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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA5265 it is the complementary color #35AD9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA5265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA5265 shade: #CF5260, #E06473, #F17686, #FF8899 and #FF9AAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA5265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA5265 shade: #CA5265, #B94052, #A82E3F, #971C2C and #860A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA5265 shade: #CA5366 and #CA5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA5265 shade: #CA5366, #CA5386, #CA53A6, #CA53C6 and #AE53CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA5265 shade matches the following richer shades: #CA5366, #DC415A and #EF2F4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA5265 shade: #CA5366, #B86573, #A6787F, #948A8B and #829C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA5265 shade: #CA53A7, #CA5387, #CA5367, #CA5F53 and #CA7F53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA5265 shade: #9B3041, #BB394E, #CA5366, #D47382 and #DE929E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA5265 shade: #CA5265, #C6CA53 and #5397CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA5265 shade: #CA5265, #67CA53 and #5367CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA5265 shade: #CA5265, #C6CA53, #53CAB6 and #5753CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA5265 shade: #CA5265, #A3CA53, #53CAB6 and #7B53CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 50 / 21

HEX #CA5265

RGB 202 82 101

HSL 350.5, 0.53%, 0.56%

LAB 51.3, 49.29, 13.87

 

Complementary color

CMYK 69 / 0 / 11 / 32

HEX #35AD9A

RGB 53 173 154

HSL 170.5, 0.53%, 0.44%

LAB 64.14, -37.31, 0.18

 

CMYK 0 / 60 / 54 / 19

HEX #CF5260

RGB 207 82 96

HSL 353.28, 0.57%, 0.57%

LAB 52, 50.55, 17.94

 

CMYK 0 / 55 / 49 / 12

HEX #E06473

RGB 224 100 115

HSL 352.74, 0.67%, 0.64%

LAB 58.23, 49.67, 15.72

 

CMYK 0 / 51 / 44 / 5

HEX #F17686

RGB 241 118 134

HSL 352.2, 0.81%, 0.7%

LAB 64.47, 48.71, 13.84

 

CMYK 0 / 47 / 40 / 0

HEX #FF8899

RGB 255 136 153

HSL 351.43, 1%, 0.77%

LAB 70.29, 46.7, 11.59

 

CMYK 0 / 40 / 33 / 0

HEX #FF9AAC

RGB 255 154 172

HSL 349.31, 1%, 0.8%

LAB 74.41, 39.78, 6.92

 

CMYK 0 / 59 / 50 / 21

HEX #CA5265

RGB 202 82 101

HSL 350.5, 0.53%, 0.56%

LAB 51.3, 49.29, 13.87

 

CMYK 0 / 65 / 56 / 27

HEX #B94052

RGB 185 64 82

HSL 351.07, 0.49%, 0.49%

LAB 45.07, 49.99, 16.37

 

CMYK 0 / 73 / 63 / 34

HEX #A82E3F

RGB 168 46 63

HSL 351.64, 0.57%, 0.42%

LAB 38.96, 50.34, 19.49

 

CMYK 0 / 81 / 71 / 41

HEX #971C2C

RGB 151 28 44

HSL 352.2, 0.69%, 0.35%

LAB 33.12, 50.01, 23.42

 

CMYK 0 / 93 / 81 / 47

HEX #860A19

RGB 134 10 25

HSL 352.74, 0.86%, 0.28%

LAB 27.72, 48.48, 28.31

 

CMYK 0 / 59 / 50 / 21

HEX #CA5366

RGB 202 83 102

HSL 350.42, 0.53%, 0.56%

LAB 51.5, 48.91, 13.54

 

CMYK 0 / 59 / 59 / 21

HEX #CA5353

RGB 202 83 83

HSL 0, 0.53%, 0.56%

LAB 51.11, 47.37, 24.31

 

CMYK 0 / 59 / 50 / 21

HEX #CA5366

RGB 202 83 102

HSL 350.42, 0.53%, 0.56%

LAB 51.5, 48.91, 13.54

 

CMYK 0 / 59 / 34 / 21

HEX #CA5386

RGB 202 83 134

HSL 334.29, 0.53%, 0.56%

LAB 52.36, 52.29, -4.33

 

CMYK 0 / 59 / 18 / 21

HEX #CA53A6

RGB 202 83 166

HSL 318.15, 0.53%, 0.56%

LAB 53.49, 56.57, -21.52

 

CMYK 0 / 59 / 2 / 21

HEX #CA53C6

RGB 202 83 198

HSL 302.02, 0.53%, 0.56%

LAB 54.89, 61.64, -37.88

 

CMYK 14 / 59 / 0 / 21

HEX #AE53CA

RGB 174 83 202

HSL 285.88, 0.53%, 0.56%

LAB 51.21, 55.25, -46.24

 

CMYK 0 / 59 / 50 / 21

HEX #CA5366

RGB 202 83 102

HSL 350.42, 0.53%, 0.56%

LAB 51.5, 48.91, 13.54

 

CMYK 0 / 70 / 59 / 14

HEX #DC415A

RGB 220 65 90

HSL 350.32, 0.69%, 0.56%

LAB 51.54, 61.21, 21.28

 

CMYK 0 / 80 / 68 / 6

HEX #EF2F4D

RGB 239 47 77

HSL 350.63, 0.86%, 0.56%

LAB 52.86, 71.37, 31.42

 

CMYK 0 / 59 / 50 / 21

HEX #CA5366

RGB 202 83 102

HSL 350.42, 0.53%, 0.56%

LAB 51.5, 48.91, 13.54

 

CMYK 0 / 45 / 38 / 28

HEX #B86573

RGB 184 101 115

HSL 349.88, 0.37%, 0.56%

LAB 52.66, 34.82, 7.06

 

CMYK 0 / 28 / 23 / 35

HEX #A6787F

RGB 166 120 127

HSL 350.87, 0.21%, 0.56%

LAB 55.15, 19.04, 3.3

 

CMYK 0 / 7 / 6 / 42

HEX #948A8B

RGB 148 138 139

HSL 354, 0.04%, 0.56%

LAB 58.36, 3.92, 0.8

 

CMYK 17 / 0 / 3 / 39

HEX #829C98

RGB 130 156 152

HSL 170.77, 0.12%, 0.56%

LAB 62.33, -9.91, -0.95

 

CMYK 0 / 59 / 17 / 21

HEX #CA53A7

RGB 202 83 167

HSL 317.65, 0.53%, 0.56%

LAB 53.53, 56.72, -22.04

 

CMYK 0 / 59 / 33 / 21

HEX #CA5387

RGB 202 83 135

HSL 333.78, 0.53%, 0.56%

LAB 52.39, 52.41, -4.88

 

CMYK 0 / 59 / 49 / 21

HEX #CA5367

RGB 202 83 103

HSL 349.92, 0.53%, 0.56%

LAB 51.52, 49.01, 12.98

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 37 / 59 / 21

HEX #CA7F53

RGB 202 127 83

HSL 22.18, 0.53%, 0.56%

LAB 60.21, 24.71, 35.8

 

CMYK 0 / 69 / 58 / 39

HEX #9B3041

RGB 155 48 65

HSL 350.47, 0.53%, 0.4%

LAB 36.86, 45.48, 15

 

CMYK 0 / 70 / 58 / 27

HEX #BB394E

RGB 187 57 78

HSL 350.31, 0.53%, 0.48%

LAB 44.29, 53.19, 17.85

 

CMYK 0 / 59 / 50 / 21

HEX #CA5366

RGB 202 83 102

HSL 350.42, 0.53%, 0.56%

LAB 51.5, 48.91, 13.54

 

CMYK 0 / 46 / 39 / 17

HEX #D47382

RGB 212 115 130

HSL 350.72, 0.53%, 0.64%

LAB 59.77, 39.5, 8.94

 

CMYK 0 / 34 / 29 / 13

HEX #DE929E

RGB 222 146 158

HSL 350.53, 0.54%, 0.72%

LAB 68.43, 30.28, 5.58

 

CMYK 0 / 59 / 50 / 21

HEX #CA5265

RGB 202 82 101

HSL 350.5, 0.53%, 0.56%

LAB 51.3, 49.29, 13.87

 

CMYK 2 / 0 / 59 / 21

HEX #C6CA53

RGB 198 202 83

HSL 62.02, 0.53%, 0.56%

LAB 78.97, -16.86, 57.43

 

CMYK 59 / 25 / 0 / 21

HEX #5397CA

RGB 83 151 202

HSL 205.71, 0.53%, 0.56%

LAB 60.1, -6.41, -32.75

 

CMYK 0 / 59 / 50 / 21

HEX #CA5265

RGB 202 82 101

HSL 350.5, 0.53%, 0.56%

LAB 51.3, 49.29, 13.87

 

CMYK 49 / 0 / 59 / 21

HEX #67CA53

RGB 103 202 83

HSL 109.92, 0.53%, 0.56%

LAB 73.38, -51.49, 49.63

 

CMYK 59 / 49 / 0 / 21

HEX #5367CA

RGB 83 103 202

HSL 229.92, 0.53%, 0.56%

LAB 46.72, 22.43, -53.92

 

CMYK 0 / 59 / 50 / 21

HEX #CA5265

RGB 202 82 101

HSL 350.5, 0.53%, 0.56%

LAB 51.3, 49.29, 13.87

 

CMYK 2 / 0 / 59 / 21

HEX #C6CA53

RGB 198 202 83

HSL 62.02, 0.53%, 0.56%

LAB 78.97, -16.86, 57.43

 

CMYK 59 / 0 / 10 / 21

HEX #53CAB6

RGB 83 202 182

HSL 169.92, 0.53%, 0.56%

LAB 74.48, -38.12, 0

 

CMYK 57 / 59 / 0 / 21

HEX #5753CA

RGB 87 83 202

HSL 242.02, 0.53%, 0.56%

LAB 41.96, 35.6, -61.58

 

CMYK 0 / 59 / 50 / 21

HEX #CA5265

RGB 202 82 101

HSL 350.5, 0.53%, 0.56%

LAB 51.3, 49.29, 13.87

 

CMYK 19 / 0 / 59 / 21

HEX #A3CA53

RGB 163 202 83

HSL 79.66, 0.53%, 0.56%

LAB 76.47, -30.92, 53.96

 

CMYK 59 / 0 / 10 / 21

HEX #53CAB6

RGB 83 202 182

HSL 169.92, 0.53%, 0.56%

LAB 74.48, -38.12, 0

 

CMYK 39 / 59 / 0 / 21

HEX #7B53CA

RGB 123 83 202

HSL 260.17, 0.53%, 0.56%

LAB 45.17, 42.98, -56.25

 

Description

Color code: HEX #CA5265 | qconv.com Color code: HEX #CA5265 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 82 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 82 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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