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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA63D0 it is the complementary color #359C2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA63D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA63D0 shade: #CF63CB, #E075DE, #F187F1, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA63D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA63D0 shade: #CA63D0, #B951BD, #A83FAA, #972D97 and #861B84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA63D0 shade: #CA62D0, #D062B8, #D0629B, #D0627D and #D06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA63D0 shade: #CA62D0, #AC62D0, #8F62D0, #7162D0 and #6262D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA63D0 shade matches the following richer shades: #CA62D0, #D951E1 and #E741F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA63D0 shade: #CA62D0, #BB72C0, #AD83AF, #9E939F and #8FA48E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA63D0 shade: #8E62D0, #AB62D0, #C962D0, #D062BA and #D0629D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA63D0 shade: #A533AC, #BF42C7, #CA62D0, #D582DA and #DFA1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA63D0 shade: #CA63D0, #D07162 and #62D09D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA63D0 shade: #CA63D0, #D0C962 and #62D0C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA63D0 shade: #CA63D0, #D07162, #69D062 and #62C1D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA63D0 shade: #CA63D0, #D09262, #69D062 and #62A0D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 52 / 0 / 18

HEX #CA63D0

RGB 202 99 208

HSL 296.7, 0.54%, 0.6%

LAB 58.07, 56.07, -38.58

 

Complementary color

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

CMYK 0 / 52 / 2 / 19

HEX #CF63CB

RGB 207 99 203

HSL 302.22, 0.53%, 0.6%

LAB 58.51, 56.55, -35.01

 

CMYK 0 / 48 / 1 / 12

HEX #E075DE

RGB 224 117 222

HSL 301.12, 0.63%, 0.67%

LAB 64.84, 55.96, -35.66

 

CMYK 0 / 44 / 0 / 5

HEX #F187F1

RGB 241 135 241

HSL 300, 0.79%, 0.74%

LAB 71.13, 55.29, -36.21

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 3 / 52 / 0 / 18

HEX #CA63D0

RGB 202 99 208

HSL 296.7, 0.54%, 0.6%

LAB 58.07, 56.07, -38.58

 

CMYK 2 / 57 / 0 / 26

HEX #B951BD

RGB 185 81 189

HSL 297.78, 0.45%, 0.53%

LAB 51.69, 56.54, -37.88

 

CMYK 1 / 63 / 0 / 33

HEX #A83FAA

RGB 168 63 170

HSL 298.88, 0.46%, 0.46%

LAB 45.33, 56.76, -36.96

 

CMYK 0 / 70 / 0 / 41

HEX #972D97

RGB 151 45 151

HSL 300, 0.54%, 0.38%

LAB 39.05, 56.51, -35.69

 

CMYK 0 / 80 / 1 / 47

HEX #861B84

RGB 134 27 132

HSL 301.12, 0.66%, 0.32%

LAB 32.96, 55.45, -33.87

 

CMYK 3 / 53 / 0 / 18

HEX #CA62D0

RGB 202 98 208

HSL 296.73, 0.54%, 0.6%

LAB 57.89, 56.54, -38.86

 

CMYK 0 / 53 / 12 / 18

HEX #D062B8

RGB 208 98 184

HSL 313.09, 0.54%, 0.6%

LAB 57.66, 54.14, -25.46

 

CMYK 0 / 53 / 25 / 18

HEX #D0629B

RGB 208 98 155

HSL 328.91, 0.54%, 0.6%

LAB 56.6, 49.84, -10.29

 

CMYK 0 / 53 / 40 / 18

HEX #D0627D

RGB 208 98 125

HSL 345.27, 0.54%, 0.6%

LAB 55.71, 46.12, 5.99

 

CMYK 0 / 53 / 53 / 18

HEX #D06262

RGB 208 98 98

HSL 0, 0.54%, 0.6%

LAB 55.1, 43.47, 20.97

 

CMYK 3 / 53 / 0 / 18

HEX #CA62D0

RGB 202 98 208

HSL 296.73, 0.54%, 0.6%

LAB 57.89, 56.54, -38.86

 

CMYK 17 / 53 / 0 / 18

HEX #AC62D0

RGB 172 98 208

HSL 280.36, 0.54%, 0.6%

LAB 54.09, 48.47, -45.11

 

CMYK 31 / 53 / 0 / 18

HEX #8F62D0

RGB 143 98 208

HSL 264.55, 0.54%, 0.6%

LAB 50.84, 40.92, -50.48

 

CMYK 46 / 53 / 0 / 18

HEX #7162D0

RGB 113 98 208

HSL 248.18, 0.54%, 0.6%

LAB 48.01, 33.7, -55.17

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 3 / 53 / 0 / 18

HEX #CA62D0

RGB 202 98 208

HSL 296.73, 0.54%, 0.6%

LAB 57.89, 56.54, -38.86

 

CMYK 4 / 64 / 0 / 12

HEX #D951E1

RGB 217 81 225

HSL 296.67, 0.71%, 0.6%

LAB 58.11, 70.7, -47.98

 

CMYK 4 / 73 / 0 / 5

HEX #E741F1

RGB 231 65 241

HSL 296.59, 0.86%, 0.6%

LAB 59.09, 81.92, -55.26

 

CMYK 3 / 53 / 0 / 18

HEX #CA62D0

RGB 202 98 208

HSL 296.73, 0.54%, 0.6%

LAB 57.89, 56.54, -38.86

 

CMYK 3 / 41 / 0 / 25

HEX #BB72C0

RGB 187 114 192

HSL 296.15, 0.38%, 0.6%

LAB 58.42, 41.07, -29.08

 

CMYK 1 / 25 / 0 / 31

HEX #AD83AF

RGB 173 131 175

HSL 297.27, 0.22%, 0.6%

LAB 60.08, 23.8, -16.98

 

CMYK 1 / 8 / 0 / 38

HEX #9E939F

RGB 158 147 159

HSL 295, 0.06%, 0.6%

LAB 62.2, 6.32, -4.85

 

CMYK 13 / 0 / 13 / 36

HEX #8FA48E

RGB 143 164 142

HSL 117.27, 0.11%, 0.6%

LAB 65.23, -11.67, 8.96

 

CMYK 32 / 53 / 0 / 18

HEX #8E62D0

RGB 142 98 208

HSL 264, 0.54%, 0.6%

LAB 50.73, 40.66, -50.65

 

CMYK 18 / 53 / 0 / 18

HEX #AB62D0

RGB 171 98 208

HSL 279.82, 0.54%, 0.6%

LAB 53.97, 48.21, -45.3

 

CMYK 3 / 53 / 0 / 18

HEX #C962D0

RGB 201 98 208

HSL 296.18, 0.54%, 0.6%

LAB 57.76, 56.27, -39.08

 

CMYK 0 / 53 / 11 / 18

HEX #D062BA

RGB 208 98 186

HSL 312, 0.54%, 0.6%

LAB 57.74, 54.46, -26.48

 

CMYK 0 / 53 / 25 / 18

HEX #D0629D

RGB 208 98 157

HSL 327.82, 0.54%, 0.6%

LAB 56.66, 50.11, -11.36

 

CMYK 4 / 70 / 0 / 33

HEX #A533AC

RGB 165 51 172

HSL 296.53, 0.54%, 0.44%

LAB 43.28, 61.16, -41.43

 

CMYK 4 / 67 / 0 / 22

HEX #BF42C7

RGB 191 66 199

HSL 296.39, 0.54%, 0.52%

LAB 50.8, 66.11, -45.01

 

CMYK 3 / 53 / 0 / 18

HEX #CA62D0

RGB 202 98 208

HSL 296.73, 0.54%, 0.6%

LAB 57.89, 56.54, -38.86

 

CMYK 2 / 40 / 0 / 15

HEX #D582DA

RGB 213 130 218

HSL 296.59, 0.54%, 0.68%

LAB 65.88, 45.44, -31.92

 

CMYK 2 / 29 / 0 / 11

HEX #DFA1E3

RGB 223 161 227

HSL 296.36, 0.54%, 0.76%

LAB 74.01, 33.76, -24.28

 

CMYK 3 / 52 / 0 / 18

HEX #CA63D0

RGB 202 99 208

HSL 296.7, 0.54%, 0.6%

LAB 58.07, 56.07, -38.58

 

CMYK 0 / 46 / 53 / 18

HEX #D07162

RGB 208 113 98

HSL 8.18, 0.54%, 0.6%

LAB 58.13, 35.82, 25

 

CMYK 53 / 0 / 25 / 18

HEX #62D09D

RGB 98 208 157

HSL 152.18, 0.54%, 0.6%

LAB 76.16, -43.41, 15.89

 

CMYK 3 / 52 / 0 / 18

HEX #CA63D0

RGB 202 99 208

HSL 296.7, 0.54%, 0.6%

LAB 58.07, 56.07, -38.58

 

CMYK 0 / 3 / 53 / 18

HEX #D0C962

RGB 208 201 98

HSL 56.18, 0.54%, 0.6%

LAB 79.65, -11.09, 51.63

 

CMYK 53 / 0 / 3 / 18

HEX #62D0C9

RGB 98 208 201

HSL 176.18, 0.54%, 0.6%

LAB 77.24, -33.1, -6.14

 

CMYK 3 / 52 / 0 / 18

HEX #CA63D0

RGB 202 99 208

HSL 296.7, 0.54%, 0.6%

LAB 58.07, 56.07, -38.58

 

CMYK 0 / 46 / 53 / 18

HEX #D07162

RGB 208 113 98

HSL 8.18, 0.54%, 0.6%

LAB 58.13, 35.82, 25

 

CMYK 50 / 0 / 53 / 18

HEX #69D062

RGB 105 208 98

HSL 116.18, 0.54%, 0.6%

LAB 75.45, -51.54, 45.13

 

CMYK 53 / 7 / 0 / 18

HEX #62C1D0

RGB 98 193 208

HSL 188.18, 0.54%, 0.6%

LAB 73.08, -23.92, -16.14

 

CMYK 3 / 52 / 0 / 18

HEX #CA63D0

RGB 202 99 208

HSL 296.7, 0.54%, 0.6%

LAB 58.07, 56.07, -38.58

 

CMYK 0 / 30 / 53 / 18

HEX #D09262

RGB 208 146 98

HSL 26.18, 0.54%, 0.6%

LAB 65.63, 18.08, 34.65

 

CMYK 50 / 0 / 53 / 18

HEX #69D062

RGB 105 208 98

HSL 116.18, 0.54%, 0.6%

LAB 75.45, -51.54, 45.13

 

CMYK 53 / 23 / 0 / 18

HEX #62A0D0

RGB 98 160 208

HSL 206.18, 0.54%, 0.6%

LAB 63.58, -6.45, -30.65

 

Description

Color code: HEX #CA63D0 | qconv.com Color code: HEX #CA63D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 99 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 99 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 52 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 52% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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