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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9FCAF3F it is the complementary color #3603503F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9FCAF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9FCAF3F shade: #CEFCAA3F, #DFFFBD3F, #F0FFD03F, #FFFFE33F and #FFFFF63F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9FCAF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9FCAF3F shade: #C9FCAF3F, #B8EA9C3F, #A7D8893F, #96C6763F and #85B4633F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9FCAF3F shade: #CAFCB0, #DEFCB0, #F3FCB0, #FCF1B0 and #FCDDB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9FCAF3F shade: #CAFCB0, #B5FCB0, #B0FCC0, #B0FCD4 and #B0FCE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9FCAF3F shade matches the following richer shades: #CAFCB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9FCAF3F shade: #CAFCB0, #CCF6B7, #CEEFBD, #D0E8C4 and #D2E2CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9FCAF3F shade: #F3FCB0, #DFFCB0, #CBFCB0, #B7FCB0 and #B0FCBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9FCAF3F shade: #94F961, #AFFB88, #CAFCB0, #E5FED8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9FCAF3F shade: #C9FCAF, #B0FCF1 and #FCB0E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9FCAF3F shade: #C9FCAF, #B0CBFC and #FCB0CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9FCAF3F shade: #C9FCAF, #B0FCF1, #E2B0FC and #FCB0BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9FCAF3F shade: #C9FCAF, #B0F1FC, #E2B0FC and #FCBCB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 8 / 0

HEX #C9FCAF3F

RGBA 201 252 175 0.25

HSLA 99.74, 0.93%, 0.84%, 0.25

LABA 93.94, -29.7, 31.75, 0.25

 

Complementary color

CMYK 8 / 24 / 0 / 17

HEX #3603503F

RGBA 54 3 80 0.25

HSLA 279.74, 0.93%, 0.16%, 0.25

LABA 12.15, 36.73, -34.2, 0.25

 

CMYK 5 / 0 / 8 / 0

HEX #CEFCAA3F

RGBA 206 252 170 0.25

HSLA 93.66, 0.93%, 0.83%, 0.25

LABA 94.16, -28.69, 34.61, 0.25

 

CMYK 3 / 0 / 6 / 0

HEX #DFFFBD3F

RGBA 223 255 189 0.25

HSLA 89.09, 1%, 0.87%, 0.25

LABA 96.36, -21.51, 28.21, 0.25

 

CMYK 1 / 0 / 5 / 0

HEX #F0FFD03F

RGBA 240 255 208 0.25

HSLA 79.15, 1%, 0.91%, 0.25

LABA 97.87, -12.76, 20.84, 0.25

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFE33F

RGBA 255 255 227 0.25

HSLA 60, 1%, 0.95%, 0.25

LABA 99.35, -4.64, 13.39, 0.25

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF63F

RGBA 255 255 246 0.25

HSLA 60, 1%, 0.98%, 0.25

LABA 99.78, -1.54, 4.28, 0.25

 

CMYK 5 / 0 / 8 / 0

HEX #C9FCAF3F

RGBA 201 252 175 0.25

HSLA 99.74, 0.93%, 0.84%, 0.25

LABA 93.94, -29.7, 31.75, 0.25

 

CMYK 5 / 0 / 8 / 2

HEX #B8EA9C3F

RGBA 184 234 156 0.25

HSLA 98.46, 0.65%, 0.76%, 0.25

LABA 87.7, -29.83, 32.82, 0.25

 

CMYK 6 / 0 / 9 / 4

HEX #A7D8893F

RGBA 167 216 137 0.25

HSLA 97.22, 0.5%, 0.69%, 0.25

LABA 81.36, -29.96, 33.92, 0.25

 

CMYK 6 / 0 / 10 / 6

HEX #96C6763F

RGBA 150 198 118 0.25

HSLA 96, 0.41%, 0.62%, 0.25

LABA 74.94, -30.07, 35.08, 0.25

 

CMYK 7 / 0 / 11 / 7

HEX #85B4633F

RGBA 133 180 99 0.25

HSLA 94.81, 0.35%, 0.55%, 0.25

LABA 68.41, -30.17, 36.27, 0.25

 

CMYK 20 / 0 / 30 / 1

HEX #CAFCB0

RGB 202 252 176

HSL 99.47, 0.93%, 0.84%

LAB 94.02, -29.22, 31.37

 

CMYK 12 / 0 / 30 / 1

HEX #DEFCB0

RGB 222 252 176

HSL 83.68, 0.93%, 0.84%

LAB 95.28, -22.24, 33.28

 

CMYK 4 / 0 / 30 / 1

HEX #F3FCB0

RGB 243 252 176

HSL 67.11, 0.93%, 0.84%

LAB 96.74, -14.64, 35.49

 

CMYK 0 / 4 / 30 / 1

HEX #FCF1B0

RGB 252 241 176

HSL 51.32, 0.93%, 0.84%

LAB 94.63, -5.87, 32.79

 

CMYK 0 / 12 / 30 / 1

HEX #FCDDB0

RGB 252 221 176

HSL 35.53, 0.93%, 0.84%

LAB 89.65, 4.27, 26.06

 

CMYK 20 / 0 / 30 / 1

HEX #CAFCB0

RGB 202 252 176

HSL 99.47, 0.93%, 0.84%

LAB 94.02, -29.22, 31.37

 

CMYK 28 / 0 / 30 / 1

HEX #B5FCB0

RGB 181 252 176

HSL 116.05, 0.93%, 0.84%

LAB 92.83, -36.16, 29.56

 

CMYK 30 / 0 / 24 / 1

HEX #B0FCC0

RGB 176 252 192

HSL 132.63, 0.93%, 0.84%

LAB 92.86, -35.08, 21.44

 

CMYK 30 / 0 / 16 / 1

HEX #B0FCD4

RGB 176 252 212

HSL 148.42, 0.93%, 0.84%

LAB 93.28, -31.42, 11.77

 

CMYK 30 / 0 / 8 / 1

HEX #B0FCE8

RGB 176 252 232

HSL 164.21, 0.93%, 0.84%

LAB 93.74, -27.43, 2.11

 

CMYK 20 / 0 / 30 / 1

HEX #CAFCB0

RGB 202 252 176

HSL 99.47, 0.93%, 0.84%

LAB 94.02, -29.22, 31.37

 

CMYK 20 / 0 / 30 / 1

HEX #CAFCB0

RGB 202 252 176

HSL 99.47, 0.93%, 0.84%

LAB 94.02, -29.22, 31.37

 

CMYK 17 / 0 / 26 / 4

HEX #CCF6B7

RGB 204 246 183

HSL 100, 0.78%, 0.84%

LAB 92.65, -24.65, 25.99

 

CMYK 14 / 0 / 21 / 6

HEX #CEEFBD

RGB 206 239 189

HSL 99.6, 0.61%, 0.84%

LAB 91.02, -19.64, 20.69

 

CMYK 10 / 0 / 16 / 9

HEX #D0E8C4

RGB 208 232 196

HSL 100, 0.44%, 0.84%

LAB 89.44, -14.36, 14.87

 

CMYK 7 / 0 / 10 / 11

HEX #D2E2CB

RGB 210 226 203

HSL 101.74, 0.28%, 0.84%

LAB 88.16, -9.47, 9.42

 

CMYK 4 / 0 / 30 / 1

HEX #F3FCB0

RGB 243 252 176

HSL 67.11, 0.93%, 0.84%

LAB 96.74, -14.64, 35.49

 

CMYK 12 / 0 / 30 / 1

HEX #DFFCB0

RGB 223 252 176

HSL 82.89, 0.93%, 0.84%

LAB 95.35, -21.89, 33.38

 

CMYK 19 / 0 / 30 / 1

HEX #CBFCB0

RGB 203 252 176

HSL 98.68, 0.93%, 0.84%

LAB 94.08, -28.87, 31.46

 

CMYK 27 / 0 / 30 / 1

HEX #B7FCB0

RGB 183 252 176

HSL 114.47, 0.93%, 0.84%

LAB 92.94, -35.51, 29.72

 

CMYK 30 / 0 / 25 / 1

HEX #B0FCBE

RGB 176 252 190

HSL 131.05, 0.93%, 0.84%

LAB 92.83, -35.42, 22.41

 

CMYK 41 / 0 / 61 / 2

HEX #94F961

RGB 148 249 97

HSL 99.87, 0.93%, 0.68%

LAB 89.35, -55.25, 62.14

 

CMYK 30 / 0 / 46 / 2

HEX #AFFB88

RGB 175 251 136

HSL 99.65, 0.93%, 0.76%

LAB 91.63, -43.23, 47.63

 

CMYK 20 / 0 / 30 / 1

HEX #CAFCB0

RGB 202 252 176

HSL 99.47, 0.93%, 0.84%

LAB 94.02, -29.22, 31.37

 

CMYK 10 / 0 / 15 / 0

HEX #E5FED8

RGB 229 254 216

HSL 99.47, 0.95%, 0.92%

LAB 97.02, -14.79, 15.46

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 0 / 31 / 1

HEX #C9FCAF

RGB 201 252 175

HSL 99.74, 0.93%, 0.84%

LAB 93.94, -29.7, 31.75

 

CMYK 30 / 0 / 4 / 1

HEX #B0FCF1

RGB 176 252 241

HSL 171.32, 0.93%, 0.84%

LAB 93.97, -25.52, -2.21

 

CMYK 0 / 30 / 8 / 1

HEX #FCB0E9

RGB 252 176 233

HSL 315, 0.93%, 0.84%

LAB 80.53, 36.26, -17.36

 

CMYK 20 / 0 / 31 / 1

HEX #C9FCAF

RGB 201 252 175

HSL 99.74, 0.93%, 0.84%

LAB 93.94, -29.7, 31.75

 

CMYK 30 / 19 / 0 / 1

HEX #B0CBFC

RGB 176 203 252

HSL 218.68, 0.93%, 0.84%

LAB 81.28, 1.94, -27

 

CMYK 0 / 30 / 19 / 1

HEX #FCB0CB

RGB 252 176 203

HSL 338.68, 0.93%, 0.84%

LAB 79.65, 31.5, -2.47

 

CMYK 20 / 0 / 31 / 1

HEX #C9FCAF

RGB 201 252 175

HSL 99.74, 0.93%, 0.84%

LAB 93.94, -29.7, 31.75

 

CMYK 30 / 0 / 4 / 1

HEX #B0FCF1

RGB 176 252 241

HSL 171.32, 0.93%, 0.84%

LAB 93.97, -25.52, -2.21

 

CMYK 10 / 30 / 0 / 1

HEX #E2B0FC

RGB 226 176 252

HSL 279.47, 0.93%, 0.84%

LAB 78.61, 31.51, -30.75

 

CMYK 0 / 30 / 25 / 1

HEX #FCB0BC

RGB 252 176 188

HSL 350.53, 0.93%, 0.84%

LAB 79.26, 29.35, 5.1

 

CMYK 20 / 0 / 31 / 1

HEX #C9FCAF

RGB 201 252 175

HSL 99.74, 0.93%, 0.84%

LAB 93.94, -29.7, 31.75

 

CMYK 30 / 4 / 0 / 1

HEX #B0F1FC

RGB 176 241 252

HSL 188.68, 0.93%, 0.84%

LAB 91.31, -17.71, -11.85

 

CMYK 10 / 30 / 0 / 1

HEX #E2B0FC

RGB 226 176 252

HSL 279.47, 0.93%, 0.84%

LAB 78.61, 31.51, -30.75

 

CMYK 0 / 25 / 30 / 1

HEX #FCBCB0

RGB 252 188 176

HSL 9.47, 0.93%, 0.84%

LAB 81.73, 21.45, 15.09

 

Description

Color code: HEX #C9FCAF3F | qconv.com Color code: HEX #C9FCAF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 252 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 252 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 8 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 8% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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