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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9FBA9 it is the complementary color #360456. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9FBA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9FBA9 shade: #CEFBA4, #DFFFB7, #F0FFCA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9FBA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9FBA9 shade: #C9FBA9, #B8E996, #A7D783, #96C570 and #85B35D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9FBA9 shade: #C8FBA7, #DEFBA7, #F5FBA7, #FBEAA7 and #FBD4A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9FBA9 shade: #C8FBA7, #B1FBA7, #A7FBB4, #A7FBCA and #A7FBE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9FBA9 shade matches the following richer shades: #C8FBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9FBA9 shade: #C8FBA7, #CAF3AF, #CBECB6, #CDE5BE and #CEDDC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9FBA9 shade: #F5FBA7, #DFFBA7, #C9FBA7, #B2FBA7 and #A7FBB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9FBA9 shade: #96F759, #AFF980, #C8FBA7, #E1FDCF and #F9FFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9FBA9 shade: #C9FBA9, #A7FBEA and #FBA7EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9FBA9 shade: #C9FBA9, #A7C9FB and #FBA7C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9FBA9 shade: #C9FBA9, #A7FBEA, #D9A7FB and #FBA7B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9FBA9 shade: #C9FBA9, #A7F3FB, #D9A7FB and #FBB0A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 33 / 2

HEX #C9FBA9

RGB 201 251 169

HSL 96.59, 0.91%, 0.82%

LAB 93.57, -30.09, 34.27

 

Complementary color

CMYK 37 / 95 / 0 / 66

HEX #360456

RGB 54 4 86

HSL 276.59, 0.91%, 0.18%

LAB 12.88, 37.72, -37.11

 

CMYK 18 / 0 / 35 / 2

HEX #CEFBA4

RGB 206 251 164

HSL 91.03, 0.92%, 0.81%

LAB 93.8, -29.04, 37.11

 

CMYK 13 / 0 / 28 / 0

HEX #DFFFB7

RGB 223 255 183

HSL 86.67, 1%, 0.86%

LAB 96.26, -22.36, 31.09

 

CMYK 6 / 0 / 21 / 0

HEX #F0FFCA

RGB 240 255 202

HSL 76.98, 1%, 0.9%

LAB 97.76, -13.66, 23.73

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 20 / 0 / 33 / 2

HEX #C9FBA9

RGB 201 251 169

HSL 96.59, 0.91%, 0.82%

LAB 93.57, -30.09, 34.27

 

CMYK 21 / 0 / 36 / 9

HEX #B8E996

RGB 184 233 150

HSL 95.42, 0.65%, 0.75%

LAB 87.32, -30.2, 35.35

 

CMYK 22 / 0 / 39 / 16

HEX #A7D783

RGB 167 215 131

HSL 94.29, 0.51%, 0.68%

LAB 80.99, -30.3, 36.48

 

CMYK 24 / 0 / 43 / 23

HEX #96C570

RGB 150 197 112

HSL 93.18, 0.42%, 0.61%

LAB 74.56, -30.38, 37.65

 

CMYK 26 / 0 / 48 / 30

HEX #85B35D

RGB 133 179 93

HSL 92.09, 0.36%, 0.53%

LAB 68.03, -30.44, 38.84

 

CMYK 20 / 0 / 33 / 2

HEX #C8FBA7

RGB 200 251 167

HSL 96.43, 0.91%, 0.82%

LAB 93.48, -30.71, 35.13

 

CMYK 12 / 0 / 33 / 2

HEX #DEFBA7

RGB 222 251 167

HSL 80.71, 0.91%, 0.82%

LAB 94.87, -22.95, 37.23

 

CMYK 2 / 0 / 33 / 2

HEX #F5FBA7

RGB 245 251 167

HSL 64.29, 0.91%, 0.82%

LAB 96.49, -14.51, 39.66

 

CMYK 0 / 7 / 33 / 2

HEX #FBEAA7

RGB 251 234 167

HSL 47.86, 0.91%, 0.82%

LAB 92.64, -3.82, 34.67

 

CMYK 0 / 16 / 33 / 2

HEX #FBD4A7

RGB 251 212 167

HSL 32.14, 0.91%, 0.82%

LAB 87.19, 7.42, 27.36

 

CMYK 20 / 0 / 33 / 2

HEX #C8FBA7

RGB 200 251 167

HSL 96.43, 0.91%, 0.82%

LAB 93.48, -30.71, 35.13

 

CMYK 29 / 0 / 33 / 2

HEX #B1FBA7

RGB 177 251 167

HSL 112.86, 0.91%, 0.82%

LAB 92.19, -38.37, 33.19

 

CMYK 33 / 0 / 28 / 2

HEX #A7FBB4

RGB 167 251 180

HSL 129.29, 0.91%, 0.82%

LAB 91.91, -39.4, 26.17

 

CMYK 33 / 0 / 20 / 2

HEX #A7FBCA

RGB 167 251 202

HSL 145, 0.91%, 0.82%

LAB 92.34, -35.48, 15.52

 

CMYK 33 / 0 / 10 / 2

HEX #A7FBE1

RGB 167 251 225

HSL 161.43, 0.91%, 0.82%

LAB 92.86, -30.92, 4.4

 

CMYK 20 / 0 / 33 / 2

HEX #C8FBA7

RGB 200 251 167

HSL 96.43, 0.91%, 0.82%

LAB 93.48, -30.71, 35.13

 

CMYK 20 / 0 / 33 / 2

HEX #C8FBA7

RGB 200 251 167

HSL 96.43, 0.91%, 0.82%

LAB 93.48, -30.71, 35.13

 

CMYK 17 / 0 / 28 / 5

HEX #CAF3AF

RGB 202 243 175

HSL 96.18, 0.74%, 0.82%

LAB 91.57, -25.1, 28.57

 

CMYK 14 / 0 / 23 / 7

HEX #CBECB6

RGB 203 236 182

HSL 96.67, 0.59%, 0.82%

LAB 89.89, -20.31, 22.7

 

CMYK 10 / 0 / 17 / 10

HEX #CDE5BE

RGB 205 229 190

HSL 96.92, 0.43%, 0.82%

LAB 88.32, -14.89, 16.39

 

CMYK 7 / 0 / 11 / 13

HEX #CEDDC5

RGB 206 221 197

HSL 97.5, 0.26%, 0.82%

LAB 86.44, -9.34, 10.07

 

CMYK 2 / 0 / 33 / 2

HEX #F5FBA7

RGB 245 251 167

HSL 64.29, 0.91%, 0.82%

LAB 96.49, -14.51, 39.66

 

CMYK 11 / 0 / 33 / 2

HEX #DFFBA7

RGB 223 251 167

HSL 80, 0.91%, 0.82%

LAB 94.94, -22.59, 37.33

 

CMYK 20 / 0 / 33 / 2

HEX #C9FBA7

RGB 201 251 167

HSL 95.71, 0.91%, 0.82%

LAB 93.54, -30.37, 35.22

 

CMYK 29 / 0 / 33 / 2

HEX #B2FBA7

RGB 178 251 167

HSL 112.14, 0.91%, 0.82%

LAB 92.24, -38.04, 33.27

 

CMYK 33 / 0 / 29 / 2

HEX #A7FBB2

RGB 167 251 178

HSL 127.86, 0.91%, 0.82%

LAB 91.87, -39.74, 27.13

 

CMYK 39 / 0 / 64 / 3

HEX #96F759

RGB 150 247 89

HSL 96.84, 0.91%, 0.66%

LAB 88.79, -54.52, 64.81

 

CMYK 30 / 0 / 49 / 2

HEX #AFF980

RGB 175 249 128

HSL 96.69, 0.91%, 0.74%

LAB 90.97, -43.3, 50.59

 

CMYK 20 / 0 / 33 / 2

HEX #C8FBA7

RGB 200 251 167

HSL 96.43, 0.91%, 0.82%

LAB 93.48, -30.71, 35.13

 

CMYK 11 / 0 / 18 / 1

HEX #E1FDCF

RGB 225 253 207

HSL 96.52, 0.92%, 0.9%

LAB 96.31, -17.11, 19.02

 

CMYK 2 / 0 / 4 / 0

HEX #F9FFF6

RGB 249 255 246

HSL 100, 1%, 0.98%

LAB 99.34, -3.54, 3.6

 

CMYK 20 / 0 / 33 / 2

HEX #C9FBA9

RGB 201 251 169

HSL 96.59, 0.91%, 0.82%

LAB 93.57, -30.09, 34.27

 

CMYK 33 / 0 / 7 / 2

HEX #A7FBEA

RGB 167 251 234

HSL 167.86, 0.91%, 0.82%

LAB 93.08, -29.01, 0.06

 

CMYK 0 / 33 / 7 / 2

HEX #FBA7EA

RGB 251 167 234

HSL 312.14, 0.91%, 0.82%

LAB 78.51, 40.8, -20.97

 

CMYK 20 / 0 / 33 / 2

HEX #C9FBA9

RGB 201 251 169

HSL 96.59, 0.91%, 0.82%

LAB 93.57, -30.09, 34.27

 

CMYK 33 / 20 / 0 / 2

HEX #A7C9FB

RGB 167 201 251

HSL 215.71, 0.91%, 0.82%

LAB 80.15, 0.26, -28.24

 

CMYK 0 / 33 / 20 / 2

HEX #FBA7C9

RGB 251 167 201

HSL 335.71, 0.91%, 0.82%

LAB 77.5, 35.57, -4.55

 

CMYK 20 / 0 / 33 / 2

HEX #C9FBA9

RGB 201 251 169

HSL 96.59, 0.91%, 0.82%

LAB 93.57, -30.09, 34.27

 

CMYK 33 / 0 / 7 / 2

HEX #A7FBEA

RGB 167 251 234

HSL 167.86, 0.91%, 0.82%

LAB 93.08, -29.01, 0.06

 

CMYK 14 / 33 / 0 / 2

HEX #D9A7FB

RGB 217 167 251

HSL 275.71, 0.91%, 0.82%

LAB 75.67, 33.42, -34.81

 

CMYK 0 / 33 / 27 / 2

HEX #FBA7B8

RGB 251 167 184

HSL 347.86, 0.91%, 0.82%

LAB 77.05, 33.17, 4.06

 

CMYK 20 / 0 / 33 / 2

HEX #C9FBA9

RGB 201 251 169

HSL 96.59, 0.91%, 0.82%

LAB 93.57, -30.09, 34.27

 

CMYK 33 / 3 / 0 / 2

HEX #A7F3FB

RGB 167 243 251

HSL 185.71, 0.91%, 0.82%

LAB 91.36, -21.35, -11.3

 

CMYK 14 / 33 / 0 / 2

HEX #D9A7FB

RGB 217 167 251

HSL 275.71, 0.91%, 0.82%

LAB 75.67, 33.42, -34.81

 

CMYK 0 / 30 / 33 / 2

HEX #FBB0A7

RGB 251 176 167

HSL 6.43, 0.91%, 0.82%

LAB 78.67, 26.25, 15.61

 

Description

Color code: HEX #C9FBA9 | qconv.com Color code: HEX #C9FBA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 251 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 251 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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