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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA4BA6 it is the complementary color #35B459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA4BA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA4BA6 shade: #CF4BA1, #E05DB4, #F16FC7, #FF81DA and #FF93ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA4BA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA4BA6 shade: #CA4BA6, #B93993, #A82780, #97156D and #86035A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA4BA6 shade: #CA49A6, #CA4983, #CA4960 and #CA4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA4BA6 shade: #CA49A6, #CA49C8, #A949CA, #8649CA and #6449CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA4BA6 shade matches the following richer shades: #CA49A6, #DD36AE and #F023B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA4BA6 shade: #CA49A6, #B75C9D, #A46F95, #91828D and #7E9585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA4BA6 shade: #AA49CA, #CA49C8, #CA49A6, #CA4983 and #CA4961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA4BA6 shade: #952B77, #B53591, #CA49A6, #D369B5 and #DD89C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA4BA6 shade: #CA4BA6, #CA8849 and #49CABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA4BA6 shade: #CA4BA6, #A6CA49 and #49A6CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA4BA6 shade: #CA4BA6, #CA8849, #49CA6E and #498CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA4BA6 shade: #CA4BA6, #CAAE49, #49CA6E and #4965CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 18 / 21

HEX #CA4BA6

RGB 202 75 166

HSL 317.01, 0.55%, 0.54%

LAB 52.22, 60.03, -23.46

 

Complementary color

CMYK 71 / 0 / 51 / 29

HEX #35B459

RGB 53 180 89

HSL 137.01, 0.55%, 0.46%

LAB 65.06, -54.03, 36.45

 

CMYK 0 / 64 / 22 / 19

HEX #CF4BA1

RGB 207 75 161

HSL 320.91, 0.58%, 0.55%

LAB 52.81, 60.71, -19.56

 

CMYK 0 / 58 / 20 / 12

HEX #E05DB4

RGB 224 93 180

HSL 320.15, 0.68%, 0.62%

LAB 58.95, 60.47, -20.99

 

CMYK 0 / 54 / 17 / 5

HEX #F16FC7

RGB 241 111 199

HSL 319.38, 0.82%, 0.69%

LAB 65.12, 60.01, -22.16

 

CMYK 0 / 49 / 15 / 0

HEX #FF81DA

RGB 255 129 218

HSL 317.62, 1%, 0.75%

LAB 70.89, 58.53, -23.78

 

CMYK 0 / 42 / 7 / 0

HEX #FF93ED

RGB 255 147 237

HSL 310, 1%, 0.79%

LAB 74.98, 52.76, -27.95

 

CMYK 0 / 63 / 18 / 21

HEX #CA4BA6

RGB 202 75 166

HSL 317.01, 0.55%, 0.54%

LAB 52.22, 60.03, -23.46

 

CMYK 0 / 69 / 21 / 27

HEX #B93993

RGB 185 57 147

HSL 317.81, 0.53%, 0.47%

LAB 46.11, 59.92, -21.83

 

CMYK 0 / 77 / 24 / 34

HEX #A82780

RGB 168 39 128

HSL 318.6, 0.62%, 0.41%

LAB 40.14, 59.19, -19.7

 

CMYK 0 / 86 / 28 / 41

HEX #97156D

RGB 151 21 109

HSL 319.38, 0.76%, 0.34%

LAB 34.44, 57.47, -16.84

 

CMYK 0 / 98 / 33 / 47

HEX #86035A

RGB 134 3 90

HSL 320.15, 0.96%, 0.27%

LAB 29.09, 54.45, -13.07

 

CMYK 0 / 64 / 18 / 21

HEX #CA49A6

RGB 202 73 166

HSL 316.74, 0.55%, 0.54%

LAB 51.92, 60.85, -23.93

 

CMYK 0 / 64 / 35 / 21

HEX #CA4983

RGB 202 73 131

HSL 333.02, 0.55%, 0.54%

LAB 50.64, 56.32, -5.08

 

CMYK 0 / 64 / 52 / 21

HEX #CA4960

RGB 202 73 96

HSL 349.3, 0.55%, 0.54%

LAB 49.7, 52.85, 14.66

 

CMYK 0 / 64 / 64 / 21

HEX #CA4949

RGB 202 73 73

HSL 0, 0.55%, 0.54%

LAB 49.26, 51.19, 27.82

 

CMYK 0 / 64 / 18 / 21

HEX #CA49A6

RGB 202 73 166

HSL 316.74, 0.55%, 0.54%

LAB 51.92, 60.85, -23.93

 

CMYK 0 / 64 / 1 / 21

HEX #CA49C8

RGB 202 73 200

HSL 300.93, 0.55%, 0.54%

LAB 53.48, 66.13, -41.23

 

CMYK 16 / 64 / 0 / 21

HEX #A949CA

RGB 169 73 202

HSL 284.65, 0.55%, 0.54%

LAB 48.84, 58.69, -50.05

 

CMYK 34 / 64 / 0 / 21

HEX #8649CA

RGB 134 73 202

HSL 268.37, 0.55%, 0.54%

LAB 44.37, 50.78, -57.47

 

CMYK 50 / 64 / 0 / 21

HEX #6449CA

RGB 100 73 202

HSL 252.56, 0.55%, 0.54%

LAB 40.8, 43.89, -63.43

 

CMYK 0 / 64 / 18 / 21

HEX #CA49A6

RGB 202 73 166

HSL 316.74, 0.55%, 0.54%

LAB 51.92, 60.85, -23.93

 

CMYK 0 / 76 / 21 / 13

HEX #DD36AE

RGB 221 54 174

HSL 316.89, 0.71%, 0.54%

LAB 53.02, 73.33, -26.66

 

CMYK 0 / 85 / 24 / 6

HEX #F023B6

RGB 240 35 182

HSL 316.98, 0.87%, 0.54%

LAB 55.18, 82.83, -27.72

 

CMYK 0 / 64 / 18 / 21

HEX #CA49A6

RGB 202 73 166

HSL 316.74, 0.55%, 0.54%

LAB 51.92, 60.85, -23.93

 

CMYK 0 / 50 / 14 / 28

HEX #B75C9D

RGB 183 92 157

HSL 317.14, 0.39%, 0.54%

LAB 52.01, 45.15, -18.74

 

CMYK 0 / 32 / 9 / 36

HEX #A46F95

RGB 164 111 149

HSL 316.98, 0.23%, 0.54%

LAB 53.42, 27.09, -12.14

 

CMYK 0 / 10 / 3 / 43

HEX #91828D

RGB 145 130 141

HSL 316, 0.06%, 0.54%

LAB 56, 7.74, -3.84

 

CMYK 15 / 0 / 11 / 42

HEX #7E9585

RGB 126 149 133

HSL 138.26, 0.1%, 0.54%

LAB 59.55, -11.44, 5.73

 

CMYK 16 / 64 / 0 / 21

HEX #AA49CA

RGB 170 73 202

HSL 285.12, 0.55%, 0.54%

LAB 48.98, 58.92, -49.82

 

CMYK 0 / 64 / 1 / 21

HEX #CA49C8

RGB 202 73 200

HSL 300.93, 0.55%, 0.54%

LAB 53.48, 66.13, -41.23

 

CMYK 0 / 64 / 18 / 21

HEX #CA49A6

RGB 202 73 166

HSL 316.74, 0.55%, 0.54%

LAB 51.92, 60.85, -23.93

 

CMYK 0 / 64 / 35 / 21

HEX #CA4983

RGB 202 73 131

HSL 333.02, 0.55%, 0.54%

LAB 50.64, 56.32, -5.08

 

CMYK 0 / 64 / 52 / 21

HEX #CA4961

RGB 202 73 97

HSL 348.84, 0.55%, 0.54%

LAB 49.72, 52.94, 14.08

 

CMYK 0 / 71 / 20 / 42

HEX #952B77

RGB 149 43 119

HSL 316.98, 0.55%, 0.38%

LAB 36.84, 51.68, -19.48

 

CMYK 0 / 71 / 20 / 29

HEX #B53591

RGB 181 53 145

HSL 316.88, 0.55%, 0.46%

LAB 44.82, 60.07, -22.67

 

CMYK 0 / 64 / 18 / 21

HEX #CA49A6

RGB 202 73 166

HSL 316.74, 0.55%, 0.54%

LAB 51.92, 60.85, -23.93

 

CMYK 0 / 50 / 14 / 17

HEX #D369B5

RGB 211 105 181

HSL 316.98, 0.55%, 0.62%

LAB 59.24, 51.18, -21.28

 

CMYK 0 / 38 / 11 / 13

HEX #DD89C5

RGB 221 137 197

HSL 317.14, 0.55%, 0.7%

LAB 67.5, 40.59, -17.65

 

CMYK 0 / 63 / 18 / 21

HEX #CA4BA6

RGB 202 75 166

HSL 317.01, 0.55%, 0.54%

LAB 52.22, 60.03, -23.46

 

CMYK 0 / 33 / 64 / 21

HEX #CA8849

RGB 202 136 73

HSL 29.3, 0.55%, 0.54%

LAB 62.21, 19.1, 43.4

 

CMYK 64 / 0 / 7 / 21

HEX #49CABB

RGB 73 202 187

HSL 173.02, 0.55%, 0.54%

LAB 74.35, -38.58, -2.93

 

CMYK 0 / 63 / 18 / 21

HEX #CA4BA6

RGB 202 75 166

HSL 317.01, 0.55%, 0.54%

LAB 52.22, 60.03, -23.46

 

CMYK 18 / 0 / 64 / 21

HEX #A6CA49

RGB 166 202 73

HSL 76.74, 0.55%, 0.54%

LAB 76.58, -30.53, 58.41

 

CMYK 64 / 18 / 0 / 21

HEX #49A6CA

RGB 73 166 202

HSL 196.74, 0.55%, 0.54%

LAB 64.12, -16.49, -26.56

 

CMYK 0 / 63 / 18 / 21

HEX #CA4BA6

RGB 202 75 166

HSL 317.01, 0.55%, 0.54%

LAB 52.22, 60.03, -23.46

 

CMYK 0 / 33 / 64 / 21

HEX #CA8849

RGB 202 136 73

HSL 29.3, 0.55%, 0.54%

LAB 62.21, 19.1, 43.4

 

CMYK 64 / 0 / 46 / 21

HEX #49CA6E

RGB 73 202 110

HSL 137.21, 0.55%, 0.54%

LAB 72.75, -55.15, 35.67

 

CMYK 64 / 31 / 0 / 21

HEX #498CCA

RGB 73 140 202

HSL 208.84, 0.55%, 0.54%

LAB 56.52, -1.99, -38.37

 

CMYK 0 / 63 / 18 / 21

HEX #CA4BA6

RGB 202 75 166

HSL 317.01, 0.55%, 0.54%

LAB 52.22, 60.03, -23.46

 

CMYK 0 / 14 / 64 / 21

HEX #CAAE49

RGB 202 174 73

HSL 46.98, 0.55%, 0.54%

LAB 71.76, -1.44, 54.07

 

CMYK 64 / 0 / 46 / 21

HEX #49CA6E

RGB 73 202 110

HSL 137.21, 0.55%, 0.54%

LAB 72.75, -55.15, 35.67

 

CMYK 64 / 50 / 0 / 21

HEX #4965CA

RGB 73 101 202

HSL 226.98, 0.55%, 0.54%

LAB 45.62, 21.87, -55.72

 

Description

Color code: HEX #CA4BA6 | qconv.com Color code: HEX #CA4BA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 75 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 75 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 18 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 18% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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