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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F98B it is the complementary color #360674. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F98B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F98B shade: #CEF986, #DFFF99, #F0FFAC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F98B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F98B shade: #C9F98B, #B8E778, #A7D565, #96C352 and #85B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F98B shade: #C9F98B, #E7F98B, #F9EE8B, #F9D08B and #F9B28B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F98B shade: #C9F98B, #ABF98B, #8DF98B, #8BF9A6 and #8BF9C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F98B shade matches the following richer shades: #C9F98B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F98B shade: #C9F98B, #C8EF95, #C6E59F, #C5DBA8 and #C4D1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F98B shade: #F9EE8B, #E7F98B, #C9F98B, #ACF98B and #8EF98B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F98B shade: #A4F53C, #B7F764, #C9F98B, #DBFBB2 and #EDFDD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F98B shade: #C9F98B, #8BF9D0 and #F98BF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F98B shade: #C9F98B, #8BC9F9 and #F98BC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F98B shade: #C9F98B, #8BF9D0, #BA8BF9 and #F98BB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F98B shade: #C9F98B, #8BF9F2, #BA8BF9 and #F98B92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

Complementary color

CMYK 53 / 95 / 0 / 55

HEX #360674

RGB 54 6 116

HSL 266.18, 0.9%, 0.24%

LAB 16.38, 44.45, -51.21

 

CMYK 17 / 0 / 46 / 2

HEX #CEF986

RGB 206 249 134

HSL 82.43, 0.91%, 0.75%

LAB 92.84, -31.72, 50.46

 

CMYK 13 / 0 / 40 / 0

HEX #DFFF99

RGB 223 255 153

HSL 78.82, 1%, 0.8%

LAB 95.79, -26.19, 45.31

 

CMYK 6 / 0 / 33 / 0

HEX #F0FFAC

RGB 240 255 172

HSL 70.84, 1%, 0.84%

LAB 97.24, -17.7, 38.09

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 20 / 0 / 48 / 9

HEX #B8E778

RGB 184 231 120

HSL 85.41, 0.7%, 0.69%

LAB 86.35, -32.94, 48.83

 

CMYK 22 / 0 / 53 / 16

HEX #A7D565

RGB 167 213 101

HSL 84.64, 0.57%, 0.62%

LAB 80.04, -32.87, 49.94

 

CMYK 23 / 0 / 58 / 24

HEX #96C352

RGB 150 195 82

HSL 83.89, 0.48%, 0.54%

LAB 73.63, -32.72, 50.97

 

CMYK 25 / 0 / 64 / 31

HEX #85B13F

RGB 133 177 63

HSL 83.16, 0.48%, 0.47%

LAB 67.12, -32.49, 51.83

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 7 / 0 / 44 / 2

HEX #E7F98B

RGB 231 249 139

HSL 69.82, 0.9%, 0.76%

LAB 94.57, -21.88, 50.6

 

CMYK 0 / 4 / 44 / 2

HEX #F9EE8B

RGB 249 238 139

HSL 54, 0.9%, 0.76%

LAB 93.08, -9.58, 49.06

 

CMYK 0 / 16 / 44 / 2

HEX #F9D08B

RGB 249 208 139

HSL 37.64, 0.9%, 0.76%

LAB 85.56, 5.63, 39.57

 

CMYK 0 / 29 / 44 / 2

HEX #F9B28B

RGB 249 178 139

HSL 21.27, 0.9%, 0.76%

LAB 78.37, 21.3, 30.19

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 31 / 0 / 44 / 2

HEX #ABF98B

RGB 171 249 139

HSL 102.55, 0.9%, 0.76%

LAB 90.9, -43.31, 45.23

 

CMYK 43 / 0 / 44 / 2

HEX #8DF98B

RGB 141 249 139

HSL 118.91, 0.9%, 0.76%

LAB 89.52, -52.51, 43.2

 

CMYK 44 / 0 / 33 / 2

HEX #8BF9A6

RGB 139 249 166

HSL 134.73, 0.9%, 0.76%

LAB 89.86, -48.9, 30.26

 

CMYK 44 / 0 / 22 / 2

HEX #8BF9C3

RGB 139 249 195

HSL 150.55, 0.9%, 0.76%

LAB 90.4, -43.57, 16.22

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 16 / 0 / 38 / 6

HEX #C8EF95

RGB 200 239 149

HSL 86, 0.74%, 0.76%

LAB 89.94, -27.47, 39.46

 

CMYK 14 / 0 / 31 / 10

HEX #C6E59F

RGB 198 229 159

HSL 86.57, 0.57%, 0.76%

LAB 87.26, -22.07, 30.87

 

CMYK 10 / 0 / 23 / 14

HEX #C5DBA8

RGB 197 219 168

HSL 85.88, 0.41%, 0.76%

LAB 84.67, -16.19, 22.7

 

CMYK 6 / 0 / 15 / 18

HEX #C4D1B2

RGB 196 209 178

HSL 85.16, 0.25%, 0.76%

LAB 82.14, -9.91, 13.9

 

CMYK 0 / 4 / 44 / 2

HEX #F9EE8B

RGB 249 238 139

HSL 54, 0.9%, 0.76%

LAB 93.08, -9.58, 49.06

 

CMYK 7 / 0 / 44 / 2

HEX #E7F98B

RGB 231 249 139

HSL 69.82, 0.9%, 0.76%

LAB 94.57, -21.88, 50.6

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 31 / 0 / 44 / 2

HEX #ACF98B

RGB 172 249 139

HSL 102, 0.9%, 0.76%

LAB 90.96, -42.98, 45.31

 

CMYK 43 / 0 / 44 / 2

HEX #8EF98B

RGB 142 249 139

HSL 118.36, 0.9%, 0.76%

LAB 89.56, -52.22, 43.26

 

CMYK 33 / 0 / 76 / 4

HEX #A4F53C

RGB 164 245 60

HSL 86.27, 0.9%, 0.6%

LAB 88.7, -50.97, 75.2

 

CMYK 26 / 0 / 60 / 3

HEX #B7F764

RGB 183 247 100

HSL 86.12, 0.9%, 0.68%

LAB 90.56, -42.41, 62.71

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 13 / 0 / 29 / 2

HEX #DBFBB2

RGB 219 251 178

HSL 86.3, 0.9%, 0.84%

LAB 94.85, -22.55, 31.67

 

CMYK 6 / 0 / 14 / 1

HEX #EDFDD9

RGB 237 253 217

HSL 86.67, 0.9%, 0.92%

LAB 97.33, -11.42, 15.47

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 44 / 0 / 16 / 2

HEX #8BF9D0

RGB 139 249 208

HSL 157.64, 0.9%, 0.76%

LAB 90.69, -40.92, 9.91

 

CMYK 0 / 44 / 2 / 2

HEX #F98BF5

RGB 249 139 245

HSL 302.18, 0.9%, 0.76%

LAB 73.02, 56.31, -35.38

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 44 / 19 / 0 / 2

HEX #8BC9F9

RGB 139 201 249

HSL 206.18, 0.9%, 0.76%

LAB 78.52, -7.5, -29.81

 

CMYK 0 / 44 / 19 / 2

HEX #F98BC9

RGB 249 139 201

HSL 326.18, 0.9%, 0.76%

LAB 71.43, 49.27, -13.6

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 44 / 0 / 16 / 2

HEX #8BF9D0

RGB 139 249 208

HSL 157.64, 0.9%, 0.76%

LAB 90.69, -40.92, 9.91

 

CMYK 25 / 44 / 0 / 2

HEX #BA8BF9

RGB 186 139 249

HSL 265.64, 0.9%, 0.76%

LAB 66.32, 39.37, -48.55

 

CMYK 0 / 44 / 28 / 2

HEX #F98BB3

RGB 249 139 179

HSL 338.18, 0.9%, 0.76%

LAB 70.77, 46.23, -2.34

 

CMYK 19 / 0 / 44 / 2

HEX #C9F98B

RGB 201 249 139

HSL 86.18, 0.9%, 0.76%

LAB 92.59, -32.98, 47.71

 

CMYK 44 / 0 / 3 / 2

HEX #8BF9F2

RGB 139 249 242

HSL 176.18, 0.9%, 0.76%

LAB 91.53, -33.26, -6.51

 

CMYK 25 / 44 / 0 / 2

HEX #BA8BF9

RGB 186 139 249

HSL 265.64, 0.9%, 0.76%

LAB 66.32, 39.37, -48.55

 

CMYK 0 / 44 / 41 / 2

HEX #F98B92

RGB 249 139 146

HSL 356.18, 0.9%, 0.76%

LAB 69.95, 42.32, 14.91

 

Description

Color code: HEX #C9F98B | qconv.com Color code: HEX #C9F98B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 249 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 249 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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