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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA2295 it is the complementary color #35DD6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA2295. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA2295 shade: #CF2290, #E034A3, #F146B6, #FF58C9 and #FF6ADC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA2295. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA2295 shade: #CA2295, #B91082, #A8006F, #97005C and #860049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA2295 shade: #C92294, #C92267, #C9223A and #C92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA2295 shade: #C92294, #C922C1, #A322C9, #7622C9 and #4922C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA2295 shade matches the following richer shades: #C92294 and #DC0F9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA2295 shade: #C92294, #B6358D, #A34886, #905B7F and #7D6E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA2295 shade: #A222C9, #C922C3, #C92297, #C9226A and #C9223E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA2295 shade: #821660, #A51C7A, #C92294, #DD37A9 and #E35AB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA2295 shade: #CA2295, #C97522 and #22C9B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA2295 shade: #CA2295, #97C922 and #2297C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA2295 shade: #CA2295, #C97522, #22C954 and #2275C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA2295 shade: #CA2295, #C9A722, #22C954 and #2243C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 26 / 21

HEX #CA2295

RGB 202 34 149

HSL 318.93, 0.71%, 0.46%

LAB 46.8, 71.06, -21.71

 

Complementary color

CMYK 76 / 0 / 52 / 13

HEX #35DD6A

RGB 53 221 106

HSL 138.93, 0.71%, 0.54%

LAB 78.18, -65.78, 44.33

 

CMYK 0 / 84 / 30 / 19

HEX #CF2290

RGB 207 34 144

HSL 321.85, 0.72%, 0.47%

LAB 47.52, 71.61, -17.51

 

CMYK 0 / 77 / 27 / 12

HEX #E034A3

RGB 224 52 163

HSL 321.28, 0.74%, 0.54%

LAB 52.89, 73.26, -20.36

 

CMYK 0 / 71 / 24 / 5

HEX #F146B6

RGB 241 70 182

HSL 320.7, 0.86%, 0.61%

LAB 58.47, 74.14, -22.64

 

CMYK 0 / 65 / 21 / 0

HEX #FF58C9

RGB 255 88 201

HSL 319.4, 1%, 0.67%

LAB 63.72, 73.73, -25.25

 

CMYK 0 / 58 / 14 / 0

HEX #FF6ADC

RGB 255 106 220

HSL 314.09, 1%, 0.71%

LAB 67.08, 69.18, -30.74

 

CMYK 0 / 83 / 26 / 21

HEX #CA2295

RGB 202 34 149

HSL 318.93, 0.71%, 0.46%

LAB 46.8, 71.06, -21.71

 

CMYK 0 / 91 / 30 / 27

HEX #B91082

RGB 185 16 130

HSL 319.53, 0.84%, 0.39%

LAB 41.68, 68.37, -18.29

 

CMYK 0 / 100 / 34 / 34

HEX #A8006F

RGB 168 0 111

HSL 320.36, 1%, 0.33%

LAB 36.88, 64.52, -14.07

 

CMYK 0 / 100 / 39 / 41

HEX #97005C

RGB 151 0 92

HSL 323.44, 1%, 0.3%

LAB 32.6, 58.89, -8.71

 

CMYK 0 / 100 / 46 / 47

HEX #860049

RGB 134 0 73

HSL 327.31, 1%, 0.26%

LAB 28.25, 53.2, -3.04

 

CMYK 0 / 83 / 26 / 21

HEX #C92294

RGB 201 34 148

HSL 319.04, 0.71%, 0.46%

LAB 46.58, 70.72, -21.47

 

CMYK 0 / 83 / 49 / 21

HEX #C92267

RGB 201 34 103

HSL 335.21, 0.71%, 0.46%

LAB 45, 66.19, 3.72

 

CMYK 0 / 83 / 71 / 21

HEX #C9223A

RGB 201 34 58

HSL 351.38, 0.71%, 0.46%

LAB 44.04, 63.36, 30.31

 

CMYK 0 / 83 / 83 / 21

HEX #C92222

RGB 201 34 34

HSL 0, 0.71%, 0.46%

LAB 43.77, 62.52, 43.74

 

CMYK 0 / 83 / 26 / 21

HEX #C92294

RGB 201 34 148

HSL 319.04, 0.71%, 0.46%

LAB 46.58, 70.72, -21.47

 

CMYK 0 / 83 / 4 / 21

HEX #C922C1

RGB 201 34 193

HSL 302.87, 0.71%, 0.46%

LAB 48.77, 76.72, -44.66

 

CMYK 19 / 83 / 0 / 21

HEX #A322C9

RGB 163 34 201

HSL 286.35, 0.71%, 0.46%

LAB 42.98, 71.24, -58.94

 

CMYK 41 / 83 / 0 / 21

HEX #7622C9

RGB 118 34 201

HSL 270.18, 0.71%, 0.46%

LAB 36.39, 64.39, -69.97

 

CMYK 64 / 83 / 0 / 21

HEX #4922C9

RGB 73 34 201

HSL 254.01, 0.71%, 0.46%

LAB 31.3, 59.33, -78.54

 

CMYK 0 / 83 / 26 / 21

HEX #C92294

RGB 201 34 148

HSL 319.04, 0.71%, 0.46%

LAB 46.58, 70.72, -21.47

 

CMYK 0 / 93 / 30 / 14

HEX #DC0F9B

RGB 220 15 155

HSL 319.02, 0.87%, 0.46%

LAB 49.4, 78.51, -21.02

 

CMYK 0 / 83 / 26 / 21

HEX #C92294

RGB 201 34 148

HSL 319.04, 0.71%, 0.46%

LAB 46.58, 70.72, -21.47

 

CMYK 0 / 71 / 23 / 29

HEX #B6358D

RGB 182 53 141

HSL 319.07, 0.55%, 0.46%

LAB 44.82, 59.78, -20.23

 

CMYK 0 / 56 / 18 / 36

HEX #A34886

RGB 163 72 134

HSL 319.12, 0.39%, 0.46%

LAB 44.44, 45.21, -16.84

 

CMYK 0 / 37 / 12 / 44

HEX #905B7F

RGB 144 91 127

HSL 319.25, 0.23%, 0.46%

LAB 45.56, 27.4, -11.15

 

CMYK 0 / 12 / 4 / 51

HEX #7D6E78

RGB 125 110 120

HSL 320, 0.06%, 0.46%

LAB 48.09, 7.77, -3.39

 

CMYK 19 / 83 / 0 / 21

HEX #A222C9

RGB 162 34 201

HSL 285.99, 0.71%, 0.46%

LAB 42.83, 71.07, -59.2

 

CMYK 0 / 83 / 3 / 21

HEX #C922C3

RGB 201 34 195

HSL 302.16, 0.71%, 0.46%

LAB 48.89, 77.02, -45.64

 

CMYK 0 / 83 / 25 / 21

HEX #C92297

RGB 201 34 151

HSL 317.96, 0.71%, 0.46%

LAB 46.71, 71.08, -23.08

 

CMYK 0 / 83 / 47 / 21

HEX #C9226A

RGB 201 34 106

HSL 334.13, 0.71%, 0.46%

LAB 45.08, 66.44, 1.98

 

CMYK 0 / 83 / 69 / 21

HEX #C9223E

RGB 201 34 62

HSL 349.94, 0.71%, 0.46%

LAB 44.1, 63.54, 27.96

 

CMYK 0 / 83 / 26 / 49

HEX #821660

RGB 130 22 96

HSL 318.89, 0.71%, 0.3%

LAB 29.82, 50.53, -15.93

 

CMYK 0 / 83 / 26 / 35

HEX #A51C7A

RGB 165 28 122

HSL 318.83, 0.71%, 0.38%

LAB 38.26, 60.74, -18.92

 

CMYK 0 / 83 / 26 / 21

HEX #C92294

RGB 201 34 148

HSL 319.04, 0.71%, 0.46%

LAB 46.58, 70.72, -21.47

 

CMYK 0 / 75 / 24 / 13

HEX #DD37A9

RGB 221 55 169

HSL 318.8, 0.71%, 0.54%

LAB 52.92, 72.41, -23.9

 

CMYK 0 / 60 / 19 / 11

HEX #E35AB8

RGB 227 90 184

HSL 318.83, 0.71%, 0.62%

LAB 59.07, 63.17, -23.06

 

CMYK 0 / 83 / 26 / 21

HEX #CA2295

RGB 202 34 149

HSL 318.93, 0.71%, 0.46%

LAB 46.8, 71.06, -21.71

 

CMYK 0 / 42 / 83 / 21

HEX #C97522

RGB 201 117 34

HSL 29.82, 0.71%, 0.46%

LAB 57.32, 27.15, 55.92

 

CMYK 83 / 0 / 8 / 21

HEX #22C9B8

RGB 34 201 184

HSL 173.89, 0.71%, 0.46%

LAB 73.27, -43.6, -2.97

 

CMYK 0 / 83 / 26 / 21

HEX #CA2295

RGB 202 34 149

HSL 318.93, 0.71%, 0.46%

LAB 46.8, 71.06, -21.71

 

CMYK 25 / 0 / 83 / 21

HEX #97C922

RGB 151 201 34

HSL 77.96, 0.71%, 0.46%

LAB 75.12, -38.04, 69.72

 

CMYK 83 / 25 / 0 / 21

HEX #2297C9

RGB 34 151 201

HSL 197.96, 0.71%, 0.46%

LAB 58.69, -13.68, -34.5

 

CMYK 0 / 83 / 26 / 21

HEX #CA2295

RGB 202 34 149

HSL 318.93, 0.71%, 0.46%

LAB 46.8, 71.06, -21.71

 

CMYK 0 / 42 / 83 / 21

HEX #C97522

RGB 201 117 34

HSL 29.82, 0.71%, 0.46%

LAB 57.32, 27.15, 55.92

 

CMYK 83 / 0 / 58 / 21

HEX #22C954

RGB 34 201 84

HSL 137.96, 0.71%, 0.46%

LAB 71.39, -64.43, 46.42

 

CMYK 83 / 42 / 0 / 21

HEX #2275C9

RGB 34 117 201

HSL 210.18, 0.71%, 0.46%

LAB 48.61, 6.3, -50.42

 

CMYK 0 / 83 / 26 / 21

HEX #CA2295

RGB 202 34 149

HSL 318.93, 0.71%, 0.46%

LAB 46.8, 71.06, -21.71

 

CMYK 0 / 17 / 83 / 21

HEX #C9A722

RGB 201 167 34

HSL 47.78, 0.71%, 0.46%

LAB 69.59, 0.05, 66.49

 

CMYK 83 / 0 / 58 / 21

HEX #22C954

RGB 34 201 84

HSL 137.96, 0.71%, 0.46%

LAB 71.39, -64.43, 46.42

 

CMYK 83 / 67 / 0 / 21

HEX #2243C9

RGB 34 67 201

HSL 228.14, 0.71%, 0.46%

LAB 35.15, 38.54, -72.26

 

Description

Color code: HEX #CA2295 | qconv.com Color code: HEX #CA2295 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 34 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 34 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 26 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 26% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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