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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9FC78 it is the complementary color #360387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9FC78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C9FC78: #CEFC73, #DFFF86, #F0FF99, #FFFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9FC78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C9FC78: #C9FC78, #B8EA65, #A7D852, #96C63F and #85B42C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

Complementary color

CMYK 60 / 98 / 0 / 47

HEX #360387

RGB 54 3 135

HSL 263.18, 0.96%, 0.27%

LAB 18.36, 50.18, -60.06

 

CMYK 18 / 0 / 54 / 1

HEX #CEFC73

RGB 206 252 115

HSL 80.15, 0.96%, 0.72%

LAB 93.44, -34.96, 59.88

 

CMYK 13 / 0 / 47 / 0

HEX #DFFF86

RGB 223 255 134

HSL 75.87, 1%, 0.76%

LAB 95.55, -28.23, 54.03

 

CMYK 6 / 0 / 40 / 0

HEX #F0FF99

RGB 240 255 153

HSL 68.82, 1%, 0.8%

LAB 96.96, -19.9, 47.03

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

CMYK 21 / 0 / 57 / 8

HEX #B8EA65

RGB 184 234 101

HSL 82.56, 0.76%, 0.66%

LAB 86.98, -36.17, 58.27

 

CMYK 23 / 0 / 62 / 15

HEX #A7D852

RGB 167 216 82

HSL 81.94, 0.63%, 0.58%

LAB 80.7, -35.94, 59.14

 

CMYK 24 / 0 / 68 / 22

HEX #96C63F

RGB 150 198 63

HSL 81.33, 0.54%, 0.51%

LAB 74.34, -35.6, 59.75

 

CMYK 26 / 0 / 76 / 29

HEX #85B42C

RGB 133 180 44

HSL 80.74, 0.61%, 0.44%

LAB 67.88, -35.12, 59.87

 

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

CMYK 29 / 0 / 52 / 1

HEX #B3FC78

RGB 179 252 120

HSL 93.18, 0.96%, 0.73%

LAB 91.94, -44.11, 55.48

 

CMYK 38 / 0 / 52 / 1

HEX #9DFC78

RGB 157 252 120

HSL 103.18, 0.96%, 0.73%

LAB 90.85, -51.33, 53.92

 

CMYK 46 / 0 / 52 / 1

HEX #87FC78

RGB 135 252 120

HSL 113.18, 0.96%, 0.73%

LAB 89.92, -57.84, 52.59

 

CMYK 52 / 0 / 50 / 1

HEX #78FC7E

RGB 120 252 126

HSL 122.73, 0.96%, 0.73%

LAB 89.45, -61.05, 49.12

 

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

CMYK 21 / 0 / 52 / 81

HEX #263017

RGB 38 48 23

HSL 84, 0.35%, 0.14%

LAB 18.31, -9.6, 14.6

 

CMYK 20 / 0 / 53 / 61

HEX #4F632F

RGB 79 99 47

HSL 83.08, 0.36%, 0.29%

LAB 39.23, -17.12, 26.9

 

CMYK 20 / 0 / 53 / 41

HEX #789647

RGB 120 150 71

HSL 82.78, 0.36%, 0.43%

LAB 58.28, -23.84, 37.88

 

CMYK 20 / 0 / 52 / 21

HEX #A0C960

RGB 160 201 96

HSL 83.43, 0.49%, 0.58%

LAB 76.13, -30.39, 47.55

 

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

CMYK 52 / 0 / 22 / 1

HEX #78FCC5

RGB 120 252 197

HSL 155, 0.96%, 0.73%

LAB 90.62, -48.96, 15.39

 

CMYK 1 / 52 / 0 / 1

HEX #FA78FC

RGB 250 120 252

HSL 299.09, 0.96%, 0.73%

LAB 70.03, 66.79, -43.86

 

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

CMYK 52 / 20 / 0 / 1

HEX #78C9FC

RGB 120 201 252

HSL 203.18, 0.96%, 0.73%

LAB 77.75, -10.97, -32.67

 

CMYK 0 / 52 / 20 / 1

HEX #FC78C9

RGB 252 120 201

HSL 323.18, 0.96%, 0.73%

LAB 68.27, 59.39, -18.33

 

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

CMYK 52 / 0 / 22 / 1

HEX #78FCC5

RGB 120 252 197

HSL 155, 0.96%, 0.73%

LAB 90.62, -48.96, 15.39

 

CMYK 33 / 52 / 0 / 1

HEX #AA78FC

RGB 170 120 252

HSL 262.73, 0.96%, 0.73%

LAB 60.79, 46.39, -59.08

 

CMYK 0 / 52 / 31 / 1

HEX #FC78AF

RGB 252 120 175

HSL 335, 0.96%, 0.73%

LAB 67.44, 55.97, -4.96

 

CMYK 20 / 0 / 52 / 1

HEX #C9FC78

RGB 201 252 120

HSL 83.18, 0.96%, 0.73%

LAB 93.19, -36.33, 57.27

 

CMYK 52 / 0 / 6 / 1

HEX #78FCEC

RGB 120 252 236

HSL 172.73, 0.96%, 0.73%

LAB 91.54, -40.16, -3.46

 

CMYK 33 / 52 / 0 / 1

HEX #AA78FC

RGB 170 120 252

HSL 262.73, 0.96%, 0.73%

LAB 60.79, 46.39, -59.08

 

CMYK 0 / 52 / 46 / 1

HEX #FC7887

RGB 252 120 135

HSL 353.18, 0.96%, 0.73%

LAB 66.43, 51.64, 16.24

 

Description

Color code: HEX #C9FC78 | qconv.com Color code: HEX #C9FC78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 252 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 252 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 52 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 52% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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