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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA11BF it is the complementary color #35EE40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA11BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA11BF shade: #CF11BA, #E023CD, #F135E0, #FF47F3 and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA11BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA11BF shade: #CA11BF, #B900AC, #A80099, #970086 and #860073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA11BF shade: #CA12BF, #CA128D, #CA125B, #CA122A and #CA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA11BF shade: #CA12BF, #A312CA, #7112CA, #4012CA and #1212CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA11BF shade matches the following richer shades: #CA12BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA11BF shade: #CA12BF, #B823AF, #A635A0, #954790 and #835980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA11BF shade: #7112CA, #A212CA, #CA12C1, #CA128F and #CA125E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA11BF shade: #7E0B77, #A40E9B, #CA12BF, #EB1ADF and #EE3FE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA11BF shade: #CA11BF, #CA4012 and #12CA89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA11BF shade: #CA11BF, #C1CA12 and #12C1CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA11BF shade: #CA11BF, #CA4012, #12CA1B and #129CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA11BF shade: #CA11BF, #CA7712, #12CA1B and #1264CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 5 / 21

HEX #CA11BF

RGB 202 17 191

HSL 303.57, 0.84%, 0.43%

LAB 47.9, 79.35, -44.87

 

Complementary color

CMYK 78 / 0 / 73 / 7

HEX #35EE40

RGB 53 238 64

HSL 123.57, 0.84%, 0.57%

LAB 83.06, -75.67, 67.19

 

CMYK 0 / 92 / 10 / 19

HEX #CF11BA

RGB 207 17 186

HSL 306.63, 0.85%, 0.44%

LAB 48.53, 79.56, -40.9

 

CMYK 0 / 84 / 8 / 12

HEX #E023CD

RGB 224 35 205

HSL 306.03, 0.75%, 0.51%

LAB 53.45, 82.59, -43.93

 

CMYK 0 / 78 / 7 / 5

HEX #F135E0

RGB 241 53 224

HSL 305.43, 0.87%, 0.58%

LAB 58.63, 84.63, -46.35

 

CMYK 0 / 72 / 5 / 0

HEX #FF47F3

RGB 255 71 243

HSL 303.91, 1%, 0.64%

LAB 63.54, 85.29, -49.07

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 92 / 5 / 21

HEX #CA11BF

RGB 202 17 191

HSL 303.57, 0.84%, 0.43%

LAB 47.9, 79.35, -44.87

 

CMYK 0 / 100 / 7 / 27

HEX #B900AC

RGB 185 0 172

HSL 304.22, 1%, 0.36%

LAB 43.2, 75.34, -41.35

 

CMYK 0 / 100 / 9 / 34

HEX #A80099

RGB 168 0 153

HSL 305.36, 1%, 0.33%

LAB 38.94, 69.71, -36.89

 

CMYK 0 / 100 / 11 / 41

HEX #970086

RGB 151 0 134

HSL 306.75, 1%, 0.3%

LAB 34.6, 63.97, -32.31

 

CMYK 0 / 100 / 14 / 47

HEX #860073

RGB 134 0 115

HSL 308.51, 1%, 0.26%

LAB 30.17, 58.11, -27.57

 

CMYK 0 / 91 / 5 / 21

HEX #CA12BF

RGB 202 18 191

HSL 303.59, 0.84%, 0.43%

LAB 47.94, 79.23, -44.8

 

CMYK 0 / 91 / 30 / 21

HEX #CA128D

RGB 202 18 141

HSL 319.89, 0.84%, 0.43%

LAB 45.51, 72.93, -18.86

 

CMYK 0 / 91 / 55 / 21

HEX #CA125B

RGB 202 18 91

HSL 336.2, 0.84%, 0.43%

LAB 43.86, 68.45, 9.63

 

CMYK 0 / 91 / 79 / 21

HEX #CA122A

RGB 202 18 42

HSL 352.17, 0.84%, 0.43%

LAB 43, 66.02, 38.66

 

CMYK 0 / 91 / 91 / 21

HEX #CA1212

RGB 202 18 18

HSL 0, 0.84%, 0.43%

LAB 42.81, 65.49, 50.58

 

CMYK 0 / 91 / 5 / 21

HEX #CA12BF

RGB 202 18 191

HSL 303.59, 0.84%, 0.43%

LAB 47.94, 79.23, -44.8

 

CMYK 19 / 91 / 0 / 21

HEX #A312CA

RGB 163 18 202

HSL 287.28, 0.84%, 0.43%

LAB 41.97, 74.61, -61.16

 

CMYK 44 / 91 / 0 / 21

HEX #7112CA

RGB 113 18 202

HSL 270.98, 0.84%, 0.43%

LAB 34.41, 68.17, -73.83

 

CMYK 68 / 91 / 0 / 21

HEX #4012CA

RGB 64 18 202

HSL 255, 0.84%, 0.43%

LAB 28.87, 64.16, -83.18

 

CMYK 91 / 91 / 0 / 21

HEX #1212CA

RGB 18 18 202

HSL 240, 0.84%, 0.43%

LAB 26.23, 62.56, -87.64

 

CMYK 0 / 91 / 5 / 21

HEX #CA12BF

RGB 202 18 191

HSL 303.59, 0.84%, 0.43%

LAB 47.94, 79.23, -44.8

 

CMYK 0 / 91 / 5 / 21

HEX #CA12BF

RGB 202 18 191

HSL 303.59, 0.84%, 0.43%

LAB 47.94, 79.23, -44.8

 

CMYK 0 / 81 / 5 / 28

HEX #B823AF

RGB 184 35 175

HSL 303.62, 0.68%, 0.43%

LAB 44.92, 70.51, -40.4

 

CMYK 0 / 68 / 4 / 35

HEX #A635A0

RGB 166 53 160

HSL 303.19, 0.52%, 0.43%

LAB 43.05, 58.6, -34.63

 

CMYK 0 / 52 / 3 / 42

HEX #954790

RGB 149 71 144

HSL 303.85, 0.35%, 0.43%

LAB 42.63, 43.11, -25.86

 

CMYK 0 / 32 / 2 / 49

HEX #835980

RGB 131 89 128

HSL 304.29, 0.19%, 0.43%

LAB 43.55, 24.09, -14.95

 

CMYK 44 / 91 / 0 / 21

HEX #7112CA

RGB 113 18 202

HSL 270.98, 0.84%, 0.43%

LAB 34.41, 68.17, -73.83

 

CMYK 20 / 91 / 0 / 21

HEX #A212CA

RGB 162 18 202

HSL 286.96, 0.84%, 0.43%

LAB 41.81, 74.46, -61.43

 

CMYK 0 / 91 / 4 / 21

HEX #CA12C1

RGB 202 18 193

HSL 302.93, 0.84%, 0.43%

LAB 48.06, 79.52, -45.79

 

CMYK 0 / 91 / 29 / 21

HEX #CA128F

RGB 202 18 143

HSL 319.24, 0.84%, 0.43%

LAB 45.6, 73.15, -19.94

 

CMYK 0 / 91 / 53 / 21

HEX #CA125E

RGB 202 18 94

HSL 335.22, 0.84%, 0.43%

LAB 43.94, 68.66, 7.86

 

CMYK 0 / 91 / 6 / 51

HEX #7E0B77

RGB 126 11 119

HSL 303.65, 0.84%, 0.27%

LAB 29.43, 55.39, -31.39

 

CMYK 0 / 91 / 5 / 36

HEX #A40E9B

RGB 164 14 155

HSL 303.6, 0.84%, 0.35%

LAB 38.85, 67.67, -38.29

 

CMYK 0 / 91 / 5 / 21

HEX #CA12BF

RGB 202 18 191

HSL 303.59, 0.84%, 0.43%

LAB 47.94, 79.23, -44.8

 

CMYK 0 / 89 / 5 / 8

HEX #EB1ADF

RGB 235 26 223

HSL 303.44, 0.84%, 0.51%

LAB 55.82, 88.49, -50.31

 

CMYK 0 / 74 / 4 / 7

HEX #EE3FE4

RGB 238 63 228

HSL 303.43, 0.84%, 0.59%

LAB 59.28, 81.92, -47.6

 

CMYK 0 / 92 / 5 / 21

HEX #CA11BF

RGB 202 17 191

HSL 303.57, 0.84%, 0.43%

LAB 47.9, 79.35, -44.87

 

CMYK 0 / 68 / 91 / 21

HEX #CA4012

RGB 202 64 18

HSL 15, 0.84%, 0.43%

LAB 47.32, 52.87, 53.68

 

CMYK 91 / 0 / 32 / 21

HEX #12CA89

RGB 18 202 137

HSL 158.8, 0.84%, 0.43%

LAB 72.35, -56.7, 20.99

 

CMYK 0 / 92 / 5 / 21

HEX #CA11BF

RGB 202 17 191

HSL 303.57, 0.84%, 0.43%

LAB 47.9, 79.35, -44.87

 

CMYK 4 / 0 / 91 / 21

HEX #C1CA12

RGB 193 202 18

HSL 62.93, 0.84%, 0.43%

LAB 78.24, -21.71, 76.53

 

CMYK 91 / 4 / 0 / 21

HEX #12C1CA

RGB 18 193 202

HSL 182.93, 0.84%, 0.43%

LAB 71.24, -35.66, -15.81

 

CMYK 0 / 92 / 5 / 21

HEX #CA11BF

RGB 202 17 191

HSL 303.57, 0.84%, 0.43%

LAB 47.9, 79.35, -44.87

 

CMYK 0 / 68 / 91 / 21

HEX #CA4012

RGB 202 64 18

HSL 15, 0.84%, 0.43%

LAB 47.32, 52.87, 53.68

 

CMYK 91 / 0 / 87 / 21

HEX #12CA1B

RGB 18 202 27

HSL 122.93, 0.84%, 0.43%

LAB 71.18, -70.8, 66.22

 

CMYK 91 / 23 / 0 / 21

HEX #129CCA

RGB 18 156 202

HSL 195, 0.84%, 0.43%

LAB 60.04, -17.1, -32.96

 

CMYK 0 / 92 / 5 / 21

HEX #CA11BF

RGB 202 17 191

HSL 303.57, 0.84%, 0.43%

LAB 47.9, 79.35, -44.87

 

CMYK 0 / 41 / 91 / 21

HEX #CA7712

RGB 202 119 18

HSL 32.93, 0.84%, 0.43%

LAB 57.84, 26.13, 61.31

 

CMYK 91 / 0 / 87 / 21

HEX #12CA1B

RGB 18 202 27

HSL 122.93, 0.84%, 0.43%

LAB 71.18, -70.8, 66.22

 

CMYK 91 / 50 / 0 / 21

HEX #1264CA

RGB 18 100 202

HSL 213.26, 0.84%, 0.43%

LAB 43.52, 16.44, -59.2

 

Description

Color code: HEX #CA11BF | qconv.com Color code: HEX #CA11BF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 17 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 17 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 5 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 5% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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