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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA044E it is the complementary color #35FBB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA044E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA044E shade: #CF0449, #E0165C, #F1286F, #FF3A82 and #FF4C95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA044E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA044E shade: #CA044E, #B9003B, #A80028, #970015 and #860002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA044E shade: #C8044D, #C80418 and #C80404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA044E shade: #C8044D, #C80482, #C804B7, #A404C8 and #6F04C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA044E shade matches the following richer shades: #C8044D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA044E shade: #C8044D, #B71551, #A72556, #96365A and #86465E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA044E shade: #C804B8, #C80483, #C8044F, #C8041B and #C82104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA044E shade: #77022E, #9F033E, #C8044D, #F0055D and #FB2474

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA044E shade: #CA044E, #C8A404 and #049DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA044E shade: #CA044E, #4FC804 and #044FC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA044E shade: #CA044E, #C8A404, #04C87D and #0428C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA044E shade: #CA044E, #B1C804, #04C87D and #1B04C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 61 / 21

HEX #CA044E

RGB 202 4 78

HSL 337.58, 0.96%, 0.4%

LAB 43.05, 69.1, 16.69

 

Complementary color

CMYK 79 / 0 / 29 / 2

HEX #35FBB1

RGB 53 251 177

HSL 157.58, 0.96%, 0.6%

LAB 88.41, -63.55, 22.34

 

CMYK 0 / 98 / 65 / 19

HEX #CF0449

RGB 207 4 73

HSL 339.61, 0.96%, 0.41%

LAB 43.99, 70.01, 21.26

 

CMYK 0 / 90 / 59 / 12

HEX #E0165C

RGB 224 22 92

HSL 339.21, 0.82%, 0.48%

LAB 48.5, 73.24, 16.11

 

CMYK 0 / 83 / 54 / 5

HEX #F1286F

RGB 241 40 111

HSL 338.81, 0.88%, 0.55%

LAB 53.35, 75.48, 11.74

 

CMYK 0 / 77 / 49 / 0

HEX #FF3A82

RGB 255 58 130

HSL 338.07, 1%, 0.61%

LAB 57.94, 76.07, 7.26

 

CMYK 0 / 70 / 42 / 0

HEX #FF4C95

RGB 255 76 149

HSL 335.53, 1%, 0.65%

LAB 60.43, 72.17, -0.31

 

CMYK 0 / 98 / 61 / 21

HEX #CA044E

RGB 202 4 78

HSL 337.58, 0.96%, 0.4%

LAB 43.05, 69.1, 16.69

 

CMYK 0 / 100 / 68 / 27

HEX #B9003B

RGB 185 0 59

HSL 340.86, 1%, 0.36%

LAB 38.95, 64.44, 22.68

 

CMYK 0 / 100 / 76 / 34

HEX #A80028

RGB 168 0 40

HSL 345.71, 1%, 0.33%

LAB 34.96, 59.45, 29.02

 

CMYK 0 / 100 / 86 / 41

HEX #970015

RGB 151 0 21

HSL 351.66, 1%, 0.3%

LAB 30.96, 54.54, 35.13

 

CMYK 0 / 100 / 99 / 47

HEX #860002

RGB 134 0 2

HSL 359.1, 1%, 0.26%

LAB 26.94, 49.71, 39.04

 

CMYK 0 / 98 / 62 / 22

HEX #C8044D

RGB 200 4 77

HSL 337.65, 0.96%, 0.4%

LAB 42.62, 68.57, 16.66

 

CMYK 0 / 98 / 88 / 22

HEX #C80418

RGB 200 4 24

HSL 353.88, 0.96%, 0.4%

LAB 41.89, 66.6, 47.07

 

CMYK 0 / 98 / 98 / 22

HEX #C80404

RGB 200 4 4

HSL 0, 0.96%, 0.4%

LAB 41.81, 66.36, 54.61

 

CMYK 0 / 98 / 62 / 22

HEX #C8044D

RGB 200 4 77

HSL 337.65, 0.96%, 0.4%

LAB 42.62, 68.57, 16.66

 

CMYK 0 / 98 / 35 / 22

HEX #C80482

RGB 200 4 130

HSL 321.43, 0.96%, 0.4%

LAB 44.2, 72.78, -14.18

 

CMYK 0 / 98 / 9 / 22

HEX #C804B7

RGB 200 4 183

HSL 305.2, 0.96%, 0.4%

LAB 46.69, 79.09, -42.13

 

CMYK 18 / 98 / 0 / 22

HEX #A404C8

RGB 164 4 200

HSL 288.98, 0.96%, 0.4%

LAB 41.45, 76.01, -60.83

 

CMYK 45 / 98 / 0 / 22

HEX #6F04C8

RGB 111 4 200

HSL 272.76, 0.96%, 0.4%

LAB 33.21, 69.72, -74.64

 

CMYK 0 / 98 / 62 / 22

HEX #C8044D

RGB 200 4 77

HSL 337.65, 0.96%, 0.4%

LAB 42.62, 68.57, 16.66

 

CMYK 0 / 98 / 62 / 22

HEX #C8044D

RGB 200 4 77

HSL 337.65, 0.96%, 0.4%

LAB 42.62, 68.57, 16.66

 

CMYK 0 / 89 / 56 / 28

HEX #B71551

RGB 183 21 81

HSL 337.78, 0.79%, 0.4%

LAB 39.91, 62.62, 9.85

 

CMYK 0 / 78 / 49 / 35

HEX #A72556

RGB 167 37 86

HSL 337.38, 0.64%, 0.4%

LAB 38.22, 54.9, 3.81

 

CMYK 0 / 64 / 40 / 41

HEX #96365A

RGB 150 54 90

HSL 337.5, 0.47%, 0.4%

LAB 37.59, 43.59, -0.03

 

CMYK 0 / 48 / 30 / 47

HEX #86465E

RGB 134 70 94

HSL 337.5, 0.31%, 0.4%

LAB 38.3, 30.27, -1.81

 

CMYK 0 / 98 / 8 / 22

HEX #C804B8

RGB 200 4 184

HSL 304.9, 0.96%, 0.4%

LAB 46.75, 79.23, -42.63

 

CMYK 0 / 98 / 35 / 22

HEX #C80483

RGB 200 4 131

HSL 321.12, 0.96%, 0.4%

LAB 44.24, 72.88, -14.73

 

CMYK 0 / 98 / 61 / 22

HEX #C8044F

RGB 200 4 79

HSL 337.04, 0.96%, 0.4%

LAB 42.66, 68.69, 15.45

 

CMYK 0 / 98 / 87 / 22

HEX #C8041B

RGB 200 4 27

HSL 352.96, 0.96%, 0.4%

LAB 41.92, 66.66, 45.62

 

CMYK 0 / 84 / 98 / 22

HEX #C82104

RGB 200 33 4

HSL 8.88, 0.96%, 0.4%

LAB 43.32, 62, 55.3

 

CMYK 0 / 98 / 61 / 53

HEX #77022E

RGB 119 2 46

HSL 337.44, 0.97%, 0.24%

LAB 24.2, 46.95, 9.18

 

CMYK 0 / 98 / 61 / 38

HEX #9F033E

RGB 159 3 62

HSL 337.31, 0.96%, 0.32%

LAB 33.53, 57.91, 12.56

 

CMYK 0 / 98 / 62 / 22

HEX #C8044D

RGB 200 4 77

HSL 337.65, 0.96%, 0.4%

LAB 42.62, 68.57, 16.66

 

CMYK 0 / 98 / 61 / 6

HEX #F0055D

RGB 240 5 93

HSL 337.53, 0.96%, 0.48%

LAB 51.18, 78.66, 19.66

 

CMYK 0 / 86 / 54 / 2

HEX #FB2474

RGB 251 36 116

HSL 337.67, 0.96%, 0.56%

LAB 55.11, 79.03, 11.48

 

CMYK 0 / 98 / 61 / 21

HEX #CA044E

RGB 202 4 78

HSL 337.58, 0.96%, 0.4%

LAB 43.05, 69.1, 16.69

 

CMYK 0 / 18 / 98 / 22

HEX #C8A404

RGB 200 164 4

HSL 48.98, 0.96%, 0.4%

LAB 68.63, 0.66, 71.3

 

CMYK 98 / 22 / 0 / 22

HEX #049DC8

RGB 4 157 200

HSL 193.16, 0.96%, 0.4%

LAB 60.17, -18.86, -31.66

 

CMYK 0 / 98 / 61 / 21

HEX #CA044E

RGB 202 4 78

HSL 337.58, 0.96%, 0.4%

LAB 43.05, 69.1, 16.69

 

CMYK 61 / 0 / 98 / 22

HEX #4FC804

RGB 79 200 4

HSL 97.04, 0.96%, 0.4%

LAB 71.54, -61.74, 70.24

 

CMYK 98 / 61 / 0 / 22

HEX #044FC8

RGB 4 79 200

HSL 217.04, 0.96%, 0.4%

LAB 37.46, 28.97, -67.91

 

CMYK 0 / 98 / 61 / 21

HEX #CA044E

RGB 202 4 78

HSL 337.58, 0.96%, 0.4%

LAB 43.05, 69.1, 16.69

 

CMYK 0 / 18 / 98 / 22

HEX #C8A404

RGB 200 164 4

HSL 48.98, 0.96%, 0.4%

LAB 68.63, 0.66, 71.3

 

CMYK 98 / 0 / 38 / 22

HEX #04C87D

RGB 4 200 125

HSL 157.04, 0.96%, 0.4%

LAB 71.43, -59.05, 26.06

 

CMYK 98 / 80 / 0 / 22

HEX #0428C8

RGB 4 40 200

HSL 228.98, 0.96%, 0.4%

LAB 28.68, 52.8, -82.4

 

CMYK 0 / 98 / 61 / 21

HEX #CA044E

RGB 202 4 78

HSL 337.58, 0.96%, 0.4%

LAB 43.05, 69.1, 16.69

 

CMYK 12 / 0 / 98 / 22

HEX #B1C804

RGB 177 200 4

HSL 67.04, 0.96%, 0.4%

LAB 76.48, -27.67, 76.2

 

CMYK 98 / 0 / 38 / 22

HEX #04C87D

RGB 4 200 125

HSL 157.04, 0.96%, 0.4%

LAB 71.43, -59.05, 26.06

 

CMYK 87 / 98 / 0 / 22

HEX #1B04C8

RGB 27 4 200

HSL 247.04, 0.96%, 0.4%

LAB 25.23, 65.36, -88.13

 

Description

Color code: HEX #CA044E | qconv.com Color code: HEX #CA044E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 4 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 4 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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