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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA4FA1 it is the complementary color #35B05E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA4FA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA4FA1 shade: #CF4F9C, #E061AF, #F173C2, #FF85D5 and #FF97E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA4FA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA4FA1 shade: #CA4FA1, #B93D8E, #A82B7B, #971968 and #860755

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA4FA1 shade: #CA4EA1, #CA4E7F, #CA4E5E and #CA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA4FA1 shade: #CA4EA1, #CA4EC2, #B14ECA, #8F4ECA and #6E4ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA4FA1 shade matches the following richer shades: #CA4EA1, #DD3CA7 and #EF29AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA4FA1 shade: #CA4EA1, #B8619B, #A57395, #93868E and #809988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA4FA1 shade: #B14ECA, #CA4EC2, #CA4EA1, #CA4E80 and #CA4E5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA4FA1 shade: #982E75, #B8378D, #CA4EA1, #D46EB2 and #DD8EC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA4FA1 shade: #CA4FA1, #CA904E and #4ECAC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA4FA1 shade: #CA4FA1, #A1CA4E and #4EA1CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA4FA1 shade: #CA4FA1, #CA904E, #4ECA78 and #4E88CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA4FA1 shade: #CA4FA1, #CAB64E, #4ECA78 and #4E63CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 20 / 21

HEX #CA4FA1

RGB 202 79 161

HSL 320, 0.54%, 0.55%

LAB 52.64, 57.61, -19.88

 

Complementary color

CMYK 70 / 0 / 47 / 31

HEX #35B05E

RGB 53 176 94

HSL 140, 0.54%, 0.45%

LAB 63.85, -51.75, 32.39

 

CMYK 0 / 62 / 25 / 19

HEX #CF4F9C

RGB 207 79 156

HSL 323.91, 0.57%, 0.56%

LAB 53.23, 58.36, -15.97

 

CMYK 0 / 57 / 22 / 12

HEX #E061AF

RGB 224 97 175

HSL 323.15, 0.67%, 0.63%

LAB 59.43, 57.98, -17.38

 

CMYK 0 / 52 / 20 / 5

HEX #F173C2

RGB 241 115 194

HSL 322.38, 0.82%, 0.7%

LAB 65.64, 57.43, -18.55

 

CMYK 0 / 48 / 16 / 0

HEX #FF85D5

RGB 255 133 213

HSL 320.66, 1%, 0.76%

LAB 71.45, 55.86, -20.16

 

CMYK 0 / 41 / 9 / 0

HEX #FF97E8

RGB 255 151 232

HSL 313.27, 1%, 0.8%

LAB 75.59, 49.93, -24.29

 

CMYK 0 / 61 / 20 / 21

HEX #CA4FA1

RGB 202 79 161

HSL 320, 0.54%, 0.55%

LAB 52.64, 57.61, -19.88

 

CMYK 0 / 67 / 23 / 27

HEX #B93D8E

RGB 185 61 142

HSL 320.81, 0.5%, 0.48%

LAB 46.45, 57.7, -18.29

 

CMYK 0 / 74 / 27 / 34

HEX #A82B7B

RGB 168 43 123

HSL 321.6, 0.59%, 0.41%

LAB 40.38, 57.25, -16.23

 

CMYK 0 / 83 / 31 / 41

HEX #971968

RGB 151 25 104

HSL 322.38, 0.72%, 0.35%

LAB 34.55, 55.93, -13.48

 

CMYK 0 / 95 / 37 / 47

HEX #860755

RGB 134 7 85

HSL 323.15, 0.9%, 0.28%

LAB 29.1, 53.25, -9.75

 

CMYK 0 / 61 / 20 / 21

HEX #CA4EA1

RGB 202 78 161

HSL 319.84, 0.54%, 0.55%

LAB 52.49, 58.04, -20.12

 

CMYK 0 / 61 / 37 / 21

HEX #CA4E7F

RGB 202 78 127

HSL 336.29, 0.54%, 0.55%

LAB 51.31, 53.72, -1.7

 

CMYK 0 / 61 / 53 / 21

HEX #CA4E5E

RGB 202 78 94

HSL 352.26, 0.54%, 0.55%

LAB 50.47, 50.5, 16.91

 

CMYK 0 / 61 / 61 / 21

HEX #CA4E4E

RGB 202 78 78

HSL 0, 0.54%, 0.55%

LAB 50.16, 49.31, 26.03

 

CMYK 0 / 61 / 20 / 21

HEX #CA4EA1

RGB 202 78 161

HSL 319.84, 0.54%, 0.55%

LAB 52.49, 58.04, -20.12

 

CMYK 0 / 61 / 4 / 21

HEX #CA4EC2

RGB 202 78 194

HSL 303.87, 0.54%, 0.55%

LAB 53.92, 63.1, -37.09

 

CMYK 12 / 61 / 0 / 21

HEX #B14ECA

RGB 177 78 202

HSL 287.9, 0.54%, 0.55%

LAB 50.76, 58.33, -46.93

 

CMYK 29 / 61 / 0 / 21

HEX #8F4ECA

RGB 143 78 202

HSL 271.45, 0.54%, 0.55%

LAB 46.38, 50.24, -54.18

 

CMYK 46 / 61 / 0 / 21

HEX #6E4ECA

RGB 110 78 202

HSL 255.48, 0.54%, 0.55%

LAB 42.81, 43.01, -60.13

 

CMYK 0 / 61 / 20 / 21

HEX #CA4EA1

RGB 202 78 161

HSL 319.84, 0.54%, 0.55%

LAB 52.49, 58.04, -20.12

 

CMYK 0 / 73 / 24 / 13

HEX #DD3CA7

RGB 221 60 167

HSL 320.12, 0.7%, 0.55%

LAB 53.38, 70.62, -22.01

 

CMYK 0 / 83 / 28 / 6

HEX #EF29AD

RGB 239 41 173

HSL 320, 0.86%, 0.55%

LAB 55.02, 80.45, -22.73

 

CMYK 0 / 61 / 20 / 21

HEX #CA4EA1

RGB 202 78 161

HSL 319.84, 0.54%, 0.55%

LAB 52.49, 58.04, -20.12

 

CMYK 0 / 47 / 16 / 28

HEX #B8619B

RGB 184 97 155

HSL 320, 0.38%, 0.55%

LAB 53.07, 42.58, -15.95

 

CMYK 0 / 30 / 10 / 35

HEX #A57395

RGB 165 115 149

HSL 319.2, 0.22%, 0.55%

LAB 54.48, 25.18, -10.53

 

CMYK 0 / 9 / 3 / 42

HEX #93868E

RGB 147 134 142

HSL 323.08, 0.06%, 0.55%

LAB 57.28, 6.38, -2.51

 

CMYK 16 / 0 / 11 / 40

HEX #809988

RGB 128 153 136

HSL 139.2, 0.11%, 0.55%

LAB 60.91, -12.29, 6.01

 

CMYK 12 / 61 / 0 / 21

HEX #B14ECA

RGB 177 78 202

HSL 287.9, 0.54%, 0.55%

LAB 50.76, 58.33, -46.93

 

CMYK 0 / 61 / 4 / 21

HEX #CA4EC2

RGB 202 78 194

HSL 303.87, 0.54%, 0.55%

LAB 53.92, 63.1, -37.09

 

CMYK 0 / 61 / 20 / 21

HEX #CA4EA1

RGB 202 78 161

HSL 319.84, 0.54%, 0.55%

LAB 52.49, 58.04, -20.12

 

CMYK 0 / 61 / 37 / 21

HEX #CA4E80

RGB 202 78 128

HSL 335.81, 0.54%, 0.55%

LAB 51.34, 53.83, -2.25

 

CMYK 0 / 61 / 53 / 21

HEX #CA4E5F

RGB 202 78 95

HSL 351.77, 0.54%, 0.55%

LAB 50.49, 50.58, 16.34

 

CMYK 0 / 70 / 23 / 40

HEX #982E75

RGB 152 46 117

HSL 319.81, 0.54%, 0.39%

LAB 37.69, 51.06, -16.88

 

CMYK 0 / 70 / 23 / 28

HEX #B8378D

RGB 184 55 141

HSL 320, 0.54%, 0.47%

LAB 45.42, 59.58, -19.28

 

CMYK 0 / 61 / 20 / 21

HEX #CA4EA1

RGB 202 78 161

HSL 319.84, 0.54%, 0.55%

LAB 52.49, 58.04, -20.12

 

CMYK 0 / 48 / 16 / 17

HEX #D46EB2

RGB 212 110 178

HSL 320, 0.54%, 0.63%

LAB 60.22, 48.55, -18.06

 

CMYK 0 / 36 / 12 / 13

HEX #DD8EC3

RGB 221 142 195

HSL 319.75, 0.54%, 0.71%

LAB 68.5, 37.61, -15.01

 

CMYK 0 / 61 / 20 / 21

HEX #CA4FA1

RGB 202 79 161

HSL 320, 0.54%, 0.55%

LAB 52.64, 57.61, -19.88

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 61 / 0 / 4 / 21

HEX #4ECAC2

RGB 78 202 194

HSL 176.13, 0.54%, 0.55%

LAB 74.67, -35.89, -6.23

 

CMYK 0 / 61 / 20 / 21

HEX #CA4FA1

RGB 202 79 161

HSL 320, 0.54%, 0.55%

LAB 52.64, 57.61, -19.88

 

CMYK 20 / 0 / 61 / 21

HEX #A1CA4E

RGB 161 202 78

HSL 79.84, 0.54%, 0.55%

LAB 76.29, -32.1, 55.91

 

CMYK 61 / 20 / 0 / 21

HEX #4EA1CA

RGB 78 161 202

HSL 199.84, 0.54%, 0.55%

LAB 62.82, -12.91, -28.55

 

CMYK 0 / 61 / 20 / 21

HEX #CA4FA1

RGB 202 79 161

HSL 320, 0.54%, 0.55%

LAB 52.64, 57.61, -19.88

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 61 / 0 / 41 / 21

HEX #4ECA78

RGB 78 202 120

HSL 140.32, 0.54%, 0.55%

LAB 73.03, -52.46, 30.97

 

CMYK 61 / 33 / 0 / 21

HEX #4E88CA

RGB 78 136 202

HSL 211.94, 0.54%, 0.55%

LAB 55.58, 1.28, -39.85

 

CMYK 0 / 61 / 20 / 21

HEX #CA4FA1

RGB 202 79 161

HSL 320, 0.54%, 0.55%

LAB 52.64, 57.61, -19.88

 

CMYK 0 / 10 / 61 / 21

HEX #CAB64E

RGB 202 182 78

HSL 50.32, 0.54%, 0.55%

LAB 73.91, -5.32, 54.17

 

CMYK 61 / 0 / 41 / 21

HEX #4ECA78

RGB 78 202 120

HSL 140.32, 0.54%, 0.55%

LAB 73.03, -52.46, 30.97

 

CMYK 61 / 51 / 0 / 21

HEX #4E63CA

RGB 78 99 202

HSL 229.84, 0.54%, 0.55%

LAB 45.37, 24.01, -56.1

 

Description

Color code: HEX #CA4FA1 | qconv.com Color code: HEX #CA4FA1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 79 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 79 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 20 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 20% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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