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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA2894 it is the complementary color #35D76B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA2894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA2894 shade: #CF288F, #E03AA2, #F14CB5, #FF5EC8 and #FF70DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA2894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA2894 shade: #CA2894, #B91681, #A8046E, #97005B and #860048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA2894 shade: #C82893, #C82867, #C8283C and #C82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA2894 shade: #C82893, #C828BE, #A728C8, #7C28C8 and #5028C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA2894 shade matches the following richer shades: #C82893, #DC1499 and #EF01A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA2894 shade: #C82893, #B53B8C, #A14E86, #8E627F and #7B7579

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA2894 shade: #A828C8, #C828BD, #C82893, #C82868 and #C8283D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA2894 shade: #831A60, #A62179, #C82893, #D940A6 and #E062B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA2894 shade: #CA2894, #C87D28 and #28C8BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA2894 shade: #CA2894, #93C828 and #2893C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA2894 shade: #CA2894, #C87D28, #28C85D and #2872C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA2894 shade: #CA2894, #C8AD28, #28C85D and #2842C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 27 / 21

HEX #CA2894

RGB 202 40 148

HSL 320, 0.67%, 0.47%

LAB 47.25, 69.53, -20.42

 

Complementary color

CMYK 75 / 0 / 50 / 16

HEX #35D76B

RGB 53 215 107

HSL 140, 0.67%, 0.53%

LAB 76.33, -63.6, 41.57

 

CMYK 0 / 81 / 31 / 19

HEX #CF288F

RGB 207 40 143

HSL 322.99, 0.68%, 0.48%

LAB 47.96, 70.12, -16.24

 

CMYK 0 / 74 / 28 / 12

HEX #E03AA2

RGB 224 58 162

HSL 322.41, 0.73%, 0.55%

LAB 53.47, 71.38, -18.88

 

CMYK 0 / 68 / 25 / 5

HEX #F14CB5

RGB 241 76 181

HSL 321.82, 0.85%, 0.62%

LAB 59.16, 71.96, -21

 

CMYK 0 / 63 / 22 / 0

HEX #FF5EC8

RGB 255 94 200

HSL 320.5, 1%, 0.68%

LAB 64.51, 71.3, -23.46

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 80 / 27 / 21

HEX #CA2894

RGB 202 40 148

HSL 320, 0.67%, 0.47%

LAB 47.25, 69.53, -20.42

 

CMYK 0 / 88 / 30 / 27

HEX #B91681

RGB 185 22 129

HSL 320.61, 0.79%, 0.41%

LAB 41.96, 67.33, -17.25

 

CMYK 0 / 98 / 35 / 34

HEX #A8046E

RGB 168 4 110

HSL 321.22, 0.95%, 0.34%

LAB 37, 63.94, -13.26

 

CMYK 0 / 100 / 40 / 41

HEX #97005B

RGB 151 0 91

HSL 323.84, 1%, 0.3%

LAB 32.56, 58.79, -8.12

 

CMYK 0 / 100 / 46 / 47

HEX #860048

RGB 134 0 72

HSL 327.76, 1%, 0.26%

LAB 28.21, 53.11, -2.42

 

CMYK 0 / 80 / 27 / 22

HEX #C82893

RGB 200 40 147

HSL 319.88, 0.67%, 0.47%

LAB 46.85, 68.95, -20.47

 

CMYK 0 / 80 / 49 / 22

HEX #C82867

RGB 200 40 103

HSL 336.38, 0.67%, 0.47%

LAB 45.33, 64.45, 4.17

 

CMYK 0 / 80 / 70 / 22

HEX #C8283C

RGB 200 40 60

HSL 352.5, 0.67%, 0.47%

LAB 44.41, 61.65, 29.5

 

CMYK 0 / 80 / 80 / 22

HEX #C82828

RGB 200 40 40

HSL 0, 0.67%, 0.47%

LAB 44.16, 60.88, 40.84

 

CMYK 0 / 80 / 27 / 22

HEX #C82893

RGB 200 40 147

HSL 319.88, 0.67%, 0.47%

LAB 46.85, 68.95, -20.47

 

CMYK 0 / 80 / 5 / 22

HEX #C828BE

RGB 200 40 190

HSL 303.75, 0.67%, 0.47%

LAB 48.9, 74.74, -42.72

 

CMYK 17 / 80 / 0 / 22

HEX #A728C8

RGB 167 40 200

HSL 287.63, 0.67%, 0.47%

LAB 44.09, 70.15, -56.53

 

CMYK 38 / 80 / 0 / 22

HEX #7C28C8

RGB 124 40 200

HSL 271.5, 0.67%, 0.47%

LAB 37.79, 63.01, -67.05

 

CMYK 60 / 80 / 0 / 22

HEX #5028C8

RGB 80 40 200

HSL 255, 0.67%, 0.47%

LAB 32.69, 57.27, -75.64

 

CMYK 0 / 80 / 27 / 22

HEX #C82893

RGB 200 40 147

HSL 319.88, 0.67%, 0.47%

LAB 46.85, 68.95, -20.47

 

CMYK 0 / 91 / 30 / 14

HEX #DC1499

RGB 220 20 153

HSL 320.1, 0.83%, 0.47%

LAB 49.52, 77.74, -19.66

 

CMYK 0 / 100 / 33 / 6

HEX #EF01A0

RGB 239 1 160

HSL 319.92, 0.99%, 0.47%

LAB 52.85, 83.92, -18.4

 

CMYK 0 / 80 / 27 / 22

HEX #C82893

RGB 200 40 147

HSL 319.88, 0.67%, 0.47%

LAB 46.85, 68.95, -20.47

 

CMYK 0 / 67 / 23 / 29

HEX #B53B8C

RGB 181 59 140

HSL 320.16, 0.51%, 0.47%

LAB 45.42, 57.12, -18.72

 

CMYK 0 / 52 / 17 / 37

HEX #A14E86

RGB 161 78 134

HSL 319.52, 0.35%, 0.47%

LAB 45.29, 41.55, -15.58

 

CMYK 0 / 31 / 11 / 44

HEX #8E627F

RGB 142 98 127

HSL 320.45, 0.18%, 0.47%

LAB 47, 22.61, -9.01

 

CMYK 0 / 5 / 2 / 52

HEX #7B7579

RGB 123 117 121

HSL 320, 0.03%, 0.47%

LAB 49.87, 3.09, -1.38

 

CMYK 16 / 80 / 0 / 22

HEX #A828C8

RGB 168 40 200

HSL 288, 0.67%, 0.47%

LAB 44.25, 70.33, -56.27

 

CMYK 0 / 80 / 5 / 22

HEX #C828BD

RGB 200 40 189

HSL 304.13, 0.67%, 0.47%

LAB 48.85, 74.59, -42.22

 

CMYK 0 / 80 / 27 / 22

HEX #C82893

RGB 200 40 147

HSL 319.88, 0.67%, 0.47%

LAB 46.85, 68.95, -20.47

 

CMYK 0 / 80 / 48 / 22

HEX #C82868

RGB 200 40 104

HSL 336, 0.67%, 0.47%

LAB 45.35, 64.54, 3.59

 

CMYK 0 / 80 / 70 / 22

HEX #C8283D

RGB 200 40 61

HSL 352.13, 0.67%, 0.47%

LAB 44.42, 61.7, 28.91

 

CMYK 0 / 80 / 27 / 49

HEX #831A60

RGB 131 26 96

HSL 320, 0.67%, 0.31%

LAB 30.42, 49.63, -14.99

 

CMYK 0 / 80 / 27 / 35

HEX #A62179

RGB 166 33 121

HSL 320.3, 0.67%, 0.39%

LAB 38.86, 59.56, -17.36

 

CMYK 0 / 80 / 27 / 22

HEX #C82893

RGB 200 40 147

HSL 319.88, 0.67%, 0.47%

LAB 46.85, 68.95, -20.47

 

CMYK 0 / 71 / 24 / 15

HEX #D940A6

RGB 217 64 166

HSL 320, 0.67%, 0.55%

LAB 53.14, 68.17, -21.85

 

CMYK 0 / 56 / 19 / 12

HEX #E062B6

RGB 224 98 182

HSL 320, 0.67%, 0.63%

LAB 59.85, 58.52, -20.75

 

CMYK 0 / 80 / 27 / 21

HEX #CA2894

RGB 202 40 148

HSL 320, 0.67%, 0.47%

LAB 47.25, 69.53, -20.42

 

CMYK 0 / 38 / 80 / 22

HEX #C87D28

RGB 200 125 40

HSL 31.88, 0.67%, 0.47%

LAB 59.07, 22.58, 55.15

 

CMYK 80 / 0 / 5 / 22

HEX #28C8BD

RGB 40 200 189

HSL 175.88, 0.67%, 0.47%

LAB 73.18, -41.27, -5.81

 

CMYK 0 / 80 / 27 / 21

HEX #CA2894

RGB 202 40 148

HSL 320, 0.67%, 0.47%

LAB 47.25, 69.53, -20.42

 

CMYK 27 / 0 / 80 / 22

HEX #93C828

RGB 147 200 40

HSL 79.88, 0.67%, 0.47%

LAB 74.61, -38.9, 67.63

 

CMYK 80 / 27 / 0 / 22

HEX #2893C8

RGB 40 147 200

HSL 199.88, 0.67%, 0.47%

LAB 57.55, -11.27, -35.71

 

CMYK 0 / 80 / 27 / 21

HEX #CA2894

RGB 202 40 148

HSL 320, 0.67%, 0.47%

LAB 47.25, 69.53, -20.42

 

CMYK 0 / 38 / 80 / 22

HEX #C87D28

RGB 200 125 40

HSL 31.88, 0.67%, 0.47%

LAB 59.07, 22.58, 55.15

 

CMYK 80 / 0 / 54 / 22

HEX #28C85D

RGB 40 200 93

HSL 139.88, 0.67%, 0.47%

LAB 71.25, -62.23, 42.04

 

CMYK 80 / 43 / 0 / 22

HEX #2872C8

RGB 40 114 200

HSL 212.25, 0.67%, 0.47%

LAB 47.82, 8.36, -51.1

 

CMYK 0 / 80 / 27 / 21

HEX #CA2894

RGB 202 40 148

HSL 320, 0.67%, 0.47%

LAB 47.25, 69.53, -20.42

 

CMYK 0 / 14 / 80 / 22

HEX #C8AD28

RGB 200 173 40

HSL 49.88, 0.67%, 0.47%

LAB 71.09, -3.38, 66

 

CMYK 80 / 0 / 54 / 22

HEX #28C85D

RGB 40 200 93

HSL 139.88, 0.67%, 0.47%

LAB 71.25, -62.23, 42.04

 

CMYK 80 / 67 / 0 / 22

HEX #2842C8

RGB 40 66 200

HSL 230.25, 0.67%, 0.47%

LAB 35.04, 39.25, -71.85

 

Description

Color code: HEX #CA2894 | qconv.com Color code: HEX #CA2894 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 40 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 40 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 27 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 27% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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