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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA3FCD it is the complementary color #35C032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA3FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA3FCD shade: #CF3FC8, #E051DB, #F163EE, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA3FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA3FCD shade: #CA3FCD, #B92DBA, #A81BA7, #970994 and #860081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA3FCD shade: #CB40CE, #CE40AB, #CE4085, #CE405E and #CE4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA3FCD shade: #CB40CE, #A540CE, #7F40CE, #5840CE and #4040CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA3FCD shade matches the following richer shades: #CB40CE, #DD2DE1 and #F01AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA3FCD shade: #CB40CE, #B854BA, #A667A7, #937B94 and #818E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA3FCD shade: #7E40CE, #A340CE, #C940CE, #CE40AD and #CE4087

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA3FCD shade: #932695, #B32FB6, #CB40CE, #D461D6 and #DD82DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA3FCD shade: #CA3FCD, #CE5840 and #40CE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA3FCD shade: #CA3FCD, #CEC940 and #40CEC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA3FCD shade: #CA3FCD, #CE5840, #45CE40 and #40B6CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA3FCD shade: #CA3FCD, #CE8240, #45CE40 and #408CCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 69 / 0 / 20

HEX #CA3FCD

RGB 202 63 205

HSL 298.73, 0.59%, 0.53%

LAB 52.42, 70.68, -45.79

 

Complementary color

CMYK 72 / 0 / 74 / 25

HEX #35C032

RGB 53 192 50

HSL 118.73, 0.59%, 0.47%

LAB 68.52, -62.57, 57.39

 

CMYK 0 / 70 / 3 / 19

HEX #CF3FC8

RGB 207 63 200

HSL 302.92, 0.6%, 0.53%

LAB 52.94, 70.98, -42.04

 

CMYK 0 / 64 / 2 / 12

HEX #E051DB

RGB 224 81 219

HSL 302.1, 0.7%, 0.6%

LAB 58.83, 71.34, -43.39

 

CMYK 0 / 59 / 1 / 5

HEX #F163EE

RGB 241 99 238

HSL 301.27, 0.84%, 0.67%

LAB 64.8, 71.31, -44.45

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 1 / 69 / 0 / 20

HEX #CA3FCD

RGB 202 63 205

HSL 298.73, 0.59%, 0.53%

LAB 52.42, 70.68, -45.79

 

CMYK 1 / 76 / 0 / 27

HEX #B92DBA

RGB 185 45 186

HSL 299.57, 0.61%, 0.45%

LAB 46.63, 69.77, -44.15

 

CMYK 0 / 84 / 1 / 34

HEX #A81BA7

RGB 168 27 167

HSL 300.43, 0.72%, 0.38%

LAB 41.05, 67.96, -41.97

 

CMYK 0 / 94 / 2 / 41

HEX #970994

RGB 151 9 148

HSL 301.27, 0.89%, 0.31%

LAB 35.82, 64.88, -39.01

 

CMYK 0 / 100 / 4 / 47

HEX #860081

RGB 134 0 129

HSL 302.24, 1%, 0.26%

LAB 31, 60.15, -35.11

 

CMYK 1 / 69 / 0 / 19

HEX #CB40CE

RGB 203 64 206

HSL 298.73, 0.59%, 0.53%

LAB 52.75, 70.71, -45.82

 

CMYK 0 / 69 / 17 / 19

HEX #CE40AB

RGB 206 64 171

HSL 314.79, 0.59%, 0.53%

LAB 51.53, 66.07, -27.42

 

CMYK 0 / 69 / 35 / 19

HEX #CE4085

RGB 206 64 133

HSL 330.85, 0.59%, 0.53%

LAB 50.08, 61.28, -7.05

 

CMYK 0 / 69 / 54 / 19

HEX #CE405E

RGB 206 64 94

HSL 347.32, 0.59%, 0.53%

LAB 49, 57.61, 15.02

 

CMYK 0 / 69 / 69 / 19

HEX #CE4040

RGB 206 64 64

HSL 0, 0.59%, 0.53%

LAB 48.46, 55.69, 32.27

 

CMYK 1 / 69 / 0 / 19

HEX #CB40CE

RGB 203 64 206

HSL 298.73, 0.59%, 0.53%

LAB 52.75, 70.71, -45.82

 

CMYK 20 / 69 / 0 / 19

HEX #A540CE

RGB 165 64 206

HSL 282.68, 0.59%, 0.53%

LAB 47.13, 62.49, -55.12

 

CMYK 38 / 69 / 0 / 19

HEX #7F40CE

RGB 127 64 206

HSL 266.62, 0.59%, 0.53%

LAB 42.21, 54.82, -63.32

 

CMYK 57 / 69 / 0 / 19

HEX #5840CE

RGB 88 64 206

HSL 250.14, 0.59%, 0.53%

LAB 38.19, 48.11, -70.04

 

CMYK 69 / 69 / 0 / 19

HEX #4040CE

RGB 64 64 206

HSL 240, 0.59%, 0.53%

LAB 36.39, 44.91, -73.07

 

CMYK 1 / 69 / 0 / 19

HEX #CB40CE

RGB 203 64 206

HSL 298.73, 0.59%, 0.53%

LAB 52.75, 70.71, -45.82

 

CMYK 2 / 80 / 0 / 12

HEX #DD2DE1

RGB 221 45 225

HSL 298.67, 0.75%, 0.53%

LAB 54.75, 82.86, -53.29

 

CMYK 2 / 89 / 0 / 4

HEX #F01AF5

RGB 240 26 245

HSL 298.63, 0.92%, 0.53%

LAB 57.9, 92.45, -59.3

 

CMYK 1 / 69 / 0 / 19

HEX #CB40CE

RGB 203 64 206

HSL 298.73, 0.59%, 0.53%

LAB 52.75, 70.71, -45.82

 

CMYK 1 / 55 / 0 / 27

HEX #B854BA

RGB 184 84 186

HSL 298.82, 0.43%, 0.53%

LAB 51.92, 54.34, -35.79

 

CMYK 1 / 38 / 0 / 35

HEX #A667A7

RGB 166 103 167

HSL 299.06, 0.27%, 0.53%

LAB 52.51, 35.62, -24.02

 

CMYK 1 / 17 / 0 / 42

HEX #937B94

RGB 147 123 148

HSL 297.6, 0.1%, 0.53%

LAB 54.56, 13.9, -10.02

 

CMYK 9 / 0 / 10 / 44

HEX #818E80

RGB 129 142 128

HSL 115.71, 0.06%, 0.53%

LAB 57.63, -7.5, 5.85

 

CMYK 39 / 69 / 0 / 19

HEX #7E40CE

RGB 126 64 206

HSL 266.2, 0.59%, 0.53%

LAB 42.09, 54.63, -63.52

 

CMYK 21 / 69 / 0 / 19

HEX #A340CE

RGB 163 64 206

HSL 281.83, 0.59%, 0.53%

LAB 46.86, 62.07, -55.58

 

CMYK 2 / 69 / 0 / 19

HEX #C940CE

RGB 201 64 206

HSL 297.89, 0.59%, 0.53%

LAB 52.44, 70.27, -46.33

 

CMYK 0 / 69 / 16 / 19

HEX #CE40AD

RGB 206 64 173

HSL 313.94, 0.59%, 0.53%

LAB 51.62, 66.35, -28.45

 

CMYK 0 / 69 / 34 / 19

HEX #CE4087

RGB 206 64 135

HSL 330, 0.59%, 0.53%

LAB 50.14, 61.5, -8.15

 

CMYK 1 / 74 / 0 / 42

HEX #932695

RGB 147 38 149

HSL 298.92, 0.59%, 0.37%

LAB 37.41, 57.73, -37.13

 

CMYK 2 / 74 / 0 / 29

HEX #B32FB6

RGB 179 47 182

HSL 298.67, 0.59%, 0.45%

LAB 45.63, 67.26, -43.46

 

CMYK 1 / 69 / 0 / 19

HEX #CB40CE

RGB 203 64 206

HSL 298.73, 0.59%, 0.53%

LAB 52.75, 70.71, -45.82

 

CMYK 1 / 55 / 0 / 16

HEX #D461D6

RGB 212 97 214

HSL 298.97, 0.59%, 0.61%

LAB 59.34, 60.75, -39.88

 

CMYK 1 / 42 / 0 / 13

HEX #DD82DF

RGB 221 130 223

HSL 298.71, 0.59%, 0.69%

LAB 67.03, 48.75, -32.85

 

CMYK 1 / 69 / 0 / 20

HEX #CA3FCD

RGB 202 63 205

HSL 298.73, 0.59%, 0.53%

LAB 52.42, 70.68, -45.79

 

CMYK 0 / 57 / 69 / 19

HEX #CE5840

RGB 206 88 64

HSL 10.14, 0.59%, 0.53%

LAB 52.37, 45.25, 36.89

 

CMYK 69 / 0 / 30 / 19

HEX #40CE91

RGB 64 206 145

HSL 154.23, 0.59%, 0.53%

LAB 74.37, -51.76, 19.63

 

CMYK 1 / 69 / 0 / 20

HEX #CA3FCD

RGB 202 63 205

HSL 298.73, 0.59%, 0.53%

LAB 52.42, 70.68, -45.79

 

CMYK 0 / 2 / 69 / 19

HEX #CEC940

RGB 206 201 64

HSL 57.89, 0.59%, 0.53%

LAB 79.19, -14.19, 65.58

 

CMYK 69 / 0 / 2 / 19

HEX #40CEC9

RGB 64 206 201

HSL 177.89, 0.59%, 0.53%

LAB 75.73, -37.94, -8.48

 

CMYK 1 / 69 / 0 / 20

HEX #CA3FCD

RGB 202 63 205

HSL 298.73, 0.59%, 0.53%

LAB 52.42, 70.68, -45.79

 

CMYK 0 / 57 / 69 / 19

HEX #CE5840

RGB 206 88 64

HSL 10.14, 0.59%, 0.53%

LAB 52.37, 45.25, 36.89

 

CMYK 67 / 0 / 69 / 19

HEX #45CE40

RGB 69 206 64

HSL 117.89, 0.59%, 0.53%

LAB 73.4, -63.08, 57.34

 

CMYK 69 / 12 / 0 / 19

HEX #40B6CE

RGB 64 182 206

HSL 190.14, 0.59%, 0.53%

LAB 68.75, -24.95, -21.71

 

CMYK 1 / 69 / 0 / 20

HEX #CA3FCD

RGB 202 63 205

HSL 298.73, 0.59%, 0.53%

LAB 52.42, 70.68, -45.79

 

CMYK 0 / 37 / 69 / 19

HEX #CE8240

RGB 206 130 64

HSL 27.89, 0.59%, 0.53%

LAB 61.18, 23.5, 46.85

 

CMYK 67 / 0 / 69 / 19

HEX #45CE40

RGB 69 206 64

HSL 117.89, 0.59%, 0.53%

LAB 73.4, -63.08, 57.34

 

CMYK 69 / 32 / 0 / 19

HEX #408CCE

RGB 64 140 206

HSL 207.89, 0.59%, 0.53%

LAB 56.39, -2.11, -40.86

 

Description

Color code: HEX #CA3FCD | qconv.com Color code: HEX #CA3FCD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 63 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 63 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 69 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 69% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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