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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA6152 it is the complementary color #359EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA6152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA6152 shade: #CF614D, #E07360, #F18573, #FF9786 and #FFA999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA6152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA6152 shade: #CA6152, #B94F3F, #A83D2C, #972B19 and #861906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA6152 shade: #CA6253 and #CA5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA6152 shade: #CA6253, #CA8253, #CAA253, #CAC253 and #B2CA53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA6152 shade matches the following richer shades: #CA6253, #DC5541 and #EF472F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA6152 shade: #CA6253, #B87065, #A67D78, #948B8A and #82999C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA6152 shade: #CA5385, #CA5365, #CA6153, #CA8153 and #CAA153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA6152 shade: #9B3D30, #BB4A39, #CA6253, #D47F73 and #DE9C92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA6152 shade: #CA6152, #A5CA53 and #5375CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA6152 shade: #CA6152, #53CA61 and #6153CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA6152 shade: #CA6152, #A5CA53, #53BCCA and #7953CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA6152 shade: #CA6152, #81CA53, #53BCCA and #9D53CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 59 / 21

HEX #CA6152

RGB 202 97 82

HSL 7.5, 0.53%, 0.56%

LAB 53.72, 40.48, 28.25

 

Complementary color

CMYK 69 / 9 / 0 / 32

HEX #359EAD

RGB 53 158 173

HSL 187.5, 0.53%, 0.44%

LAB 60.09, -24.58, -16.51

 

CMYK 0 / 53 / 63 / 19

HEX #CF614D

RGB 207 97 77

HSL 9.23, 0.58%, 0.56%

LAB 54.4, 42.02, 32.1

 

CMYK 0 / 49 / 57 / 12

HEX #E07360

RGB 224 115 96

HSL 8.91, 0.67%, 0.63%

LAB 60.74, 40.71, 29.94

 

CMYK 0 / 45 / 52 / 5

HEX #F18573

RGB 241 133 115

HSL 8.57, 0.82%, 0.7%

LAB 67.06, 39.48, 28.04

 

CMYK 0 / 41 / 47 / 0

HEX #FF9786

RGB 255 151 134

HSL 8.43, 1%, 0.76%

LAB 72.97, 37.2, 25.79

 

CMYK 0 / 34 / 40 / 0

HEX #FFA999

RGB 255 169 153

HSL 9.41, 1%, 0.8%

LAB 77.24, 29.8, 21.28

 

CMYK 0 / 52 / 59 / 21

HEX #CA6152

RGB 202 97 82

HSL 7.5, 0.53%, 0.56%

LAB 53.72, 40.48, 28.25

 

CMYK 0 / 57 / 66 / 27

HEX #B94F3F

RGB 185 79 63

HSL 7.87, 0.49%, 0.49%

LAB 47.32, 41.78, 30.64

 

CMYK 0 / 64 / 74 / 34

HEX #A83D2C

RGB 168 61 44

HSL 8.23, 0.58%, 0.42%

LAB 40.97, 43.02, 33.4

 

CMYK 0 / 72 / 83 / 41

HEX #972B19

RGB 151 43 25

HSL 8.57, 0.72%, 0.35%

LAB 34.76, 44.03, 36.48

 

CMYK 0 / 81 / 96 / 47

HEX #861906

RGB 134 25 6

HSL 8.91, 0.91%, 0.27%

LAB 28.84, 44.41, 39.01

 

CMYK 0 / 51 / 59 / 21

HEX #CA6253

RGB 202 98 83

HSL 7.56, 0.53%, 0.56%

LAB 53.94, 40.05, 27.95

 

CMYK 0 / 59 / 59 / 21

HEX #CA5353

RGB 202 83 83

HSL 0, 0.53%, 0.56%

LAB 51.11, 47.37, 24.31

 

CMYK 0 / 51 / 59 / 21

HEX #CA6253

RGB 202 98 83

HSL 7.56, 0.53%, 0.56%

LAB 53.94, 40.05, 27.95

 

CMYK 0 / 36 / 59 / 21

HEX #CA8253

RGB 202 130 83

HSL 23.7, 0.53%, 0.56%

LAB 60.91, 23.08, 36.65

 

CMYK 0 / 20 / 59 / 21

HEX #CAA253

RGB 202 162 83

HSL 39.83, 0.53%, 0.56%

LAB 68.77, 5.66, 46.01

 

CMYK 0 / 4 / 59 / 21

HEX #CAC253

RGB 202 194 83

HSL 55.97, 0.53%, 0.56%

LAB 77.14, -11.16, 55.5

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA53

RGB 178 202 83

HSL 72.1, 0.53%, 0.56%

LAB 77.48, -25, 55.36

 

CMYK 0 / 51 / 59 / 21

HEX #CA6253

RGB 202 98 83

HSL 7.56, 0.53%, 0.56%

LAB 53.94, 40.05, 27.95

 

CMYK 0 / 61 / 70 / 14

HEX #DC5541

RGB 220 85 65

HSL 7.74, 0.69%, 0.56%

LAB 54.13, 51.68, 38.97

 

CMYK 0 / 70 / 80 / 6

HEX #EF472F

RGB 239 71 47

HSL 7.5, 0.86%, 0.56%

LAB 55.14, 62.89, 50.47

 

CMYK 0 / 51 / 59 / 21

HEX #CA6253

RGB 202 98 83

HSL 7.56, 0.53%, 0.56%

LAB 53.94, 40.05, 27.95

 

CMYK 0 / 39 / 45 / 28

HEX #B87065

RGB 184 112 101

HSL 7.95, 0.37%, 0.56%

LAB 54.78, 27.25, 18.23

 

CMYK 0 / 25 / 28 / 35

HEX #A67D78

RGB 166 125 120

HSL 6.52, 0.21%, 0.56%

LAB 56.22, 15.15, 8.9

 

CMYK 0 / 6 / 7 / 42

HEX #948B8A

RGB 148 139 138

HSL 6, 0.04%, 0.56%

LAB 58.6, 3.17, 1.73

 

CMYK 17 / 2 / 0 / 39

HEX #82999C

RGB 130 153 156

HSL 186.92, 0.12%, 0.56%

LAB 61.59, -7.41, -4.29

 

CMYK 0 / 59 / 34 / 21

HEX #CA5385

RGB 202 83 133

HSL 334.79, 0.53%, 0.56%

LAB 52.33, 52.17, -3.78

 

CMYK 0 / 59 / 50 / 21

HEX #CA5365

RGB 202 83 101

HSL 350.92, 0.53%, 0.56%

LAB 51.48, 48.82, 14.11

 

CMYK 0 / 52 / 59 / 21

HEX #CA6153

RGB 202 97 83

HSL 7.06, 0.53%, 0.56%

LAB 53.74, 40.56, 27.7

 

CMYK 0 / 36 / 59 / 21

HEX #CA8153

RGB 202 129 83

HSL 23.19, 0.53%, 0.56%

LAB 60.68, 23.63, 36.37

 

CMYK 0 / 20 / 59 / 21

HEX #CAA153

RGB 202 161 83

HSL 39.33, 0.53%, 0.56%

LAB 68.51, 6.2, 45.71

 

CMYK 0 / 61 / 69 / 39

HEX #9B3D30

RGB 155 61 48

HSL 7.29, 0.53%, 0.4%

LAB 38.76, 38.43, 27.94

 

CMYK 0 / 60 / 70 / 27

HEX #BB4A39

RGB 187 74 57

HSL 7.85, 0.53%, 0.48%

LAB 46.66, 44.56, 33.37

 

CMYK 0 / 51 / 59 / 21

HEX #CA6253

RGB 202 98 83

HSL 7.56, 0.53%, 0.56%

LAB 53.94, 40.05, 27.95

 

CMYK 0 / 40 / 46 / 17

HEX #D47F73

RGB 212 127 115

HSL 7.42, 0.53%, 0.64%

LAB 62.01, 31.56, 20.63

 

CMYK 0 / 30 / 34 / 13

HEX #DE9C92

RGB 222 156 146

HSL 7.89, 0.54%, 0.72%

LAB 70.44, 23.35, 15.11

 

CMYK 0 / 52 / 59 / 21

HEX #CA6152

RGB 202 97 82

HSL 7.5, 0.53%, 0.56%

LAB 53.72, 40.48, 28.25

 

CMYK 18 / 0 / 59 / 21

HEX #A5CA53

RGB 165 202 83

HSL 78.66, 0.53%, 0.56%

LAB 76.6, -30.14, 54.14

 

CMYK 59 / 42 / 0 / 21

HEX #5375CA

RGB 83 117 202

HSL 222.86, 0.53%, 0.56%

LAB 50.48, 13.72, -47.9

 

CMYK 0 / 52 / 59 / 21

HEX #CA6152

RGB 202 97 82

HSL 7.5, 0.53%, 0.56%

LAB 53.72, 40.48, 28.25

 

CMYK 59 / 0 / 52 / 21

HEX #53CA61

RGB 83 202 97

HSL 127.06, 0.53%, 0.56%

LAB 72.85, -54.94, 42.29

 

CMYK 52 / 59 / 0 / 21

HEX #6153CA

RGB 97 83 202

HSL 247.06, 0.53%, 0.56%

LAB 42.75, 37.48, -60.27

 

CMYK 0 / 52 / 59 / 21

HEX #CA6152

RGB 202 97 82

HSL 7.5, 0.53%, 0.56%

LAB 53.72, 40.48, 28.25

 

CMYK 18 / 0 / 59 / 21

HEX #A5CA53

RGB 165 202 83

HSL 78.66, 0.53%, 0.56%

LAB 76.6, -30.14, 54.14

 

CMYK 59 / 7 / 0 / 21

HEX #53BCCA

RGB 83 188 202

HSL 187.06, 0.53%, 0.56%

LAB 70.92, -26.05, -16.18

 

CMYK 40 / 59 / 0 / 21

HEX #7953CA

RGB 121 83 202

HSL 259.16, 0.53%, 0.56%

LAB 44.96, 42.53, -56.59

 

CMYK 0 / 52 / 59 / 21

HEX #CA6152

RGB 202 97 82

HSL 7.5, 0.53%, 0.56%

LAB 53.72, 40.48, 28.25

 

CMYK 36 / 0 / 59 / 21

HEX #81CA53

RGB 129 202 83

HSL 96.81, 0.53%, 0.56%

LAB 74.53, -43.34, 51.24

 

CMYK 59 / 7 / 0 / 21

HEX #53BCCA

RGB 83 188 202

HSL 187.06, 0.53%, 0.56%

LAB 70.92, -26.05, -16.18

 

CMYK 22 / 59 / 0 / 21

HEX #9D53CA

RGB 157 83 202

HSL 277.31, 0.53%, 0.56%

LAB 49.03, 51.03, -49.84

 

Description

Color code: HEX #CA6152 | qconv.com Color code: HEX #CA6152 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 97 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 97 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 59 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 59% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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