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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA1899 it is the complementary color #35E766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA1899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA1899 shade: #CF1894, #E02AA7, #F13CBA, #FF4ECD and #FF60E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA1899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA1899 shade: #CA1899, #B90686, #A80073, #970060 and #86004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA1899 shade: #C91898, #C91868, #C91838 and #C91818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA1899 shade: #C91898, #C918C8, #9A18C9, #6A18C9 and #3A18C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA1899 shade matches the following richer shades: #C91898 and #DB05A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA1899 shade: #C91898, #B72A90, #A53C88, #924E80 and #806077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA1899 shade: #9A18C9, #C918C9, #C9189A, #C9186A and #C9183B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA1899 shade: #7F0F60, #A4137C, #C91898, #E524B0 and #EA49BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA1899 shade: #CA1899, #C96A18 and #18C9B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA1899 shade: #CA1899, #9AC918 and #189AC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA1899 shade: #CA1899, #C96A18, #18C947 and #1876C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA1899 shade: #CA1899, #C99F18, #18C947 and #1841C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 24 / 21

HEX #CA1899

RGB 202 24 153

HSL 316.52, 0.79%, 0.44%

LAB 46.32, 73.42, -24.86

 

Complementary color

CMYK 77 / 0 / 56 / 9

HEX #35E766

RGB 53 231 102

HSL 136.52, 0.79%, 0.56%

LAB 81.22, -69.62, 49.86

 

CMYK 0 / 88 / 29 / 19

HEX #CF1894

RGB 207 24 148

HSL 319.34, 0.79%, 0.45%

LAB 47.05, 73.9, -20.65

 

CMYK 0 / 81 / 25 / 12

HEX #E02AA7

RGB 224 42 167

HSL 318.79, 0.75%, 0.52%

LAB 52.17, 76.27, -23.83

 

CMYK 0 / 75 / 23 / 5

HEX #F13CBA

RGB 241 60 186

HSL 318.23, 0.87%, 0.59%

LAB 57.54, 77.72, -26.38

 

CMYK 0 / 69 / 20 / 0

HEX #FF4ECD

RGB 255 78 205

HSL 316.95, 1%, 0.65%

LAB 62.61, 77.8, -29.23

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 88 / 24 / 21

HEX #CA1899

RGB 202 24 153

HSL 316.52, 0.79%, 0.44%

LAB 46.32, 73.42, -24.86

 

CMYK 0 / 97 / 28 / 27

HEX #B90686

RGB 185 6 134

HSL 317.09, 0.94%, 0.37%

LAB 41.48, 69.92, -21.07

 

CMYK 0 / 100 / 32 / 34

HEX #A80073

RGB 168 0 115

HSL 318.93, 1%, 0.33%

LAB 37.05, 64.95, -16.34

 

CMYK 0 / 100 / 36 / 41

HEX #970060

RGB 151 0 96

HSL 321.85, 1%, 0.3%

LAB 32.75, 59.3, -11.07

 

CMYK 0 / 100 / 43 / 47

HEX #86004D

RGB 134 0 77

HSL 325.52, 1%, 0.26%

LAB 28.39, 53.58, -5.5

 

CMYK 0 / 88 / 24 / 21

HEX #C91898

RGB 201 24 152

HSL 316.61, 0.79%, 0.44%

LAB 46.09, 73.1, -24.63

 

CMYK 0 / 88 / 48 / 21

HEX #C91868

RGB 201 24 104

HSL 332.88, 0.79%, 0.44%

LAB 44.33, 68.27, 2.14

 

CMYK 0 / 88 / 72 / 21

HEX #C91838

RGB 201 24 56

HSL 349.15, 0.79%, 0.44%

LAB 43.3, 65.32, 30.64

 

CMYK 0 / 88 / 88 / 21

HEX #C91818

RGB 201 24 24

HSL 0, 0.79%, 0.44%

LAB 42.97, 64.38, 48

 

CMYK 0 / 88 / 24 / 21

HEX #C91898

RGB 201 24 152

HSL 316.61, 0.79%, 0.44%

LAB 46.09, 73.1, -24.63

 

CMYK 0 / 88 / 0 / 21

HEX #C918C8

RGB 201 24 200

HSL 300.34, 0.79%, 0.44%

LAB 48.56, 79.55, -49.06

 

CMYK 23 / 88 / 0 / 21

HEX #9A18C9

RGB 154 24 201

HSL 284.07, 0.79%, 0.44%

LAB 40.8, 72.06, -62.55

 

CMYK 47 / 88 / 0 / 21

HEX #6A18C9

RGB 106 24 201

HSL 267.8, 0.79%, 0.44%

LAB 33.85, 65.82, -74.21

 

CMYK 71 / 88 / 0 / 21

HEX #3A18C9

RGB 58 24 201

HSL 251.53, 0.79%, 0.44%

LAB 28.82, 61.83, -82.68

 

CMYK 0 / 88 / 24 / 21

HEX #C91898

RGB 201 24 152

HSL 316.61, 0.79%, 0.44%

LAB 46.09, 73.1, -24.63

 

CMYK 0 / 98 / 27 / 14

HEX #DB05A0

RGB 219 5 160

HSL 316.54, 0.96%, 0.44%

LAB 49.14, 79.69, -24.43

 

CMYK 0 / 88 / 24 / 21

HEX #C91898

RGB 201 24 152

HSL 316.61, 0.79%, 0.44%

LAB 46.09, 73.1, -24.63

 

CMYK 0 / 77 / 21 / 28

HEX #B72A90

RGB 183 42 144

HSL 316.6, 0.63%, 0.44%

LAB 43.85, 64.03, -23.53

 

CMYK 0 / 64 / 18 / 35

HEX #A53C88

RGB 165 60 136

HSL 316.57, 0.47%, 0.44%

LAB 42.78, 51.67, -20.58

 

CMYK 0 / 47 / 12 / 43

HEX #924E80

RGB 146 78 128

HSL 315.88, 0.3%, 0.44%

LAB 42.94, 35.58, -15.7

 

CMYK 0 / 25 / 7 / 50

HEX #806077

RGB 128 96 119

HSL 316.88, 0.14%, 0.44%

LAB 44.64, 17.06, -7.88

 

CMYK 23 / 88 / 0 / 21

HEX #9A18C9

RGB 154 24 201

HSL 284.07, 0.79%, 0.44%

LAB 40.8, 72.06, -62.55

 

CMYK 0 / 88 / 0 / 21

HEX #C918C9

RGB 201 24 201

HSL 300, 0.79%, 0.44%

LAB 48.62, 79.7, -49.54

 

CMYK 0 / 88 / 23 / 21

HEX #C9189A

RGB 201 24 154

HSL 315.93, 0.79%, 0.44%

LAB 46.18, 73.34, -25.69

 

CMYK 0 / 88 / 47 / 21

HEX #C9186A

RGB 201 24 106

HSL 332.2, 0.79%, 0.44%

LAB 44.39, 68.44, 0.98

 

CMYK 0 / 88 / 71 / 21

HEX #C9183B

RGB 201 24 59

HSL 348.14, 0.79%, 0.44%

LAB 43.34, 65.45, 28.86

 

CMYK 0 / 88 / 24 / 50

HEX #7F0F60

RGB 127 15 96

HSL 316.61, 0.79%, 0.28%

LAB 28.64, 51.51, -17.81

 

CMYK 0 / 88 / 24 / 36

HEX #A4137C

RGB 164 19 124

HSL 316.55, 0.79%, 0.36%

LAB 37.51, 62.65, -21.35

 

CMYK 0 / 88 / 24 / 21

HEX #C91898

RGB 201 24 152

HSL 316.61, 0.79%, 0.44%

LAB 46.09, 73.1, -24.63

 

CMYK 0 / 84 / 23 / 10

HEX #E524B0

RGB 229 36 176

HSL 316.48, 0.79%, 0.52%

LAB 53.01, 79.66, -27.74

 

CMYK 0 / 69 / 19 / 8

HEX #EA49BE

RGB 234 73 190

HSL 316.4, 0.79%, 0.6%

LAB 58.01, 72.42, -28.04

 

CMYK 0 / 88 / 24 / 21

HEX #CA1899

RGB 202 24 153

HSL 316.52, 0.79%, 0.44%

LAB 46.32, 73.42, -24.86

 

CMYK 0 / 47 / 88 / 21

HEX #C96A18

RGB 201 106 24

HSL 27.8, 0.79%, 0.44%

LAB 54.86, 32.75, 57.31

 

CMYK 88 / 0 / 12 / 21

HEX #18C9B1

RGB 24 201 177

HSL 171.86, 0.79%, 0.44%

LAB 72.99, -46.18, 0.4

 

CMYK 0 / 88 / 24 / 21

HEX #CA1899

RGB 202 24 153

HSL 316.52, 0.79%, 0.44%

LAB 46.32, 73.42, -24.86

 

CMYK 23 / 0 / 88 / 21

HEX #9AC918

RGB 154 201 24

HSL 75.93, 0.79%, 0.44%

LAB 75.27, -37.16, 72.04

 

CMYK 88 / 23 / 0 / 21

HEX #189AC9

RGB 24 154 201

HSL 195.93, 0.79%, 0.44%

LAB 59.45, -16.05, -33.31

 

CMYK 0 / 88 / 24 / 21

HEX #CA1899

RGB 202 24 153

HSL 316.52, 0.79%, 0.44%

LAB 46.32, 73.42, -24.86

 

CMYK 0 / 47 / 88 / 21

HEX #C96A18

RGB 201 106 24

HSL 27.8, 0.79%, 0.44%

LAB 54.86, 32.75, 57.31

 

CMYK 88 / 0 / 65 / 21

HEX #18C947

RGB 24 201 71

HSL 135.93, 0.79%, 0.44%

LAB 71.16, -66.85, 51.87

 

CMYK 88 / 41 / 0 / 21

HEX #1876C9

RGB 24 118 201

HSL 208.14, 0.79%, 0.44%

LAB 48.72, 4.93, -50.25

 

CMYK 0 / 88 / 24 / 21

HEX #CA1899

RGB 202 24 153

HSL 316.52, 0.79%, 0.44%

LAB 46.32, 73.42, -24.86

 

CMYK 0 / 21 / 88 / 21

HEX #C99F18

RGB 201 159 24

HSL 45.76, 0.79%, 0.44%

LAB 67.49, 4.07, 67.3

 

CMYK 88 / 0 / 65 / 21

HEX #18C947

RGB 24 201 71

HSL 135.93, 0.79%, 0.44%

LAB 71.16, -66.85, 51.87

 

CMYK 88 / 68 / 0 / 21

HEX #1841C9

RGB 24 65 201

HSL 226.1, 0.79%, 0.44%

LAB 34.38, 39.2, -73.54

 

Description

Color code: HEX #CA1899 | qconv.com Color code: HEX #CA1899 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 24 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 24 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 24 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 24% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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