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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA3E4E it is the complementary color #35C1B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA3E4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA3E4E shade: #CF3E49, #E0505C, #F1626F, #FF7482 and #FF8695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA3E4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA3E4E shade: #CA3E4E, #B92C3B, #A81A28, #970815 and #860002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA3E4E shade: #CA3E4E and #CA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA3E4E shade: #CA3E4E, #CA3E74, #CA3E9A, #CA3EBF and #AF3ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA3E4E shade matches the following richer shades: #CA3E4E, #DE2B3F and #F11730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA3E4E shade: #CA3E4E, #B6525E, #A2666D, #8E7A7C and #7B8E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA3E4E shade: #CA3E99, #CA3E74, #CA3E4F, #CA533E and #CA783E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA3E4E shade: #8F2733, #AF303E, #CA3E4E, #D35F6C and #DC7F8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA3E4E shade: #CA3E4E, #BECA3E and #3E86CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA3E4E shade: #CA3E4E, #4FCA3E and #3E4FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA3E4E shade: #CA3E4E, #BECA3E, #3ECABA and #4A3ECA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA3E4E shade: #CA3E4E, #94CA3E, #3ECABA and #743ECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

Complementary color

CMYK 73 / 0 / 8 / 24

HEX #35C1B1

RGB 53 193 177

HSL 173.14, 0.57%, 0.48%

LAB 70.92, -40.1, -2.58

 

CMYK 0 / 70 / 65 / 19

HEX #CF3E49

RGB 207 62 73

HSL 355.45, 0.6%, 0.53%

LAB 48.5, 57.26, 27.05

 

CMYK 0 / 64 / 59 / 12

HEX #E0505C

RGB 224 80 92

HSL 355, 0.7%, 0.6%

LAB 54.4, 56.75, 24.01

 

CMYK 0 / 59 / 54 / 5

HEX #F1626F

RGB 241 98 111

HSL 354.55, 0.84%, 0.66%

LAB 60.41, 55.99, 21.45

 

CMYK 0 / 55 / 49 / 0

HEX #FF7482

RGB 255 116 130

HSL 353.96, 1%, 0.73%

LAB 66.03, 54.09, 18.59

 

CMYK 0 / 47 / 42 / 0

HEX #FF8695

RGB 255 134 149

HSL 352.56, 1%, 0.76%

LAB 69.81, 47.26, 13.15

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 0 / 76 / 68 / 27

HEX #B92C3B

RGB 185 44 59

HSL 353.62, 0.62%, 0.45%

LAB 41.89, 56.04, 26.36

 

CMYK 0 / 85 / 76 / 34

HEX #A81A28

RGB 168 26 40

HSL 354.08, 0.73%, 0.38%

LAB 36.4, 55.31, 30.64

 

CMYK 0 / 95 / 86 / 41

HEX #970815

RGB 151 8 21

HSL 354.55, 0.9%, 0.31%

LAB 31.36, 53.36, 35.5

 

CMYK 0 / 100 / 99 / 47

HEX #860002

RGB 134 0 2

HSL 359.1, 1%, 0.26%

LAB 26.94, 49.71, 39.04

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 0 / 69 / 69 / 21

HEX #CA3E3E

RGB 202 62 62

HSL 0, 0.57%, 0.52%

LAB 47.43, 55.07, 32.04

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 0 / 69 / 43 / 21

HEX #CA3E74

RGB 202 62 116

HSL 336.86, 0.57%, 0.52%

LAB 48.59, 59.1, 0.96

 

CMYK 0 / 69 / 24 / 21

HEX #CA3E9A

RGB 202 62 154

HSL 320.57, 0.57%, 0.52%

LAB 49.9, 63.47, -19.94

 

CMYK 0 / 69 / 5 / 21

HEX #CA3EBF

RGB 202 62 191

HSL 304.71, 0.57%, 0.52%

LAB 51.57, 68.78, -39.06

 

CMYK 13 / 69 / 0 / 21

HEX #AF3ECA

RGB 175 62 202

HSL 288.43, 0.57%, 0.52%

LAB 48.04, 64.65, -51.29

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 0 / 81 / 72 / 13

HEX #DE2B3F

RGB 222 43 63

HSL 353.3, 0.73%, 0.52%

LAB 49.03, 67.13, 34.26

 

CMYK 0 / 90 / 80 / 5

HEX #F11730

RGB 241 23 48

HSL 353.12, 0.89%, 0.52%

LAB 51.3, 75.38, 46.33

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 0 / 55 / 48 / 29

HEX #B6525E

RGB 182 82 94

HSL 352.8, 0.41%, 0.52%

LAB 47.99, 41.64, 13

 

CMYK 0 / 37 / 33 / 36

HEX #A2666D

RGB 162 102 109

HSL 353, 0.24%, 0.52%

LAB 49.84, 25.09, 6.22

 

CMYK 0 / 14 / 13 / 44

HEX #8E7A7C

RGB 142 122 124

HSL 354, 0.08%, 0.52%

LAB 53.09, 8.06, 1.76

 

CMYK 13 / 0 / 2 / 44

HEX #7B8E8B

RGB 123 142 139

HSL 170.53, 0.08%, 0.52%

LAB 57.48, -7.43, -0.71

 

CMYK 0 / 69 / 24 / 21

HEX #CA3E99

RGB 202 62 153

HSL 321, 0.57%, 0.52%

LAB 49.86, 63.34, -19.41

 

CMYK 0 / 69 / 43 / 21

HEX #CA3E74

RGB 202 62 116

HSL 336.86, 0.57%, 0.52%

LAB 48.59, 59.1, 0.96

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4F

RGB 202 62 79

HSL 352.71, 0.57%, 0.52%

LAB 47.71, 56.06, 22.25

 

CMYK 0 / 59 / 69 / 21

HEX #CA533E

RGB 202 83 62

HSL 9, 0.57%, 0.52%

LAB 50.79, 46.05, 36.01

 

CMYK 0 / 41 / 69 / 21

HEX #CA783E

RGB 202 120 62

HSL 24.86, 0.57%, 0.52%

LAB 58.36, 27.13, 44.58

 

CMYK 0 / 73 / 64 / 44

HEX #8F2733

RGB 143 39 51

HSL 353.08, 0.57%, 0.36%

LAB 32.98, 44.15, 18.42

 

CMYK 0 / 73 / 65 / 31

HEX #AF303E

RGB 175 48 62

HSL 353.39, 0.57%, 0.44%

LAB 40.53, 51.75, 22.4

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 0 / 55 / 49 / 17

HEX #D35F6C

RGB 211 95 108

HSL 353.28, 0.57%, 0.6%

LAB 55.19, 46.9, 15.31

 

CMYK 0 / 42 / 37 / 14

HEX #DC7F8A

RGB 220 127 138

HSL 352.9, 0.57%, 0.68%

LAB 63.53, 37.09, 9.84

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 6 / 0 / 69 / 21

HEX #BECA3E

RGB 190 202 62

HSL 65.14, 0.57%, 0.52%

LAB 78.19, -21.49, 64.9

 

CMYK 69 / 34 / 0 / 21

HEX #3E86CA

RGB 62 134 202

HSL 209.14, 0.57%, 0.52%

LAB 54.38, -0.29, -41.77

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 61 / 0 / 69 / 21

HEX #4FCA3E

RGB 79 202 62

HSL 112.71, 0.57%, 0.52%

LAB 72.4, -59.74, 57.13

 

CMYK 69 / 61 / 0 / 21

HEX #3E4FCA

RGB 62 79 202

HSL 232.71, 0.57%, 0.52%

LAB 39.38, 34.14, -65.86

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 6 / 0 / 69 / 21

HEX #BECA3E

RGB 190 202 62

HSL 65.14, 0.57%, 0.52%

LAB 78.19, -21.49, 64.9

 

CMYK 69 / 0 / 8 / 21

HEX #3ECABA

RGB 62 202 186

HSL 173.14, 0.57%, 0.52%

LAB 74.07, -40.5, -2.83

 

CMYK 63 / 69 / 0 / 21

HEX #4A3ECA

RGB 74 62 202

HSL 245.14, 0.57%, 0.52%

LAB 36.3, 46.01, -70.87

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4E

RGB 202 62 78

HSL 353.14, 0.57%, 0.52%

LAB 47.69, 55.99, 22.83

 

CMYK 27 / 0 / 69 / 21

HEX #94CA3E

RGB 148 202 62

HSL 83.14, 0.57%, 0.52%

LAB 75.38, -38.24, 61.16

 

CMYK 69 / 0 / 8 / 21

HEX #3ECABA

RGB 62 202 186

HSL 173.14, 0.57%, 0.52%

LAB 74.07, -40.5, -2.83

 

CMYK 43 / 69 / 0 / 21

HEX #743ECA

RGB 116 62 202

HSL 263.14, 0.57%, 0.52%

LAB 40.28, 52.73, -64.2

 

Description

Color code: HEX #CA3E4E | qconv.com Color code: HEX #CA3E4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 62 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 62 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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