134 28 92

HSL 323.77, 0.65%, 0.32%

LAB 31.05, 49.28, -11.38

 

CMYK 0 / 51 / 17 / 21

HEX #CA63A8

RGB 202 99 168

HSL 319.81, 0.49%, 0.59%

LAB 56.39, 49.34, -18.24

 

CMYK 0 / 51 / 31 / 21

HEX #CA638C

RGB 202 99 140

HSL 336.12, 0.49%, 0.59%

LAB 55.46, 45.38, -3.31

 

CMYK 0 / 51 / 45 / 21

HEX #CA6370

RGB 202 99 112

HSL 352.43, 0.49%, 0.59%

LAB 54.71, 42.12, 12.09

 

CMYK 0 / 51 / 51 / 21

HEX #CA6363

RGB 202 99 99

HSL 0, 0.49%, 0.59%

LAB 54.43, 40.86, 19.33

 

CMYK 0 / 51 / 17 / 21

HEX #CA63A8

RGB 202 99 168

HSL 319.81, 0.49%, 0.59%

LAB 56.39, 49.34, -18.24

 

CMYK 0 / 51 / 3 / 21

HEX #CA63C3

RGB 202 99 195

HSL 304.08, 0.49%, 0.59%

LAB 57.48, 53.76, -32.1

 

CMYK 10 / 51 / 0 / 21

HEX #B563CA

RGB 181 99 202

HSL 287.77, 0.49%, 0.59%

LAB 55.08, 49.16, -40.05

 

CMYK 24 / 51 / 0 / 21

HEX #9963CA

RGB 153 99 202

HSL 271.46, 0.49%, 0.59%

LAB 51.79, 41.51, -45.47

 

CMYK 38 / 51 / 0 / 21

HEX #7D63CA

RGB 125 99 202

HSL 255.15, 0.49%, 0.59%

LAB 48.94, 34.25, -50.18

 

CMYK 0 / 51 / 17 / 21

HEX #CA63A8

RGB 202 99 168

HSL 319.81, 0.49%, 0.59%

LAB 56.39, 49.34, -18.24

 

CMYK 0 / 63 / 21 / 14

HEX #DB52AD

RGB 219 82 173

HSL 320.15, 0.66%, 0.59%

LAB 56.2, 62.78, -21.21

 

CMYK 0 / 72 / 24 / 7

HEX #EC41B3

RGB 236 65 179

HSL 320, 0.82%, 0.59%

LAB 56.95, 74.17, -23.31

 

CMYK 0 / 81 / 27 / 1

HEX #FC30B8

RGB 252 48 184

HSL 320, 0.97%, 0.59%

LAB 58.29, 83.01, -23.9

 

CMYK 0 / 51 / 17 / 21

HEX #CA63A8

RGB 202 99 168

HSL 319.81, 0.49%, 0.59%

LAB 56.39, 49.34, -18.24

 

CMYK 0 / 37 / 12 / 27

HEX #B974A2

RGB 185 116 162

HSL 320, 0.33%, 0.59%

LAB 57.48, 33.91, -13.33

 

CMYK 0 / 21 / 7 / 34

HEX #A8859C

RGB 168 133 156

HSL 320.57, 0.17%, 0.59%

LAB 59.43, 17.3, -7.14

 

CMYK 0 / 1 / 0 / 41

HEX #979697

RGB 151 150 151

HSL 300, 0%, 0.59%

LAB 62.19, 0.56, -0.4

 

CMYK 20 / 0 / 13 / 35

HEX #86A791

RGB 134 167 145

HSL 140, 0.16%, 0.59%

LAB 65.55, -15.84, 7.67

 

CMYK 10 / 51 / 0 / 21

HEX #B563CA

RGB 181 99 202

HSL 287.77, 0.49%, 0.59%

LAB 55.08, 49.16, -40.05

 

CMYK 0 / 51 / 3 / 21

HEX #CA63C3

RGB 202 99 195

HSL 304.08, 0.49%, 0.59%

LAB 57.48, 53.76, -32.1

 

CMYK 0 / 51 / 17 / 21

HEX #CA63A8

RGB 202 99 168

HSL 319.81, 0.49%, 0.59%

LAB 56.39, 49.34, -18.24

 

CMYK 0 / 51 / 31 / 21

HEX #CA638C

RGB 202 99 140

HSL 336.12, 0.49%, 0.59%

LAB 55.46, 45.38, -3.31

 

CMYK 0 / 51 / 44 / 21

HEX #CA6371

RGB 202 99 113

HSL 351.84, 0.49%, 0.59%

LAB 54.73, 42.22, 11.54

 

CMYK 0 / 66 / 22 / 36

HEX #A3387F

RGB 163 56 127

HSL 320.19, 0.49%, 0.43%

LAB 41.45, 51.49, -17.14

 

CMYK 0 / 64 / 21 / 25

HEX #BF4496

RGB 191 68 150

HSL 320, 0.49%, 0.51%

LAB 48.78, 57.63, -19.44

 

CMYK 0 / 51 / 17 / 21

HEX #CA63A8

RGB 202 99 168

HSL 319.81, 0.49%, 0.59%

LAB 56.39, 49.34, -18.24

 

CMYK 0 / 39 / 13 / 17

HEX #D482B9

RGB 212 130 185

HSL 319.76, 0.49%, 0.67%

LAB 64.54, 39.33, -15.49

 

CMYK 0 / 28 / 9 / 13

HEX #DFA1CA

RGB 223 161 202

HSL 320.32, 0.49%, 0.75%

LAB 73.18, 29.29, -11.84

 

CMYK 0 / 50 / 17 / 21

HEX #CA64A8

RGB 202 100 168

HSL 320, 0.49%, 0.59%

LAB 56.58, 48.85, -17.95

 

CMYK 0 / 24 / 51 / 21

HEX #CA9A63

RGB 202 154 99

HSL 32.04, 0.49%, 0.59%

LAB 66.95, 11.32, 35.64

 

CMYK 51 / 0 / 3 / 21

HEX #63CAC3

RGB 99 202 195

HSL 175.92, 0.49%, 0.59%

LAB 75.35, -31.59, -5.7

 

CMYK 0 / 50 / 17 / 21

HEX #CA64A8

RGB 202 100 168

HSL 320, 0.49%, 0.59%

LAB 56.58, 48.85, -17.95

 

CMYK 17 / 0 / 51 / 21

HEX #A8CA63

RGB 168 202 99

HSL 79.81, 0.49%, 0.59%

LAB 76.96, -27.5, 47.24

 

CMYK 51 / 17 / 0 / 21

HEX #63A8CA

RGB 99 168 202

HSL 199.81, 0.49%, 0.59%

LAB 65.69, -12.4, -24.08

 

CMYK 0 / 50 / 17 / 21

HEX #CA64A8

RGB 202 100 168

HSL 320, 0.49%, 0.59%

LAB 56.58, 48.85, -17.95

 

CMYK 0 / 24 / 51 / 21

HEX #CA9A63

RGB 202 154 99

HSL 32.04, 0.49%, 0.59%

LAB 66.95, 11.32, 35.64

 

CMYK 51 / 0 / 34 / 21

HEX #63CA85

RGB 99 202 133

HSL 139.81, 0.49%, 0.59%

LAB 73.92, -45.3, 25.52

 

CMYK 51 / 27 / 0 / 21

HEX #6393CA

RGB 99 147 202

HSL 212.04, 0.49%, 0.59%

LAB 59.69, -0.69, -33.33

 

CMYK 0 / 50 / 17 / 21

HEX #CA64A8

RGB 202 100 168

HSL 320, 0.49%, 0.59%

LAB 56.58, 48.85, -17.95

 

CMYK 0 / 8 / 51 / 21

HEX #CAB963

RGB 202 185 99

HSL 50.1, 0.49%, 0.59%

LAB 74.92, -5.24, 45.43

 

CMYK 51 / 0 / 34 / 21

HEX #63CA85

RGB 99 202 133

HSL 139.81, 0.49%, 0.59%

LAB 73.92, -45.3, 25.52

 

CMYK 51 / 43 / 0 / 21

HEX #6374CA

RGB 99 116 202

HSL 230.1, 0.49%, 0.59%

LAB 51.16, 17.75, -46.76

 

Description

Color code: HEX #CA64A8 | qconv.com Color code: HEX #CA64A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 100 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 100 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 17 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 17% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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