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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA5E3F it is the complementary color #35A1C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA5E3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA5E3F shade: #CF5E3A, #E0704D, #F18260, #FF9473 and #FFA686

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA5E3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA5E3F shade: #CA5E3F, #B94C2C, #A83A19, #972806 and #861600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA5E3F shade: #CA5E3F and #CA3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA5E3F shade: #CA5E3F, #CA843F, #CAA93F, #C6CA3F and #A0CA3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA5E3F shade matches the following richer shades: #CA5E3F, #DE532B and #F24817

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA5E3F shade: #CA5E3F, #B76953, #A37466, #8F7F7A and #7B8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA5E3F shade: #CA3F6B, #CA3F46, #CA5D3F, #CA823F and #CAA73F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA5E3F shade: #8F3E27, #B04D30, #CA5E3F, #D3795F and #DC9480

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA5E3F shade: #CA5E3F, #90CA3F and #3F58CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA5E3F shade: #CA5E3F, #3FCA5D and #5D3FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA5E3F shade: #CA5E3F, #90CA3F, #3FACCA and #793FCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA5E3F shade: #CA5E3F, #66CA3F, #3FACCA and #A33FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

Complementary color

CMYK 72 / 16 / 0 / 25

HEX #35A1C0

RGB 53 161 192

HSL 193.38, 0.57%, 0.48%

LAB 61.7, -20.08, -24.75

 

CMYK 0 / 55 / 72 / 19

HEX #CF5E3A

RGB 207 94 58

HSL 14.5, 0.61%, 0.52%

LAB 53.57, 42.42, 41.55

 

CMYK 0 / 50 / 66 / 12

HEX #E0704D

RGB 224 112 77

HSL 14.29, 0.7%, 0.59%

LAB 59.86, 40.94, 39.31

 

CMYK 0 / 46 / 60 / 5

HEX #F18260

RGB 241 130 96

HSL 14.07, 0.84%, 0.66%

LAB 66.14, 39.54, 37.25

 

CMYK 0 / 42 / 55 / 0

HEX #FF9473

RGB 255 148 115

HSL 14.14, 1%, 0.73%

LAB 72.01, 37.1, 34.82

 

CMYK 0 / 35 / 47 / 0

HEX #FFA686

RGB 255 166 134

HSL 15.87, 1%, 0.76%

LAB 76.22, 29.43, 30.13

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 0 / 59 / 76 / 27

HEX #B94C2C

RGB 185 76 44

HSL 13.62, 0.62%, 0.45%

LAB 46.53, 42.25, 40.28

 

CMYK 0 / 65 / 85 / 34

HEX #A83A19

RGB 168 58 25

HSL 13.85, 0.74%, 0.38%

LAB 40.28, 43.67, 42.69

 

CMYK 0 / 74 / 96 / 41

HEX #972806

RGB 151 40 6

HSL 14.07, 0.92%, 0.31%

LAB 34.21, 44.8, 44.36

 

CMYK 0 / 84 / 100 / 47

HEX #861600

RGB 134 22 0

HSL 9.85, 1%, 0.26%

LAB 28.49, 45.2, 41.17

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 0 / 69 / 69 / 21

HEX #CA3F3F

RGB 202 63 63

HSL 0, 0.57%, 0.52%

LAB 47.59, 54.74, 31.64

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 0 / 35 / 69 / 21

HEX #CA843F

RGB 202 132 63

HSL 29.78, 0.57%, 0.52%

LAB 61.15, 20.67, 47.15

 

CMYK 0 / 16 / 69 / 21

HEX #CAA93F

RGB 202 169 63

HSL 45.76, 0.57%, 0.52%

LAB 70.38, 0.62, 56.94

 

CMYK 2 / 0 / 69 / 21

HEX #C6CA3F

RGB 198 202 63

HSL 61.73, 0.57%, 0.52%

LAB 78.81, -18.1, 65.36

 

CMYK 21 / 0 / 69 / 21

HEX #A0CA3F

RGB 160 202 63

HSL 78.13, 0.57%, 0.52%

LAB 76.11, -33.56, 61.76

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 0 / 63 / 81 / 13

HEX #DE532B

RGB 222 83 43

HSL 13.41, 0.73%, 0.52%

LAB 53.91, 52.39, 50.19

 

CMYK 0 / 70 / 90 / 5

HEX #F24817

RGB 242 72 23

HSL 13.42, 0.89%, 0.52%

LAB 55.66, 62.96, 61.19

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 0 / 43 / 55 / 28

HEX #B76953

RGB 183 105 83

HSL 13.2, 0.41%, 0.52%

LAB 52.72, 28.94, 25.85

 

CMYK 0 / 29 / 37 / 36

HEX #A37466

RGB 163 116 102

HSL 13.77, 0.25%, 0.52%

LAB 53.21, 16.61, 15.08

 

CMYK 0 / 11 / 15 / 44

HEX #8F7F7A

RGB 143 127 122

HSL 14.29, 0.09%, 0.52%

LAB 54.47, 5.22, 4.94

 

CMYK 13 / 3 / 0 / 44

HEX #7B8A8E

RGB 123 138 142

HSL 192.63, 0.08%, 0.52%

LAB 56.43, -4.55, -3.99

 

CMYK 0 / 69 / 47 / 21

HEX #CA3F6B

RGB 202 63 107

HSL 341.01, 0.57%, 0.52%

LAB 48.48, 57.87, 6.28

 

CMYK 0 / 69 / 65 / 21

HEX #CA3F46

RGB 202 63 70

HSL 356.98, 0.57%, 0.52%

LAB 47.69, 55.12, 27.64

 

CMYK 0 / 54 / 69 / 21

HEX #CA5D3F

RGB 202 93 63

HSL 12.95, 0.57%, 0.52%

LAB 52.67, 41.27, 37.63

 

CMYK 0 / 36 / 69 / 21

HEX #CA823F

RGB 202 130 63

HSL 28.92, 0.57%, 0.52%

LAB 60.68, 21.76, 46.64

 

CMYK 0 / 17 / 69 / 21

HEX #CAA73F

RGB 202 167 63

HSL 44.89, 0.57%, 0.52%

LAB 69.86, 1.68, 56.41

 

CMYK 0 / 57 / 73 / 44

HEX #8F3E27

RGB 143 62 39

HSL 13.27, 0.57%, 0.36%

LAB 36.8, 32.74, 30.41

 

CMYK 0 / 56 / 73 / 31

HEX #B04D30

RGB 176 77 48

HSL 13.59, 0.57%, 0.44%

LAB 45.29, 38.52, 36.36

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 0 / 43 / 55 / 17

HEX #D3795F

RGB 211 121 95

HSL 13.45, 0.57%, 0.6%

LAB 60.2, 32.52, 29.46

 

CMYK 0 / 33 / 42 / 14

HEX #DC9480

RGB 220 148 128

HSL 13.04, 0.57%, 0.68%

LAB 67.99, 24.78, 21.64

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 29 / 0 / 69 / 21

HEX #90CA3F

RGB 144 202 63

HSL 85.04, 0.57%, 0.52%

LAB 75.16, -39.66, 60.48

 

CMYK 69 / 56 / 0 / 21

HEX #3F58CA

RGB 63 88 202

HSL 229.21, 0.57%, 0.52%

LAB 41.69, 28.56, -62.1

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 69 / 0 / 54 / 21

HEX #3FCA5D

RGB 63 202 93

HSL 132.95, 0.57%, 0.52%

LAB 72.29, -59.57, 43.4

 

CMYK 54 / 69 / 0 / 21

HEX #5D3FCA

RGB 93 63 202

HSL 252.95, 0.57%, 0.52%

LAB 38.1, 48.24, -67.85

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 29 / 0 / 69 / 21

HEX #90CA3F

RGB 144 202 63

HSL 85.04, 0.57%, 0.52%

LAB 75.16, -39.66, 60.48

 

CMYK 69 / 15 / 0 / 21

HEX #3FACCA

RGB 63 172 202

HSL 192.95, 0.57%, 0.52%

LAB 65.61, -21.23, -24.3

 

CMYK 40 / 69 / 0 / 21

HEX #793FCA

RGB 121 63 202

HSL 265.04, 0.57%, 0.52%

LAB 41.03, 53.16, -62.95

 

CMYK 0 / 53 / 69 / 21

HEX #CA5E3F

RGB 202 94 63

HSL 13.38, 0.57%, 0.52%

LAB 52.86, 40.78, 37.86

 

CMYK 50 / 0 / 69 / 21

HEX #66CA3F

RGB 102 202 63

HSL 103.17, 0.57%, 0.52%

LAB 73.17, -53.67, 57.8

 

CMYK 69 / 15 / 0 / 21

HEX #3FACCA

RGB 63 172 202

HSL 192.95, 0.57%, 0.52%

LAB 65.61, -21.23, -24.3

 

CMYK 19 / 69 / 0 / 21

HEX #A33FCA

RGB 163 63 202

HSL 283.17, 0.57%, 0.52%

LAB 46.45, 61.68, -53.92

 

Description

Color code: HEX #CA5E3F | qconv.com Color code: HEX #CA5E3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 94 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 94 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 69 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 69% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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